Sculptures

Xsakioro is a bronze sculpture by contemporary artist Jacques Owczarek, dimensions are 94 × 65 × 47 cm (37 × 25.6 × 18.5 in). The sculpture is signed and numbered, it is part of a l...

Boulder #4 is a sculpture by English artist Tom Price. This artwork can be customized— feel free to contact us for a quote. Tom Price’s artistic approach focuses on material explora...

"Unzip The Earth GEO" is a playful, outdoor sculptural installation consisting of a steel zipper handle and concrete brick teeth that give the illusion...

Holi is a bronze sculpture by contemporary artist Romain Langlois, dimensions are 62 × 24 × 23 cm (24.4 × 9.4 × 9.1 in). The sculpture is signed and numbered, it is part of a limite...

Set of 5 hyperreal glass water balloon sculpture installation by Dylan Martinez. Made of 100% hot-sculpted glass. Approx. Size: 3.5 × 3.5 × 4.5 inches (each balloon) Dylan Martine...

This piece titled "DALL·E 2023-04-23 11.28.28" is a crafted original piece by Tuft the World as part of the inaugural collection of TTW Editions. This piece measures 43"h x 66"w and ...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. His original artworks capture the essence of Abstract Expression...

Blue Series - Hyperreal blue water bag glass sculpture, solid and hollow glass by Dylan Martinez. Dylan Martinez' hyperreal sculptures are hot sculpted glass, hand molded entirely ...

Le Pousseur de Lune is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 56.5 × 74 × 14 cm (22.2 × 29.1 × 5.5 in). The sculpture is signed and numbered...

Magic Frog is a bronze sculpture by contemporary artist Chésade, dimensions are 19.5 × 25 × 22 cm (7.7 × 9.8 × 8.7 in). The sculpture is signed and numbere...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of contemporary art, illustrating the creation of beauty, meaning, and emotional impact fr...

"Autumn By The Shore" Meticulously handcrafted stoneware through weeks of pinching from award-winning artist Beth Anne Krah, this biomorphic ceramic sculpture is truly a one-of-a-ki...

Bronze sculpture with patinated brass base. Dimensions: 200 × 48 × 48 cm (dimensions include the base of the sculpture, which is 4 cm x 48 cm x 48 cm (1.6 H x 18.9 W x 18.9 in D). L...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of contemporary art, illustrating the creation of beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—generally found in screen doors, windows, and filters—he creates contemporary abstract sculptural artworks and installations, which resemble flowers, clouds, and other natural phenomena. Working in metal, Adams effortlessly transforms rigid material into airy, effervescent artworks. This 35-inch high by 10-inch wide by 8-inch deep tabletop sculpture created from aluminum mesh, gesso, acrylic paint, metal leafing, rivets, wire, and grommets on a metal stand. Size and price include stand. Atticus works spontaneously, feeling his way toward the objects that take shape in his mind as he shapes them almost entirely by hand. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the art gallery is included. Atticus grew up in West Virginia, steeped in traditional folk art. Several members of his family are self-taught artists, deeply involved in such crafts as wood carving and quilting. His formal art training includes stints at Yale, Rhode Island School of Design, and Harvard’s School of Architecture. Atticus has fond summer memories of screened-in porches back home and screen doors that practically dissolved the barrier between inside and outside, allowing the warmth and nature to permeate each day. This association continues to resonate in his art. “Metal mesh is a beautiful, flexible material that allows you to explore shadow and transparency in endless ways,” he says. “The material lends itself to these biomorphic shapes, which aren’t necessarily intentional . . . The sculptures seem fragile but are actually quite resilient—like nature itself.” A well-known sculptor, the organically inspired artworks of Atticus Adams are held in public and private collections and are exhibited in galleries and museums across the United States. REPRESENTATION Since 2014 Artspace Warehouse Los Angeles, CA SOLO EXHIBITIONS 2021 Seeking Sanctuary, Zynka Gallery, Pittsburgh, PA 2021 My Hydrangea Kingdom By a Bird Bath Sea, Pittsburgh Botanic Garden, Pittsburgh, PA 2018 There’s a Pink Poodle in my Arcadia, The Pittsburgh Center for the Arts, Pittsburgh, PA Summers of Green Apples with Salt, The Westmoreland Museum of American Art, Greensburg, PA 2016 Mesh Werks, Desert Art Collections, Palm Desert, CA 2015 Shapes & Forms, Desert Art Collections, Palm Desert, CA Mesh Lab: The Experiments, The Mine Factory, Pittsburgh, PA 2014 Arcadia, BE Galleries, Pittsburgh, PA 2013 Summertime, BE Galleries, Pittsburgh, PA 2013 A Joggling Board...

Hand forged from weathering steel Floyd Elzinga’s impressive outdoor sculpture of a pine cone is designed to house logs for a fire. The end of the cone opens to allow for logs to be ...

Circa Late 1920s - Early 1930s. It is all Bohlin made and marked to include the saddle, the headstall and the breast collar. All made in Hollywood California. The only non-Bohlin item is the bit which appears to also be early California. There is some interesting provenance of the fine saddle. It was commissioned by Charles R. Bell, married to Margaret Vail Bell who was the daughter of Walter Vail. On the Bolin nameplate it has engraved, Vail Ranch as well as made for Charles Bell. Charles Bell Died in 1939. The Vail Ranch has some great Western History which I will go into a little detail. You see, not only am I selling Saddles, but I’m also selling History. If you want to skip the history lesson you can just scroll down past the following info to images of the saddle. It’s no secret that ranching runs in the family blood. There is no greater example of that than California Rangeland Trust CEO Nita Vail. On April 14, 2018 Nita had the opportunity to witness her great-grandfather Walter L. Vail’s induction into the Hall of Great Westerners at the National Cowboy & Western Heritage Museum. This high honor is bestowed by the Museum to “exceptional individuals who have made an indelible impact upon the history of the great West.” A pivotal figure in early California and Arizona ranching, Walter Vail joins just over only 200 individuals who have been inducted into this esteemed hall. The Vail legacy of advocacy and ranching lives on strongly through his descendants, including Nita. All these years later, Nita carries the mantle of advocacy for ranchers in her own work at the California Rangeland Trust. Reflecting on her great-grandfather’s induction ceremony in Oklahoma, Nita says, “Witnessing my great-grandfather’s induction with family and friends was an incredible experience and a reminder of why I do what I do. Ranching plays an integral role in the culture, economy, and quality of life in California. Generations later, I get to honor Walter L. Vail’s legacy in my work with the California Rangeland Trust every day, preserving those open spaces for new generations and partnering with ranchers to continue to sustain life on the range in California.” Walter Vail History A native of Liverpool, Nova Scotia, Walter Vail purchased the 160-acre Empire Ranch southeast of Tucson, Arizona in 1876, along with an Englishman named Herbert Hislop. In 1882, the Empire Land & Cattle Company was formed with Walter L. Vail as principal shareholder. Over the years Vail, along with various partners, expanded the original land holdings to include over one million acres. The year after Walter purchased the Empire Ranch, the Southern Pacific Railroad built a railroad line, which was great news for the Vail family as it provided a means for them to ship their cattle. Edward L. Vail, George Scholefield and Bird at the mouth of Rosemont Canyon ca. 1896-1898 Standing Up for Ranchers In the fall of 1889, the Southern Pacific Railroad announced they would raise cattle freight rates by 25 percent. They ignored loud protests from ranchers who had already been hit hard by depressed cattle prices. In response, the Vails made a plan to drive the cattle overland themselves without the railroad. They knew that, if they were successful, they could break the railroad’s monopoly on the ranchers and force prices down. Walter’s brother Edward Vail and foreman Tom Turner volunteered to drive the almost 1,000 steers on the 300-mile trip to the Warner Ranch in San Diego. The journey ahead would be grueling. Most of their trip was through desert with water sources 15 to 30 miles apart. The ranchers would face a slew of obstacles—a stampede, a chaotic Colorado River crossing, an encounter with a group of horse thieves. In spite of all the dangers and challenges, they reached their destination. Just 71 days after leaving Arizona, the Empire cowboys arrived at the Warner Ranch. They had only lost 30 steers. The historic Empire Ranch Trail Drive of 1890 inspired other Arizona ranchers to make similar drives as a stand against the railroad. That fall, a group of Arizona cattlemen met and agreed to fund improvements to establish a safe cattle trail from Tucson to California. In response to the united stand of the ranchers, sparked by the Vails, the railroad finally agreed to restore the old freight rate—on the condition that the cattlemen would make no more cattle drives. Walter Vail led by example, but he was also an active representative of ranching interests in the legislature. He served in the 10th Arizona Territorial Legislature in 1878 and in 1884 on the Pima County Board of Supervisors. He introduced two significant bills: One proposing the creation of Apache County in the northeastern corner or Arizona Territory, and the other calling for the repeal and replacement of a Pima County fencing ordinance. Elected to the Arizona Stock Growers Association in 1884, Walter L. Vail advocated for levying fines on outfits that brought diseased cattle into the Territory, proposed a system of recording brands and earmarks, and requested the establishment of the livestock sanitary commission to oversee quarantines on infectious diseases, and tighter trespass laws. Moving to California In the late 1880s when a long drought hit Arizona, the Vails began leasing California pastures and shipping increased numbers of their cattle there to fatten. This marked the beginning of Walter’s efforts to purchase land in Temecula Valley. Vaqueros (Mexican cowboys) at the Empire Ranch in Arizona In 1890, with growing corporate holdings in California, Walter Vail established his headquarters in downtown Los Angeles and moved his family there. By this time, he had pieced together four Mexican land grants—Pauba Rancho, Santa Rosa Rancho, Temecula Rancho and Little Temecula Rancho—to form the Pauba Ranch. Eventually, the Vails would own more than 87,500 acres surrounding the little town of Temecula. In 1892 they leased Catalina Island and in 1901-1902 in partnership with J. V. Vickers, they purchased most of the interests in Santa Rosa from the estate of A.P. More. In March of 1894, Vail and Gates joined Vickers in setting up a third cattle company, the Panhandle Pasture Company, with the hopes of expanding new markets in the east. The Panhandle Pasture Company bought seven thousand acres of grassland in Sherman County, Texas, and an equal amount across the line in Beaver County, Indian Territory (later Oklahoma). Walter Vail was tragically killed in a Los Angeles streetcar accident in 1906. After his death, the Empire Land & Cattle Company (later renamed the Vail Company) assumed control of all his ranches and other real estate holdings. Walter had five sons and they would all have a hand in running the various ranches and the Vail Company as whole throughout their lives. The Empire Ranch in Arizona was sold in 1928. The Temecula area ranches continued to operate until it was sold in 1965. Santa Rosa Island, the last of Walter Vail’s holdings, was sold to the National Park Service in 1986, and ranching operations shut down there in 1998. Walter Lennox Vail (May 13, 1852 - December 2, 1906) was an American businessman, cattle dealer, and politician. He is known for his Empire Land & Cattle Company (later the Vail Company), which spanned over one million acres throughout five states.[1] Vail has been called "a pivotal figure in early California and Arizona ranching." Early life Vail was born in Liverpool, Nova Scotia on May 13, 1852, to Mahlon Vail, Sr. and Eliza Vail. Career Empire Ranch The headquarters of the Empire Ranch in the modern day Vail left his family's Plainfield, New Jersey house in the middle of 1875 to pursue riches in the West. He worked for a few months in Virginia City, Nevada as a mine's timekeeper, but in November he wrote of his intention to get involved in Arizona's sheep business. He, along with an Englishman named Herbert R. Hislop, then purchased the Empire Ranch along with its 612 cattle on August 22, 1876. The purchase from Edward Nye Fish and Simon Silverberg cost $1,174 at the time and was only 0.25 square miles (0.65 km2). Vail had met Hislop for the first time in August of that year, at the Lick House in San Francisco. Vail also became the main shareholder of the Empire Land & Cattle Company, which was formed in 1882. Politics Vail additionally served in the House of Representatives on the 10th Arizona Territorial Legislature for two years, starting in 1879. He was one of five representatives from Pima County. There, he proposed the creation of Apache County in the northeast. In 1884, Vail was elected to the Arizona Stock Growers Association, where he introduced many laws relating to cattle farming. California Vail moved his main operations to California in the late 1880s due to a long drought in Arizona. He started leasing Californian land mainly in Temecula Valley, but established his headquarters in downtown Los Angeles. By this time, he had already bought four ranches: the northern half of Rancho Little Temecula, Rancho Pauba, Rancho Santa Rosa, and Rancho Temecula. Later, Vail would own over 135 square miles (350 km2) surrounding the city of Temecula. He also leased Santa Catalina Island and Purchased Santa Rosa Island in 1892 and 1901, respectively. Vail, along with Carroll W. Gates and J.V. Vickers, set up the Panhandle Pasture Company, which bought about 22 square miles (57 km2) in Sherman County, Texas and Beaver County, Oklahoma. Personal life Vail married Margaret "Maggie"[a] Newhall in 1881, with them having five children: Nathan Russel, Mahlon, Mary, Walter Lennox Jr., and William Banning (who used his middle name) together. In 1890, a Gila monster bit Vail on his middle finger, and for years thereafter he experienced bleeding and swelling in his throat, which was thought to be caused by the venom from the bite. Death Vail died at 54 on December 2, 1906, due to complications from a tram (Trolley Car) accident in Los Angeles. He was cremated, then buried at the Hollywood Forever Cemetery on December 6. Legacy Vail's sons took over the company after his death, renaming it to the Vail Company. The Empire Ranch was sold in 1928, and the Temecula ranches were bought by a syndicate of companies, including Kaiser Aluminum, Kaiser Industries, and Macco Realties in 1965. Santa Rosa Island was acquired by the National Park Service in 1986, and ranching ceased in 1998. Vail was inducted into the Hall of Great Westerners at the National Cowboy & Western Heritage Museum in 2018.[2] Various properties have been named after the Vail family including: Vail Headquarters, an outdoor shopping mall, Vail Lake, and Vail, Arizona. In 1867, German immigrant, Louis Wolf, and his Chumash wife, Ramona, built a small adobe trading post next to Temecula Creek. Their Wolf Store helped launch the Temecula community, serving as a saloon, livery stable, legal services, hotel, general store, stagecoach stop, post office, school and employment agency. After Louis and Ramona’s deaths, their land and other Ranchos were purchased by Arizona cattle baron Walter Vail. By 1905, the 87,000-acre Vail Ranch became one of the largest cattle operations in California, stretching from Camp Pendleton to Vail Lake to Murrieta. It operated through the late 1970’s when it was sold to build Temecula’s housing. Some of the ranch’s oldest buildings survived in a cluster around the long-vacant Wolf Store. Together they would wait more than 40 years to be restored and once again become a center for community life in the Temecula Valley. ​ In 1905 after his death, Wolf’s Temecula was purchased by Arizona cattle baron Walter Vail, along with three other Ranchos totaling 87,500 acres. The sprawling Vail Ranch spread from South of Highway 79 to South of Clinton Keith Road, East to Vail Lake Resort and West to Camp Pendleton and continued operations through the late 1970’s when it was sold for housing subdivisions. The remaining buildings that comprised the Vail Ranch Headquarters, several having been demolished, have sat mostly vacant since then awaiting their restoration and re-use. John N. Harvey, Edward L. Vail, Walter L. Vail, 1879 Ned Joins the Partnership - May 1879 In May of 1879 Walter’s older brother, Edward Lang Vail, known as Ned, joined the Empire Ranch partnership. He had no ranching experience but quickly learned. The Empire Ranch herds were finally sufficiently developed for sale, and the Empire Ranch found a ready market in the town of Tombstone and its nearby mines. Walter finally had sufficient funds to begin to pay off some of the loans from his Uncle Nathan and Aunt Anna. North end of the original four rooms of the Empire Ranch House. Empire Ranch Census Records - 1880 The 1880 U.S. Census documents that eight men were living full time at the Empire: the partners, Walter Vail, John Harvey and Ned Vail; John Randolph Vail, Uncle Nathan and Aunt Anna’s son; John Milton Requa, nephew of Isaac Requa who hired Walter in Virginia City; John Dillon, who was instrumental in locating the Total Wreck Mine; Tomás Lopez, a herder; and Mon Ta, the cook. Section of Official Map of Pima County by Roskruge 1893. The Southern Pacific Railroad Arrives in Pantano - April 1880 In 1880 the Southern Pacific Railroad finally reached Tucson and by April it was extended to Pantano, north of the Empire Ranch. The availability of rail transportation was a major boom to the Empire Ranch as it was now possible to sell cattle and beef to markets beyond Southern Arizona. The railroad also increased the availability of goods in Tucson and allowed for much quicker and safer transportation to California and the East. Empire Ranch land acquisitions are highlighted in red. Courtesy of Dave Tuggle Land Holdings Expand-1881-1882 Starting in 1881 the land holdings of the Empire Ranch expanded considerably. They acquired Charles and Agnes Paige’s Happy Valley Ranch near the Rincon Mountains in 1881. 1882 saw the addition of Don Alonzo Sanford’s Stock Valley Ranch totaling over twenty-eight square miles of grassland between the Whetstone and Empire Mountains. Charles Bell Bohlin Saddle. All of the leather has been professionally cleaned and conditioned. All of the sterling has been professionally polished as are all of my saddles. THE BOHLIN BRAND IS AS ICONIC AS THE FAMED WESTERN STARS that wore it. The late actor Richard Farnsworth sported a recognizable gold steer-head Bohlin buckle...

Listening, bronze sculpture, childs portrait, black granite base, green patina 35 lbs

Beautiful abstract sculpture depicting a guitar player. Bronze on wood base measuring 15 x 9 x 4 inches. Actual cast piece without base measuring 17 x 7 x 3 inches. Signed indistinct...

Artist: Mr Brainwash Medium: Chrome Painted Resin Sculpture Title: Art is Not a Crime - Hard Candy Gold Year: 2021 Signed: Hand Signed Edition: 11/95 Image Size: 6.5 x 8.25 x 2 Comes...

Reflections, bronze female bust sculpture contemplative peaceful Troy Williams Sculptor Troy Williams unites the timeless and the contemporary i...

This cup is one of 48 that make up the installation, “Fragments of Our Love Story.” These cups feature feminine forms which recall the Venus of Willendorf and other historical fertil...

The mysterious artworks by Rachel Ann Stevenson invite you into a dream world. Rachel Ann sees artists as day dreamers who can show the impossible...

Mary Lai is a multifaceted Korean-American artist based in Los Angeles, California.  Her outlook is that “Art is a universal language that can speak to anyone” and her dreamer mindse...

Anna Kruhelska, a talented visual artist and practicing architect from Lodz, Poland, merges her expertise in both fields to create captivating artworks. With a background in major ar...

This is an Bill Mack “tranquility” Bonded Bronze Sculpture. In good condition . Minor frame wear and damage to the frame. Measures 77x40x18. Must be picked up or can be delivered for...

No.061222 is an abstract sculpture in wood by French sculptor Thierry Martenon. This large-scale sculpture weaves together richly textured geometric forms, establishing a dynamic int...

Synthesis 3 is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, acrylic and LED, dimensions are 28.8 × 29.5 × 29.5 cm (11.3 × 11.6 × 11.6 in). Thi...

This piece titled "Bonus Zone" is an original artwork made from screenprinting on wood by Luke O'Sullivan. This piece measures 33”h x 9”w x 9"d "Surprise and luck are always present...

M.151201 is a heat reflective glass and half mirror sculpture by contemporary artist Toshio Iezumi, dimensions are 210 × 16 × 16 cm. (82.7 × 6.3 × 6.3 in) The sculpture is signed and...

"Saddled Horse Playing with a Dog"  Pierre Lenordez (1815-1892)  Bronze with green marble base, circa 1860 11 x 7 inches Painter and sculptor, professor at the Academy of Fine Arts ...

Mark Morrison (1895-1964) Dove, ca. 1960 Carved and polished stone 10" wide, 6.25" deep, height is 12" Tail exhibits a small area of loss. Our conservator can repair this at no ex...

A polychrome and gilt plaster statue of the Blessed Virgin Mary. The quality of the original gilding and the handling of the folds in the clothing are exceptional. A wonderful statu...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the...

Abstract geometric, minimalist, three dimensional wall sculpture in light grey Precision board, Venetian Plaster, pigments, and beeswax Despite it's stone-like appearance, the scul...

Figure of a Chanting Warrior Ceramic with bitumen highlights 300-600 CE (Classic Period) Mexico, Veracruz, possibly Nopiloa Veracruz Culture Pre-Columbian, Mexico, Vera Cruz culture...

Yayoi Kusama Pumpkin: Red and White: An iconic, vibrantly colored pop art piece - this small Kusama pumpkin sculpture features the universal polka dot patterns and bold colors for wh...

Serendipity is an abstract sculpture by the French contemporary artist Romain Langlois. Gold tone polished bronze sculpture: 102 cm × 64 cm × 88 cm. Edition of 8 + 4 A.P. This sculp...

This white geometric, abstract, wall-hanging sculpture titled "Ara 241" is an original artwork by Matthew Shlian made of folded paper. Working at the fo...

Jeremy Guy's new sculpture series are available in Mirror Polished Stainless Steel, Gold Finish or Painted in Black or White. This Zephyr sculpture can be ordered in multiple sizes, ...

Abstract Art Original Glass Wall Sculpture, Modern art, Handmade Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass Wall Sculpture, Year: 2022 Style: Contemporary Art,...

Alan Cottrill (American, Ohio, b. 1952) Nude Female Torso, 1994 Bronze mounted to green marble base Signed, dated and numbered 14/20 verso of leg, with foundry stamp 17. in. h. x 6 i...

This large glossy blue contemporary sculpture was created by Alexander Caldwell. The Calgary artist has garnered an international reputati...

Seated Shaman Colima culture Mexico ca. 300 BCE - 300 CE Pre-Columbian, West Mexico, Colima, ca. 300 BCE to 300 CE. A hollow-cast and highly-burnished terraco...

Shipped perfectly protected Shipped from our gallery in china If you have any questions, please contact me

“LarA 011” is a unique architectural sculpture from the Antropotectura series by Spanish artist José Perozo. Cast in black pigmented cement, this head-and-shoulders bust presents a fusion of the human figure with modular architectural volumes. The vertical extension of block-like forms emerges from the cranial area, transforming the head into a structural topography. This hybrid configuration invites reflection on the human body as both inhabited and inhabiting — a site of memory, construction, and symbolic permanence. The formal arrangement of the sculpture is symmetrical but discontinuous, with geometric protrusions interrupting the organic contours of the face. These elements suggest urban formations, perhaps ruins or unfinished constructions, anchored to the surface of the skin. This layered structure evokes the aesthetic of posthuman figuration and resonates with speculative architectural languages often seen in anime environments — particularly those of Studio Ghibli or early cybernetic landscapes. The matte black surface finish accentuates the raw tactility of the material. Subtle tonal variations, occasional air pockets, and manual traces from the casting process are preserved, underscoring the artist’s interest in the sculptural language of construction materials. These choices align with the conceptual underpinning of Antropotectura, a term coined by Perozo to describe his ongoing investigation into the convergence of embodiment and architecture. About the Artist: José Perozo (Vigo, 1978) is a Spanish sculptor with a background in Scenic Construction and Fine Arts. His practice explores how built structures can be inscribed onto the human form, merging classical figuration with a contemporary sculptural grammar. The LarA series has been exhibited in institutional and independent contexts and is currently represented by Casa das Peritas. About Casa das Peritas: This work is presented by Casa das Peritas, an independent art space located in Galicia’s Atlantic coast, working with international collectors, designers, and institutions. Known for its curated selection of contemporary figurative and conceptual works, the gallery combines rural precision with global outreach. All works include certificates of authenticity and are shipped with personalized follow-up and care. Visitors are encouraged to follow our storefront to explore new additions and artist collaborations. Technical Details: Title: LarA 011 Series: Antropotectura Artist: José Perozo Medium: Black pigmented cement with fine aggregates and acrylic fibers Finish: Hand-tinted and sealed with matte protective varnish Dimensions: 21 x 29 x 17 cm Weight: 6 kg Year: 2024 Packaging: Custom-made box (27 x 35 x 23 cm) for secure international delivery Authenticity: Signed by the artist with certificate included Installation and Context: The sculpture may be installed as a freestanding work in display niches, shelving, or plinths. Its formal and material language lends itself to architectural, conceptual, and collectible sculpture contexts, making it suitable for residential interiors, institutional settings, or design-driven environments. Keywords (SEO): architectural sculpture, figurative bust, posthuman art, concrete head...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

This contemporary metal garden sculpture is made in the form of a white swan. Jyhling Lee’s beautiful artwork is inspired by the rich traditions and iconic imagery of her culture. A...

"Cream Wall Phone" is an original piece by Ulla-Stina Wikander that can be wall-mounted or be free standing. This piece is made from sourcing vintage needlepoint embroidery and exper...

This AFTER BOTERO sculpture is a very beautiful, faithful reproduction in the style of BOTERO'S work that has sold very well here on 1st Dibs. The edition is 50 in Roman numerals. ...

Stamped on the base: Original Picasso imprint; Madoura plein feu Ed. 40 White earthenware, deep engraving filled with oxidized paraffin, dipped in white enamel Alain Ramié, Picasso...

Entrapped 2 is a unique paper porcelain sculpture by contemporary artist Simcha Even-Chen, dimensions are 17 × 35 × 28 cm (6.7 × 13.8 × 11 in). The sculpture is signed and comes with...

This piece titled "Twenty Silver Eggs" is an original piece by Kate VanVliet and is made from silverplate and brass. This piece measures 16”h x 10.5”w x 1”d and is hand signed by the...

A seated female figure strikes a casual pose, body half turned in this imposing sculpture by American artist, Jason Kimes. This outdoor sculpture is made from coin-sized discs of cor...

KAWS, Companion (Black), 2016 Black vinyl figure 6.4 x 11.4 x 26.7 cm (2.5 x 4.5 x 10.5 in) Open edition Pristine condition, accompanied with original packaging KAWS is a New Yo...

German artist Philipp Liehr first discovered his extraordinary dexterity as a dental technician. He soon perfected this artistically as a cartoonist and during his training as a scul...

Aquila Bronze Sculpture on pedestal of marble Hight bronze 57 cm with pedestal of marble (included) 68 cm Wim van der Kant's sculptures are in bronze...

Abstract geometric three-dimensional wood wall sculpture resembling stacked books in blue, grey, and white "Blue Books", hand-carved wooden wall sculpture ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* 'Kobe Bryant Super Basketball' is THE one of a kind original crea...

The Other Side I is a wood sculpture (yew) by Wouter van der Vlugt, dimensions are 36 × 30 × 30 cm (14.2 × 11.8 × 11.8 in). It is a unique signed piece and it comes with a certifica...