Wood Sculptures

"Sled" is a modern rustic wall sculpture. It was made in a similar fashion to an abstract expressionist painting, where the process of creating the piece is not predetermined, but is...

This artwork titled "Kwa-Giulth, Thundrbird" 1987 is a wood carving bas-relief by Canadian artist Kevin Cranmer, b.1968 It is signed, titled and dated in...

This is an 3-part painting / construction (assemblage) created from acrylic paint, wood, glass, and found objects. It includes several historic photograph of figures as well as many scenes from Black African American cultural history. Each piece measures 23" x 7.75" x 2.5", and they can be hung close together or far apart, depending on the buyer's preference. All pieces are wired with the appropriate hanging hardware and are ready to install, no additional framing needed. PROVENANCE: Exhibited in "Portals + Revelations: Richard J. Watson," the African American Museum in Philadelphia, Oct 2021 - Mar 2022. "Most of my works are supported by memories of the past and suggested realities. Issues of social politics, ancestral references, and astral projections are presented with fragmented elements of 'real life' collaged and collapsed, as dreams are prone to do. If connections are made, all the better. I feel that life should remind us of our dreams." - Richard J. Watson Richard J. Watson is an icon in the Philadelphia art world. Much of his work relates to his experiences as a Black African American man. He is a graduate of Pennsylvania Academy of the Fine Arts (1968), has taught at his alma mater, and has served in the Exhibitions Department at the African American Museum in Philadelphia since the 1980s. He has been exhibiting his work for decades, and has an extensive bibliography. His work is held in the Petrucci Family Foundation Collection of African American Art; the Pennsylvania Academy of the Fine Arts; the Uniworld Corporation; Sony; the Federal Reserve Bank; the City of Philadelphia; Sprint; the Church of the Advocate; the poet Dr. Sonia Sanchez; and the Woodmere Museum...

Artwork made by ipe, cherry, mahogany, walnut, boat nails, acrylic & reclaimed suede Scott Troxel has exhibited his work at numerous fairs and exhibitions ...

This abstract sculpture from the Windfall Series by Shayne Dark is made from one of the applewood burls collected from apple orchards in Prince Edward County, Ontario. Many of the lo...

Carlos Betancourt, American (Born 1966) Abstract Sculpture Spray Paint and hand Painted Sculptural Wall Applique. Hand signed. Dimensions: 23 X 23 inches approximately Three dimensional neo primitive wall relief I believe this is from The Sounds Symbols Project (2000), a monumental ephemeral installation in the sand in Miami Beach. Carlos Betancourt (born San Juan, Puerto Rico 1966) is an American multi-disciplinary artist. His artworks explore issues of memory, and his own experiences, while also dwelling in issues of nature, the environment and matters of beauty, identity and communication. He has worked as a curator, furniture designer and has collaborated in with Louis Vuitton as well as on architectural and site-specific private and public commissions with architect Alberto Latorre. Betancourt artwork is in part inspired by his relationship with nature as well as by the diverse cultures and history of the Caribbean basin, Florida and the Americas. Also by artist Ana Mendieta interventions, Robert Rauschenberg assemblages, Andy Warhol perceptions, Neo Rauch compositions, and a Federico Fellini-esque cast of characters for his photo assemblages. Additionally, he relates to some of theorist Jean Baudrillard views about art and his philosophy on objects; French artist Gustave Courbet's idea that "the only possible source for living art is the artist's own experiences", as well as the Martinican writer and theoretician, Edouard Glissant's belief that ..."the past resides in material objects that only release their hidden meanings when encountered imaginatively and sensuously. Betancourt admires the works of diverse artists such as Fernando Oller, Cisco Jimenez, Bill Viola...

Italian sculptor (18th century) — Pietà. 13 x 7 x h 22.5 cm. Full figure in carved, lacquered and painted wood. The group depicts the Pietà according to traditional iconography: t...

Over the past few years, Jesse Hickman has been making minimal abstract paintings on wood with few constraints. He calls this series Notes, thinking of these pieces as drawn sketches...

"Oceanside" is a minimalist and modernist, geometric, solid wood wall sculpture that brings bold statement to wherever it is placed. The piece is part of my popular "Small Pops" Ser...

Artist: Michael Stevens, American (1942 - 1989) Title: Chased Year: 1980 Medium: Hand-Carved and Painted Wood Sculpture, signed, titled and dated under base Size: 17.75 x 37 x...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks that showcases a black computer keyboard on a white background and they can be arranged for display in a variety of layouts. They come ready to hang with hanging hardware and they are signed by the artist on verso. Art measures 8.75 x 8.75 x 1.25 in (each) The overall sense is dystopian rather than apocalyptic. In Fiorda’s previous work, found objects were displayed as if unearthed from a bed of clay by a tacit anthropologist, perhaps decades into the future. A typewriter would be partially buried by dry soil and weathered by the passing of time. The underlying narrative was that of a future civilization unearthing the objects left by ours. Destruction or extinction was implied. In the new work, the obsolete technology is not found but rather engulfed by a new technology. Concrete, as a material and as a technology, has the capabilities to fully encase and envelope. In Fiorda’s new work, uniformity and the appropriation of old/new technology into new structures suggests a historical and technological challenge right around the corner, mirroring the ones in our recent past: the digital age fully replacing the analog world. These astounding sculptures, with embedded objects, are here to examine closely, and make connections between theme, material, and shape. Daniel Fiorda was born in 1963 in Buenos Aires, Argentina. Of Italian ancestry, his lineage includes a grandfather highly respected as a wood craftsman, also his father was a craftsman in addition to being a musician and poet. Because a privileged life was not his, there was no university for Fiorda. In the Old World tradition of passing on knowledge from parent to child, he learned about machinery form his father, who recognized his son's talent and encouraged it. With some private tutoring, he began sculpting in high school using found objects. The press reviews of his first exhibit, at age 20, stated that Fiorda had a definite “poetic feeling”. With this encouragement, he continued to pursue his art. After leaving Argentina, he arrived in Miami Beach via a circuitous route and set up his studio in the South Florida Art Center. He has exhibited widely throughout the US including the OK Harris Gallery, Allan Stone Gallery in New York as well as the Heriard Cimino Gallery in New Orleans, Lélia Mordoch Gallery in Paris France and Lilac Gallery in New York City. Daniel was one of the winners in the 7th Annual Sculptures Competition (2003) held at Washburn University in Topeka , Kansas. Selected on the inaugural 2006 Palm Beach International Sculpture Biennale, and exhibited for the 3rd time in Sculpture Key West. He is an alumni Artist of ArtCenter/South Florida. Two Pieces from his “Convertible Couch projects...

Daniel Fiorda in this new series of sculptures, continues in many ways the themes that have infused his previous work. For the last several years, Fiorda has dealt with technology, obsolescence, with the trail of discarded tech that humanity leaves behind and what it says about us. The new work takes this thematic one step further. These new wall pieces feature barely concealed found objects, almost fully engulfed by concrete, and yet still eerily discernible: industrial gears, computer keyboards, objects that evoke industrial post-digital eras. This piece is a set of 3 artworks...

Minimal Abstract Ceramic 36 x 36 inch wall sculpture in glossy and matte white ceramic tiles that create a zig-zag motif. Tiles are mounted to a white wood panel. A neutral work of a...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

Carlos Betancourt, American (Born 1966) Abstract Sculpture Spray Paint and hand Painted Sculptural Wall Applique. Hand signed. Dimensions: 28.75" x 26.5" Three dimensional neo primitive wall relief I believe this is from The Sounds Symbols Project (2000), a monumental ephemeral installation in the sand in Miami Beach. Carlos Betancourt (born San Juan, Puerto Rico 1966) is an American multi-disciplinary artist. His artworks explore issues of memory, and his own experiences, while also dwelling in issues of nature, the environment and matters of beauty, identity and communication. He has worked as a curator, furniture designer and has collaborated in with Louis Vuitton as well as on architectural and site-specific private and public commissions with architect Alberto Latorre. Betancourt artwork is in part inspired by his relationship with nature as well as by the diverse cultures and history of the Caribbean basin, Florida and the Americas. Also by artist Ana Mendieta interventions, Robert Rauschenberg assemblages, Andy Warhol perceptions, Neo Rauch compositions, and a Federico Fellini-esque cast of characters for his photo assemblages. Additionally, he relates to some of theorist Jean Baudrillard views about art and his philosophy on objects; French artist Gustave Courbet's idea that "the only possible source for living art is the artist's own experiences", as well as the Martinican writer and theoretician, Edouard Glissant's belief that ..."the past resides in material objects that only release their hidden meanings when encountered imaginatively and sensuously. Betancourt admires the works of diverse artists such as Fernando Oller, Cisco Jimenez, Bill Viola...

From a limited edition. an abstract elongated art deco form of a mother with child. signed on bottom of wooden base and etched into bronze. Victor Halvani no doubt had an enchanted childhood. A warm loving Jewish family. His father a judge, his mother, descendent from a rabbinic family, was a great storyteller who transformed the heroes of the Bible into her child’s best friends. A small village at the base of the pyramids of Giza, school trips to the Valley of the Kings in Aswan. Ancient Egyptian art looking at the dreamy child from every corner. Given the chance to look back, it becomes clear that Victor’s lifelong dream – to become an artist, had it’s beginnings right there – in the child dreaming at the Nile. Victor Halvany was born in 1930 to Bella and Yitzchak (OBM). Soaked in that enchanted childhood atmosphere, Victor found himself spending hours and days in the Cairo museum of art, looking at the exhibits and drawing them with intensity and enthusiasm. His inspiration filled drawings caught the eye of his teachers and with there encouragement he entered a national competition in which he won first place. This lead to him winning a full scholarship at the art faculty in Zamalek and at the Cairo University. Full of hopes and dreams he began his studies, only to be interrupted after one year. The Israeli war of independence began and subsequently the pogroms, and the urgent need of Egyptian Jews to emigrate, going first to France and than to Israel. Victor’s first years in Israel were years of struggle for survival, but simultaneously years of activity and progress. In 1950, while serving in the army, Victor met Margalit, the women at his side, mother of his children and the most present character in his career of activity and art. With Margalit’s encouragement and support he not only raised a family, fathering two boys and a girl, but also fulfilled his dream and was fortunate to have a full and inspiring career- as a person, artist, and teacher. Today, in his advanced age, Victor continues his daily activities: creates, plans, exhibits, and as always – open-minded, curious, learning, getting updated. 1953 – Received scholarship and year of study at Bezalel School of art and design in Jerusalem. 1956 – Finished education studies and received BA in education. Tel Aviv art teachers college. 1969 – Scholarship to study abroad for a year at Hammersmith College of art & building in London, graduating cum laude. 1970 – Received MA in art education and sculpture. 2015 – Participation in the sculpture exhibit at the Mamilla mall promenade in Jerusalem. Sculptures exhibited: “David with harp”, “Mother playing with child”, “Yuval father of harp players” 2014 – Participation in sculpture exhibit at the Mamilla Mall Promenade in Jerusalem, sculptures exhibited: “Ruth and Naomi” “David playing harp”, “Girl with gazelle” 2013 – Ein Hod, Yemini sculpture garden, at main entrance to artist’s colony, sculpture exhibited “David playing the harp”. 2012 – Opening of “Art exhibit- Victor Halvani”. At the Halvani residence in Ein Hod, exhibits large collection of sculptures and prints. Visits by appointment. 2011 – Safed, “The Shofar” art project, exhibited at “Safed liberation square”, at main entrance to the city, in the presence of the mayor and representatives of U.S. donors. 2010 – Safed, “The Spies” art project placed, and square named Halvani, at southern entrance to the city of Safed, in presence of the Mayor, Ilan Shochet, and representatives of U.S. donors. 2001 – Participation in international exhibit in San Francisco, U.S. 2001 – Katzrin, Ramat Hagolan, Exhibit of sculptures “Mother playing with child”, “Hope for peace”, and “David with slingshot”, around the city. 2000 – New York, U.S. – International millennium art expo – exhibited “The Hope”. 1999 – Safed, completion of phase 2 of Victor Halvani sculpture garden in Oranim neighborhood. 1998 – Bennington, U.S. – Solo exhibit with collection of bronze sculptures at Bennington art center. 1997 – Stillwater, Oklahoma, U.S. – Placement of sculpture “David playing the harp” at the entrance to Seretean art center at the University of Oklahoma. 1996 – Miami, Florida, U.S., Center for international exhibits – solo exhibit, selection of bronze sculptures. 1995 – West Bloomfield, Michigan, U.S. – Placement of sculpture “David playing harp” at the Reform Jewish Cultural Center park. 1995 – Boston, U.S. – placement of sculpture “David playing harp” at Stanley & Barbara Young...

"TwoBlues" is a minimalist and modernist, geometric, solid wood wall sculpture that brings bold statement to wherever it is placed. The piece is part of my popular "Small Pops" Seri...

Fender Guitar Multi Layers Glass Sculpture Artist signed and dated '98, mixed media, layers of multi color dichroic glass, ceramic tiles, aluminum on wooden base. William Wertz was born in 1946 dide in (2021 Los Angeles). American artist, teacher and photographer. Known for his unique assemble layers of glass sculpture. His art can be found in Musee des Decoratifs, Paris, the country of Oman (stained glass dome...

Part of Ser Uang Huang’s Travelers Series. Huang’s wooden sculpture Waiting! captures a moment of confident anticipation. The figure stands with head slightly raised, his expression ...

Orientalist African Hunter Leaning on His Shield Black Forest, School Switzerland  19th century Carved Wood 21 inches This is an exceptionally beautiful and exceptionally rare wood...

JD816 Exquisite Jadeite Jade Carving of Seated Deity with Dragon on Custom Hardwood Stand A superb example of Chinese jadeite artistry, this finely carved sculpture depicts a se...

Thomas Pfannerstill has worked as a full-time studio artist since 1986, following his education at Western Kentucky University (BFA 1975). He currently resides and works in Louisvill...

Gothic relief 17th century Carved wood Size: 31 x 31 x 8 cm Parts of the frame probably 19th century, partially damaged at the edges (see photos) Viewing and collection possible by...

In Dream of Flight, the contrast between a heavy figure and a pair of tiny wings creates a sense of whimsy and imagination. The sculpture speaks to the nature of dreams: often they s...

Rosamond Berg (American, 1931 - 2018) Voyage I, 1982 Mixed media construction including hand-dyed cotton cloth pouches 24 x 24 inches Signed, titled an...

Tutto is a surrealist mixed media sculpture by Vera Vizzi, hand-formed into a lunar sphere with oceanic inlays. Crafted on a 15 cm wood sphere, its cratered white surface evokes the ...

KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove ...

Samuelle Green’s work has always been multidisciplinary. Throughout all her mediums; painting, drawing, sculpture, and installation, there is a common thread of subject matter – that...

One of a kind pair of cherub high reliefs dating from the 18th century, probably belonging to the Castilian school. These are two rectangular high reliefs in carved, polychrome, an...

Veronica Moar's work is deeply imbued with the processes of porcelain manufacturing and craftsmanship, rendered in a delicate and narratively rich manner. In this piece, we can see n...

"Boofy (Large Version)" is a minimalist and modernist wood wall sculpture reminiscent of both mid century modern forms and bold graphic design. Boofy is part of my popular "Small Po...

Sidney Gordin Untitled, 1958 Incised with initials Welded Steel 15 x 10 1/2 x 6 inches Provenance: Eric Firestone Gallery, New York On October 24, 1918, Sidney Gordin was born in Chelyabinsk, Russia. He spent his early years in Shanghai, China. At the age of four, he moved with his family to New York. Gordin’s nephew, Eliot Nemzer recalls that when Gordin was a child he attended “a dinner party with his parents. Someone showed him a book of pictures that when thumbed through quickly made the image appear to move. This person then gave him a wad of blank papers and something to write with. Sid created a similar type of moving image with his materials. All the adults at the party became quite excited [and] praised his efforts. Sid told me he thought this was a pivotal experience in guiding him towards his vocation.” During his formative years at Brooklyn Technical High School, he briefly contemplated the idea of becoming an architect; yet, by the time he enrolled at Cooper Union, he was determined to become a professional artist. There, he studied under Morris Kantor (1896-1974) and Leo Katz...

"Butterfly Effect No. 1" by Norman Mooney Edition of 10 + 2AP Apple plywood In 1994 Mooney moved from Ireland to New York City and has been exhibiting locally and internationally fo...

This vibrant sculpured painting titled "Life" is a contemporary mixed media wall sculpture by Italian artist Vera Vizzi, exploring the symbolic and emotional resonance of transformat...

Original handmade fibreglass relief sculpture from Ron Hitchins' own home. Uniquely handmade and signed by the artist. Part of a series of 3 (see our other listings for the other two...

Ivars Miķelsons (1962)

Large Abstract Expressionist Welded Assemblage Sculpture. it appears unsigned. it is on a found wood original base. it has a Brutalist quality to it. It commands a lot of presence

Hanging crafted wood wall sculpture with a mini diorama of an old record shop that can be seen through a viewfinder. Batteries included. More information be...

Sculpture Close to Heart 2 Limited edition of 12 Mediums: old pine, steel, acrylic hand painted, oil CLOSE TO HEART - Collection Working on the series I used a “wood with history”...

This geometric wall sculpture features green hues. Atlanta-based artist Mitchell Biggio’s “Fault” is a series of complex three-dimensional wall sculptures that navigate the expansiv...

Medium: Bleached and Lacquered Basswood As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as th...

Part of Ser Uang Huang’s Travelers Series. In Got a Date, Ser Uang Huang portrays a neatly dressed gentleman waiting with quiet anticipation. His gentle smile and relaxed stance sugg...

Extraordinary garden torch with one burner insert on an untreated oak spot. If the spot is set up outside, she develops a gray patina. The included burner already contains individua...

Buddhist Monk Antique Wood Carving 18Th Century or earlier possibly Japanese wood sculpture of a Buddhist Monk resting on lotus blossom on wood ...

San Francisco-based folk artist Tim Weldon, fresh off a showing at Scottsdale’s annual Celebration of Fine Art, is a man in touch with his lovable inner child. He declares himself a ...

Singularity II is a wood sculpture (walnut) by Wouter van der Vlugt, dimensions are 42 × 65 × 55 cm (16.5 × 25.6 × 21.7 in). It is a unique signed piece and it comes with a certific...

Organic abstract sculpture by G. Krueger. The Serpentine stone has gorgeous earth-toned green, yellow, and orange hues, sculpted into a flowing shape in the style of Herman Miller Sc...

KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles. Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...

A small, limited edition bronze Bull Terrier sculpture. Edition 2 of 12. FREE SHIPPING

"Sacred Clothing" is a series of wooden wall sculptures inspired by the traditional forms of Japanese, Chinese and Korean kimonos, combined with medieval ornaments and calligraphy, a...

I have seen this piece identified as Wizard and as Micawber from Charles Dickens David Copperfield ("something will turn up") Aronson, David 1923- David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists. At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work. In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts. included in the catalog Contemporary Religious Imagery in American Art Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others. Selected Awards 1990, Certificate of Merit, National Academy of Design 1976, Purchase Prize, National Academy of Design 1976, Joseph Isidore Gold Medal, National Academy of Design 1976, Purchase Prize in Drawing, Albrecht Art Museum 1975, Isaac N. Maynard Prize for Painting, National Academy of Design 1973, Samuel F. B. Morse Gold Medal, National Academy of Design 1967, Purchase Prize, National Academy of Fine Arts 1967, Adolph and Clara Obrig Prize, National Academy of Design 1963, Gold Medal, Art Directors Club of Philadelphia 1961, 62, 63, Purchase Prize, National Institute of Arts and Letters 1960, John Siimon Guggenheim Fellowship 1958, Grant in Art, National Institute of Arts and Letters 1954, First Prize, Tupperware Annual Art Fund Award 1954, Grand Prize, Third Annual Boston Arts Festival 1953, Second Prize, Second Annual Boston Arts Festival 1952, Grand Prize, First Annual Boston Arts Festival 1946, Traveling Fellowship, School of the Museum of Fine Arts 1946, Purchase Prize, Virginia Museum of Fine Arts 1944, First Popular Prize, Institute of Contemporary Art 1944, First Judge's Prize, Institute of Contemporary Art Selected Public Collections Art Institute of Chicago Virginia Museum of Fine Arts Bryn Mawr College Brandeis University Tupperware Museum, Orlando, Florida DeCordova Museum Museum of Modern Art Print Collection, New York Atlanta University Atlanta Art...

This ceremonial mask was created by an unknown Senufo artist from the Ivory Coast. It depicts an abstracted human face with horns and other protrusions. The wood is dark. 13" x 7" ...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

In ADORNED OBSOLESCENCE 5, Liz Miller creates a sculptural wall hanging piece which builds on the juxtapositions between strength and malleability, architecture and fiber, structure and knots. Drawing special influence from a repurposed metal headboard...

This piece titled "Shovel, Recovered" is an original artwork made from iron, paper, beeswax, brass, pine, mounted on panel by Katie VanVliet. This piece measures 12"h x 24"w x 5"d Katie VanVliet (she/her) is a sculptor and printmaker practicing from her home studio in Elkins Park...

Trail of Prayers by Denny Haskew Figurative Female Bust 66x16x20" Bronze/Walnut #20/20 ​sold out edition available on the secondary market, sold...

Drawing inspiration from cultural icons and global events, Soren Grau's street art-infused Neo-expressionism invites art enthusiasts to be a part of a narrative larger than life. In ...

Achtung III Cherry, MDF, acrylic, lacquer on MDF 57” x 63” x 2” Achtung III is a vibrant large-scale mixed media wall sculpture. Made from solid American cherry hardwood and with pa...

This monumental wood sculpture by Leroy Setziol (1915–2005) is a rare and significant early commission, created in 1963 for the National Bank of Portland, Oregon. Measuring an impres...

Anglo Indian carved mahogany cat with ebonized stripes and a curious expression, featuring a secret compartment on the bottom.