Large Sculptures

Raffaello Romanelli 1856 - 1928 Raffaello e Fornarina signed Raffaello Romanelli Firenze and inscribed Raffaello et Fornarina marble height 38 in.; 96.5cm. diameter 16 in.; ...

"Purple Haze" Abstract Sculpture 40" x 12" x 12" in by Shawn Kolodny Medium: Stainless Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny creates art fo...

Found objects, repurposed textiles Statement In work that integrates the theories and methodologies of both fine art and craft, I transform domestic cast-offs, such as old furnitu...

metal, polymer, pigment, wood Edition 20 This sculpture will be shipped directly from the artist's studio.

Red and blue abstract contemporary collage sculpture that incorporates wrapping paper, cardboard, wood, acrylic paint, and wood glue. The organic, amorphous form features a primarily white surface with accents of bright reds, blues, and pinks. Artist Biography: The son of a Lutheran pastor and a psychotherapist, Brent Fogt...

RICHARD LOUIS GARBE, RA (1876-1957) Helios Signed and dated 1929 Plaster with patinated surface 86 cm., 33 ¾ in. high Garbe was born in Dalston, London, the son of Gustave Garbe,...

Artist: Dan Lam Title: Blob Size: 33 x 29.5 x 7.5 Medium: Mixed Media made from polyurethane foam, resin, acrylic & vinyl Edition: Original Year: 2018 Notes: Signed by the a...

Medium: White-washed wood As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual langu...

Astounding painting and carving on wood panel by the “Hound of Heaven” artist Robert Gammell. Created 1947. This beautiful work features rich color, gold accents and incredible detail. Signed lower right “R.H. Ives Gammell” and dated ‘47. The subject comes from the imagination of the artist and is titled “Lady of the Seven Sorrows.” The work measures 34 1/2"h x 11 1/4"w and is considered to be one of the artist’s “Puppy Panels.” The ornate frame measures 38 1/2"h x 15 1/2"w x 1 1/4"d. The weight is 9 ½ pounds. A label is attached to the verso listing the work as being an entry for the 1967 Grand National Show with the American Artists Professional League in New York. This detailed and beautiful painting is a work to be treasured. More Information Robert Hale Ives Gammell: After completing his major allegorical sequence, the Hound of Heaven, Gammell felt compelled to revisit certain themes and figurative compositions in later years. His original plan was to display the smaller panels, or "Puppy Panels" as he affectionately called them, between the larger Hound panels. Robert Hale Ives Gammell (1893-1981) was a prolific professional painter working in Boston, Provincetown, and Williamstown, Massachusetts. During the sixty-five years of his career, Gammell painted murals, portraits, landscapes, and still lifes, but the pieces which excited him most were the allegorical works drawn from his imagination. In his diary Gammell wrote that he was “fascinated by the drama of man in his relationship to the forces of the universe and of his own nature.” Over the years he experimented using ancient myths and rituals as well as contemporary symbols in his attempts to articulate images of man’s terror, wonder and yearning in the face of a century of upheaval. Excerpt from Elizabeth Ives Hunter, the God-daughter of R. H. Ives Gammell and the daughter of his assistant, Theodore W. J. Valsam. R. H. Ives Gammell believed in the practice and standards of art should rest on the Gold standard established by the 19th-century French system of learning, as practiced by the Ecole des Beaux-Arts and Academie Julian of Paris. His personal mission was to follow that tradition, so he established his own Studio working with a handful of students at a time. His book ‘Twilight of Painting’ would help define a way back to those lofty goals for future artists, reflecting the uncompromising levels of quality that he embraced, and maintained. Robert Hale Ives Gammell was born to wealth in Providence, Rhode Island and spent the majority of his artistic life in Boston at the Fenway Studios and in Williamstown, MA, where he died in 1981. In 1910, Gammell studied briefly with William C. Loring and Wm. Sergeant Kendall before training in 1913 at Boston's Museum School with Philip Hale, F.W. Benson and Edmund C. Tarbell for a few months. Gammell then went to Provincetown, MA to study with Charles Hawthorn and then to the Academie Julian in Paris and the Academie Baschet until the end of 1914. He was tremendously influenced by the teachings of Tarbell and the work of Joseph DeCamp and William M. Paxton. He was so influenced by the Boston School he vowed to hand down their teaching traditions to generations of students and he did exactly that. Some of the painters who are "Gammellites" are Samuel Rose, Thomas R. Dunlay, Robert Cormier, Richard Lack, Gary Hoffman, Stephen Gjerston, Robert Douglas Hunter, David Lowrey, David Curtis...

Nir Adoni's metal vessels sculptures have become his signature art and are displayed in public buildings around the world. We are offering limited editions ...

Unity in Diversity 2008, stone wear, 90х35x42 cm Gray abstract sculpture from stone

metal, polymer, pigment, wood Edition of 8 From MB HOT Burn Baby Burn This sculpture will be shipped directly from the artist's studio.

Jin-Sook So’s work is informed by her time spent in Korea, Sweden and Japan. She uses transparent steel mesh cloth, which she burns, paints, electroplates in gold or silver, sews an...

metal, polymer, pigment, wood Edition of 8 "Label text: Becoming an artist is a polite way of saying you've chosen alcoholism as a career. From MB PIN UP Call Lucy (kiss) This scu...

metal, polymer, pigment, wood Edition 20 From ROLLER (small) Marilyn On A Roll This sculpture will be shipped directly from the artist's studio.

Minimalist black and neon pink organic sculpture by contemporary Houston, TX artist Matthew Reeves. Inspired by buoys commonly found along major waterways, the work features a column...

Andrey and Aleksey Kulibin "ἌΡΗΣ / ARES"

This sculpture completes the «Ballet» series.

Pair of carved and gilded mirror cabinets 'in the manner of Sansovino' Venetian (or Tuscan) carver active in the 18th century Carved and gilded wood Total frame measurements: 86 x 6...

Philippe Guillerm began his professional life in Paris, France, where he was born in the late 1950s. He has traveled around the world on his forty-ei...

In the Cult series, the key plot is the clash of two human paradigms. On one side - conscious and independent Human, with unlimited potential for development and evolution, on the ot...

In the Cult series, the key plot is the clash of two human paradigms. On one side - conscious and independent Human, with unlimited potential for development and evolution, on the ot...

This beautiful figurative female sculpture is by René Romero Schuler. This powerful female figure speaks to the complexities of the human condition and the spirit that connects all...

Ian Edwards’ journey as a sculptor began when he left school aged 16 and began an apprenticeship. "The day I walked into the woodcarving shop everything changed. I said to myself the...

Artist: Alan Siegel, American (1938 - ) Title: The Throne Year: 1967 Medium: Enamel On Laminated Wood, signed on bottom Size: 40 x 23.5 x 20 in. (101.6 x 59.69 x 50.8 cm)

Antique, hand-carved statue of a man with traces of silver gilding.

Untitled, Glazed Stoneware, 2022 Additional information: Medium: Glazed stoneware Condition: Excellent Dimensions: 34 x 19 x 14 1/2 in About artist: David Klamen (American, b.1961)...

Untitled, Glazed Stoneware, 2022 Additional information: Medium: Glazed stoneware Condition: Excellent Dimensions: 33 1/2 x 15 x 18 in About artist: David Klamen (American, b.1961)...

"BIG SHINY BALL" Wall Sculpture 36" x 36" x 36" in by Shawn Kolodny Medium: Stainless Steel Creating art to reflect the times we live in, Kolodny creates art for our short attenti...

Shlomi Haziza coffee table measures 35x27 no glass. Or you can use it as a sculpture Local pickup nj or buyer can arrange shipment.

This stunning figurative bas relief sculpture captures a female ballet dancer gracefully poised in the arabesque position, created by the acclaimed Colorado/Missouri artist Eric Bransby (1916-2020). Crafted from bronze and polymer Forton casting, the piece beautifully exemplifies Bransby’s mastery of motion and form. Provenance: Collection of the artist, Eric Bransby About Eric Bransby: Eric James Bransby was a highly respected muralist, painter, illustrator, and educator. His education at the Colorado Springs Fine Art Center included studies with renowned artists like Thomas Hart Benton, Jean Charlot, Boardman Robinson, and Josef Albers. He also studied at the prestigious Yale School of Fine Art. Bransby’s career is defined by his exceptional work as a muralist, with notable commissions including the Rockhurst Library Triptych Mural at the University of Missouri, murals at Brigham Young University, the U.S. Air Force Academy...

Fine Group of Sculptures in Bronze after Jean de Boulogne (Giambologna) The torturously twisting Rape of the Sabine Women is one of the finest and most technically difficult sculpt...

Bronze Sculpture 'Bolas IV' by Carola Eggeling Abstract sculpture with beautiful curved lines. German bronze sculpture Bronze Patina Certific...

Numbered and limited to 8 copies Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina Display: The s...

In the Cult series, the key plot is the clash of two human paradigms. On one side - conscious and independent Human, with unlimited potential for development and evolution, on the ot...

In the Cult series, the key plot is the clash of two human paradigms. On one side - conscious and independent Human, with unlimited potential for development and evolution, on the ot...

Born in Paris in 1971, Rakel lives and works in Boulogne Billancourt, close to Paris. Rakel draws and paints since her early childhood. Passionate about fashion, drawing, traveling a...

acrylic on plywood With the series titled We Share the Same Sky and New Objects Same Sky, my choice of natural wood as a material is influenced by the rich heritage of my father and...

Keith Haring Skateboard Deck 2019: Sold out, limited edition estate trademarked Keith Haring Skateboard Deck featuring the artist's iconic imagery. This work is from a sold out colla...

Hayward Oubre The Trap, c. 1960 Painted wire sculpture 40 H. x 16 1/2 W. x 21 D. inches Provenance: Estate of the Artist Deeply attached to his Souther...

Lupine by Jane DeDecker Cast bronze figure ©2010 ed/17 37x15x12" Classical female partial nude, gathering a bouquet of Lupine. first four photos with colorful patina are of the a...

"Celebrations (C-56)" is an original black serpentine stone sculpture by Colleen Madamombe. The artist signed the piece, and it weighs 228 pounds. This piece features a woman with a ...

Artist: Michael Stevens, American (1942 - 1989) Title: Chased Year: 1980 Medium: Hand-Carved and Painted Wood Sculpture, signed, titled and dated under base Size: 17.75 x 37 x...

SOUND AND VISION – Budgies is a unique oil on vinyl installation by German contemporary artist Doris Marten, dimensions are 100 × 100 cm (39.4 × 39.4 in). Every piece is 30 cm in dia...

Robert Mickelsen Parasol, 2009 Borosilicate glass 33h x 34w x 34d in

The sculptures of Damon Hyldreth appear both static and fluid, rigid and flexible, strong and smooth, effectively blurring the line between nature and structure. By crafting organic ...

"Sisyphean Circle Beijing Series XXXII" by John Van Alstine Slate, pigmented steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and met...

There is a metaphorical interplay between the natural imagery international artist, Jennyfer Stratman, uses and its multiple meanings. While the human figure features strongly, it is...

Artist: Ellen Brenner-Sorensen Title: Untitled II Year: 1992 Medium: Bronze Sculpture, signature and number inscribed Edition: 3/9 Size: 34 in. x 16 in. ...

Diana with an arrow by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Bronze sculpture with a dual light and dark brown patina signed on the base "Carrier-Belleuse" inscribed on a front plaque "Diane à la Flèche par Carrier-Belleuse (Sculptr)" France circa 1870 height 83 cm arrow added probably in the 20th c. Biography : Albert-Ernest Carrier de Belleuse known as Carrier-Belleuse (1824-1887) was one of the most prolific artists of the century and had the greatest successes under the Second Empire, enjoying the personal support of Napoleon III. His work was greatly influenced by the style of the Italian Renaissance and that of the 18th century, which he helped to bring up to date. In 1837, the young Carrier-Belleuse apprenticed in the workshop of the engraver Bauchery. He was admitted soon after to the goldsmith Jacques Henri Fauconnier. Through François Arago, he met the sculptor David d'Angers who facilitated his admission to the School of Fine Arts. Carrier-Belleuse entered it in 1840. Noted for his skill by the great bronze companies in Paris such as Barbedienne and Denière, he soon received numerous orders for models for candelabras, pendulums, fittings for fireplaces, etc. In 1848, probably at the initiative of François Arago, who became head of state, he received his first public order for a small statue of "Mademoiselle Rachel singing La Marseillaise". In 1851, he appeared for the first time at the Salon of French Artists, where he presented two bronze medallions. From 1851 to 1855, Carrier-Belleuse stayed in England, in Stoke-on-Trent where he served as director of the modeling and drawing school of the Minton house, a large porcelain manufacturer. Back in France, Carrier-Belleuse moved to Paris in a large workshop located 15 rue de la Tour d´Auvergne. From 1857, he made regular sendings to the Salon and became famous thanks to the success of large marbles, such as the "Bacchante" exhibited at the Salon in 1863, and acquired by Napoleon III, "Angelica" (1866) or even "Hebe asleep" (1869). At the Salon of 1867, his group entitled "Messiah" earned him the medal of honor of sculpture. It was acquired by the State to adorn the Chapel of the Virgin in the Saint-Vincent-de-Paul church. Carrier-Belleuse acquired a great reputation in parallel for his terracotta busts which, in many respects, recall those of 18th century artists. He made portraits of a large number of celebrities of his time. He produced, among others, the busts of Napoleon III, Renan, Thiers, Grévy, Arago, Marguerite Bellanger, Théophile Gautier, Honoré Daumier, Delacroix, Hortense Schneider, Réjane… He also modelled numerous busts of mythological inspiration and historical and artistic portraits like Marie Stuart, Shakespeare or even Mozart. Carrier-Belleuse used and trained in his workshop in the rue de la Tour d´Auvergne many young talented artists such as Alexandre Falguière, Jules Desbois...

Artwork made with MDF, pigmented lacquer & cherry wood Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair i...

"El abrazo" Carolina Yrarrázaval, jute, linen, 40" x 14" x 7", 2017. This woven Contemporary textile sculpture was done by Chilean fiber artist, ...

A maiden holding a lute leaning on a tree trunk dappled with english ivy and cattails, all surmounted on a rouge royal marble base. Beautifully cast, crisp details. Artist: Adrien ...

The artist says of her work... Arrested Symphony is an exhibition incorporating sculptures, reliefs, drawings and hanging works that explore the theme of injustice that is at the roots of the predatory gem and mineral excavation industry. While at a residency in Knoxville, Tennessee, I discovered that Oakridge was only 30 miles away. Oakridge played a key role in the development of the Atom Bomb and the Manhattan Project. I began an exploration and comparison of Uranium and Emeralds. These minerals look very much alike, beautiful but dangerous on their effect on civil conflict. Colombia my birthplace, has the finest Emeralds in the world. The mining of Emeralds was an important element in the continued colonization of the region. Emeralds have helped to fund the more than 60-year conflict which has taken over 450,000 lives and displaced about 5.7 million people. Uranium has brought destruction to a level which altered the future of warfare. The developments made during the Manhattan Project led to the death of about 700,000 people and its effects are still felt around the world. I use Colombia as an example, however this situation is repeating itself in many parts of the world. Sierra Leone, Liberia, the Republic of Congo, the Central African Republic and the Democratic Republic of Congo are all involved in brutal civil conflicts fueled by Blood Diamonds. This project will make visual the human cost extracted with these minerals, once exposed to the light of day they can never be unearthed. My practice is an ongoing object-based exploration through which I create artworks which are organic and improvisational constructions that are infused with hope and renewal. The hand-crafted artworks are poetically and intricately crafted, creating an intimate repository for the individual and collective memory and implement the human body as a symbol and expression of nature, vulnerability and power. The work encourages viewers to reconsider social and historical narratives especially when dealing with the aftermath of Colonialism and raises critical questions about the politics of erasure and exclusion. ESPERANZA CORTÉS is a Colombian born contemporary multidisciplinary artist based in New York City. Cortés has exhibited in the United States in solo and group exhibitions in venues including Smack Mellon Gallery, Neuberger Museum of Art, Bronx Museum of Art, Queens Museum, El Museo Del Barrio, MoMA PS1, Socrates Sculpture Park and White-box Gallery in New York City. Nationally Cortes exhibitions include Cleveland Art Museum, OH, CSU Galleries at Cleveland University, OH, Helen Day Art Center, VT and The Lorenzo Homar...

Sculpture Close to Heart 2 Limited edition of 12 Mediums: old pine, steel, acrylic hand painted, oil CLOSE TO HEART - Collection Working on the series I used a “wood with history”...

Eclate de Braise, wool, 33" x 24", 1966. This mid-century abstract woven tapestry was done by Canadian textile artist, Mariette Rousseau-Vermet...

"Patient Concerns" by Jane DeDecker Figurative Bronze 33x16x13 ed/17 A doctor checking the heartbeat of her patient. ABOUT THE ARTIST: 'Part of Jane's artistic genius is her abili...

The modern Sculpture " VITA ” is a unique piece made from a burnout mold by David Marshall in 2015, sand cast brass in our foundry, handcrafted by the Artist in his workshop in Spai...