Rock Prints and Multiples

large scale photograph of iconic summer beach scene in Puglia by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Porto Miggiano...

Noel Daggett, American (1925 - 2005) - Pay Dirt, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 20 x 24.5 inches, Size: 22...

London: Gebbie & Husson Co., 1879 Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4 inches (258 x 310 mm), full margins. In good condition with some very minor margina...

This realistic limited edition print by John Harris captures a close up view of water rippling over rocks in a riverbed. Natural light reflects off the surface of the water, enhancin...

This is an exclusive handprinted limited edition cyanotype. "Greek Beach Bliss" is a cyanotype of a woman's feet in the fresh water of a sandy beach shore...

large format photograph by Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Cala Conta...

Héliogravure, collotype vélin paper. Paper Size: 18.86 x 17.91 inches; image size: 11.89 x 12.01 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the f...

Max Epstein, Canadian (1932 - 2002) - Roots, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 99 AP, Image Size: 19 x 28 inches, Size: 23 in. x 35 in. (5...

Tree Study V by Frank Schott from a series of black and white photographs capturing the Golden State's vast mountain landscapes 26 x 40 inches / 66cm x 102cm signed edition of 2...

Beth Ganz, 'Mount St. Elias, Yukon, Alaska', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Mount Saint Elias, the second-highest mountain in Canada and the United States stands on the Yukon and Alaska border about 26 miles (42 km) southwest of Mount Logan, the highest mountain in Canada. The Canadian side of Mount Saint Elias forms part of Kluane National Park and Reserve, while the U.S. side is within Wrangell-St. Elias National Park and Preserve. Mount Saint Elias is notable for its immense vertical relief. Its summit rises 18,008 feet (5,489 m) vertically in just 10 miles (16 km) horizontal distance from the head of Taan Fjord, off of Icy Bay. The name of the mountain in Tlingit (indigenous peoples of the Pacific Northwest Coast of North America), Yasʼéitʼaa Shaa, means "mountain behind Icy Bay"; the Yakutat Tlingit occasionally call it Shaa Tlein "Big Mountain". It is one of the most important crests of the Kwaashkʼiḵwáan clan, who used it as a guide during their journey down the Copper River. Mount Fairweather, at the apex of the British Columbia and Alaska borders at the head of the Alaska Panhandle, is known as Tsalx̱aan; legend states that this mountain and Yasʼéitʼaa Shaa (Mt. St. Elias) originally stood next to each other, but had an argument and separated. Their children, the mountains between the two peaks, are called Tsalx̱aan Yátxʼi ("Children of Tsalxaan"). European explorers first sighted the mountain on July 16, 1741, with the arrival of the expedition commanded by Vitus Bering, a Danish explorer in service of Russia. While some historians contend that Bering named the mountain, others believe that eighteenth-century mapmakers named it after Cape Saint Elias when Bering left the peak unnamed. Mt. St. Elias was first climbed on July 31, 1897, by an Italian expedition led by famed explorer Prince Luigi Amedeo, Duke of the Abruzzi (who also reconnoitered the current standard route on K2 in 1909) and included noted mountain photographer Vittorio Sella. In 2007 Gerald Salmina directed an Austrian documentary film, Mount St. Elias, about a team of skiers/mountaineers determined to make "the planet's longest skiing descent" by ascending the mountain and then skiing nearly all 18,000 feet down to the Gulf of Alaska; the movie finished editing and underwent limited release in 2009. The climbers ended up summiting on the second attempt and skiing down to 13,000 ft (3,960 m). ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints...

Scene of cliffs shaped by the waaves of the california coastline. Suggestions of human forms can be seen in some rock formations. Werger's mezzotint prints are masterful at capturin...

Tree Study I by Frank Schott from a series of black and white photographs capturing the Golden State's vast mountain landscapes 26 x 40 inches / 66cm x 102cm signed edition of 2...

Christo (1935 - 2020) and Jeanne-Claude (1935 - 2009) Early Works, 'Wrapped Coast (1968-1969)' Project for Little Bay, Australia Offset lithograph in colors on smooth paper Signed in blue crayon, upper right, within image Original photograph by Harry Shunk...

Noel Daggett, American (1925 - 2005) - Prize Rack, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP 40, Image Size: 17.5 x 23 inches, Size: ...

large format photograph of Azores beach by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leis...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Art in America, New York in an edition of CDVII/D. From the folio, The Four Se...

Beth Ganz, 'Mount Fuji, Japan', copperplate photogravure etching, edition 10, 2019. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi...

This is a serigraph signed and numbered by behrens. Out of 40. Unframed in good condition.

Tree of Life - Poster is a mixed-colored offset by Gino Marotta Sheet dimension: 80 x 60 Good conditions.

Nice chromolithography on the Douaumont fort. Fort Douaumont, briefly called Fort Gérard, is a fortified structure located in the commune of Douaumont-Vaux (Meuse department), in the...

Giacomo da Prato Faraglioni, Capri, Italy, 2022 40 x 40 inches edition of 10 Archival Pigment Print Mounted and Framed Certificate of Authenticity

Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Circle of Sheep Year: circa 1979 Medium: Serigraph, Signed in Pencil Edition: PP Size: 29 in. x 41 in. (73.66 cm x 104.14...

Untitled (2002) Screenprint on wove paper Signed, dated and numbered by the artist. Date: 2002 6 17 Ed. 1/23 26.9 x 45 cm (Image) 39.6 x 54.8 cm (Sheet)

ARAQUÉM ALCÂNTARA Fumacinha, Chapada Diamantina, Bahia, Brazil, 2014 71 x 48 inches - Edition of 10 Archival Pigment Print - Wood box frame matt - Regular Plexiglas Also available ...

This artwork Titled "Fishing Boats in Cap Muroto" c.1950, is an original woodcut on paper by Japanese artist Gihachiro Okuyama, 1907-1981. It is hand signed and inscribed in Japanese...

Rock and Roll is a lithograph on paper, initialed lower right 'BD', 9.5 x 9" image size. From the edition of 395, numbered LXXXV/C (there were also 275 Arabic and 20 AP), framed in a...

"The Diver 2" Black & White Photography 32 x 24 in Edition of 5 by Lukas Dvorak 32" x 24" inch Pigment print on Epson Fine ART paper 2016 Ships rolled in a tube ABOUT THE ARTIST...

large format original photograph of the iconic Mediterranean rock pools of Calafuria Vaschette in Tuscany by iconic Italian photographer Massimo Vitali, renowned for his grand scale ...

"Diver in a Lost Paradise" Photography Edition of 5 32 x 24 in by Lukas Dvorak 32" x 24" inch Pigment print on Epson Fine ART paper 2016 Ships rolled in a tube ABOUT THE ARTIST...

"Untitled (Nr. 1072)" Nude Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination o...

Numbered: 193/300 Color lithograph after the 1959 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 300. The lithograph features the dry...

Diana Kan Fantasy 1990 Mixed Media Lithograph with Mineral Color and hand-applied crimson foil and embossing Silk Embossed Opalescent Paper size 18" x 38" in...

This 1962 travel poster, designed by Nourry, captures the essence of French alpine tourism at Col de Voza, Mont Blanc, in Saint-Gervais (Haute-Savoie). With its vivid colors and dyna...

Beth Ganz, 'Lomagnupur, South Iceland', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi...

Seven color screen print on hand torn archival art paper. Hand signed and numbered on front, thumb print on verso by the artist. Edition 66 of 100. Artwork is in excellent condi...

Lithograph on paper. Hand signed, titled and numbered by the artist. Edition of 350. Artwork is in excellent condition. Certificate of Authenticity is included. All reasonable o...

Campi Phlegraei - View of a section of a part of the cone of Astruni taken at the entrance of this volcano Copper-line engraving with gouache. 1776. ...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 11.5 x 11.5 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the fol...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These triptychs are large pieces that feature lush blues, making them an impressive addition to any beautifully designed space. Each triptych is printed by hand and carefully crafted to capture the unique essence of these natural environments, with a focus on the interplay of light and shadows, and the subtle nuances of tone and texture. The beach and ocean scenes depict the dynamic beauty of waves crashing against the shore, with the cyanotype process lending a dreamy, ethereal quality to the images. Similarly, the forest and wood scenes...

Linda Plotkin, American (1938 - ) - Moshannon, Year: circa 1965, Medium: Etching on BFK Rives, signed, titled and numbered in pencil, Edition: 6/55, Image Size: 5.75 x 5.75 inche...

Screenprint in colours, 1991, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77 cm. (40.4...

Chris Forrest, American (1946 - ) - Wild Geese, Year: Circa 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP 40, Image Size: 18 x 23 inches, Size: 23 in...

California Dreaming by Frank Schott from a series of photographs capturing the Golden State's vast desert landscapes of the Sierra Nevada 48 x 72 inches / 122cm x 183m edition of 7 signed 27 x 40 inches / 68cm x 102cm edition of 25 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, William Eggleston and Joel Sternfeld, Schott's images successfully blend technical, conceptual and formal rigor with a decisive sense of composition and color. Schott's images have an iconic sensibility and give us a bird's eye view onto humanity and its constructs. The specific is edged towards the abstract, often revealing the compelling and disjunctive moment where nature meets man. Frank Schott was born in Cologne, Germany in 1962. He currently lives and works in San Francisco...

From a series of large scale black & white photographs capturing the ancient flora and dramatic arboretum of California's vast Sierra Nevada mountain landscapes, an homage to photogr...

From a series of large scale black & white photographs capturing the ancient flora and dramatic arboretum of California's vast Sierra Nevada mountain landscapes, an homage to photogr...

large format photograph of Gulpiyuri, a flooded sinkhole with inland beach in Northern Spain, by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographica...

Medium: etching and aquatint Edition of 100 Year: 2024 Image Size: 8 x 10 inches Signed, titled and numbered by the artist. Strata from a long past geological period add their patte...

“Deep Canyon Stream” by Ansel Adams, reproduced and published by Little, Brown and Co. in 1992, is a stunning depiction of nature’s raw and untouched beauty. This reproduction captur...

Beth Ganz, 'Craugh Phadrig, Ireland', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Cruach Phadraig in Irish, known as Croagh Patrick...

Raiders Of The Lost Ark - Original 1981 Lobby Card #3 Vintage 1981 Indiana Jones Raiders of the Lost Ark lobby card showing Harrison Ford running from the bolder Framing options a...

"Sunset Rocks, Mitoyo, Kagawa, Shikoku, Japan. 2022." is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matte...

large format photograph of summer beach scene along Cinque Terre coast by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Manarola (2020) 61.25” x 81.68” / 155.60 cm x 207.46 cm limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity) original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. Vitali worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2021 'PienoVuoto' Forte di Belvedere, Florence 2020 'Human Constellations' Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories' Mazzoleni, London 2018 'Coastal Colonies' Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery (New York, USA) 2016 ‘Landscapes with Figures’ Guido & Schoen Arte Contemponania (Genoa, Italy) 2016 ‘Massimo Vitali’ Crown Gallery (Knokke-Zoute, Belgium) 2016 ‘Massimo Vitali’ Ronchini Gallery (London, UK) 2015 ‘New Prints’ Hilger Next (Vienna, Austria) 2014 ‘Massimo Vitali’ Studio La Citta (Verona, Italy) 2014 ‘Into The White’ Erich Lindenberg Art Foundation (Porza, Switzerland) 2014 ‘Sempre più pallide. Towards Achrome’ Palazzo Tadea (Spilimbergo, Italy) 2013 ‘Between Normalities’ Bonni Benrubi...

Lithograph on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, 1984. Published by Centre National des Arts Plastiques, Ni...

Eduardo Naranjo (Spain, 1944) 'La creación III', 1984 etching, aquatint on paper Guarro Super Alpha 250g. 20.9 x 15 in. (53 x 38 cm.) Edition of 225 I...

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movemen...

A Yorkshire Dell or The Heron’s Pool. (after J.M.W. Turner, R.A., 1775-1851.) Soft-ground etching and mezzotint. Hardie 85. mezzotint over etching on India paper printed on chine-co...

Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to complete. His seascapes and ocean prints are from the California coastline. Sign...

This realistic limited edition print by John Harris captures a close up view of water rippling over rocks in a riverbed. Natural light reflects off the surface of the water, enhancin...

Antonio Diaz Cortes (Mexico, 1935) 'Otoño', 2006 engraving on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: DIA-105 Unframed

Miró de Prop by Joan Miró, a 1985 color lithograph exhibition poster for the Centre d’Estudis d’Art Contemporani in Barcelona. Measuring 70 x 50 cm, this surrealist artwork is an ext...