Rock Prints and Multiples

HOVERING STONE is a hand drawn original lithograph(not a photo reproduction or digital print) printed using hand lithography techniques on archival Arches printmaking paper 100% acid...

Color mezzotints depicting the landscape of coastal Maine. This is one of eighteen (printed on chine collé) with intimations of the Arts and Crafts Movement from the early twentieth ...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 14.09 x 13.5 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the fo...

Paper Size: 33 x 23.5 inches ( 83.82 x 59.69 cm )_x000B_Image Size: 33 x 23.5 inches ( 83.82 x 59.69 cm )_x000B_Framed: No_x000B_Condition: A-: Near Mint, very light signs of handlin...

Hazy Day by Ian Phillips [2022] limited_edition and hand signed by the artist Original Linocut Edition number 23/30 Image size: H:28.5 cm x W:41 cm Complete Size of Unframed Work: H...

Palm Springs Mid Century Modern Architecture, Vintage Classic Mercedes Benz SL, Palm Desert, Limited Series. Archival Inkjet Print on ...

Chris Forrest, American (1946 - ) - Falcon's Vigil, Year: circa 1979, Medium: Lithograph, Signed and numbered in pencil, Edition: 300, AP XL, Image Size: 18 x 23 inches, Size: 2...

Artist: Jean Dubuffet Medium: Lithographic Poster, 1959 Dimensions: 30.5 x 22 in, 77.5 x 55.9 cm Dubuffet was a successful propagandist, gaining notoriety for his attacks on the “...

"Syrens No3" Photography 42" x 30" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Comes wit...

The poster titled "Child I" from Albert Watson’s exhibition at the NRW Museum in Düsseldorf is a significant representation of his work. The large format and evocative image capture ...

A very beautiful original poster realized for the Ministry of Public Works, Transport and Tourism more precisely by the general direction of tourism to promote the tourist attraction...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Eschatos 21 Medium: Serigraph, signed and numbered in pencil Edition: 200, 30 AP Size: 23 in. x 29 in. (58.42 cm x 73....

The 1971 original travel poster for Swissair, titled "Airview - British Columbia," was created by renowned Swiss aerial photographer Georg Gerster with d...

Signed, titled and numbered from the edition of 10. This image was created by cutting the copper plates of a large trilogy of prints (Memory and Presence, which are also listed here)...

Roman Stones is an original lithograph realized after the french architect François Mazois in 1880 ca. Good conditions except for being aged with consumed margins. The artwork rep...

Glastonbury, Labyrinth, Peat is a black and white etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English Pop artist Joe Tilson, and published by La Nuova Fo...

Six Mark Stones is a black and white etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English Pop artist Joe Tilson, and published by La Nuova Foglio, a publi...

Gibbon Falls, Yellow-Stone National Park  is a chromolithograph from c.1880 showing two fisherman at the base of Gibbon Falls.  This chromolithograph is a dramatic view of the powerful Gibbon waterfall that cascades 84 feet into a small, clear pool. The setting is quintessential Yellowstone, with scrubby pine trees and rocky cliffs. The inscription on the bottom left corner below the image says Scenery From Nature on the Northern Pacific R.R.   Established by the U.S. Congress and signed into law by President Ulysses S. Grant on March 1, 1872  Yellowstone was the first national park in the U.S. and is widely held to be the first national park in the world. Native Americans have lived in the Yellowstone  region for at least 11,000 years. The Northern Pacific Railroad...

Flétissure Allègre, From Territoires is an original black and white lithograph realized by Jean Dubuffet (1901 Le Havre - Paris 1985). The artwork is the plate n. 8 from the portf...

Inscription et Relief au Rocher is an original modern artwork realized in Germany in the Mid-19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the central margin...

One of 30 copies ROBERT BARTEL Painter, graphic artist, creates drawings, objects and spatial arrangements. Mixes spatial objects with traditional techniques - drawing and graphics. ...

"Dante" is an original Black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe, a...

Stuckey 328. From an edition of 60. Signed in pencil lower right margin: "Stow Wengenroth"; inscribed in pencil lower left margin: "Ed/60". A fine impression in fine condition. Sheet...

Beth Ganz, 'Adam's Peak, Sri Lanka', copperplate photogravure etching, edition 10, 2020. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. Archivally sleeved, unmatted. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Adam's Peak is a 2,243 m (7,359 ft) tall conical mountain located in the southern reaches of the Central Highlands of Sri Lanka. Revered as a holy site by Buddhists, Hindus, Muslims, and Christians, it is well known for the Sri Pada, "sacred footprint," a 1.8 m (5 ft 11 in) rock formation near the summit, which in the Buddhist tradition is held to be the footprint of the Buddha, in Hindu tradition that of Hanuman or Shiva, i.e., "Mountain of Shiva's Light." Some Muslims and Christians in Sri Lanka ascribe it to where Adam, the first ancestor, set foot as he was exiled from the Garden of Eden. The legends of Adam are connected to the idea that Sri Lanka was the original Eden, and in the Muslim tradition, Adam was 60 cubits tall. A shrine to Saman, a Buddhist "deity" (seekers who have devoted their lives to spiritual values are deified by Sri Lankan Buddhists) charged with protecting the mountaintop, can be found near the footprint. A bell lies on top of the temple, and tradition holds that pilgrims ring it as many times as they have achieved the pilgrimage to the top of the peak. Sri Pada is first mentioned (as Samanthakuta) in the Deepawamsa, the earliest Pali chronicle, (4th century), and also in the 5th-century register Mahawamsa, where it is stated that the Buddha visited the mountain peak. The log Rajavaliya records that King Valagamba (1st century BCE) had taken refuge in the forests of Adam's Peak against invaders from India, and later returned to Anuradhapura. The Mahawamsa again mentions the visit of King Vijayabahu I (1058–1114) to the mountain. The famous Chinese pilgrim and Buddhist traveler Fa Hien stayed in Sri Lanka in 411–12 CE and mentions Sri Pada. The Italian merchant Marco Polo in his Travels of 1298 CE, noted that Adam's Peak was an important place of pilgrimage. The Arab traveler Ibn Battuta climbed to the summit, which he called Sarandīb, in 1344 CE. In his description, he mentions a stairway and iron stanchions with chains to aid pilgrims in the climb. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints Collection. Ganz teaches workshops in photogravure and intaglio at Manhattan Graphics Center and has been a long-time grantee of the Elizabeth Foundation for the Arts. AWARDS AND RESIDENCIES 2018 – Signal: Tri-State Juried Exhibition (2nd Place), Katonah Museum of Art, Katonah, New York (Juror: Lumi Tan) 2001-2014 – Studio Program, Elizabeth Foundation for the Arts, New York, NY 2005 – Johnson & Johnson Purchase Prize, 48th Annual National Print Exhibition, Hunterdon Museum of Art, Clinton, NJ 1999 – Prints USA Juror’s Award, Springfield Art Museum, Springfield, MO 1993 – 37th Annual National Print Exhibition (Honorable Mention), Hunterdon Art Center, Clinton, NJ 1992 – Small Impressions 1992 (Juror’s Award), Printmaking Council of New Jersey, NJ BIBLIOGRAPHY: MAGAZINES, JOURNALS, NEWSPAPERS, AND ONLINE MEDIA 2018 – Mary Legrand, “A Signal of Invention,” Bedford Record, July 2018 2017 – Sara Mintz, “Profile of an Artist: Beth Ganz,” Journal of the Print World, Vol. 40, #4, October 2017 2017 – Cate McQuaid, “Critics’ Picks, The Ticket: Music, Theater, Dance, Art and more,” Boston Globe, May 2017 4, 2017 2017 – Beth Ganz, “New Prints: Beth Ganz and the Atlas Project Landscape,” Journal of the Print World, I Vol. 40, #3, July 2017 Collections: Duke Energy, Charlotte, NC; Evelyn Lauder Breast Center at SKMCC, New York, NY; Frost Bank, Houston, Texas; Hofstra Museum, Hofstra University; Johnson and Johnson...

Medium: original lithograph. Printed in 1959 for the art revue Derriere le Miroir (issue number 116) and published in Paris by the Maeght atelier. Size: 15 x 22 inches (377 x 560 mm). There is a center...

Duane Bryers, American (1911 - 2012) - Apache Fire Light, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Image Size: 17 x 22.5 in., Size: 21.5 ...

Sheer Power Uwe Werner, German/American (1942) Date: 1980 Lithograph, signed and numbered in pencil Edition of 300 Size: 19 in. x 28 in. (48.26 cm x 71.12 cm)

Canyon Stream by Harvey Kidder, American (1918–2001) Date: circa 1985 Aquatint Etching, Signed and Numbered in Pencil Edition of 150 Size: 25 in. x 35.5 in. (63.5 cm x 90.17 cm)

This luminous 1956 photographic travel poster by Yvon captures the timeless elegance of Biarritz, the “Queen of Beaches” on France’s Basque coast. In the foreground, wild hydrangeas ...

ABOUT THIS PIECE: Blurring the lines between reality and abstraction Luca searches for rich textures, patiently waiting for the subtle moment when the soft lighting or harsh contrast...

Miguel Angel Blanco (Spain, 1958) 'Flores pétreas II', 2003 digital print on paper 14.6 x 11.9 in. (37 x 30 cm.) Edition of 50 Unframed ID: BLA1420-002-050 Hand-signed by author

Paper Size: 11 x 17 inches ( 27.94 x 43.18 cm ) Image Size: 10 x 12.5 inches ( 25.4 x 31.75 cm ) Framed: No Condition: A: Mint Additional Details: Signed, Numbered out of 150, Dated ...

Drag Queen on the Rocks By Tim Southall [2021] limited_edition and hand signed by the artist etching Edition number 75 Image size: H:20 cm x W:30 cm Complete Size of Unframed Work: H:0.01 cm x W:32 cm x D:42cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Drag Queen on the Rocks is an allegorical print by Tim Southall. It depicts a drag queen focusing all her charisma, uniqueness, nerve and talent on negotiating a very rocky and uneven landscape. The title alone suggests that it might be all over for the Drag Queen: she is in difficulty and likely to fail; in tatters, ruined, and perhaps beyond repair. But never underestimate a drag queen. The fact that she has the nerve to wear stiletto heels while rock climbing...

Silver Mountain By Chris Keegan [2021] limited_edition Screen print Edition number 40 Image size: H:56 cm x W:56 cm Complete Size of Unframed Work: H:...

Artist: De Es Schwertberger (Dieter), Austrian (1942 - ) Title: Three Heads Year: circa 1979 Medium: Lithograph, signed, numbered, and dedicated in pencil Edition: AP Image Size: 20 ...

Isca Greenfield-Sanders Mountain Stream Direct to plate photogravure and aquatint. Edition of 50

Aodh is a god of the underworld and prince of the Daoine Sidhe in Irish mythology. The crashing waves in this cave made its legend as a gateway to the realm of the Gods entirely u...

Sundown by Ian Phillips [2022] limited_edition and hand signed by the artist Linocut Edition number 23/28 Image size: H:28.5 cm x W:41 cm Complete Size o...

Cliff Edge by Ann Burnham [2022] limited_edition and hand signed by the artist Linocut on paper Edition number 4 Image size: H:56cm cm x W:42cm cm Comple...

"Untitled (Nr. 0732)" Nude Photography 18" x 24" Edition 2/20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of...

Untitled (Nr. 0170) Photography 18" x 24" Edition 2/20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-...

A former student of the American landscape photographer Ansel Adams, Neil Folberg is known for his color landscapes of the Middle East and black-and-white techniques that champion the wizardry of his master teacher. Born in San Francisco, Folberg became a pupil of Adams at age 17, followed by his education at the University of California at Berkeley and individualized study with landscape photographer William Garnett. By 1976, Folberg had relocated to Jerusalem, where he began producing color landscapes throughout the deserts of Israel, Egypt, and Jordan. Folberg was commissioned by Aperture to document synagogues across the world, followed by a return to black-and-white in a series of night skies among ancient ruins of the Middle East. He used that same lighting to evoke the colors and light of the French Impressionists in his innovative re-creation of their world (“Travels with Van Gogh and the Impressionists”, Abbeville Press). His current project places man on the stage of nature in brilliantly lit scenes. SELECTED SOLO EXHIBITIONS 2015 Celestial Nights, The Dryansky Gallery, San Francisco 2012 Topography/Time/Israel, Flomenhaft Gallery, New York 2008 Celestial Nights: An Aperture Traveling Exhibition, Yeshiva University Museum, New York 2007 Celestial Nights: An Aperture Traveling Exhibition, Hammond Art Gallery, Fitchburg, MA Celestial Nights: An Aperture Traveling Exhibition, Miller Jewish Museum, Tulsa, Oklahoma Celestial Nights: An Aperture Traveling Exhibition, Museum of the Southwest, Midland, TX 2006 The Impressionists' Salon, Holden Luntz Gallery...

This is a beautiful landscape photography by a rising Chinese photographer. The work centers on the inter-relation in vast expanse of sky, and oc...

This collagraph was created circa 1973. It is signed, titled and inscribed "1/75" in pencil. The paper size is 22 x 30 1/2" with the printed image 18 7/8 x 27 3/4.&q...

Original American Lobby Card of the Movie „THE LAST HARD MEN“ USA 1976 Director: Andrew V. McLaglen, Actors/Stars:Charlton Heston, James Coburn The Last H...

RENÉ MAGRITTE Lessines 1898 - Brussels 1967) La Bataille de l'Argonne, 1959 Lithograph d'après signed in plate (mm.380x460). Perfect specimen, exclusive and limited edition of 275 n...

Signed, Numbered out of 150, Dated and Titled in Pencil on the verso. Multiple Impression inkjet printed on rag paper (Epson 3880 print on Museum Silver Rag paper).

Untitled (Nr. 0937) Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six...

Juano Diaz was born in Glasgow in 1977. Diaz's artistic practice executed by private commission has been placed in many high-profile international private and corporate collections w...

"Untitled (Nr. 0457)" Landscape Photography 18" x 24" in Ed. 5/20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culminatio...

Tree of Life - Poster is a mixed-colored offset by Gino Marotta Sheet dimension: 80 x 60 Good conditions.

Birs Nimrud la dite Tour Babilonique is an original modern artwork realized in Germany in the Early 19th Century. Original B/W Lithograph on Ivory Paper. Inscripted on the upper c...

First Edition lithograph Full plate: 98 Presented in a acid free mount

Lithograph by "Ustica" by Rabolini Printed in Italy Print in Good Condition Measures 19.5 in x 27.5 in

BRHHP 25, Original Signed Contemporary Neutral Toned Monoprint 30" x 22" (HxW), Monoprint This simple abstract monoprint by artist Sheila Crider features a neutral color palette of ...

BRHHP 40, Original Signed Contemporary Neutral Toned Monoprint 30" x 22" (HxW), Monoprint This simple abstract monoprint by artist Sheila Crider features a neutral color palette of ...

"Hello, Portugal" Photography 32" x 24" inch Edition 1/7 by Lukas Dvorak 32" x 24" inch Pigment print on Epson Fine ART paper 2011 Shot in Portugal Unframed Ships rolled in a tu...

Untitled (Nr. 0895) Photography 18" x 24" Edition 1/20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-...

"Evolution Of Jump" Photography 20" x 20" inch Ed. 1/36 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2018 ABOUT Rob Woodcox Rob Woodcox is a fine art and fas...

Untitled (Nr. 7201) Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-year photographic journey through Baja, Mexico. Ben Cope and Rowan Daly began their travels in 2014, working their way through the towns of la Salinas, Baja Mar, and Cantamar, down through Ensanada and la Bufadora. This series of photographs depicts the pair’s adventures and explorations. Off the Grid documents the textures, people, and places visited during this incredible journey. Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic sculpture and photography from Columbus State University. He maintains a successful career with a diverse portfolio including fashion, editorial, celebrity portraiture and advertising. He is widely known for his celebrity and fashion portraiture, which has been published internationally in publications such as Harper’s Bazaar, Elle, GQ, The Work Magazine, Fucking Young, and l’Officiel, and has shot international campaigns for such clients as Adidas, L’Oréal, Paul...