Bronze Sculptures

Crossing the River is a bronze table sculpture, it is connected to a steel base. The edition size is 25. Joan’s latest sculpture series of female figures brings an out-of-the-box a...

This bronze sculpture by Bessie Potter Vonnoh, from 1911, is a charming rendering of a young woman dressing. Vonnoh became one of the so-called "White Rabbits", women artists who a...

Luna has a minimalist yet powerful design, featuring an elongated female figure poised with arms outstretched. Dominating the composition is a circular disc representing the moon in ...

EDITION Monogrammed, stamped, numbered and marked on reverse: FxL; FX Lalanne; EA 3/15; Artcurial

Inspired by the Acapulco cliff divers that dive into the sea from the 30 meter cliffs in Mexico. The Swan Diver is a hot cast bronze sculpture using the lost wax process, with a mild...

Georges Van der Straeten (Belgian, 1856-1941) "The Harpist" Patinated Bronze Sculpture, late 19th century, the elegant lady in a flowing dress holding a harp, on a square plinth sign...

Mans Best Friend C.M. Junghans 1985 This is done in a German Expressionist style. It is bronze over some sort of fill. It depicts a man gentleman and his dog. a Cocker Spaniel or Co...

Inner Circle (Casting Scale) Bronze Sculpture Figurative Abstract Head In Stock Junghans (1956, Recklinghausen) creates abstract sculptures in stone, wood and bronze, mostly torsos ...

This is an abstract Flora based hand made, cast sculpture done by Seena Donneson an acclaimed woman artist. A textured abstract bronze with deep, rich patina; The sculpture is signed with the artist initials and dated. It is unique. Seena Donneson (1924 - 2020) was an artist, sculptor and printmaker She studied at the Pratt Institute, NYC Pratt Graphic Art Center, NYC, with Michael Ponce de Leon and the Art Students League with Morris Kantor. Collections Smithsonian American Art Museum Museum of Modern Art, New York Brooklyn Museum Portland Art Museum Amon Carter Museum of American Art Select Individual Exhibitions Danville Museum of Art, Virginia; Galerie #836, Santa Fe, New Mexico; Greenville Museum of Art, North Carolina, 1987; Benson Gallery, Bridgehampton, NY. Group Exhibitions NY Upper East Side Outdoor Sculpture exhibition, 78; Fort Lauderdale Museum of Art, Florida; CAPS Travelling Exhibition; Ben Shahn Gallery, New Jersey; "The Collograph", NY State Council on the Arts/Pratt Institute. She was included in Group Shows Conceived and Curated by Dorothy Gillespie at the Women's Interart Center, New York, NY 1974. Artists included: Betty Parsons, Elsie Asher, Alice Baber, Minna Citron, Nancy Spero, Seena Donneson, Alice Neel, Natalie Edgar, Dorothy Gillespie, and Anita Steckel...

Augustus by Jane DeDecker Bronze ©2002 22.5h 12w 18d (lifesize seated child) A young boy pouting in a moment of disappointment in the world. Great piece for a garden. ABOUT THE ARTI...

"Female torso" is a monumental bronze sculpture of a woman. The bronze is covered with green patina. It is created by the artist Maestro Willem Botha. About the artwork Edition : 2 of 14 in total Certificate of authenticity: issued by Snow Pearl art gallery NEW MOVEMENT & STYLE: Contemporary Maestro Willem Botha The masterpiece is suitable for representative offices, gardens, parks, homes etc. “The impressions of this artwork on the viewer is so mighty, mesmerizing, grand, that it paralyzes the imagination. All his sculptures bring positive energy, emotion, represented by the vast creative power of the author's talent.” Maestro Willem Botha was born in South Africa in 1962. Today he lives in Bulgaria and works in a creative workshop in Sofia. Willem started his career as Sculptor at Shows and Exhibitions in the South African Defense Force in 1981. He was mentored by Artists like Andre Prinsloo and Jan van Der Merwe. In 1986, he moved to Namibia where he was a Sculptor for the Windhoek State Museum. During the time in Windhoek, he had several one man and group expeditions in various galleries in Windhoek and Swakopmund. In 1988 he was commissioned to remake the Atlas Sculpture on the House Hohenzollern Building in Swakopmund. In 1990, he moved to Town where he sculpted full time. Willem did some freelance work for Jean Doyle, helping with the bronze casting of her work. During his time in Cape Town, he exhibited in several galleries in and around Cape Town. In 1991, he moved to Graskop, where he continued full time sculpting and he opened his own foundry. He moved back to Pretoria in 1992, to continue sculpting and established Art Cast Foundry. In the same year he was commissioned to do several decorative works for the Palace of Sun City, that includes, all the doors bronze handles. Sculptors that he did castings for are to name but a few, the late Bobby Lawrence, Niko van Rensberg, Maureen Quinn, Anton Smit, Andre Prinsloo, Barry Jackson...

Signed/inscribed by Artist on bronze base of piece with edition number. 1/25

Tushar Kanti Das Roy - Musician-2 - 5.5 x 6.5 x 4.5 inches Bronze Sculpture About the Artist & his work : Born : 1968. Education : He has completed his education from I.C.Art & Craf...

Fire by Jane DeDecker Allegorical Element Figurative Bronze with Gold Leaf 72x14x20" bronze ed/17 (available patina is the darker blue-grey hue) Shipping price includes the custom p...

Caged Bird by Jane DeDecker Abstract Figurative Bronze on Glass ©2021 13" x 12" x 8" Ed/11 A piece about the Covid19 pandemic and the spirit that lives on ...

John Bennett (Born 1952) Fredericksburg, Texas Artist Image Size: 26 x 12 x 8 Medium: Bronze Sculpture "La Dolce Vita" The Sweet Life! John Bennett (Born 1952) John Bennett was desig...

Bronze & Marble Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar unity of substance and emotions, whe...

Edition of 7. Miquel Aparici's sculptures are surprising assemblages made from old objects that had other uses in the past, and which the artist recovers and uses in a creative and ...

"Dancer with a tambourine" by Agathon LÉONARD (1841–1923) Rare sculpture made in gilded bronze Signed on the dress "A. Léonard Sclp" Cast by Susse Frères (with founder stamp) Stamped with a foundry reference letter "M" France circa 1905 height 57 cm Biography: Léonard Agathon Van Weydeveldt, said Agathon Léonard (1841-1923) was a sculptor of Belgian origin naturalized French. After studying art at the Lille Academy of Fine Arts and then at the École des Beaux-Arts in Paris, Agathon Léonard settled in Paris for a long time, where after having exhibited at the Salon of 1868, he joined the Society of French artists in 1887, then to the National Society of Fine Arts in 1897. Very involved in the artistic movement of the Art Nouveau style, he exhibited many pieces (medallions, bronze statuettes and ceramics) finely worked. Following an order from the Manufacture Nationale de Sèvres, dating from 1898, Agathon Léonard exhibited at the Universal Exhibition of 1900 in Paris his famous table centerpiece "Game of the scarf" in porcelain biscuit, composed of fifteen statuettes representing dancers with pleated dresses reminiscent of Loïe Fuller's choreographies or Neo-Greek dancers...

Elephant lidded kuduo container from the Ashanti peoples of Ghana. Kuduo were created to store valuable possessions such as gold dust and served the sym...

This is a limited edition conceptual bronze sculpture made by San Diego artist, Maidy Morhous. Its dimensions are 12" x 8" x 14". A certificate of authenticity will follow its delive...

"Thinking Man" by Denny Haskew Figurative Bronze (After Egon Schiele) 13x11x7" ed/15 "Thinking Man puzzeled over this being a flock of clouds are in my head. people are everywhere, ...

Forward Still by JaneDeDecker Abstract Figurative Sculpture ©2015 80x54x10" limited edition of 21 A contemplative person walks on the top of a large ring ABOUT THE ARTIST: 'Part of...

EUGÉNE DELAPLANCHE French, 1836-1891 La Musique Signed E. Delaplanche, F.Barbedienne Fondeur Patinated Bronze with brown patina circa 1878 Fou...

Lost wax bronze 3/8. founder Paumelle. French artist, born in 1954 in Versailles. Lives and works in Paris but also in Lozère (in the south of France) where, as soon as she can, she ...

This bronze sculpture by Auguste Moreau is a beautiful work from the Romanticism period. Auguste was the third son of sculptor and painter ...

Bushbuck by Charles DELHOMMEAU (1883-1970) Sculpture with a nuanced reddish-brown patina Signed on the base "Delhommeau" Sand cast France circa 1938 height 27,5 cm base 20,5 x 7,5 ...

Mireia Serra creates sensuous bronze and iron sculptures showing the beauty of snapshots caught in life, which are full of emotions and feelings along the life journey. Her metal art...

Edition Signed with the stamp: Lalanne Monogrammed, marked and numbered under the apple: CL ; Artcurial ; 57/250 Literature Robert Rosenblum, Les Lalanne, Genève, Éditions Skira, 1991, an other version reproduced p. 123. Claude et François...

FRANZ BERGMANN Austrian, (1838-1894) an Arab Riding a Camel Austrian Cold-Painted Bronze Figures of a an Arab riding a camel. On marble base, signed "Nam Greb”. 10 1/2 inches high

Cold Painted Austrian Bronze Table Lamp and Sculpture of a lounging Arab man. Signed with one of Zach's pseudonyms "K. Salat" Size: 16 1/2 inches high Artist Bio: Bruno Zach (6 Ma...

Phoenix is a limited edition bronze sculpture with a peacock blue patina

Pair of large late 19th Century Japanese bronze vases with elephant heads handles, and details in dark brown and green patina as shown on the photos.

Lethargie Bronze Sculpture Big Outdoors Indoors In Stock Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer at the primal form. Arch...

Homebody is a sculpture in bronze, signed and dated ‘KOSTABI 2022,’ and numbered 4/8 from the edition of ten on the side of the main figure (there were also 2 AP). Mark Kostabi is widely known for his paintings, but the artist has also worked in bronze since the 1980s. Two of his sculptures are permanently installed in Italy – one in the central square of San Benedetto...

Art Deco patinated bronze titled "The Discus Thrower" by Claire Jean Roberte Colinet (1880-1950) Raised on a circular green marble base and the attached to a square lacquered metal b...

Emile Andre Boisseau (French, 1842-1923) "Ense et Aratro" [By Sword or by Plow] Patinated Bronze Sculpture, retailed by Tiffany & Co., late 19th century, the standing warrior holding...

Lancelot II is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 50 × 25 × 17 cm (19.7 × 9.8 × 6.7 in). Height of the sculpture with the base: 60 cm (23.6 in). ...

Jungle Buddy Maurice by Craig Campbell Expressionistic Wildlife Sculpture Lion 6 x 3 x 3" Bronze edition of 200 Jungle Buddies originated as clay sketches and were so delightful w...

"The Rape of Sabina," large bronze group with brown patina, Roman workshop of the second half of the 18th century, circle of Francesco Righetti (Rome 1749-1819). The exceptional qu...

Sara trained under Ken Hughes, a pupil of Henry Moore, at Bath Academy of Art. There she achieved a first class honours degree in Sculpture and was awarded the Henry Moore Foundation...

After devoting more than twenty years to the perfection of the human form in bronze, Richard MacDonald focused on a series of sculptures based on his work with dancers from the Royal...

Antique Horse Bronze Portrait of a Trotting Stallion Isidore Jules Bonheur (France, 1827-1901) Cast bronze mounted on a rectangular plinth with dark brown patina, Signed: I. BONHEUR 17 x 11 3/4 A brilliant exploration of a stallion in full trot. The patina is a deep, warm walnut brown with honey-colored tones. Isidore Bonheur was best known and the most distinguished of the 19th century French animalier sculptors. Isidore, the younger brother of Rosa Bonheur and older brother of Auguste, began his studies of painting initially with his father, who was friends with Francisco Goya. By 1848 he debuted at the Paris Salon having discontinued animal and landscape painting to concentrate on creating sculptures and in 1849, Bonheur enrolled at the Ecole des Beaux Arts. He won medals at the Paris Salon in 1859 and did so again in 1865 and in 1869. After entering the Exposition Universelle 1855, he won the Gold Medal in 1889. In the 1870s exhibited in the London at the Royal Academy of Arts where he earned great prestige and won the coveted Medaille d’Or. After winning numerous other medals and prizes, Bonheur was awarded the Legion d' Honneur in 1895 and he was Knighted in Portugal, Spain and France. Bonheur continued exhibiting at the Paris Salon until 1899. Many of his bronzes were fabricated at the foundry owned by Hippolyte Peyrol, Bonheur's brother-in-law by marriage to Isidore’s youngest sister Juliette Bonheur. The Peyrol casts for both Rosa and Isidore are exceptionally well executed which suggests a strong working relationship between the founder and sculptor. There is little doubt that Isidore Bonheur was an acute observer of nature; his animals were not anthropomorphized but modelled to catch movement or posture characteristics of the particular species he was sculpting. He achieved this most successfully with his sculptures of horses which are usually depicted as relaxed rather than spirited. These figures are among his most renowned works and his equestrian models became very popular, particularly among the British aristocracy. An acute observer of nature, his sculptures reflect his commitment to the Realist school - with precise detailing of the movements of animals in their natural habitats. Ultimately, His naturalistic studies of animals are now some of the most highly sought after works by any of the animalier. He was possibly inspired by his many visits to the Buffalo Bill Wild West Show...

Artist: Kuno Vollet Title: Brass Gingko with 5 leaves art sculpture Materials: Bronze, black granite base Polished bronze to gold adds highlights to the leaves. Art Deco Mid-centu...

Retaining a fine patina and in overall good condition. Signed with initials SB. I believe the edition size was 7 But I cannot find a mark. Stanley Bleifeld (1924 – 2011) was an American sculptor. Stanley Bleifeld was born and raised in Brooklyn, New York, Bleifeld earned bachelor of fine arts, bachelor of science in education and in 1949 a master of fine arts degree in painting at Tyler School of Art of Temple University. After a trip to Rome in 1959 or 1960 he gave up painting for sculpture. He began his fine-art career as a painter. However, a visit to Italy and exposure to the bronzes of Donatello, Michelangelo, and Ghiberti changed his direction He worked with the Art Foundry of Massimo del Chiaro and alongside artists such as Lucchesi, Harry Marinsky, Fernando Botero, Igor Mitoraj and Ivan Theimer. Many of his early pieces were religious subjects, and reflected both painting and sculptural techniques in bas reliefs* that had "liquid landscapes in undulating reliefs and free-flowing portraits reminiscent of classical fragments" (166-167). He later turned from these abstract pieces to more realistic figures in bronze. Bleifeld was a National Academician in Sculpture, and a member of the National Academy of Design, and helped set policy for that organization. He was also President of the National Sculpture Society. Past presidents of the society have included John Quincy Adams Ward, James Earle Fraser, Chester Beach, Wheeler Williams, Leo Friedlander, Neil Estern, and Cecil de Blaquiere Howard. The first woman to gain admission into the NSS was Theo Alice Ruggles Kitson, in 1893. She was followed a few years later by Enid Yandell and Bessie Potter Vonnoh in 1898; Janet Scudder in 1904; Anna Hyatt Huntington in 1905 and Evelyn Longman and Abastenia St. Leger Eberle in 1906. In 1946, Richmond Barthé was likely the first African-American to be admitted. In 1994, the NSS held their first exhibition outside the United States at the Palazzo Mediceo Di Seravezza in Italy. Titled “100 Years of the National Sculpture Society of the United States of America in Italy” it ran from the 16th of July through the 4th of September and was curated by Nicky and Stanley Bleifeld along with Costantino Paolicchi, Lodovico Gierut and Paolo Giorgi. Among the 60 notable American sculptors whose work was selected for the exhibition were Stanley Bleifeld, Andrew DeVries, Neil Estern, Leonda Finke, Bruno Lucchesi, Barbara Lekberg...

D'une Rive à l'Autre is a bronze sculpture by French contemporary artist Marine de Soos, dimensions are 50 × 83 × 14 cm (19.7 × 32.7 × 5.5 in). The sculpture is signed and numbered,...

Samuel Latour - Éclat - Original Bronze Sculpture 28 x 24 x 27 cm Edition of 8 Signed Samuel LATOUR Formed at Boulle arts and craft school in Paris, h...

Edition of 50 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture...

David Hare Dancer, circa 1955 Bronze with integral stand 68 high x 17 wide x 13 1/2 deep inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

This sculpture depicts a young girl. She just woke up and her body still remembers the night of love. She is beautiful, graceful and a little shy. Her body is innocent and inviting a...

It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin B...

Thetis Bronze Sculpture Mythology Classic Contemporary Nude Male Figure. Size is including pedestal. The sculptures of Margot Homan (1956, Oss) show a perfect command of the old cra...

American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture. Taking his advice, DeDecker went on to study at Gobelins School of Tapestry in Paris...

This stunning figurative bas relief sculpture captures a female ballet dancer gracefully poised in the arabesque position, created by the acclaimed Colorado/Missouri artist Eric Bransby (1916-2020). Crafted from bronze and polymer Forton casting, the piece beautifully exemplifies Bransby’s mastery of motion and form. Provenance: Collection of the artist, Eric Bransby About Eric Bransby: Eric James Bransby was a highly respected muralist, painter, illustrator, and educator. His education at the Colorado Springs Fine Art Center included studies with renowned artists like Thomas Hart Benton, Jean Charlot, Boardman Robinson, and Josef Albers. He also studied at the prestigious Yale School of Fine Art. Bransby’s career is defined by his exceptional work as a muralist, with notable commissions including the Rockhurst Library Triptych Mural at the University of Missouri, murals at Brigham Young University, the U.S. Air Force Academy...

Viewpoint is a bronze sculpture with green patina, it is connected to a steel base. The edition size is 50. This sculpture stands on shelf as well as be hung on wall. Joan’s lates...

Bronze sculpture of a horse carrying lady Godiva Limited Edition of 8

Franco Mauro Franchi was born in Castiglioncello (Livorno) on 9 October 1951. He completed his artistic studies at the Lucca State Institute of Art and the Academy of Fine Arts in Fl...

Born in 1996, Thomas Waroquier lives and works in Paris. He obtained his diploma in metal sculpture with the congratulations of the jury in 2017 at the National School of Applied Art...

Eternal Moment Bronze Sculpture With Two Nude Figures Man and woman embracing, indoor or outdoor large bronze sculpture signed V. Salmones edition 6/10, 1979. Included in the Victor Salmones book published in 1991 "A Sense of Human". This large sculpture 76" almost two meters tall 196cm. Victor Salmones (1937-1989) was the most widely known sculptor living and working in Mexico during his lifetime. His sculptures won him universal acclaim and are held in the collections of museums, corporations, cities, universities and private collectors in some 30 countries. During his career, he was highly sought after and increasingly involved in the execution of commissions for major public works around the world. Salmones developed his love and talent for creating sculptures by working with clay in high school. He attended the Instituto de Bellas Artes where he was an apprentice to the Bauhaus master, Hoffman. He was trained to use the exacting, age-old lost wax method of casting and worked principally in bronze. His work explores styles that are both abstract and figurative and the grace and spirit inherent in his work endow his bronzes with a transcendent vitality. The international acceptance of Salmones sculpture...

Luca Madrassi (Italian, 1849-1919) "The Fencer" Patinated Bronze Sculpture, late 19th century, the standing figure dressed as a fencer holding his sabre, a mask and glove at his feet...