Large Sculptures

Niad Fiberglass / Carbon Fibre impregnated with catalysed polyester resin Powder filled acrylic lacquer on filled polyester resin base 22 x 36 x 22 in "I am an artist, a sculptor no...

This contemporary abstract black stone sculpture is by Jeremy Guy. A full time sculptor for more than two decades, Jeremy Guy’s superb sculptural work has attracted international pr...

Meditative Fiberglass / Composites Filled Resin Base Gold Graphite Finish 38" x 7" x 6" "I am an artist, a sculptor not by choice but by destiny as each step in the path I followed ...

The Odalisque is an original decorative object realized by Giuseppe Salvi in 1886. Silver-plated Bronze representing a young odalisque, Sign, place and...

"Ghost Coral Color Variation" by Rogan Brown Laser and hand cut paper, framed in a plexiglass shadow box Available by commission. Please allow 8-12 weeks production time. A smaller...

Contemporary wall-mounted sculpture by Tristan Fitch composed of pit-fired porcelain cubes on a hand-carved shelf made from locally sourced pine referencing architectural forms and a...

Contemporary wall-mounted sculpture by Tristan Fitch composed of pit-fired porcelain cubes on a hand-carved shelf made from locally sourced pine referencing architectural forms and a...

Blue Scream Aluminum, and urethane car paint, artist signed and dated. The sculpture is in three seperate parts dismounted for shipping. Based in South Florida, Joseph Meerbott has...

David E. Peterson Puzzle # 104, 2016 Maple, mdf, acrylic and uv resin 36h x 24w x 1.50d in 91.44h x 60.96w x 3.81d cm DAVID E. PETERSON (b. 1979, USA) An abstract painter inspired ...

Tango Jose Almanzor, Mexican (1962–2015) Date: circa 1990 Bronze Sculpture, signature and numbering inscribed Edition of I/L Size: 32.25 x 16 x 8.5 in. (...

Danza de Amor Jose Almanzor, Mexican (1962–2015) Date: circa 1990 Bronze Sculpture, Signature and number inscribed Edition of XXX Size: 40 x 28 x 20 in. ...

Magic Circle by Rogan Brown Laser and hand cut paper, framed Available by commission. Please allow 8-12 weeks production time. Rogan Brown creates abstract and sculptural wall reli...

Boris Shpeizman, an glass craftsman, transforms the childhood dreams of men into tangible art, focusing on the yearning for unattained toys and their delicate inner worlds. He crafte...

Artist Commentary: Transitioning is part of my sculptural dress series. I was interested in experimenting with open and closed spaces and colors transitioning from yellow to pink. ...

Luis Domenech y Vicente (Spanish, 1873-1920) "Aui Victori" [Hail to the Victor] Patinated Spelter Sculpture, circa 1920, the standing figure with outstretched arm holding a sprig of ...

HIPPOLYTE FRANÇOIS MOREAU French, (1832-1927) Bronze sculpture of Two Beauties The base inscribed H. Moreau, surmounted on a green marble base. ...

Flashe on muslin with mixed textiles

"Apollo" by Henri Bouchard (1875-1960) An Art Deco period masterpiece! Exceptional bronze sculpture with a golden-brown patina Signed " H. Bouchard " Unique piece This work personifies Apollo, god of the Arts. Represented here as Apollo Musagète, leader of the procession of muses and winner of the serpent Python. This subject was commissioned to adorn the entrance to the Palais de Chaillot in Paris, and whose monumental bronze is still exhibited there. To participate in the Venice Biennale in 1938, Henri Bouchard had reduced in 1937 the large Apollo of the Palais de Chaillot, which had not yet been installed. Vintage cast by Bisceglia (cast founder stamp) made during the artist's lifetime. Incised dedication below signature : " à mon cher ami E. Sandoz " This is a unique cast made for the sculptor Edouard-Marcel Sandoz (1881-1971). This cast was exhibited at the 1938 Venice Biennale. France 1937 height : 82 cm width : 45 cm depth : 30 cm weight : 31,2 kgs Stickers under the bronze cast : - Sticker mentioning that this cast has been exhibited at the Venice Biennale of 1938 under the number 354 ("Biennale Internaz. d'Arte Venezia – 1938 – XVI – 354"). - Sticker mentioning that this cast went through Italian customs ("ne – merci – dogana italiana – visitate - 9622") - Damaged Sticker mentioning the name ("A…") and the address ("25…") of the owner of the cast (maybe for the workshop "Atelier Henri Bouchard", 25 rue d’Yvettes, 75016 Paris). Provenance : - Edouard-Marcel Sandoz, Paris, according to the dedication. - Property from the Collection of Seymour Stein (entrepreneur and founder of Sire Records, famous American record label ; and avid collector of 19th and 20th century fine art...

SALE ONE WEEK ONLY "Medusa Tree" is a free-flowing sculpture of cane that suggests a figure either emerging from or descending into a tangle of twisting lines. Several parts are painted red or blue or stripped that gives a contrast to the black structure and a spark of energy shooting forth. This piece seems experimental from her more conservative pieces that can be easily identified as basketry, paper forms and shaped objects. Danielle Bodine...

'Ha'apai' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space series. It features painterly brushstroke formations in glass called trails. Trails ar...

We are surrounded by graphic images, songs, greeting cards, and even paintings all created toward the effort of expressing romantic love. While so potent, and even sometimes transfor...

Zura – Life‑Size Female Figure (2023), Plaster Dimensions: 39 × 16 × 12 in │ 99 × 41 × 30 cm Medium: Hand-modeled plaster (also available in bronze) Signature: Hand-signed by the art...

German Steel Fireplace "Bowl I" d = 80 cm with tall base 80 cm. This fire bowl is the eye-catcher in your garden. Due to the good air supply, you can setup ...

Fleche-Diagonally Down Bronze, stainless steel, granite 34" (height) x 38" (width) x 8" (depth) Stone and metal, usually granite or slate, and found object steel are central in my s...

Tony Rosenthal, Attributed to, American (1914 - 2009) - Bicycle, Medium: Acrylic on Metal Assemblage, Size: 31 x 36 x 6 in. (78.74 x 91.44 x 15.24 cm)

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Axial, Size: 40" x 26" x 4'' inch, 124x66x10...

This unique art piece is made of the original 35mm film of the movie, framed in an oak wood frame and lit with lit with RGB color changing LED light that can be controlled and light changed with smartphone app CONTROLLER for iOS and Android system. “I started by working with the idea of the large film...

Please allow a three month turnaround time for piece to be made. About the Geologic Editions: The Geologic Editions are studies for Colorado Cascade Mural. David pieced together bit...

Tushar Kanti Das Roy The green Tree Bronze Hight- 34 inch, length- 24 inch, Depth- 14 inch About the Artist & his work : Born : 1968. Education : He has completed his education from...

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis Edition 1/5

"Susanna surprised at her bath" by Giovanni Battista LOMBARDI (1822-1880) Sculpture made in white Carrara marble Signed and dated "GB. Lombardi, Roma 1873" Italy 1873 height 91 cm...

This neon piece is hand blown glass. It is mounted on contoured, clear plexiglas with pre drilled holes for hanging, and comes ready to hang. This piece is offered in the following c...

For indoor or outdoor use We create hand-made cast glass works. Using the age-old technique of lost wax casting. We craft forms ranging in shape from jewel-like elements to large sc...

"Grandpa's Birthdatay Cake" Sculpture 35 x 29 x 29 in by Yoram Katz Medium: Mix Media, Recycled items Recycling Series Recognizing the importance of environmental issues that face ...

Sisyphean Circle (Rocker 16) Slate/pigmented and sealed steel 33" (height) x 40" (width) x 9" (depth) Stone and metal, usually granite or slate, and found object steel are central i...

Horst Egon Kalinowski (German, 1924-2013). Mixed media assemblage collage Divan Ophidian. Hand signed in marker upper right and dated 82 Bagnols-en-Foret, Titled upper left. Additionally titled and dated on verso. Dimensions: 30" x 24 1/4" (with frame 27" x 32 3/4") inches. Born in 1924 in Dusseldorf, From 1945 to 1948, he studied at the Academy of Fine Arts in Düsseldorf. In 1949-1950, he stayed in Rome and Venice, Italy. From 1950 to 1952, in Paris, France he studied in the abstract art workshop of Jean Dewasne and Edgard Pillet...

Gloria Victis, a winged figure of victory carrying a fallen warrior casted in bronze with brown patina. Inscribed with 'F. Barbedienne. Fonduer' mark and...

Dancer by Bruno Lucchesi, Italian (1926) Date: circa 1970s Cast paper reflief, signed and numbered Edition of 85/300 Size: 28 x 25 in. (71.12 x 63.5 cm) Frame Size: 35.5 x 31.5 inches

Mario Almaguer (b. Marianao, Cuba, 1955) He moved to the U.S. in 1994 to Miami where since has been living and working. Essentially self-taught, he embraced sculpture as his mean for expression. Without any kind of formal academic education or training in the arts, perseverance and praxis made him an artist. His work has been influenced by cuban master Agustin Cardenas and british Henry Moore. In his early years until 1994 he produced a large amount of small and medium scale wooden sculptures. From 1994 to the present, Almaguer creates and produces steel sculptures. It's with his works on steel where he encounters a strong expression with a striking liberty hard to deliver in wood. His monumental sculptures were recently exhibited at Miami Dade...

Robert Mickelsen Parasol, 2009 Borosilicate glass 33h x 34w x 34d in

PAIR OF ROMANESQUE MARBLE COLUMNS Italy, 13th/14th Century marble 86 x 16 x 13 cm 33 3/4 x 6 1/4 x 5 in

This bronze sculpture speaks to the nurturing of women with the small symbol of the home on the top of the women's head. Within the outline of the women is the complexity of women. T...

Artist: Michael Stevens, American (1942 - 1989) Title: Chased Year: 1980 Medium: Hand-Carved and Painted Wood Sculpture, signed, titled and dated under base Size: 17.75 x 37 x...

Large-scale industrial cast aluminum ventilation component manufactured by , Chicago, U.S.A. This architectural salvage piece originates from a commercial exhaust fan system and reta...

Heidi Spector is a geometric artist best known for her exploration of minimalism as studied through lines, repetition, color and reflection. Spector’s work has been the subject of nu...

The love story of Cupid and the beautiful princess Psyche. Godet’s mastery is evident in this figural group, especially Cupid’s pointed wings, the gaze, the drapery, curved body, and...

Aluminum sheet, metal wire and acrylic - mobile Amaury Maillet is a self-taught artist who explored art in Provence and Saint Martin in his childhood. ...

Artist: Alan Siegel, American (1938 - ) Title: The Throne Year: 1967 Medium: Enamel On Laminated Wood, signed on bottom Size: 40 x 23.5 x 20 in. (101.6 x 59.69 x 50.8 cm)

Zin Helena Song was born in Seoul, South Korea in 1983 and completed her undergraduate studies there at the Kook Min University before traveling to New York, where she earned her MFA...

"The man without a rod Nr 1" Sculpture 34.6x13x10 in Ed 2/5 by Sergii Shaulis From "The man without a rod" series Approximate weight 40 lbs The artist spent almost ten years of...

This exceptional bronze table by Arman transforms musical instruments into functional sculpture. Composed of three mandolins cast in bronze and fused into the structure, the piece ex...

Chloe Hedden’s Persian Rose Excess from her Excess series continues her exploration of Excessivism, using thick, sculptural paint to embody themes of overconsumption and indulgence. ...

This artwork was curated from a street banner from West Hollywood, advertising a photographic exhibition of memory and loss. I chose to weave the strips of vinyl to disrupt the image...

Image, Imagination, Imitation: we can think these three words come from the roots √Im, but it’s not true. It’s necessary to combine the proposition in with mi, that is, √Mei, to obta...

This is a limited edition figurative realistic sculpture by San Diego artist, Peter Dingli. It is made of bronze. Its dimensions are 21" x 35" x 15". A certificate of authenticity wi...

Adam Fragment, detail from the full-scale trumeau figure of Adam commissioned as part of The Creation Series at Washington National Cathedral...

A 20th Century wood carved male figure, a 'Cigar Store Indian' with original polychrome decoration. A now controversial subject, but none the less charming rendition, of a native North American man originally probably used as an advertising figure. Wonderful quality of carving capturing the stance of the man looking out to the distance, hair flowing to his back and plait to the side, all the details of his costume, his native dress and hairpipe breastplate (suggesting he is possibly a Comanche) and chest ornament, apron, trousers, mocassins, shield and arrows. The original Polychrome decoration has weathered beautifully as has the wood itself to present a sculpture that would adorn any collection or interior. Because of the general illiteracy of the populace, early store owners used descriptive emblems or figures to advertise their shops' wares. American Indians and tobacco had always been associated because American Indians introduced tobacco to Europeans. As early as the 17th century, European tobacconists used figures of American Indians to advertise their shops. Because European carvers had never seen a Native American, these early cigar-store "Indians" looked more like Africans with feathered headdresses and other fanciful, exotic features. These carvings were called "Black Boys" or "Virginians" in the trade. Eventually, the European cigar-store figure...

Be Wild Fiberglass / Composites Filled Resin Base Turquoise Finish 37" x 18" x 10" "I am an artist, a sculptor not by choice but by destiny as each step in the path I followed guide...

"T. Shorty" by Kevin Barrett Unique fabricated bronze sculpture Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Metal,...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...