Stone Sculptures

Silver leaf, amethyst crystals, epoxy polymer clay, marble base. Original Piece

Title: Strategist Date: 2022 Technique: Resin, Chrome Spray Paint Dimensions: 46 x 75 x 27 cm Signature: Engraved Signature (Back side of head) Conditions: Excellent, Brand New Editi...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

“I have been creating gardens in the greater Bay Area since I opened my landscape design studio in 1984 after receiving an MA in sculpture in 1981 from San Francisco State. It began ...

This is a gorgeous hand-carved white marble object. The marble is polished and has an amazing tactile feeling. This piece is celebrates our conne...

Gold leaf, amethyst crystals, epoxy polymer clay, marble base.

Mystery is a unique Statuario Carrara marble and plexiglass sculpture by contemporary artist Francesca Bernardini. The dimensions are 10 × 40 × 30 cm (3.9 × 15.7 × 11.8 in). The scu...

Skelet II Skelet II is a sculpture by Czech artist Pavlína Kvita. This sculpture is presented on a steel plinth. Weight of the sculpture: 4 kg. Weight of the plinth: 15 kg. Dimension...

Medium: Bleached basswood As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual langu...

Cambre 7-21 Slate and Bronze 21.5 x 13.5 x 4.5 Stone and metal,usually granite or slate and found object steel are central in my sculpture. The interaction of these materials is a m...

Artist: Anthony Quinn Title: Nefertiti Medium: Unique hand-carved black Marble sculpture on marble base, signature inscribed Size: 34.5 x 8 x 7.5 inches (39 in. with base)

Mask III is a glass fiber reinforced concrete wall sculpture by contemporary artist Pavlína Kvita, dimensions are 70 × 48 cm (27.6 × 18.9 in). The sculpture is signed and comes with...

Mask I is a glass fiber reinforced concrete wall sculpture by contemporary artist Pavlína Kvita, dimensions are 69 × 41 cm (27.2 × 16.1 in). The sculpture is signed and comes with a...

Fragment is a unique Belgium black marble and glaze sculpture by contemporary artist Francesca Bernardini. The dimensions are 12 × 42 × 30 cm (4.7 × 16.5 × 11.8 in). The sculpture i...

Title: Meditating St.Tropez Date: 2022 Technique: Recycled Resin (PETG), Chromatic and Candy Paint Dimensions: 47 x 47,5 x 25 cm Signature: Hand Signed (Ri...

Smooth is a unique Statuario Carrara marble and glaze sculpture by contemporary artist Francesca Bernardini. The dimensions are 11 × 24 × 19 cm (4.3 × 9.4 × 7.5 in). The sculpture i...

"Blue Morphos" Figurative Sculpture 8.5 x 7.5 in Ed. of 5 by Colin Burn Medium: Resin Life Cast, Candy Paint, Quartz Crystal Limited Edition Crystal Vagina Sculpture Edition of 5 Ed...

Déjà vu is a unique Belgium black marble sculpture by contemporary artist Francesca Bernardini. The sculpture is concave inside and dimensions are 6 × 28 × 14 cm (2.4 × 11 × 5.5 in)....

Abstract modern white Carrara marble sculpture by contemporary Italian sculptor Lorenzo Vignoli, interpreting classical references and contemporary Mediterranean influences Embrione...

Biomorphic abstract sculpture by Canadian artist John McKinnon. The work features a mother figure holding her child in a loving embrace. Inspired by other modern artists such as Henr...

Chaim Gross (American, 1904-1991) Patinated cast bronze sculpture, Three Acrobats, signed mounted on black marble plinth 24.5"h x 14"w x 7"d (bronze alone) Chaim Gross (March ...

Up & Down is a unique Statuario Carrara marble and glaze sculpture by contemporary artist Francesca Bernardini. The dimensions are 18 × 48 × 28 cm (7.1 × 18.9 × 11 in). The scul...

Rare Vintage unusual piece. In this bronze or metal sculpture by Frank Meisler, the artist recreates a Rabbi at prayer. The figure seems cartoon-like with exaggerated facial features...

Sezione Aurea 2024-015 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 64 × 43.5 × 5 cm (25...

Concrete Sculptural Planter inspired by En Iwamura Vessels 8 inch Tall / Hand casted and pigmented. 1 of 1 (Last picture is not actual vessel, it is a different variant but is pict...

Calla Lily by Joy Taylor, Canadian Date: 1989 Cast Epoxy Resin sculpture, signature, date and numbering inscribed on base Edition of 1/25 Size: 25 x 15 x 11 in. (63.5 x 38.1 x 27.94 ...

"Yoniverse" Figurative Sculpture 10 x 14.5 in Ed. of 5 by Colin Burn Medium: Resin Life Cast, Candy Paint, Quartz Crystal Limited Edition Crystal Vagina Sculpture Edition of 5 Editi...

Statuario Carrara marble sculpture, iron base. 15 cm × 33 cm × 25 cm (5.9 in x 13 in x 9.8 in.). The indicated dimensions include the iron base of the sculpture. The sculpture is mai...

Linda Stein, New York Tunnel 286 - Mixed Media Metal Wood Stone Contemporary Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural works that ...

Sinuosity sculpture. Wall hanging in any direction, 360 degrees or pedestal mount. Hot Pink metallic finish keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, u...

Nasaghi is a unique Statuario Carrara marble sculpture by contemporary artist Francesca Bernardini. The dimensions are 20 × 36 × 24 cm (7.9 × 14.2 × 9.4 in). The sculpture is signed...

Sleeping Dragon is a unique pigmented artificial stone sculpture with a wooden plinth by contemporary artist Pavlína Kvita, dimensions are 170 × 59 × 26 cm (66.9 × 23.2 × 10.3 in), i...

Linda Stein, Phone Conversation 136 - Mixed Media Assemblage Contemporary Art Wall Sculpture Phone Conversation 136 is from artist Linda Stein's Brush Assemblage series, where she c...

Linda Stein, Boom Box 277 - Mixed Media Metal Wood Stone Contemporary Art Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural works that inco...

WEDGE I Marble and stainless steel 30" (height) x 36" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The interac...

Eugene Gauss: 1905-1988. Well listed American sculptor who has Auction results as high as $13,200. He exhibited at the Pennsylvania Academy for fine arts as well as the national Acad...

Made by the artist's own method from stainless steel, on a marble base.

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

Bronze & Marble Irakli Tsuladze is a Georgian sculptor born in 1973 who lives and works in Tbilisi, Georgia. His sculptures present a peculiar unity of substance and emotions, whe...

“It took two years of tireless experimentation for me to develop the process of casting paper into bronze, another seven years to perfect, and it continues to evolve today.” - Kevin ...

A charming allegory for Dawn Date: 19th Century  Origin: Italian Material: Carrara Marble  Signed F. Vichi , Firenze. Dimensions: 41" H x 10" Diameter  A spellbinding female figural...

"Cutouts" by Jane DeDecker Figurative Bronze, 41x40x20" Sandstone bench is included. A girl sits quietly unfolding her paper cutouts. Great piece for a...

Marmi 2 - Marble Sculpture, Irish Green Marble, 2025, Signed 24x16" (60x40cm) MARMI by Andrea Gallotti. In the MARBLE series, Andrea Gallotti extends his long-standing exploration ...

Made in the artist's own technique from stainless steel, standing on a marble base. Title: Family.

Linda Stein, Manhattan Outreach 005 - Mixed Media Contemporary Wall Sculpture These wall constructions and dioramas were made in the 1970s when Linda Stein was also working on her B...

Brown alabaster, Pedestal - white limestone David Natidze is a Belgium-based sculptor born in 1969 in Georgia known for his refined stone sculptures that blend modernist tradition w...

Sydney Kumalo. Features a bronze stylized female figural form sculpture fixed to a marble plinth and wood base. Bears signature on base. Measures 9 1/2" x 4 1/4". There is no edition number on the piece. Sydney Kumalo (1935 - 1988) was born in Sophiatown, Johannesburg, on 13 April 1935. His was one of the families who had to move out of the "white" city to the South Western Townships, or Soweto. Raised in Diepkloof and educated at Madibane High School, he took with him from old Sophiatown the curious and diverse heritage of its heyday. Art classes in the Catholic school, "Sof' town" blues and jazz, the vibrant street culture and growing defiance of its population of various races who were gradually forced out into separate race-group areas. So it was that these various aspects of his early life created for Kumalo a cultural mix of a Zulu family related to the traditional royal house; city schooling, nascent township music and lingo; growing urbanised political defiance and the deep-rooted Zulu pride and respect for the legends and ancient stories of a tribal people. This mix of old and new cultures was reinforced when he began his studies at the Polly Street Art Centre in 1953 where he became a member of Cecil Skotnes group of serious artists who were encouraged to acquire professional skills. Skotnes introduced a basic training programme with modelling as a component, which marked the introduction of sculpting (in brick-clay) at Polly Street. Kumalo was Skotnes’ assistant at Polly Street from 1957 to 1964, and having recognised his great talent as a sculptor, Skotnes encouraged him to become a professional artist. After Kumalo’s very successful assistance with a commission to decorate the St Peter Claver church at Seeisoville near Kroonstad, with painting designs, sculpture and relief panels in 1957, Skotnes arranged for Kumalo to continue his art training by working in Edoardo Villa ’s studio from 1958 to 1960. Working with Villa, he received professional guidance and began to familiarize himself with the technical aspects of sculpting and bronze casting. In 1960 he became an instructor at the Polly Street Art Centre. Kumalo started exhibiting his work with some of the leading commercial Johannesburg galleries in 1958, and had his first solo exhibition with the Egon Guenther Gallery in 1962. He was a leader of the generation who managed to leave behind the forms of African curios, reject the European-held paternalism which encouraged notions of "naive" and "tribal" African art, and yet still hold fast to the core of the old legends and spiritual values of his people. He introduced these subjects into his bronze sculptures and pastel drawings, evolving his own expressive, contemporary African "style". Together with Skotnes, Villa, Cecily Sash and Giuseppe Cattaneo, Kumalo became part of the Amadlozi group in 1963. This was a group of artists promoted by the African art collector and gallery director Egon Guenther, and characterised by their exploration of an African idiom in their art. Elza Miles writes that Cecil Skotnes’ friendship with Egon Guenther had a seminal influence on the aspirant artists of Polly Street: “Guenther broadened their experience by introducing them to German Expressionism as well as the sculptural traditions of West and Central Africa. He familiarised them with the work of Ernst Barlach, Käthe Kollwitz, Gustav Seitz, Willi Baumeister and Rudolf Sharf.” It is therefore not surprising that some of Kumalo’s sculptures show an affinity with Barlach’s powerful expressionist works. Guenther organised for the Amadlozi group to hold exhibitions around Italy, in Rome, Venice, Milan and Florence, in both 1963 and 1964. Kumalo’s career took off in the mid 1960s, with his regular participation in exhibitions in Johannesburg, London, New York and Europe. He also represented South Africa at the Venice Biennale in 1966, and in 1967 participated in the São Paulo Biennale. EJ De Jager (1992) describes Kumalo’s sculpture as retaining much of the “canon and formal aesthetic qualities of classical African sculpture. His work contains the same monumentality and simplicity of form.” His main medium for modelling was terra cotta, which was then cast in bronze, always paying careful attention to the finish of both the model as well as the final cast. He began casting the pieces he modelled in clay or plaster into bronze at the Renzo Vignali Artistic Foundry in Pretoria North. He worked throughout his life with its owners, the Gamberini family, and enjoyed learning the technical aspects of the casting process, refining his surfaces according to what he learned would produce the best results in metal. De Jager further writes that Kumalo’s distinctive texturing of the bronze or terra cotta is reminiscent of traditional carving techniques of various African cultures. “In many respects Kumalo thus innovated a genuine contemporary or modern indigenous South African sculpture”. Kumalo came to admire the works of the Cubists, and of British sculptors Henry Moore and Lynn Chadwick. He became noted for adapting shapes from them into his own figures. The success of his use of the then current monumental simplicity and purely aesthetic abstractions of natural forms has been emulated by many South African sculptors since the 1970s. He was in many ways the doyen of South African Black art. As such he was an important influence especially on younger African sculptors, by whom he is greatly revered. Through his teaching at Polly Street and at the Jubilee Centre, as well as through his personal example of integrity, dedication and ability, he inspired and guided students who in their own right became outstanding artists, for example, Ezrom Legae, Leonard Matsoso and Louis Maqhubela From 1969 onward, he allied himself with Linda Givon, founder of The Goodman Gallery in Johannesburg, where he exhibited regularly until his death in December 1988. Working with Givon also perpetuated his associations with his many friends of strong principles. Skotnes, Villa, Legae and later such peers from the Polly Street era as Leonard Matsoso, Durant Sihlali and David Koloane have all exhibited at The Goodman Gallery. Kumalo, Legae, and later Fikile (Magadlela) and Dumile (Feni) were among the leading exponents of a new Afrocentric art...

POINTE 2016 Slate/pigmented and sealed steel 22.5" (height) x 23" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture....

"Hamilton Co. Rockslide" by John Van Alstine Green granite, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and...

A series of works .. ANCIENT .. ..FOREST .. ..AQUA .. all these series have a magical connection with each other. They have the ancient spirit of past civilizations and sections of d...

SISYPHEAN CIRCLE 7-16 Granite/galvanized and powder-coated steel 62" (height) x 64" (width) x 18" (depth) Stone and metal, usually granite or slate, and found object steel are centr...

My Jupiter Series is part of a new series of pieces started while quarantining in this pandemic time. They are hand cast solid bronze relief sculptures mounted on black granite bases...

"Eagle & Chief" is an original green Brazilian soapstone sculpture by Native American carver William Skye. The artist signed and dated the piece on...

MARIA DOMPE, (Italian, b. 1958), Gentleman Sculpture, marble and travertine, 1995, height: 20 in. One of a pair, (Gentleman and Lady) being sold separately. Maria Dompe was born in ...

C.J. ULRICH Fish fossil in excellent condition measures 18x12

Slow Curve 352 is from Linda Stein’s Knights of Protection series, which are shield-like forms made of mixed media that hang on the wall. They function simultaneously as defenders in...

S’y jeter ou pas is a smoke-fired stoneware sculpture by the contemporary artist Cécile Raynal. For the artist, the wolf is the animal most similar to man and a very fascinating creature due to its representation in fables: both predator and victim. This sculpture is a one-off piece, delivered with a certificate of authenticity. The dimensions specified are those of the installation with the smoked stoneware wolf and the driftwood board. Dimensions of the wolf sculpture...

RECLINING FIGURE Gray Vermont marble 18" (height) x 30" (width) x 14" (depth) Stone and metal, usually granite or slate, and found object steel are central in my sculpture. The inte...

Twister '23 II slate and pigmented and sealed steel 34.5" (height) x 11.5" (width) x 6" (depth) Stone and metal, usually granite or slate, and found object steel are central in my s...