Wood Sculptures

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...

Carved from reclaimed cork oak, this organic wall sculpture portrays a sorrowful expression emerging from a lush tapestry of rounded leaves and subtle blue floral accents. The deep g...

California Artist Lori-Cozen Geller loves cars. Her minimalist sculptures are painted in the glossy colourful palette of the cars her beloved late father ...

The polished wood of this hand-carved sculpture by artist Jana Osterman accentuates the sensual quality of this piece. Osterman finds inspiration for her work in shapes and patterns ...

Oak Column & Garden Torch "Cube" - Straight - Handmade Extraordinary garden torch with one burner insert on an untreated oak spot. If the oak spot is set up outside, it develops a g...

"Bourgeois Big Top" is a wood wall sculpture. Made for repurposed oak, mahogany, walnut, leather, suede, dining room table legs and brass tacks, the piece has an overtly architectur...

Emma Bell’s ceramic and porcelain Pot Frame – Installation Piece. Emma Bell says: “This piece is inspired by my glaze test vessels. As a potter, I am always...

Shayne Dark has elevated the natural beauty of applewood burls by creating unique contemporary sculptures. The Canadian artist collected gnarled burls from old orchards in Prince Edw...

Goblets XXV is a signed original wall sculpture made from sweet wrappers by Joanne Tinker of a selection of colourful wine goblets on a black shelved frame. Joanne Tinker wall sculpt...

Pradip Mondal - Nature (II) - 15 x 15 inches Medium - Wood & Bronze Single edition. About the Artist and his work : Born : 1977 in West Bengal. Education : 2001-02 : BVA (Modellin...

The sculpture Cranium (2020) is an exploration of consciousness in isolation. It re-imagines the human skull as an ever-expanding container, complete with its own internalized logic...

Port Orford cedar, milk paint, and rust patina.

Wonderful historic boultos by New Mexico artist Jose Aragon (1796-1850) Titled: “Jesus de Nazarino.” Painted wood, gesso and polychrome. Measures: 20 3/4"h x 9 ½”w x 5"d. In wonde...

Fawn Hawthorn Laser Cut Paper Hawthorn Tree Attached with Pins Fawn Hawthorne is an original paper cut artwork by Emma Levine. The neutral tones give this piece a calming effect. Em...

Magda Watts (Israeli, b. 1928) Handmade Folk Art Sculpture Old Folks with a newspaper Hand signed to underside, Dimensions: 12"h x 14.5" l x 7.5"d. Mag...

In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. Johnson Hs. & Guest Hs. is an exact replica of an art history slide made in the 1950s picturing Philip Johnson’s Glass House. The slide has been replicated digitally on a much larger scale (23” x 23”) and like the original is made of a cardboard mount that contains a color transparency. The original slide is faded from years of use and most of the color, other than red, has been bleached out. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...

This Sculpture is made by Jos de Wit. It is made of mahogany wood. The pedestal is made of mahogany and maple wood. In the not of the fish there is a piece ...

The two artists and industrial designers, Ampi Arozarena and Elena De La Fuente describe form and color as their core of exploration. They admire the dual identity the two elements c...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained hi...

A series of works .. ANCIENT .. ..FOREST .. ..AQUA .. all these series have a magical connection with each other. They have the ancient spirit of past civilizations and sections of d...

Minimal Abstract Ceramic 36 x 36 inch wall sculpture in glossy and matte white ceramic tiles that create a zig-zag motif. Tiles are mounted to a white wood panel. A neutral work of a...

Medium: Walnut As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The fi...

2005 Wood Edition of 100 Limited Edition made by VILAC

These bold sculptures by Shayne Dark are made of apple wood roots that are coated in the artist's signature primary colors in an ultra matte finish. Poised between abstraction and ...

metal, polymer, pigment, wood This sculpture will be shipped directly from the artist's studio.

acrylic on plywood With the series titled We Share the Same Sky and New Objects Same Sky, my choice of natural wood as a material is influenced by the rich heritage of my father and...

"Vessel #79: Course" Free-standing abstract sculpture from Jeff Key's 80+ piece 'Vessel Series'. Constructed from wood. Born and raised in San Francisco, Jef...

Artwork made by acrylic washes on birch Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in NYC, Texas Co...

Seahorse is an original decorative object realized in the 2010s by Ferdinando Codognotto. Original wood sculpture realized in swiss pine expert...

Aronson, David 1923- David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work. In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts. included in the catalog Contemporary Religious Imagery in American Art Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others. Selected Awards 1990, Certificate of Merit, National Academy of Design 1976, Purchase Prize, National Academy of Design 1976, Joseph Isidore Gold Medal, National Academy of Design 1976, Purchase Prize in Drawing, Albrecht Art Museum 1975, Isaac N. Maynard Prize for Painting, National Academy of Design 1973, Samuel F. B. Morse Gold Medal, National Academy of Design 1967, Purchase Prize, National Academy of Fine Arts 1967, Adolph and Clara Obrig Prize, National Academy of Design 1963, Gold Medal, Art Directors Club of Philadelphia 1961, 62, 63, Purchase Prize, National Institute of Arts and Letters 1960, John Siimon Guggenheim Fellowship 1958, Grant in Art, National Institute of Arts and Letters 1954, First Prize, Tupperware Annual Art Fund Award 1954, Grand Prize, Third Annual Boston Arts Festival 1953, Second Prize, Second Annual Boston Arts Festival 1952, Grand Prize, First Annual Boston Arts Festival 1946, Traveling Fellowship, School of the Museum of Fine Arts 1946, Purchase Prize, Virginia Museum of Fine Arts 1944, First Popular Prize, Institute of Contemporary Art 1944, First Judge's Prize, Institute of Contemporary Art Selected Public Collections Art Institute of Chicago Virginia Museum of Fine Arts Bryn Mawr College Brandeis University Tupperware Museum, Orlando, Florida DeCordova Museum Museum of Modern Art Print Collection, New York Atlanta University Atlanta Art...

FREE SHIPPING TO WORLDWIDE! Artisan: Gabriel Isidro Perez Rajon MASTERPIECE Made with Cedar wood, woodcarving technique gouges, machete and sandpaper, decorated with acrylic paintin...

This wood and metal wall-sculpture is another in McGilvray's several depictions of heavenly bodies in the universe. In this artwork, a primary colored constellation is floating in a deep purple...

This is a wonderful example of Shayne Dark's dance with form and light. The work is created out of Ironwood, and is painted a flat white. On a light colored wall, the shadows become ...

"Bend" is a minimalist modernist wall sculpture that brings bold statement to wherever it is placed. The piece is relatively small, but it feels much larger due to the bold avocado ...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 8.75 x 8.75 x 1.25 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

"Outlier" is a modern, minimalist, wood wall sculpture made from birch, washed and metallic acrylic and finished with furniture wax. The paint has been sanded back on the edges of th...

Bappa Halder - Devi Series Wood, Fiber, Metal 16 inches ( Diameter ) ( Delivered ) Style : According to Bappa Halder, “My work seeks to explore ideas rooted in realistic world. I am...

Bappa Halder - Devi Series Wood, Fiber, Metal 16 inches ( Diameter ) ( Delivered ) Style : According to Bappa Halder, “My work seeks to explore ideas rooted in realistic world. I am...

Bappa Halder - Devi Series Wood, Fiber, Metal 16 inches ( Diameter ) ( Delivered ) Style : According to Bappa Halder, “My work seeks to explore ideas rooted in realistic world. I am...

Bappa Halder - Devi Series Wood, Fiber, Metal 16 inches ( Diameter ) ( Delivered ) Style : According to Bappa Halder, “My work seeks to explore ideas rooted in realistic world. I am...

Bappa Halder - Devi Series Wood, Fiber, Metal 16 inches ( Diameter ) ( Delivered ) Style : According to Bappa Halder, “My work seeks to explore ideas rooted in realistic world. I am...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* The "Lucky Baby Elephants" series is exclusive of Artist Mauro Ol...

Bappa Halder - Devi Series Wood, Fiber, Metal H 24 x W 19 x D 6 inches ( Delivered ) Style : According to Bappa Halder, “My work seeks to explore ideas rooted in realistic world. I ...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...

In the Cult series, the key plot is the clash of two human paradigms. On one side - conscious and independent Human, with unlimited potential for development and evolution, on the ot...

The title of Benjamin Heller’s group of sculptures, “Inner Tidal” refers to an “Intertidal Zone”, which is the edge of an ecosystem that is alternately above and below the waterline ...

1970s wooden sculpture of a woman looking upwards.

Teakwood and white lava sand make this beautiful turning globe a real stunning sculpture. Made from a whole piece of wood the way the sculpture is shaped is defined by how the tree grew. Sitting on a turning base the sculpture can spin silently around, so that all angles can be admired at any time. His work is favored by private collectors and commercial organizations, such as Louis Vuitton, around the world. Bruno Helgen...

Daniel Fiorda takes objects such as old typewriters and 35mm cameras: “Discarded remnants of the industrial world,” transforming these objects into high-e...

"Senufo (Gbon) Statute of Royalty" is a sculpture by thr Senufo peoples of Gabon. It is wood, mixed fiber, textiles, and cowry shells. 14" x 8" x 3" The...

Hand carved aspen wood sculpture torched burnished and painted Greg Joubert was born in 1977 and raised in the seaside New England town of Hingham, Massachusetts. Joubert gained hi...

This 5" hand-painted sculptural cube by Sofie Swann is made with acrylic paint and gesso on wood. It features a cool palette with a turquoise-green background and painted teal circul...

This abstract sculpture from the Windfall Series by Shayne Dark is made from one of the applewood burls collected from apple orchards in Prince Edward County, Ontario. Many of the lo...

"Dusty Pink" is a minimalist and modernist solid wood wall sculpture that brings bold statement to wherever it is placed. The piece is part of my popular "Small Pops" Series which ar...

Questa maschera guatemalteca del inizio del XX secolo, scolpita in legno e utilizzata per la danza della Riconquista (Baila de la Conquista) , raffigura vividamente un uomo europeo, ...

David is the son of Max Alvarez who studied under Felipe Benito Archuleta. Felipe Archuleta is known to be the patriarch of modern New Mexico wood carv...

Divergence is an elegant modern and minimalist contemporary wall sculpture. It is constructed with birch panels, acrylic washes and completed with a semi-gloss lacquer finish. It is ...

"Vessel #75: Water Clock" Free-standing abstract sculpture from Jeff Key's 80+ piece 'Vessel Series'. Constructed from wood and flax, a natural plant material...