Stone Sculptures

Earth by British sculptor Ian Thomson. Thomson's travels have provided inspiration for his work. He holds degrees in Architecture and Philosophy & describe...

Kevin Perrault’s sculptural work exists at the intersection of permanence and play, blending monumentality with quiet intimacy. Working primarily in copper and stone, his figurative ...

Teakwood and white lacquer make this beautiful turning globe a real stunning sculpture. Made from a whole piece of wood the way the sculpture is shaped is defined by how the tree gre...

Marble, granite and limestone sculpture

Linda Stein, Three Bells 326 - Mixed Media Metal Wood Stone Contemporary Art Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural works that i...

Heup-moeder Hip-Mother with Child Nude Figurative Woman Sculpture Contemporary Jits Bakker was a versatile Dutch artist: sculptor, painter, watercolorist, drawer, glass artist, silv...

Artist: Jack Graves III (American, 1988-) Title: "Apollo II" Series: Sculpture *Signed, titled, and dated by Graves on bottom Year: 2026 Medium: Original Enamel Painted Cast Marble S...

Marble sculpture. 100 × 160 × 135 cm // 39.3 in x 63 in x 53 in. This artwork is available on commission. It will be created on the same basis as shown in the images and under the sa...

Ash wood and lead on Portland limestone, 47 cm × 39 cm × 10 cm. The dimensions include the base, which is attached. Dimensions of the base: 8 H x 10 cm diameter Unique work delivere...

Organic abstract sculpture by G. Krueger. The Serpentine stone has gorgeous earth-toned green, yellow, and orange hues, sculpted into a flowing shape in the style of Herman Miller Sc...

Wonderful small scale abstract figurative stone Venus sculpture by Doris Ann Warner (American, 1925-2010), 1975. A highly abstracted female form is expressed through the organic, f...

Artist: (Garo) Karapet Balakeseryan Medium: Natural Onyx Stone, All one piece of work, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Rose, Size: 16" x 6'' x 7...

Absolute II is a white alabaster sculpture by French contemporary artist Yann Guillon. The sculpture reveals a subtle interplay of shades, curves and hollows that evoke movement and ...

Finely carved mythological subject in Vicenza limestone of Hercules in excellent condition from an estate of Veneto. Timeless decoration for your interior or garden. Measurements: ...

A very fine Italian 19th century Carrara marble sculpture depicting a young beauty going for a Swim standing on the steps of a dock, raised on its original carved green marble pedest...

"Mur" is part of an edition of 5 pieces. Mattia Listowski (b. 1987, Paris, France) is a French sculptor, draughtsman, and photographer with French, Italian, and Polish origins, comi...

Finely carved mythological subject in Lecce limestone of Aria a Roman Goddness . Excellent condition from an estate of Veneto. Measurements: Statue cm 160, base cm 85.

Sezione Aurea 57-2020 is a unique sculpture by contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble and silver leaf, dimensions are 47 × 25 × 16 cm (1...

Artist Commentary: After seeing a show of the works of Matisse, I wanted to express the joy I find in his work. His wonderful pleasure in color and simple forms. Making it while in ...

Transformation by British sculptor Ian Thomson. Thomson's travels have provided inspiration for his work. He holds degrees in Architecture and Philosophy &...

Born March 15, 1943 in Szekelyudvarhely, Transylvania, Hungary (now Romania), Marton Varo studied sculpture at Ion Andreescu Institute of Arts in Cluj, Romania from 1960 to 1966. In...

Vertical House is a unique Calacatta Carrara marble and stainless steel sculpture by contemporary artist Francesca Bernardini, dimensions are 150 × 35 × 35 cm (59.1 × 13.8 × 13.8 in)...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

Engineered black granite is sculpted by Jeremy Guy into an elegant swirling abstraction inspired by the flocking behaviour of starlings. Called a murmuration, this phenomenal aerial ...

'Cobalt Bird' is an original signed sculpture by the Zimbabwean artist Wonder Mazhindu Bumhira. Trained in the Shona carving tradition, Mazhindu often sculpts abstracted birds, as in this example. This sculpture is playfully interactive: Even though the bird has one body, there is a head carved on each side, asking the viewer to walk around to see it peeking back at them. At the same time as he is considering the viewer's interaction with the artwork, the sculptor is likewise displaying his skills as a sculptor. Cobalt stone is notoriously brittle, as well as rare, making it difficult to work with and to acquire. The efforts are however rewarding, as the polished stone reveals dramatic patterns of greens and blacks. cobalt stone 17 x 12 x 5.5 inches 50 lbs signed 'Wonder M.' along base Overall good condition with no losses, cracks or signs of wear. Born on January 17th, 1982 in East Mashonaland, Harare, Wonder (often spelled Wander) is the fifth born of a family of 6...

Certainly! Here’s the revised description with "jd" in lowercase: --- **jd Hansen** is an accomplished sculptor known for her innovative and evocative three-dimensional works. Her ...

Finely carved mythological subject in limestone with Cornucopia associated with the harvest, prosperity, or spiritual abundance. Excellent condition from an estate of Veneto. Measur...

A. BATACCHI Italian, (XIX-XX) Nymph Italian Carrara marble. H 10.50 in. x W 17 in. x D 31.50 in. Signed A. Battachi, Florence in verso. Note: Batacchi was active in Flore...

Stonegate 8 is a unique sculpture by contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble and iron, dimensions are 119 × 57 × 24.5 cm (46.9 × 22.4 × 9...

This contemporary outdoor figurative sculpture is a metal maple leaf. This iconic image of a maple leaf, a national symbol, was hand-cut ...

Crab is a unique Irish blue limestone (Kilkenny) sculpture by contemporary artist Richard Perry, dimensions are 26 × 34 × 26 cm (10.2 × 13.4 × 10.2 in). The sculpture is signed and ...

Hand carved Carrara marble head of a cherub's face surrounded by wings. Later mounted on metal base.

Astronomic vintage armillary sphere crafted in cast aluminum with a patinated bronze finish in classic celestial form held up by Atlas mounted on a sienna marble veneer stone base.

This mixed media contemporary assemblage resembles a vessel and is designed to be hung on a wall. When Alice Vander Vennen sits down to create a sculptural composition, she thinks o...

Max Kalish (American, 1891-1945) Harmony, c. 1930 Bronze with green marble base Incised signature on right upper side of base 14 x 9 x 5 inches, excluding base 17 x 10 x 8 inches, including base Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti...

Sezione Aurea 2024-001 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 56.5 × 26.5 × 12 cm ...

Provenance Acquired by the gallery directly from the artist Description Masked suggests a sense of mystery and eccentricity, and begs the question: Who is the man behind the mask? ...

Artist: Kuno Vollet Title: Stone Gingko Materials: Cast brass, gold leaf, Stone base This small elegant original brass cast and gold leaf sculpture by German artist Kuno Vollet bri...

Artificial stone & nickel bronze

Artist: Kuno Vollet Title: 3 Golden Gingko Leaves Materials: Cast brass, gold leaf, white marble base Size: 25 x 9 x 9 cm This small elegant original bronze cast sculpture by German...

bauxite, sheet metals, shale, oxides, acrylic paints Dan Corbin's sculptures are a convergence of conceptualism and the human figure, illuminating what it feels like to be alive during current times, with all its beauty, complexity, contradictions, and possibilities. The artist’s sculptures address issues of contemporary society - materialism, industrialization and cultural change - while simultaneously referring to a wide range of human emotions. His sculptures lift the spirit while questioning what it is to be human. In Corbin’s archetype of man, intellect and soul are separate from the body. Armless, headless, anonymous cores can now be broken down to the smallest units, analyzed, engineered, beautified, and commodified. Corbin’s articulation of figurative sculpture takes iconography of the present and embeds it in the surface of his sculptures. He calls these miniature time capsules ‘inclusions’. Objects like cosmetic bottles, action figures, dolls, and feeder fish are sealed in resin and strategically embedded throughout the body. With these ‘inclusions’ the figure becomes a technologically enhanced vessel. The human body is no longer a container for a perfect being, handed down by god or evolution, but an aesthetically enhanced harbinger of a new era. In combination with the ‘inclusions’ Corbin uses a multitude of industrial materials, emphasizing the intrinsic value and physical properties of each. Each surface becomes fully charged with content, primed for multiple interpretations. Dan Corbin has been included in notable exhibitions at galleries and institutions including the Museum of Northern California Art...

This reproduction of a classical Hellenistic sculpture of Hercules . A timeless piece for interior and a garden decoration. We can raise with a base on request .

Sydney Kumalo. Features a bronze stylized female figural form sculpture fixed to a marble plinth and wood base. Bears signature on base. Measures 9 1/2" x 4 1/4". There is no edition number on the piece. Sydney Kumalo (1935 - 1988) was born in Sophiatown, Johannesburg, on 13 April 1935. His was one of the families who had to move out of the "white" city to the South Western Townships, or Soweto. Raised in Diepkloof and educated at Madibane High School, he took with him from old Sophiatown the curious and diverse heritage of its heyday. Art classes in the Catholic school, "Sof' town" blues and jazz, the vibrant street culture and growing defiance of its population of various races who were gradually forced out into separate race-group areas. So it was that these various aspects of his early life created for Kumalo a cultural mix of a Zulu family related to the traditional royal house; city schooling, nascent township music and lingo; growing urbanised political defiance and the deep-rooted Zulu pride and respect for the legends and ancient stories of a tribal people. This mix of old and new cultures was reinforced when he began his studies at the Polly Street Art Centre in 1953 where he became a member of Cecil Skotnes group of serious artists who were encouraged to acquire professional skills. Skotnes introduced a basic training programme with modelling as a component, which marked the introduction of sculpting (in brick-clay) at Polly Street. Kumalo was Skotnes’ assistant at Polly Street from 1957 to 1964, and having recognised his great talent as a sculptor, Skotnes encouraged him to become a professional artist. After Kumalo’s very successful assistance with a commission to decorate the St Peter Claver church at Seeisoville near Kroonstad, with painting designs, sculpture and relief panels in 1957, Skotnes arranged for Kumalo to continue his art training by working in Edoardo Villa ’s studio from 1958 to 1960. Working with Villa, he received professional guidance and began to familiarize himself with the technical aspects of sculpting and bronze casting. In 1960 he became an instructor at the Polly Street Art Centre. Kumalo started exhibiting his work with some of the leading commercial Johannesburg galleries in 1958, and had his first solo exhibition with the Egon Guenther Gallery in 1962. He was a leader of the generation who managed to leave behind the forms of African curios, reject the European-held paternalism which encouraged notions of "naive" and "tribal" African art, and yet still hold fast to the core of the old legends and spiritual values of his people. He introduced these subjects into his bronze sculptures and pastel drawings, evolving his own expressive, contemporary African "style". Together with Skotnes, Villa, Cecily Sash and Giuseppe Cattaneo, Kumalo became part of the Amadlozi group in 1963. This was a group of artists promoted by the African art collector and gallery director Egon Guenther, and characterised by their exploration of an African idiom in their art. Elza Miles writes that Cecil Skotnes’ friendship with Egon Guenther had a seminal influence on the aspirant artists of Polly Street: “Guenther broadened their experience by introducing them to German Expressionism as well as the sculptural traditions of West and Central Africa. He familiarised them with the work of Ernst Barlach, Käthe Kollwitz, Gustav Seitz, Willi Baumeister and Rudolf Sharf.” It is therefore not surprising that some of Kumalo’s sculptures show an affinity with Barlach’s powerful expressionist works. Guenther organised for the Amadlozi group to hold exhibitions around Italy, in Rome, Venice, Milan and Florence, in both 1963 and 1964. Kumalo’s career took off in the mid 1960s, with his regular participation in exhibitions in Johannesburg, London, New York and Europe. He also represented South Africa at the Venice Biennale in 1966, and in 1967 participated in the São Paulo Biennale. EJ De Jager (1992) describes Kumalo’s sculpture as retaining much of the “canon and formal aesthetic qualities of classical African sculpture. His work contains the same monumentality and simplicity of form.” His main medium for modelling was terra cotta, which was then cast in bronze, always paying careful attention to the finish of both the model as well as the final cast. He began casting the pieces he modelled in clay or plaster into bronze at the Renzo Vignali Artistic Foundry in Pretoria North. He worked throughout his life with its owners, the Gamberini family, and enjoyed learning the technical aspects of the casting process, refining his surfaces according to what he learned would produce the best results in metal. De Jager further writes that Kumalo’s distinctive texturing of the bronze or terra cotta is reminiscent of traditional carving techniques of various African cultures. “In many respects Kumalo thus innovated a genuine contemporary or modern indigenous South African sculpture”. Kumalo came to admire the works of the Cubists, and of British sculptors Henry Moore and Lynn Chadwick. He became noted for adapting shapes from them into his own figures. The success of his use of the then current monumental simplicity and purely aesthetic abstractions of natural forms has been emulated by many South African sculptors since the 1970s. He was in many ways the doyen of South African Black art. As such he was an important influence especially on younger African sculptors, by whom he is greatly revered. Through his teaching at Polly Street and at the Jubilee Centre, as well as through his personal example of integrity, dedication and ability, he inspired and guided students who in their own right became outstanding artists, for example, Ezrom Legae, Leonard Matsoso and Louis Maqhubela From 1969 onward, he allied himself with Linda Givon, founder of The Goodman Gallery in Johannesburg, where he exhibited regularly until his death in December 1988. Working with Givon also perpetuated his associations with his many friends of strong principles. Skotnes, Villa, Legae and later such peers from the Polly Street era as Leonard Matsoso, Durant Sihlali and David Koloane have all exhibited at The Goodman Gallery. Kumalo, Legae, and later Fikile (Magadlela) and Dumile (Feni) were among the leading exponents of a new Afrocentric art...

Kevin Perrault’s sculptural work exists at the intersection of permanence and play, blending monumentality with quiet intimacy. Working primarily in copper and stone, his figurative ...

Artist: Kuno Vollet Title: Brass Gingko with 5 leaves art sculpture Materials: Bronze, black granite base Polished bronze to gold adds highlights to the leaves. Art Deco Mid-centu...

Linda Stein, Intrigue 175 - Wood, Metal, Stone, Bone, Mixed Media Contemporary Sculpture In the 1980s, Linda Stein began a series called Ceremonial Scepters, where she imagined an...

RECLINING FIGURE Gray Vermont marble 18" (height) x 30" (width) x 14" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The inte...

This captivating sculpture presents an intricate assembly of rusted metal rings that appear to float effortlessly, forming an evocative composition. Set against a lush garden backdro...

Impressive Carrara marble bust depicting Flora attributed to Venetian sculptor Orazio Marinali (1643-1720). Traces of a monogram behind the left shoulder O.... Orazio Marinali wa...

Sezione Aurea 2024-020 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble and gol...

Il busto marmoreo, datato 1890, appartiene alla sua età adulta, nello specifico all’ultimo anno della sua vita, quando era molto richiesto e aveva uno studio molto prolifico a Firenz...

Kevin Perrault’s sculptural work exists at the intersection of permanence and play, blending monumentality with quiet intimacy. Working primarily in copper and stone, his figurative ...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

Resin cast geodes and cracked slate in a wooden frame by Paige Smith. This piece measures 18in x 18in, with a depth of 1-5/8in. Paige Smith AKA A Common Name, is a multi-disciplinary artist and designer who lives and works in Los Angeles, CA. Smith is most notable for creating “Urban Geode,” a street art series of sculptures that resemble geodes, made entirely of paper and resin casts. Always interested in geology, Smith started to notice the nooks and crannies in the sides of buildings, walls, and abandoned phone booths within her community of the Historical Arts District (in Los Angeles). Seeing this as an opportunity to create, Smith took street-art to a whole new level. Since beginning the project, she has created large-scale installations for well-known brands such as The Standard, Hollywood; The Viper Room...

Finely carved mythological subject in Vicenza limestone of Apollo in Excellent condition from an estate of Veneto. Timeless decoration for your interior or garden. Measurements: St...

Artist: Kuno Vollet Materials: Bronze, black granite base Size: 25 x 25 cm base: 10x 10x5cm _______________________________________________________________________ This elegant o...

Knight of the Book 526 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious i...

Edwin Willard Deming (American, 1860-1942) Man with Flute and Cougar Cast bronze sculpture with golden brown patina Signed, numbered 9/100, with Fenn F...

Studio of Raffaello Romanelli Early 20th Century Italian Clio Inscribed "Executé sous la Direction du Prof. Romanelli" (on base) Marble Clio, the muse of history from Greek mytho...

Medium: walnut and white concrete As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visu...