Rock Prints and Multiples

"Sunset Rocks, Mitoyo, Kagawa, Shikoku, Japan. 2022." is a silver gelatin print that was printed in the darkroom by master photographer and printer Michael Kenna. The print is matte...

This realistic limited edition print by John Harris captures a close up view of water rippling over rocks in a riverbed. Natural light reflects off the surface of the water, enhancin...

Lithograph on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Man Ray, 1984. Published by Centre National des Arts Plastiques, Ni...

"Evolution Of Jump" Photography 20" x 20" inch Ed. 1/36 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2018 ABOUT Rob Woodcox Rob Woodcox is a fine art and fas...

Antonio Diaz Cortes (Mexico, 1935) 'Otoño', 2006 engraving on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: DIA-105 Unframed

The poster titled "Child I" from Albert Watson’s exhibition at the NRW Museum in Düsseldorf is a significant representation of his work. The large format and evocative image capture ...

Medium: etching and aquatint Edition of 100 Year: 2024 Image Size: 8 x 10 inches Signed, titled and numbered by the artist. Strata from a long past geological period add their patte...

Gibbon Falls, Yellow-Stone National Park  is a chromolithograph from c.1880 showing two fisherman at the base of Gibbon Falls.  This chromolithograph is a dramatic view of the powerful Gibbon waterfall that cascades 84 feet into a small, clear pool. The setting is quintessential Yellowstone, with scrubby pine trees and rocky cliffs. The inscription on the bottom left corner below the image says Scenery From Nature on the Northern Pacific R.R.   Established by the U.S. Congress and signed into law by President Ulysses S. Grant on March 1, 1872  Yellowstone was the first national park in the U.S. and is widely held to be the first national park in the world. Native Americans have lived in the Yellowstone  region for at least 11,000 years. The Northern Pacific Railroad...

ABOUT THIS PIECE: Blurring the lines between reality and abstraction Luca searches for rich textures, patiently waiting for the subtle moment when the soft lighting or harsh contrast...

One of 30 copies ROBERT BARTEL Painter, graphic artist, creates drawings, objects and spatial arrangements. Mixes spatial objects with traditional techniques - drawing and graphics. ...

"Syrens No3" Photography 42" x 30" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Comes wit...

Duane Bryers, American (1911 - 2012) - Apache Fire Light, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Image Size: 17 x 22.5 in., Size: 21.5 ...

Color mezzotints depicting the landscape of coastal Maine. This is one of eighteen (printed on chine collé) with intimations of the Arts and Crafts Movement from the early twentieth ...

Untitled (Nr. 0937) Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six...

The 1971 original travel poster for Swissair, titled "Airview - British Columbia," was created by renowned Swiss aerial photographer Georg Gerster with d...

Canyon Stream by Harvey Kidder, American (1918–2001) Date: circa 1985 Aquatint Etching, Signed and Numbered in Pencil Edition of 150 Size: 25 in. x 35.5 in. (63.5 cm x 90.17 cm)

Roman Stones is an original lithograph realized after the french architect François Mazois in 1880 ca. Good conditions except for being aged with consumed margins. The artwork rep...

Six Mark Stones is a black and white etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English Pop artist Joe Tilson, and published by La Nuova Foglio, a publi...

Glastonbury, Labyrinth, Peat is a black and white etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English Pop artist Joe Tilson, and published by La Nuova Fo...

Drag Queen on the Rocks By Tim Southall [2021] limited_edition and hand signed by the artist etching Edition number 75 Image size: H:20 cm x W:30 cm Complete Size of Unframed Work: H:0.01 cm x W:32 cm x D:42cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Drag Queen on the Rocks is an allegorical print by Tim Southall. It depicts a drag queen focusing all her charisma, uniqueness, nerve and talent on negotiating a very rocky and uneven landscape. The title alone suggests that it might be all over for the Drag Queen: she is in difficulty and likely to fail; in tatters, ruined, and perhaps beyond repair. But never underestimate a drag queen. The fact that she has the nerve to wear stiletto heels while rock climbing...

Signed, titled and numbered from the edition of 10. This image was created by cutting the copper plates of a large trilogy of prints (Memory and Presence, which are also listed here)...

"Dante" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe, a...

RENÉ MAGRITTE Lessines 1898 - Brussels 1967) La Bataille de l'Argonne, 1959 Lithograph d'après signed in plate (mm.380x460). Perfect specimen, exclusive and limited edition of 275 n...

Flétissure Allègre, From Territoires is an original black and white lithograph realized by Jean Dubuffet (1901 Le Havre - Paris 1985). The artwork is the plate n. 8 from the portf...

Inscription et Relief au Rocher is an original modern artwork realized in Germany in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the central margin...

A very beautiful original poster realized for the Ministry of Public Works, Transport and Tourism more precisely by the general direction of tourism to promote the tourist attraction...

Artist: Jean Dubuffet Medium: Lithographic Poster, 1959 Dimensions: 30.5 x 22 in, 77.5 x 55.9 cm Dubuffet was a successful propagandist, gaining notoriety for his attacks on the “...

Beth Ganz, 'Adam's Peak, Sri Lanka', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. Archivally sleeved, unmatted. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Adam's Peak is a 2,243 m (7,359 ft) tall conical mountain located in the southern reaches of the Central Highlands of Sri Lanka. Revered as a holy site by Buddhists, Hindus, Muslims, and Christians, it is well known for the Sri Pada, "sacred footprint," a 1.8 m (5 ft 11 in) rock formation near the summit, which in the Buddhist tradition is held to be the footprint of the Buddha, in Hindu tradition that of Hanuman or Shiva, i.e., "Mountain of Shiva's Light." Some Muslims and Christians in Sri Lanka ascribe it to where Adam, the first ancestor, set foot as he was exiled from the Garden of Eden. The legends of Adam are connected to the idea that Sri Lanka was the original Eden, and in the Muslim tradition, Adam was 60 cubits tall. A shrine to Saman, a Buddhist "deity" (seekers who have devoted their lives to spiritual values are deified by Sri Lankan Buddhists) charged with protecting the mountaintop, can be found near the footprint. A bell lies on top of the temple, and tradition holds that pilgrims ring it as many times as they have achieved the pilgrimage to the top of the peak. Sri Pada is first mentioned (as Samanthakuta) in the Deepawamsa, the earliest Pali chronicle, (4th century), and also in the 5th-century register Mahawamsa, where it is stated that the Buddha visited the mountain peak. The log Rajavaliya records that King Valagamba (1st century BCE) had taken refuge in the forests of Adam's Peak against invaders from India, and later returned to Anuradhapura. The Mahawamsa again mentions the visit of King Vijayabahu I (1058–1114) to the mountain. The famous Chinese pilgrim and Buddhist traveler Fa Hien stayed in Sri Lanka in 411–12 CE and mentions Sri Pada. The Italian merchant Marco Polo in his Travels of 1298 CE, noted that Adam's Peak was an important place of pilgrimage. The Arab traveler Ibn Battuta climbed to the summit, which he called Sarandīb, in 1344 CE. In his description, he mentions a stairway and iron stanchions with chains to aid pilgrims in the climb. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints Collection. Ganz teaches workshops in photogravure and intaglio at Manhattan Graphics Center and has been a long-time grantee of the Elizabeth Foundation for the Arts. AWARDS AND RESIDENCIES 2018 – Signal: Tri-State Juried Exhibition (2nd Place), Katonah Museum of Art, Katonah, New York (Juror: Lumi Tan) 2001-2014 – Studio Program, Elizabeth Foundation for the Arts, New York, NY 2005 – Johnson & Johnson Purchase Prize, 48th Annual National Print Exhibition, Hunterdon Museum of Art, Clinton, NJ 1999 – Prints USA Juror’s Award, Springfield Art Museum, Springfield, MO 1993 – 37th Annual National Print Exhibition (Honorable Mention), Hunterdon Art Center, Clinton, NJ 1992 – Small Impressions 1992 (Juror’s Award), Printmaking Council of New Jersey, NJ BIBLIOGRAPHY: MAGAZINES, JOURNALS, NEWSPAPERS, AND ONLINE MEDIA 2018 – Mary Legrand, “A Signal of Invention,” Bedford Record, July 2018 2017 – Sara Mintz, “Profile of an Artist: Beth Ganz,” Journal of the Print World, Vol. 40, #4, October 2017 2017 – Cate McQuaid, “Critics’ Picks, The Ticket: Music, Theater, Dance, Art and more,” Boston Globe, May 2017 4, 2017 2017 – Beth Ganz, “New Prints: Beth Ganz and the Atlas Project Landscape,” Journal of the Print World, I Vol. 40, #3, July 2017 Collections: Duke Energy, Charlotte, NC; Evelyn Lauder Breast Center at SKMCC, New York, NY; Frost Bank, Houston, Texas; Hofstra Museum, Hofstra University; Johnson and Johnson...

Medium: original lithograph. Printed in 1959 for the art revue Derriere le Miroir (issue number 116) and published in Paris by the Maeght atelier. Size: 15 x 22 inches (377 x 560 mm). There is a center...

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movemen...

This collagraph was created circa 1973. It is signed, titled and inscribed "1/75" in pencil. The paper size is 22 x 30 1/2" with the printed image 18 7/8 x 27 3/4.&q...

Untitled (Nr. 7201) Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-year photographic journey through Baja, Mexico. Ben Cope and Rowan Daly began their travels in 2014, working their way through the towns of la Salinas, Baja Mar, and Cantamar, down through Ensanada and la Bufadora. This series of photographs depicts the pair’s adventures and explorations. Off the Grid documents the textures, people, and places visited during this incredible journey. Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic sculpture and photography from Columbus State University. He maintains a successful career with a diverse portfolio including fashion, editorial, celebrity portraiture and advertising. He is widely known for his celebrity and fashion portraiture, which has been published internationally in publications such as Harper’s Bazaar, Elle, GQ, The Work Magazine, Fucking Young, and l’Officiel, and has shot international campaigns for such clients as Adidas, L’Oréal, Paul...

Sheer Power Uwe Werner, German/American (1942) Date: 1980 Lithograph, signed and numbered in pencil Edition of 300 Size: 19 in. x 28 in. (48.26 cm x 71.12 cm)

Sundown by Ian Phillips [2022] limited_edition and hand signed by the artist Linocut Edition number 23/28 Image size: H:28.5 cm x W:41 cm Complete Size o...

Miguel Angel Blanco (Spain, 1958) 'Flores pétreas II', 2003 digital print on paper 14.6 x 11.9 in. (37 x 30 cm.) Edition of 50 Unframed ID: BLA1420-002-050 Hand-signed by author

Paper Size: 11 x 17 inches ( 27.94 x 43.18 cm ) Image Size: 10 x 12.5 inches ( 25.4 x 31.75 cm ) Framed: No Condition: A: Mint Additional Details: Signed, Numbered out of 150, Dated ...

A former student of the American landscape photographer Ansel Adams, Neil Folberg is known for his color landscapes of the Middle East and black-and-white techniques that champion the wizardry of his master teacher. Born in San Francisco, Folberg became a pupil of Adams at age 17, followed by his education at the University of California at Berkeley and individualized study with landscape photographer William Garnett. By 1976, Folberg had relocated to Jerusalem, where he began producing color landscapes throughout the deserts of Israel, Egypt, and Jordan. Folberg was commissioned by Aperture to document synagogues across the world, followed by a return to black-and-white in a series of night skies among ancient ruins of the Middle East. He used that same lighting to evoke the colors and light of the French Impressionists in his innovative re-creation of their world (“Travels with Van Gogh and the Impressionists”, Abbeville Press). His current project places man on the stage of nature in brilliantly lit scenes. SELECTED SOLO EXHIBITIONS 2015 Celestial Nights, The Dryansky Gallery, San Francisco 2012 Topography/Time/Israel, Flomenhaft Gallery, New York 2008 Celestial Nights: An Aperture Traveling Exhibition, Yeshiva University Museum, New York 2007 Celestial Nights: An Aperture Traveling Exhibition, Hammond Art Gallery, Fitchburg, MA Celestial Nights: An Aperture Traveling Exhibition, Miller Jewish Museum, Tulsa, Oklahoma Celestial Nights: An Aperture Traveling Exhibition, Museum of the Southwest, Midland, TX 2006 The Impressionists' Salon, Holden Luntz Gallery...

Aodh is a god of the underworld and prince of the Daoine Sidhe in Irish mythology. The crashing waves in this cave made its legend as a gateway to the realm of the Gods entirely u...

Cliff Edge by Ann Burnham [2022] limited_edition and hand signed by the artist Linocut on paper Edition number 4 Image size: H:56cm cm x W:42cm cm Comple...

Lithograph by "Ustica" by Rabolini Printed in Italy Print in Good Condition Measures 19.5 in x 27.5 in

Silver Mountain By Chris Keegan [2021] limited_edition Screen print Edition number 40 Image size: H:56 cm x W:56 cm Complete Size of Unframed Work: H:...

Palm Springs Mid Century Modern Architecture, Vintage Classic Mercedes Benz SL, Palm Desert, Limited Series. Archival Inkjet Print on ...

Frederick Kiesler "Frederick Kiesler: An Exhibition of Architecture and Sculpture (Endless House, Model)" Yale University School of Art and Architecture, New Haven, c. 1967 Exhibitio...

Original American Lobby Card of the Movie „THE LAST HARD MEN“ USA 1976 Director: Andrew V. McLaglen, Actors/Stars:Charlton Heston, James Coburn The Last H...

Stuckey 328. From an edition of 60. Signed in pencil lower right margin: "Stow Wengenroth"; inscribed in pencil lower left margin: "Ed/60". A fine impression in fine condition. Sheet...

Signed, Numbered out of 150, Dated and Titled in Pencil on the verso. Multiple Impression inkjet printed on rag paper (Epson 3880 print on Museum Silver Rag paper).

First Edition lithograph Full plate: 98 Presented in a acid free mount

Tree of Life - Poster is a mixed-colored offset by Gino Marotta Sheet dimension: 80 x 60 Good conditions.

"Hello, Portugal" Photography 32" x 24" inch Edition 1/7 by Lukas Dvorak 32" x 24" inch Pigment print on Epson Fine ART paper 2011 Shot in Portugal Unframed Ships rolled in a tu...

Birs Nimrud la dite Tour Babilonique is an original modern artwork realized in Germany in the Early 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the upper c...

BRHHP 40, Original Signed Contemporary Neutral Toned Monoprint 30" x 22" (HxW), Monoprint This simple abstract monoprint by artist Sheila Crider features a neutral color palette of ...

"Canopy River" is an abstract linocut print of the view looking up through a rocky crevice and into a forest canopy. This artwork is by Berkeley artist and printmaker Hannah Skoonberg...

Serigraph on paper. Hand signed and numbered by the artist. Image size approx 29 x 43 inches. Edition of 200. Artwork is in excellent condition. Certificate of authenticity includ...

Juano Diaz was born in Glasgow in 1977. Diaz's artistic practice executed by private commission has been placed in many high-profile international private and corporate collections w...

Untitled (Nr. 0170) Photography 18" x 24" Edition 2/20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-...

A photograph by Peter Beard. “Buy an elephant a drink" / "Water for wild animals" / "STARYO" natl. park, Kenya / ELEPHANTS' MEMORY is a contemporary black and white platinum print by...

ARAQUÉM ALCÂNTARA Fumacinha, Chapada Diamantina, Bahia, Brazil, 2014 71 x 48 inches - Edition of 10 Archival Pigment Print - Wood box frame matt - Regular Plexiglas Also available ...

edition 1/5 Antippas’ photographic series, Chicken, is an interpretation of the exceptional, yet contrastive people that make up New Orleans. The portraits of Popeyes chicken legs d...