Bronze Sculptures

Bronze sculpture inscribed with the Artist's signature and edition number. 5/45

Bronze sculpture inscribed with the Artist's signature and edition number. 70/75

Bronze sculpture inscribed with the Artist's signature and edition number. 17/75

Bronze sculpture inscribed with the Artist's signature and edition number. 33/45

Bronze sculpture inscribed with the Artist's signature and edition number. 12/45

Bronze sculpture inscribed with the Artist's signature and edition number. 46/100

Bronze sculpture inscribed with the Artist's signature and edition number. 91/100

Waiting For His Lover, Paul Moore bronze sculpture, Native American Flute Outdoor or indoor life size bronze sculpture Paul Moore WAITING FOR HIS L...

Roofvogel met Vis no. 4 ( Bird of Prey with Fish) Bronze Sculpture Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his education to be a sculptor at the R...

"My work explores subtle contrasts in everyday life: the strength that resides in vulnerability and the intense presence of silence. I am fascinated by energies that often go unnotic...

This engagind and intense artwork was create in 1985 by the Italian artist Edmondo Cirillo. It was forged in bronze and then silver plated. The title of this piece is "Stele frontal...

Waterman Aquarius Zodiac Bronze Sculpture Contemporary Animals Water Man Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals...

Franz Iffland (1862 Tempelhof - 1935 Berlin), Javelin thrower, after 1910. Olive-black patinated bronze with cast plinth mounted on a white-veined black marble base (7 cm high). Tota...

This is a ceremonial musician from the Chiang Mai Temple in Thailand.

After studying Fine Art in the Netherlands Ans Zondag (1959) spent several years abroad in order to explore different artistic areas and to establish which ...

LORENZO QUINN (Rome, 1966) "Adam and Eve". Bronze-plated Edition 038/999-RW Signed and numbered Dimensions: 27 x 13 x 13 cm. "I believe that woman is the essence of the male soul. I...

Gloria III is an elegant figurative bronze sculpture of the female form by Nando Kallweit. The elongated, graceful subject rests her hands on a disc as though she is in command of he...

This sculpture "The Foundry Worker" c.1925 is a bronze sculpture by German artist Albert Caasmann, 1886-1968. The signature is impressed in the bronze. The subject size is 11.15 x 8.15 x 3.15 inches, including marble base, the size is 13.15 x 8.15 x 5 inches. It is in excellent condition. about the artist: Albert Caasmann (2 June 1886 – 23 March 1968) was a German sculptor and porcelain artist. Caasmann designed toy figures for the Berlin toy company Lineol and from 1919 to 1952 was the lead designer and production manager for the company. He designed figurines for the porcelain companies Rosenthal AG and Volkstedt. Caasmann's work for the company Rosenthal are exhibited in the Porzellanikon's Rosenthal Museum. Lineol toy figures modeled by Caasmann are in the Historical Toy Museum in Freinsheim and the Toy museum in Havelland. Albert Caasmann was born on 2 June 1886 in Berlin, Germany. From 1909 to 1919, he worked as a freelancer for the Berlin toy company Lineol, founded by Oskar Wiederholz in 1906. After service as a soldier in the First World War, he became the leading designer and production manager of Lineol from 1919 to 1952. He designed over 600 figures for Lineol, including soldiers, animals, Indians, knights, fairy figures, and railroad figures. His toy figures were widely used in the region by children. Lineol ceased operations in 1965, and in 1985 the company Lineol Duscha has the trademark rights to Lineol. Lineol Duscha reproduces Lineol figures modeled before 1945. Lineol toy figures modeled by Caasmann are in the Historical Toy Museum in Freinsheim and the Toy museum in Havelland. Caasmann spent time in the Berlin Zoo, where he modeled his animal models. He made a model for a porcelain cheetah...

Ruth Bloch, Long Figures, Sculptures, bronze sculptures, couple sculpture, colored sculptures, hand painted sculpture, unique sculp[ture

This charming Hunter sculpture brings a touch of humor and storytelling to classic craftsmanship. The scene captures a hunter peering intently through binoculars while holding his ri...

Fleur – Charlotte is an elegant figurative bronze sculpture by Nando Kallweit. Inspired by the the legend of the phoenix, this female figure has graceful wings instead of arms. The...

Benedict Tatti (1917-1993) worked in New York city as a sculptor, painter, educator, and video artist. He studied stone and wood carving under Louis Slobodkin at the Roerich Museum. He later attended the Leonardo da Vinci School of Art studying under Attilio Piccirelli. In l939 he taught adult classes with the Teachers Project of the WPA and attended the Art Students League for three and a half years on full scholarship. He studied under William Zorach and Ossip Zadkine and later became Zorach’s assistant. Later in his career, he attended the Hans Hofmann School of Fine Arts. During World War II, Tatti served in the United States Army Air Force, where he spent three years assigned to variety of projects. In 1948, Benedict Tatti married Adele Rosenberg in New York City. Throughout his career, Tatti continuously experimented with various media. From 1952-1963, Tatti executed sculptural models of architectural and consumer products for the industrial designers, Raymond Loewy Associates; later he became a color consultant for the firm. In the 1960s, influenced by the Abstract Expressionists, Tatti turned from carving directly in wood and stone to creating assemblage architecture sculptures, using bronze metal and other industrial materials. He was included in the important show "Aspects de la Sculpture Americaine", at Galerie Claude Bernard Paris, France, in October 1960 along with Ibram Lassaw, Theodore Roszak, David Smith, Louise Bourgeois, Danese Corey, Dorothy Dehner, Lin Emery, Lily Ente, David Hayes, Louise Nevelson, Tony Rosenthal, Richard Stankiewicz, Sam Szafran...

A wonderful figural bronze of a nude woman titled “Leda and the Swan” by American sculptor Paul Howard Manship (1885-1966). Manship was born in St. Paul, MN, attended the Institute o...

William Mozart McVey (American, 1905-1995) Bubble Bubble Cast bronze with brown patina Signed on back 6.5 x 5 x 2.25 inches 'Double, double toil and tro...

Financer is an elegant and ironic sculptural interpretation of the modern businessman, rendered through the image of a rabbit—an animal traditionally associated with agility, alertne...

Signed/inscribed by Artist on bronze base of the sculpture with an edition number. 30/45

Cloaked in mystery, the female form of “Nightfall” intrigues us. Concealed is a beautiful face, but like nightfall itself, all is not revealed. The globes in each hand suggest the ...

Cast in bronze with refined cold enamel accents and set on a solid basalt stone base, Magnate is a witty and elegant sculpture that blends satire with classic craftsmanship. The pie...

Wall sculpture set. Unique. This triptych consists of three individual sculptures and is sold only together. The price is for the entire set. The burnt wood is covered with a patina...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: Overall size: 14" x 15" x 11.50" Medium: Bronze Sculpture Signed & Dated 1986 "...

Seane II is an elegant figurative bronze sculpture portraying a couple in love by Nando Kallweit. Modelled on modern youthful postures but with a nod to the importance of heritage t...

Fine Quality Austrian Cold-Painted Bronze of a Bedouin Group This captivating late 19th to early 20th-century sculpture captures the essence of Bedouin life in exquisite detail. The ...

Artist: Kuno Vollet Title: Light as Air Materials: Bronze sculpture polished to a sparkling gold on granite base Size: 65cm height of upper sculpture, base: 18x 18 cm Takes aroun...

Bronze Sculpture inscribed with the Artist's signature and edition number. 9/30

This intense bronze sculpture was made by the well known Italian artist, Aron Demetz, in 2004, Italy. This is a lost wax bronze hand painted. The title is "Verso te" translated in "T...

After studying Fine Art in the Netherlands Ans Zondag (1959) spent several years abroad in order to explore different artistic areas and to establish which technique suited her best....

"King with Two Tribesmen" is a bronze relief sculpture from the Nigeria-Benin area tribe. It depicts three figures: two tribesmen on the left a...

This is a multiple bronze with wood base create by the Italian artist Tino Stefanoni in 1980 circa. This artwork is following Pop Art and its philosophy that elevates everyday objetc...

This is a bronze cast sculpture by Philip Pavia is part of his series of "Imaginary Portraits from the Club" , a one-man exhibition at Max Protetch Gallery, New York in 1982. The app...

Investor is a bold and characterful bronze sculpture that embodies strength, confidence, and determination. Crafted from bronze with refined cold enamel accents, the work depicts a r...

Elin is an elegant figurative bronze sculpture by Nando Kallweit. This evocative bronze sculpture captures the serene grace of a figure in a lotus yoga pose, projecting a powerful s...

Giulia a cavallo, or Julia on a horse, is a striking bronze sculpture featuring a stylized, elongated nude female figure seated atop a horse, embodying an essence of surreal simplici...

Signed Edition #1 of 6 Provenance Acquired by the gallery directly from the artist Description Feeling the sun’s warmth enveloping her body, Peter Brooke’s bronze “Goddess” express...

9-410 Abstract figural bronzesculpture set on a wood base

Selfie Bronze Sculpture Young Girl Tongue Sunglasses The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. They breathe the atmosphere of a narrative poe...

This is a joyful bronze sculpture; this art work has signed by the well known Italian artist Concetto Pozzati. Title Lucky Charm. This is a multiple of a numbered edition of 1.000 p...

William Zorach (American 1891-1966) First Steps, 1918 Bronze 8.5 x 5 x 4 inches, including base Born in 1887 in Lithuania, William Zorach immigrated with his family to the United States when he was just four years old, settling in Cleveland, Ohio. Zorach displayed an exceptional artistic talent at a young age and, at the recommendation of his seventh-grade teacher, began studying lithography at night at the Cleveland School of Art. It was not long before he was apprenticing at a lithography company in Cleveland. It was there that he realized he wanted to become an artist - to escape the commercial end of the field in which he was suddenly immersed. In 1907, Zorach saved enough money to move to New York and study art at the National Academy of Design, where he received several awards for his paintings and drawings. He continued his studies in Paris in 1910 at La Palette. This year abroad would turn out to be quite fruitful because in Paris he was greatly influenced by the Cubist and Fauvist movements and had several paintings exhibited at the Salon d'Automme. This influence and subsequent success fueled his career back in the states where he was honored with his first one-man exhibition. Due to this new-found stability, he married a young woman he met at school in Paris, and they moved to New York and set up a studio. Shortly after, their work was accepted into the famous 1913 Armory Show. For the next nine years, Zorach continued to think of himself as a painter, although he had already begun to experiment in sculpting. He was experiencing modest success with his painting and was therefore reluctant to abandon it completely. However, he was impelled toward sculpting, and in 1922, he painted his last oil. Zorach's involvement with sculpture began largely be accident. While he was working on a series of wood-block prints, Zorach suddenly became more interested in the butternut panel than the print and turned the panel into a carved relief. With no formal training as a sculptor, Zorach's first sculptures were of wood and his carving tools were primitive, such as a jack-knife. I n fact, his early works have a certain stylized look, suggesting the influence of various primitive arts such as African and American folk. Zorach found his sculptural direction by instinct, but was not unaware of what other sculptors were doing, both here and abroad. He soon allied himself with a growing number of modern sculptors who believed in the esthetic necessity of carving their own designs directly in the block of stone or wood rather than modeling them in clay. From the beginning he found a deep satisfaction in the slow and patient process of freeing the image from its imprisoning block, watching the forms emerge and appear. "The actual resistance of tough material is a wonderful guide," Zorach said in a lecture on direct sculpture in 1930. The sculptor "cannot make changes easily, there is no putting back tomorrow what was cut away today. His senses are constantly alert. If something goes wrong there is the struggle to right the rhythm. And slowly the vision grows as the work progresses." Zorach also found that the material itself had a constantly modifying effect on the artist's vision. The grain of the wood, the markings in the stone, the shape of the log or boulder all set limits and suggested possibilities. He was always sensitive to the characteristic qualities of his material and occasionally let them play a major role in determining his forms. In works such as these, the feel of the original material is preserved in the finished piece and is often heightened by leaving parts of the original surface untouched and other areas roughly marked by the sculptors tools...

Simply stunning. They shine like jewels…This is Shayne Dark’s Reflections of Nature Series. Dark’s superb sculptural work is informed by nature. This series of wall sculptures—tondos...

Torso in Piedi II Standing Figure Female Nude Small KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortrijk, Belgium 1950 – Saint-Julien (Var), ...

Portrait of a Man by Marcel GIMOND (1894-1961) Bronze with a very nuanced dark brown patina signed on the neck with the monogram "MG" period cast by "Meroni Radice, cire perdue, Par...

Nando Kallweit's Juliana II depicts a reclining female figure with a spear executed in a stylized, abstract manner. The elongated form captures a sense of serene relaxation and intro...

Paolo Cassarà, this Italian artist, usually utilized painted terracotta in real human dimensions for his Surrealist artworks. It was exceptional the use...

Panther sniffing by Georges GUYOT (1885-1972) Sculpture in bronze with a nuanced greenish dark brown patina Signed on the base " Guyot " Cast by "Susse Frs Edts Paris" (with the fou...

Aimé-Jules Dalou (1838-1902) was one of only a handful of leading late-nineteenth century French Sculptors, whose reputation was perhaps second only to his contemporaries, Henri Chap...

Dimitri Hadzi Uxmal, 1991 Cast bronze on custom made granite base 17 × 30 1/2 × 14 inches The title UXMAL, refers to the ancient Mayan city of Uxmal, which is known for its "Pyramid of the Magician" Provenance: Acquired by the original owner from the prestigious Gremillion Gallery in Houston, Texas (accompanied by a copy of the original receipt) Measurements: Base: 26.5 by 11 by 1.75 inches Work longest 30.5 inches Widest 14 inches Highest. 17 inches More about Dimitri Hadzi" Derived from the figure and mythic narratives, Hadzi’s sculpture references antiquity and classical artifacts – abstracted anatomical forms, columnar and other architectural elements, helmets, weaponry and body armor function as visual metaphors for ancient cultures. “I was interested in mythology, and I was interested in movement,” Hadzi remarked on his years in Rome, “I was attempting through formal methods to exaggerate sexual tension or apprehension. Suddenly I was myself in an atmosphere of freedom.” [1] Powerfully rendered in bronze his sculptures convey raw emotion, brute strength and mass, tempered with a delicate rush of whimsy, vivacity and sensuality. Born in New York City on March 21, 1921, Hadzi graduated from Cooper Union in 1950 and received a Fulbright Fellowship in the same year. After studying sculpture in Greece, he moved to Rome under the GI Bill where he lived for twenty-five years. Hadzi returned to the U.S. where he taught at Harvard University for fourteen years. He continued to create sculpture until his death in 2006. Hadzi is included in the permanent collections of the Museum of Modern Art; the Whitney Museum of American Art; the Museum of Fine Arts, Boston; the Hirshhorn Museum and Sculpture Garden; The Phillips Collection and the Guggenheim Museum. Receiving over twenty sculpture commissions, Hadzi’s work appears in public squares, concert halls, federal and private plazas, and universities throughout the world. --------------- [1] Elsen, Albert. “On Artistic Freedom: An Interview,” Dimitri Hadzi, (New York: Hudson Hills Press, 1996), 30. Additional Biography: Dimitri Hadzi (1921 – 2006) is among the most distinguished modernist sculptors, creator of works in bronze and stone that are powerfully abstract and expressionist in character. His contribution to the international language of sculpture continues to influence and inspire through permanent installations and collections, and exhibitions worldwide. Born to Greek-American immigrant parents in New York City, he had a talent for drawing at an early age and won a prize for his young ability. But, it wasn't until after serving in the Air-force in the South Pacific during WWII that he turned his sights fully to painting and sculpture, going on to study both at Cooper Union. Eventually, he would become a mainstay of the Cambridge, MA art community. He was a Guggenheim Fellow (1957), the winner of the Venice Biennale Award (1962), and the Rome Prize (1974). His most notable sculptures are: Copley Place Waterfall (Boston, MA), Owen Glass Co. (Toledo, OH), as well as Thermopolis, adjacent to Boston’s City Hall Plaza, and the former Omphalos in Harvard Square (Cambridge, MA). Hadzi is included in the permanent collections of the Museum of Modern Art; National Gallery of Art; Whitney Museum of American Art; Museum of Fine Art, Boston; Hirshhorn Museum and Sculpture Garden; The Phillips Collection and the Guggenheim Museum. Additionally, Hadzi was also a prolific painter, and printmaker. He also taught at Harvard University for over a decade. Famously, David Hockney attended one of Hadzi’s classes at the Carpenter Center at Harvard, where Hadzi served as director. The two of them spent time together painting and discussing techniques. Hockney gifted Hadzi one of his paintings. He worked alongside his good friend, Nobel Prize winning Irish poet...

Head of a young girl also known as "Portrait of Jacqueline Hiegel" by Paul BELMONDO (1898-1982) A bronze sculpture with a nuanced brown patina Signed on the back "P. Belmondo" Cast...

"Fiona" - one of the series "Dreams about Sea". Unique cast bronze sculpture with patina. Representing a woman inspired by the sea. The elongated, stylized form emphasizes elegance...

This is a multiple bronze with wood base create by the Italian artist Tino Stefanoni in 1980 circa. This artwork is following Pop Art and its philosophy that elevates everyday objetc...

19th Century French Bronze Figure Of A Singer blowing a kiss. Art Nouveau style, signed with initials PF and titled illegible. Nice original old patina and details, Marble base.

Franz Bergmann, Austrian (1861 -1936) - Arab Man with Three Monkeys, Year: circa 1900, Medium: Bronze sculpture, Austria inscribed on base, Size: 3.5 x 6.5 x 5 in. (8.89 x 16.51 x...