Bronze Sculptures

Sculpture of a woman representing the element of earth.

Antoine-Louis BARYE (1796-1875) Pair of Candlesticks Pair of neo-Greek candlesticks Bronze with a dark patina signed on the underside "Barye" Old cast France circa 1890 height 27 c...

Pair of monkey candelabras by Christophe FRATIN (1801-1864) Bronze with nuanced dark brown patina signed "Fratin" on the foot old period cas...

English, b. 1962 Louise is fortunate to be living her dream in the rural mountains of Colorado. Her time is spent hiking with her Great Danes, sculpting in her studio and operating ...

George Roberts George Roberts seated Lady Giocometti style Bronze. In good condition measures 33x12x17

This contemporary outdoor figurative metal sculpture is by Roch Smith. Canadian artist Roch Smith’s playful and thoughtful visual language often tackles big life themes in an imagin...

Accord No.5 is a bronze sculpture by contemporary artist Martine Demal, dimensions are 19 × 37 × 10 cm (7.4 × 14.5 × 3.9 in). The sculpture is signed and numbered, it is part of a l...

Edition of 7. Miquel Aparici's sculptures are surprising assemblages made from old objects that had other uses in the past, and which the artist recovers and uses in a creative and ...

Bronze Sculpture 'O.T. VII' by Carola Eggeling Abstract sculpture with beautiful curved lines. German bronze sculpture Bronze Polished Certificate of authenticity Numbered and sign...

WILLIAM-ADOLPHE BOUGUEREAU (French, 1825-1905) Signed ‘W. Bouguereau & A. Itasse’ Circa 1887 30 in. x 14 in. x 13 1/2 in. Notes: A magnificent French patinated bronze sculpture of cupid and psyche is entitled "L' Amour Vainqueur". The bronze is mounted upon a revolving rouge marble plinth adorned with bronze decorations & an enamel face key wind clock...

Urbanut I & II is an installation of two bronze sculptures by contemporary Czech sculptor Ondřej Oliva, dimensions are 40 × 100 × 40 cm (15.7 × 39.4 × 15.7 in). This artwork is f...

Josef Moest (1873 Cologne - 1914 Rath), Crusader with shield and mace, around 1910. Bronze on a black marble pedestal (19 cm high). 57.5 cm (total height) x 21 cm (width) x 12 cm (de...

Sandra 45 x 34 x 24 cn Bronze The theme van der Kraan likes most is to show the growing of young girls. Living in their own world. Like this girl watching...

Nickel Plated 24 Element Puzzle Sculpture, 1968-1969, realized by Miguel Berrocal. Signature and number engraved. Edition of 9500 pieces.  Ref. Catalogo General/Obras Recientes,197...

Tatshikio is a sculpture by contemporary French artist Jacques Owczarek. Dimensions: 35 × 30 × 20 cm / 13.7 x 11.8 x 7.8 in. This ape in bronze takes shape through a series of lines ...

This engaging artwork was created in 1978 by the Italian artist Fanna Roncoroni. It is a multiple of 1000 pieces numbered and signed by the author. The title is "Lui Lei" translate i...

William Zorach (American 1891-1966) First Steps, 1918 Bronze 8.5 x 5 x 4 inches, including base Born in 1887 in Lithuania, William Zorach immigrated with his family to the United States when he was just four years old, settling in Cleveland, Ohio. Zorach displayed an exceptional artistic talent at a young age and, at the recommendation of his seventh-grade teacher, began studying lithography at night at the Cleveland School of Art. It was not long before he was apprenticing at a lithography company in Cleveland. It was there that he realized he wanted to become an artist - to escape the commercial end of the field in which he was suddenly immersed. In 1907, Zorach saved enough money to move to New York and study art at the National Academy of Design, where he received several awards for his paintings and drawings. He continued his studies in Paris in 1910 at La Palette. This year abroad would turn out to be quite fruitful because in Paris he was greatly influenced by the Cubist and Fauvist movements and had several paintings exhibited at the Salon d'Automme. This influence and subsequent success fueled his career back in the states where he was honored with his first one-man exhibition. Due to this new-found stability, he married a young woman he met at school in Paris, and they moved to New York and set up a studio. Shortly after, their work was accepted into the famous 1913 Armory Show. For the next nine years, Zorach continued to think of himself as a painter, although he had already begun to experiment in sculpting. He was experiencing modest success with his painting and was therefore reluctant to abandon it completely. However, he was impelled toward sculpting, and in 1922, he painted his last oil. Zorach's involvement with sculpture began largely be accident. While he was working on a series of wood-block prints, Zorach suddenly became more interested in the butternut panel than the print and turned the panel into a carved relief. With no formal training as a sculptor, Zorach's first sculptures were of wood and his carving tools were primitive, such as a jack-knife. I n fact, his early works have a certain stylized look, suggesting the influence of various primitive arts such as African and American folk. Zorach found his sculptural direction by instinct, but was not unaware of what other sculptors were doing, both here and abroad. He soon allied himself with a growing number of modern sculptors who believed in the esthetic necessity of carving their own designs directly in the block of stone or wood rather than modeling them in clay. From the beginning he found a deep satisfaction in the slow and patient process of freeing the image from its imprisoning block, watching the forms emerge and appear. "The actual resistance of tough material is a wonderful guide," Zorach said in a lecture on direct sculpture in 1930. The sculptor "cannot make changes easily, there is no putting back tomorrow what was cut away today. His senses are constantly alert. If something goes wrong there is the struggle to right the rhythm. And slowly the vision grows as the work progresses." Zorach also found that the material itself had a constantly modifying effect on the artist's vision. The grain of the wood, the markings in the stone, the shape of the log or boulder all set limits and suggested possibilities. He was always sensitive to the characteristic qualities of his material and occasionally let them play a major role in determining his forms. In works such as these, the feel of the original material is preserved in the finished piece and is often heightened by leaving parts of the original surface untouched and other areas roughly marked by the sculptors tools...

This artwork was created by the Italian artist Piero Perin. Piero Perin was born in 1924, in Cervarese, near Padua Italy. He lived and worked in Padova where he teached at the School...

Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentine singer, 1865. Light brown patinated bronze with cast round plinth mounted on a square marble base (3.5 cm high). Total height 53 cm. Bronze dimensions: 49.5 cm (height) x 20 cm (length) x 10 cm (width), weight 5.6 kg. Inscribed on the plinth "P.[aul] DUBOIS", dated "1865", with the foundry's mark "F. BARBEDIENNE FONDEUR" and the signet "REDUCTION MECANIQUE A. COLLAS". - Patina very occasionally darkened, lute with loss of one tuning peg, otherwise in excellent condition. - The renaissance of the Renaissance - The bronze is a precisely executed and masterfully cast contemporary reduction of Paul Dubois 155 cm tall masterpiece "Florentine Singer", which is exhibited in the Musée d'Orsay and for which the artist was awarded the Medal of Honor at the Paris Salon in 1865. The work acted as a beacon, and was followed by a plethora of depictions of juveniles. Inspired by Donatello and Luca della Robbia, but also by painters such as Piero della Francesca, Benozzo Gozzoli, and Pinturicchio, the "Florentine Singer" is not an epigonal work that pays homage to a vanished era, but a successful attempt to draw vitality from the art of the past and thus give it new life. The effect of vitality is the core of Italian Renaissance art theory. In order to fulfill itself as art, art had to appear like nature. This naturalism also characterizes the "Florentine Singer". The young man appears to have been taken from life, which is reinforced by the momentary nature of his action. He has just struck a now fading chord. In addition, the natural appearance is enhanced by the detailed shaping of the figurative details, such as the laces with the slightly curved leather of the shoes, the belt buckle, or the ornamentation on the body of the lute. Even the fingernails are clearly defined. Unlike the Renaissance, however, the effect of liveliness here is not based on the "discovery" of nature and the human body, but primarily on the rediscovery of the art of the Quattrocento. The liveliness of the artwork is therefore at the same time a revitalization of this art, so that we can speak of a Renaissance of the Renaissance, just as the Pre-Raphaelites in England at the same time transferred the Quattrocento to contemporary art. Dubois takes on the most difficult of all subjects, the depiction of singing through silent sculpture. He was preceded in this by Luca della Robbia and Donatello with their pulpits of singers created in the 1430s in the Museo dell'Opera del Duomo in Florence. Compared to these works, the physiognomy of Dubois singer is far less animated, yet he also depicts singing in a convincing manner. He uses the whole body. He takes the ancient contrapposto, which was essential to Renaissance sculpture, and transforms the standing leg-playing posture into a late medieval S-swing, giving the body an elegant beauty and at the same time setting it in melodic motion. In the equally elegant finger position, the music is expressed in a much more literal way with the beating of the lute. Finally, the musicality of the sculpture culminates in the face with the mouth open to sing. Through the act of singing, which is a great challenge to the artistic will to depict perfect beauty, the gracefulness of the classical face is not diminished, but enhanced. Starting from the face with the singing mouth and the gaze absorbed by the sounds, the inner vitality spreads, giving the bronze sculpture an intense aura, enhanced by the music. Dubois transfers the beauty of the Renaissance to the musical, sublimating the visible sculpture to the invisible of music. He took up the challenge of transcending the Renaissance with the Renaissance, thus responding to the Querelle des Anciens et des Modernes, which arose at the end of the 17th century around the French Academy and remained virulent into the 19th century, in which antiquity was regarded either as an unattainable ideal or as a standard to be surpassed. With his work, Dubois proved that the Renaissance, which had championed the art of the ancients, could lead to a new renaissance of art. About the artist Paul Dubois' great-uncle was the famous French Baroque sculptor Jean-Baptiste Pigalle, in whose footsteps the talented great-nephew followed. When he debuted at the Paris Salon in 1858, he signed his work "Dubois-Pigalle". At his father's request, however, he first studied law before devoting himself to sculpture under the tutelage of François Christophe Armand Toussaint in 1856 and entering the École des Beaux-Arts in 1858. From 1859 to 1863, he lived in Rome and traveled to Naples and Florence. Inspired by Florentine art of the quattrocento, Dubois initiated a school-forming neo-Florentine style that combined the elegantly simple forms of youthful grace with a precise wealth of detail.Two purchases by the French state (“envois de Rome”) were made during his stay in Rome, which brought him recognition in Paris. After his return there, he quickly became an internationally sought-after artist. Dubois was also active as a creator of monuments. His most famous work is the equestrian statue of Joan of Arc (1896) on the forecourt of Reims Cathedral. He was also a sought-after portraitist who produced around 50 busts and - Dubois was also a passionate painter - around 100 portraits in oil. From 1873 to 1878 he was curator of the Museum du Luxembourg, in 1876 he became a member of the Institut de France and from 1878 to 1905 he was director of the École des Beaux-Arts. In 1865, Dubois was awarded the Paris Salon Medal of Honor for his “Florentine Singer”. In 1867 he became Chevalier, in 1874 Officier, in 1886 Commandeur of the Légion d'honneur, which awarded Dubois the Grande Croix in 1896. Selected Bibliography Stole, Elmar: Paul Dubois. In: Saur. Allgemeines Künstlerlexikon, vol. 30, Munich - Leipzig 2001, pp. 677-678. GERMAN VERSION Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentinischer Sänger, 1865. Hellbraun patinierte Bronze mit gegossener runder Plinthe auf quadratischem Marmorsockel montiert (3,5 cm Höhe). Gesamthöhe 53 cm. Maße der Bronze: 49,5 cm (Höhe) x 20 cm (Länge) x 10 cm (Breite), Gewicht 5,6 kg. Auf der Plinthe mit „P.[aul] DUBOIS“ bezeichnet, auf „1865“ datiert, mit dem Gießereistempel „F. BARBEDIENNE FONDEUR“ und dem Signet „REDUCTION MECANIQUE A. COLLAS“ versehen. - Patina sehr vereinzelt nachgedunkelt, Laute mit Verlust eines Stimmwirbels, ansonsten ausgezeichnet erhalten. - Die Renaissance...

Jules Moigniez (1835-1894) Cheval Bronze à patine brune H. : 16,2 cm; L. : 22 cm; P. : 7,4 cm Signé en creux «J. Moigniez» sur la terrasse Épreuve de fonte ancienne Après avoir été ...

The contemporary artistic duo of Gillie and Marc are passionate environmental activists who have used their sculptures, paintings and photographs to celebrate and save endangered ani...

Edition: 3/4 Casting date: 2001 Signature engraved on the back Pollès’s power of giving life to the bronze by infusing it with a carnal quality enables him to combine the breath of...

Knight of Healing 615 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. This sculpture is made of bronze, has a pedest...

Bronze artwork made with lost wax casting technique. This is the prototype, unique signed artist proof. Sergio Monari is an Italian sculpture, that lives and works in Bologna, Italy. He exhibited his artworks in the best Galleries...

EMILE PINÉDO French, 1840-1916 Guerrier Arabe Sur un Dromadaire - Warrior On a Camel Signed Pinédo with the bronze Garanti au Titre seal, titled Patinated bronze, brown patin...

Nando Kallweit’s "Callindra II" is a striking contemporary bronze sculpture that captures a poised and introspective moment. This modern figurative artwork features an elongated, faceless form sitting with crossed legs, exuding a sense of grace and quiet contemplation. The rich patina and textured bronze surface enhance its expressive simplicity, making it a compelling addition to minimalist, abstract, and contemporary art collections. German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the strength of ancient Egyptian sculptures...

Bronze Double Bass Player Klezmer Musician Sculpture signed Mane-Katz at base. Numbered 8/8. -Katz (1894-1962) was a Litvak painter born in Ukraine best known for his depictions of...

RYSZARD PIOTROWSKI (born in 1952) Sculptor. He graduated from the Academy of Fine Arts in Warsaw. His works include intimate, small forms in marble, bronze and silver. He specializes...

The wind comes up is a bronze sculpture by contemporary artist Romain Langlois, dimensions are 64 × 128 × 40 cm (25.2 × 50.4 × 15.7 in). The sculpture is signed and numbered, it is ...

Jean-Louis Corby was born in 1951 and was predominantly influenced creatively by the 1970s. The 1970s were a period of consolidation and growth in the arts, most often characterised ...

Volodymyr Mykytenko - Paradise tree (2013) Paradise tree - a biblical image from the Book of Genesis, a tree in the middle of the Garden of Eden, the fruits of which give eternal li...

ÉTIENNE HENRY DUMAIGE French, 1830-1888 Egyptian Princess Signed 'H. DUMAIGE' on the cloak. 23 1/2 x 13 1/2 x 9 inches A Fine Patinated Bronze Group D...

Instant Moules I is a nickeled aluminium and bronze sculpture by contemporary Czech sculptor Ondřej Oliva, dimensions are 385 × 45 × 34 cm (151.6 × 17.7 × 13.4 in). This sculpture is...

Elza Mayhew (1916-2004) was known for her abstract bronze sculptures, many large scale, that were described by Colin Graham of the Art Gallery of Greater V...

Jesus Tellosa 2002 black iron balancing sculpture measures approximately 43” wide x 34” tall.

EDMOND LOUIS AUGUSTE LEVÈQUE French, (1814 - 1875) Les Deux Esclaves Gilt bronze, signed Leveque 30 x 14 1/2 inches

Beautiful, large Allan Houser bronze titled "Watching." The piece is signed "Allan Houser" and numbered 11 of the edition of 12. The bronze measures 23"h (including the 1" wooden pli...

Sculpture of a boy riding a toy pony.

Viceroy is a work by contemporary Argentinian artist Marcelo Martin Burgos. ‘The Robots’ series was developed during the imposed global lockdown at the beginning of 2020. During th...

The legendary canoeist and Canadian filmmaker Bill Mason once said, “First God made the canoe then he created a country to go with it.” Sculptor Roch Smith has embraced the iconic i...

"Classical ballet was my main source of inspiration. Grace and beauty of ballerinas combining with extremely hard work they do. This combination is shocking and inspiring in the same...

A sculpture that seems to compress the noise of history into a dense, silent form. In this striking bronze composition, Fernando Cermán constructs a sculptural body through the obses...

Wall sculpture set. Unique. This triptych consists of three individual sculptures and is sold only together. The price is for the entire set. The burnt wood is covered with a patina...

Swan Diver Female Medium is a limited edition bronze sculpture. Created with the lost wax casting process. We have a brown and a nickel plated version available. There is also a mi...

'Best Friends' by Tobias Martin is a Solid Bronze Animal Sculpture of a pair of puffins on rocks, amaxing blue patina with white and orange bill. Tobias Martin was born in 1972 in ...

Group of 2 Childhood’s Sails II is a bronze sculpture with a stainless steel rod by French contemporary artist Marine de Soos, dimensions are 79 × 32 × 28 cm (31.1 × 12.6 × 11 in). ...

Zvi Yehuda Aldouby (1904 - 1996) was active/lived in Israel. Zvi Aldouby is known for Artist, teaching. Biography photo for Zvi Jehuda Aldouby Zvi Yehuda Aldouby (Hirsch Leib Zupnick), sculptor, born 1904, Galicia. Immigrated 1924. Upon aliyah in 1924 he worked in agriculture and construction. 1936-51 studied art and the history of art with Trude Haim, Professor J. Schwartzman, Ds. Schiff, Pinkerfeld, Aviyona, Javetz, and others. After WWII he worked for the Jewish Agency as an envoy in Italy under the aegis of the UNWRA, on the welfare of the survivors of the Holocaust in the DP Camps. In 1948 in Paris, he evaluated advanced studies in European Art Centers. He was a member of the Israel Painters and Sculptors Association. He was a member of the Artists' Village in Ein Harod from its inception. EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman, Mordecai Ardon, Aharon Kahana, Arie Lubin, Yehiel Shemi, Yosl Bergner and others. The graphic arts collection contains drawings and graphic works by Camille Pissarro, Modigliani, Jules Pascin, Marc Chagall (almost all of his graphic work), and numerous other artists. The sculpture collection includes works by Jewish sculptors from all over the world including leading Israeli sculptors; Ben Zvi, Lishansky, David Palombo (brutalist), Yehiel Shemi, Aharon Bezalel and Igael Tumarkin (surrealist). Many Jewish sculptors from all parts of the world, beginning with Mark Antokolsky, are represented in the collection. In the sculpture courtyard there are works by Chana Orloff, Jacob Epstein (the works he bequeathed to the Museum), Enrico Glicenstein, Loutchansky, Constant and Indenbaum from Western Europe; Glid from Yugoslavia; William Zorach, Chaim Gross and Minna Harkavy from the United States; and most of the outstanding sculptors of Israel : Zev Ben-Zvi, Lishansky, Ziffer, Rudi Lehmann, Dov Feigin, Moshe Sternschuss, Zvi Aldouby, Yehiel Shemi, Aharon Bezalel, Hava Mehutan, Igael Tumarkin. Education: 1924-28 Hebrew University, Jerusalem, graduated 1931-37 Teachers' Seminar, Jerusalem, Teacher's Certificate 1938-29 Advanced studies, with Trude Haim Joseph Schwarzman, School of Art 1948-50 Advanced studies in Italy and France Teaching Taught history of art and sculpture Holon Awards And Prizes 1957 Herman Struck Prize, Artists' Association of Haifa and the North, Haifa Municipality 1963 Dizengoff Prize for Painting and Sculpture, Municipality of Tel Aviv-Jaffa 1964 Medal from Monaco International Exhibition 1965 Prize for the ''Breakthrough into the Negev'' proposal for a monument, Givati Corps, 52nd Brigade 1967 The Histadrut Executive Prize 1991 Worthy Citizen of Tel Aviv Award, Municipality of Tel Aviv-Jaffa Environmental Sculptures 1961 Levant Fair, Tel Aviv, "A Sculpture in a Garden" 1968 Atlit Youth Club, Bas- Relief- "Davd Playing Before King Saul" 1969 Netivot (Negev), "Yizkor"- Monument memorializing Aliyat Hanoar youngsters from Tunisia who perished in an air crash. 1944 Collective Annual Exhibition by Palestinian Artists Art Gallery of the ''Habima'' Building, Tel Aviv Artists: Hermann Struck, Moshe Sternschuss, Arie Reznik, Aaron Priver, Yitzhak Itzhak Danziger, Zvi Aldouby, Menachem Shemi, Moshe Castel, Shmuel Ovadyahu, Yohanan Simon, Marcel Janco. Group Exhibition - Etched Voices, Yad Vashem, Jerusalem painting...

This is a Dante V. de Florio original bronze from 1977. Very heavy piece. In good condition. Measures 15x15x9

Winged Demon is a polished bronze sculpture by contemporary artist Marcelo Martin Burgos, dimensions are 92 × 79 × 45 cm (36.2 × 31.1 × 17.7 in). The sculpture is signed and numbere...

I am interested in how we collectively construct history through artifacts such as monuments and portrait bust. These devices are tools for constructing dominant historical narrative...

Kiode is a bronze sculpture by contemporary artist Jacques Owczarek, dimensions are 17 × 27 × 27 cm (6.7 × 10.6 × 10.6 in). The sculpture is signed and numbered, it is part of a lim...

Enrico Donati (1909 – 2008) A Brutalist Bronze Surrealist Sculpture Totem. With a great patina and both rough and high polished textured bronze. Signed on side Dimensions: height ...

Emesto is an elegant figurative bronze sculpture by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage through the stylised Egyptian-i...

Crabe aux pattelas is a unique bronze sculpture by contemporary artist Chésade, dimensions are 38 × 31 × 30 cm (15 × 12.2 × 11.8 in). The sculpture is signed and comes with a certifi...

A girl playng the guitar. Sculptor created the classical figurine on a stone basement. Posture, movement, body lines - everything shows the beauty and lirical mood. The bronze look...

Urbanut II is a bronze sculpture by contemporary Czech sculptor Ondřej Oliva, dimensions are 40 × 50 × 40 cm (15.7 × 19.7 × 15.7 in). This artwork is from a limited edition of 6, eac...

Amancio. pool. gold and black bronze. iron. EL SALTO III. original sculpture sculpture by the Spanish artist AMANCIO GONZALEZ 7 COPIES Fantastic piece of art representing Spanish scu...

Gazelle V is a bronze sculpture by French contemporary artist Pierre Yermia, dimensions are 59 × 49 × 11 cm (23.2 × 19.3 × 4.3 in). The sculpture is signed and numbered, it is part ...

The elegant form of a nude female figure is captured in this sculpture by Canadian artist Richard Tosczak. This table-top piece is named after ‘Taygete’ one of the Pleiades--seven sister nature deities (nymphs) found in Greek mythology. She stands, head bowed, arms clasped around her neck as if in deep thought. Known for his beautiful figurative work, this piece retains the artist’s signature highly textured appearance and rich earthy patina. Tosczak’s pieces are first conceived on paper in quick pen and ink drawings. The spontaneity of this approach is evident in the almost abstract appearance of the sculpture. Edition one of eight. “What inspires/informs my work? In a word, observation. I notice things…a gesture…an accident.” Richard Tosczak Born in Belgium, Richard Tosczak studied philosophy and sculpture at the University of Alberta. At that time, Tosczak began working in steel and was influenced by a number of his professors who appreciated the work of a British abstract sculptor, Sir Anthony Caro considered one of the greatest sculptors of his generation. Further studies were pursued in France with another internationally acclaimed classic sculptor, Martine Vaugel...

Deer battle France, bronze, marble, h 29.5 x 66.5 x 18 cm base size 64x20 cm