Wood Sculptures

NOTE: This is a commission piece, made after the original. It can be commissioned in custom sizes. Allow 3-4 weeks plus shipping. Modulus is a striking mid century modern inspired...

Tarkka is an aggressive, angular minimalist, monochromatic contemporary wall sculpture. It is constructed with birch panels, acrylic washes, walnut hardwood and completed with a sem...

This sculpture from Linda Stein’s I am the Environment series explores the artist's relationship to the earth and addresses the interconnectedness of all living things. This sculptu...

Original miniature water tower sculpture by Drew Leshko made from archival paper, basswood, acrylic, enamel, dry pigments, birch wood strips, and steel mea...

"Lath Study II" is an original wood, joint compound, and white paint sculpture by Seth Clark measuring 24”h x 24”w x 2.75”d. This piece ships ready-to-hang framed as pictured. "My ...

"Waikiki" is a minimalist and modernist, solid wood wall sculpture that brings bold statement to wherever it is placed. Artist Scott Troxel says "The piece is part of my popular "S...

The Redpath Mansion was built in 1886 for members of the Redpath family – wealthy industrialists who constructed the Lachine Canal and founded the sugar refinery that bears their name. This majestic house was erected in the fabled Golden Square Mile of Montreal. By the mid-20th century, it was one of the few remaining Queen Anne style homes in this city. The Sochaczevski family, purchased it in 1986 and within that year, obtained a license to demolish the building. Approximately 40% of the property was leveled. Organizations such as Heritage Montreal and Save Montreal obtained an injunction to suspend the execution of the license and the destruction of the mansion. It was temporarily saved. In 2014, the Mayor of Montreal, Denis Coderre, sided in favour of the Sochaczevski family, granting them the license to level the Redpath Mansion. In a statement to the media, when substantiating his reasoning, Denis Coderre said, “It was too dangerous, so I asked that we demolish the building.” The disappearance of the Redpath Mansion represented a great loss to Montreal’s architectural landscape. Organizations such as Heritage Montreal and Save Montreal, contended that it possessed immense cultural value; and during the course of almost three decades – 1986 to 2014 - struggled to save this rare Queen Anne style home from the wrecking ball. Albeit, the Sochaczevski family argued that it was old and unsafe, and that a restoration of the once stately home would be very costly. During the span marked by the first attempt at a demolition and the final decision by the mayor of Montreal (i.e. 1986 – 2014), The Redpath Mansion’s already dire condition worsened. It stood vacant and exposed to the elements. Nothing to upkeep the house was implemented, neither by the owners, or the city of Montreal; which ultimately compromised its structural viability. The events surrounding the Redpath Mansion, came to my attention in the summer of 2010. It was during a visit to Mount Sinai Hospital, in Montreal, where my father lay stricken by a terminal disease known as pulmonary fibrosis. I came upon a newspaper article in the Montreal Gazette. It described the Redpath Mansion case. I likened the decaying building with the final stages of my father’s life. The Redpath Mansion gained even greater significance for me when I went in person to the Golden Square Mile - in the city centre – and stood before it along Du Musée Street. I experienced it as a powerful metaphor for the transient nature of life. It also inspired thoughts related to generational ties, and how familial bonds act to influence and shape a person’s identity. The program of work I plan to undertake aims at building a scale model of the Redpath Mansion, as it appeared just before its demolition, in 2014. The physical height of this scale model is set at approximately 1 metre. I wish to place emphasis on the craft aspect, by creating a visual idiom based on details and decaying forms that allude to our connection to the past. For example, old pictures found among the rubble, scattered clothing and shoes, all of which are suggestive of a past ethos. I steer clear of political and social issues and aim to view this project with a more poetic lens, hoping to move the focus from societal problems to problems we face inside ourselves. The end result, or the finished piece would make a statement in a more introspective and emotional way, and show that the past weighs on the present, almost to the point of haunting. The viewer of the finished scale model will view it in the round, and in so doing perceive a definite narrative that addresses questions of identity, memory and loss. Ivan Markovic The Redpath Mansion, 2019 mixed media 37h x 20w x 24d in 93.98h x 50.80w x 60.96d cm IVM007 IVAN MARKOVIC was born in Montreal, Quebec in 1970. At an early age, he showed a natural propensity for drawing. At 15 years of age, he went to Paris, France to attend the Fine Arts school Creatione et Future. This experience allowed him to become a better draftsman and encouraged him to take his first steps in the art of oil painting. In 1994, he received a Bachelor of Fine Arts degree from Concordia University in Montreal. During his undergraduate degree he developed an interest for Art History and life drawing. After graduation, Ivan Markovic moved to Madrid, Spain to work at the Prado museum, where he made copies of Old Masters’ paintings, and developed an understanding for the materials and techniques of Spanish, Italian and Flemish art. He received a Master of Fine Arts degree from Bretton Hall College, University of Leeds, in the U.K. in 1997. His graduate work focused on large-scale paintings that alluded to baroque and neoclassical painting. In parallel, he pursued his other passion, teaching, by instructing a figure drawing course. Upon completing his MFA, he returned to Madrid to work as a practicing artist and art teacher for 13 years. During this time, he experimented with a diverse range of media. Of these, he was most captivated by sculpture. In 2010, he came back to his native Montreal, thus completing a formative cycle that has lasted 25 years. Currently, Ivan Markovic lives and works between Montreal, Chicago, and Madrid. He creates three-dimensional renditions of people facing situations of adversity, especially those that live on the fringe of society. His work has been featured in solo exhibitions in Canada, the United States and Europe, and is also on permanent display in privately owned collections of art. Ivan Markovic b. 1970, Montreal, Quebec Education 1997 Master of Fine Arts, Bretton Hall College, University of Leeds, England. 1994 Bachelor of Fine Arts, Concordia University, Montreal, Canada. 1986 Studies at the Fine Arts School, Création et Future, Paris, France. Selected Exhibitions 2020 Double Feature: Art Shay and Ivan Markovic, 2019, Gallery Victor Armendariz, Chicago, IL 2019 SOFA Chicago 2019, Navy Pier, Gallery Victor Armendariz, Chicago, IL 2018 SOFA Chicago 2018, Navy Pier, Gallery Victor Armendariz, Chicago, IL Art Market Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Art On Paper, Gallery Victor Armendariz, New York, NY 2017 Art Toronto, Galerie D’Este, Toronto, Canada. SOFA Chicago, Navy Pier, Option Art, Chicago, IL Papier/10th Edition, Contemporary Art Fair of Works on Paper, Galerie D’Este, Mlt., Canada. 2016 SOFA Chicago, Navy Pier, Option Art, Chicago, U.S.A. 2016 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. 2016 Beyond the Pale, Galerie D’Este, Montreal, Canada. 2014 On the Fringe, Galerie D’Este, Montreal, Canada. Love Art, Galerie D’Este, Toronto, Canada. Papier 14, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2013 Shades of Isolation, Galerie D’Este, Montreal, Canada. 2013 Toronto International Art Fair, Galerie D’Este, Toronto, Canada. Papier 13, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2012 Papier 12, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada. 2011 Papier 11, Contemporary Art Fair of Works on Paper, Galerie D’Este, Montreal, Canada 2004 Galería Francisco Duayer, Madrid, Spain. 2004 Fundación Cultural Mapfre Vida (Premio Penagos de Dibujo), Madrid, Spain. 2003 Centro Intergrado Arganzuela (Ayuntamento de Madrid), Madrid, Spain. 2003 Galería Francisco Duayer, Madrid, Spain. 2001 Galería Francisco Duayer, Madrid, Spain. 2000 Sala Goya, Círculo de Bellas Artes, Madrid, Spain. 1998 Instituto Cervantes, John Hancock Center...

This free-standing abstract sculpture titled "Modus Volito Rusticus 14" is an original artwork by Hyland Mather made of lost objects, acrylic, aerosol, steel and is ink signed on the...

Basswood, white lacquer As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual languag...

Beautiful late 15th-century Burgundian Netherlandish portrait of a woman. Carved walnut. Original polychrome has been removed with traces at base and lower portions of figure. Minor ...

Ash wood and lead on Portland limestone, 47 cm × 39 cm × 10 cm. The dimensions include the base, which is attached. Dimensions of the base: 8 H x 10 cm diameter Unique work delivere...

This is a one of a kind original surrealist figurative sculpture made from wood by San Diego artist, Debbie Korbel. Its dimensions are 72" x 66" x 42". A...

Horse is an original decorative object realized in the 2010s by Ferdinando Codognotto. Original wood sculpture realized in swiss pine expertly ...

TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author, and educator. For over three decades he has made his home in New Orleans, performing on tenor ...

"Marathon" by artist David Everett is polychromed mahogany, and measures 17 1/4 x 23 1/2 x 6 1/2 inches. It is signed "© D EVERETT 2023". A jackrabbit and cactus are depicted. David...

This piece was inspired by nature, it resembles the constant ocean movement and water formations represented in waves. The artists used sand, resin and pulverized minerals in order t...

This free-standing abstract sculpture titled "Modus Volito Rusticus 17" is an original artwork by Hyland Mather made of lost objects, acrylic, aerosol, steel and is ink signed on the...

This work from Linda Stein's Displacement From Home series draws from the tradition of wunderkammer/cabinets of curiosities to highlight the globa...

Male classical torso.

Evocative Brutalist modern figurative abstract bronze cast and solid walnut sculpture by an unknown artist (20th Century). Two small abstracted figures, a man and a woman, stand toge...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Complete Set of 3 Gilbert & George Supreme Skateboard Decks (New in original packaging): A stand out skate triptych paying homage to Gilbert & George's 1984 Pictures series, through which Gilbert & George applied bold colors to a series of photographs developed in the ‘70s. The photomontages address issues involving religion, race, corruption, illness, and death. Dimensions: 31.5 x 8 x 0.5 in. (applies to each individual) Medium: Silkscreen on Maple Wood. Year: 2019. Printed artist signature & Supreme logo on reverse (on all 3). New in original packaging, excellent overall condition. Provenance: Acquired directly from Supreme New York. From a sold out limited edition of unknown. British artists Gilbert & George met in 1967 while studying at St. Martin’s School of Art. While their work is rooted in sculpture and performance, it has evolved over the years to include photography, drawing, painting, and film. Supreme’s love of Pop Art is well noted and Gilbert & George’s work has earned consistent comparisons with Andy Warhol. And while there are clear visual consistencies between Warhol’s Polaroid series...

Variation rythmique IX is the largest of the most recent series of seven different small and medium size contemporary modern sculpture painting reliefs by French-Dutch artist Olivier...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* The "Lucky Baby Elephants" series is exclusive of Artist Mauro Ol...

"CloudHawk" is a minimalist and modernist wood wall sculpture reminiscent of mid century modern, art nouveau and bold graphic design. It is part of my "Small Pops" Series wood wall s...

This piece gradually transitions in tone from white through grey into black, creating a delicate and intricate structure that houses small artifacts of memory. The found objects and ...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Female Painter's Manikin Mid-1800s jointed and articulated, life-size Italian sculpture, 167 cm tall 66 Inches, made of beech wood with traces of lacquer preparation. This extraordi...

Artist: Leonardo Nierman Title: Untitled (Sculpture B) Year: circa 1968 Medium: Bronze Sculpture, raised on Wood Base, signature and number inscribed Edition: III/VI Size: 32 x 9.25 ...

Artist/Designer: Alexander Ney (Russian/American, b. 1939) Marking(s); notes: signed Materials: white terracotta, wood (base) Dimensions: 11.5″oah; sculpture: 6.75″h, 3.5″w, 4.5″d; b...

This work from Linda Stein's Displacement From Home series draws from the tradition of wunderkammer/cabinets of curiosities to highlight the globa...

This blue, grey, and white miniature paper sculpture titled "PUPPIES" is an original artwork by Drew Leshko made of paper, acrylic, inkjet prints, basswood, wire, PVC plastic, pastel...

ITZHAK SANKOWSKY "MODERNIST FACE" WOOD, SIGNED ROMANIAN-AMERICAN, C.1940 24.5 INCHES Itzhak Sankowsky was born in 1908 in Romania. He lived and was active in Philadelphia, Penn...

"Gotham" is a minimalist and modernist, solid wood wall sculpture that brings bold statement to wherever it is placed. Artist Scott Troxel says "The piece is part of my popular "Sm...

ROUND EXCESS TRIO by Chloe Hedden is a delicate yet exuberant exploration of softness and texture. This sculptural paintings capture the essence of fleshy squash, blooming petals, wh...

BANDANNA is a sculpture by Ray Padrón created in 2021 from painted and carved poplar wood. The piece belongs to a series of work centering around clothing i...

The text you see on Medusa XXI’s canvas was taken from real newsfeeds of BBC, CNN and other major media. The series is limited to a total of 21 artworks, and in every new copy of Med...

Upper Italy 2nd half 12th century Maple Original version Height 67 cm

“Guilt of Innocence” (Postage Due Mr. Lee) Most of us don’t realize the true cost of the lifestyle we enjoy. There is a price paid by humanity that lives in our shadow. Unfair trade practices have stripped multitudes from their means of subsistence, thus forcing them to bow down to the system that has taken from them a meaningful life. The sculpture “Guilt of Innocence” depicts the American consumer’s role in this tragedy. Who is Mr. Lee? Lee Kyung was a South Korean farmer whose family farm is now a parking lot due to the WTO and unfair trade practices. Farmers in South Korea, who once made a good middle class living on their land, are now impoverished by the dumping...

Combining patterns reminiscent of tessellation and a large grid-like system, Vasarely turns a plain hexagon into a concave surface. Shades of light and dark play across the 'facets' ...

Important one of a kind painting by Noche Crist (1909 - 2004). A shaped painting titled " Flower Caryatid". Noche Crist imbued her cutouts with more...

Repousse sculptural plaque from the original Bezalel Art School in Jerusalem. This is marked "Made in Palestine" as it is from the British Mandate period. It is in an Orientalist design of the Tower of David. marked in Hebrew and English. Jerusalem's Bezalel School The Bezalel Academy of Arts and Design, was founded in 1906 by Boris Schatz. In 1903, Schatz met Theodore Herzl and became an ardent Zionist. At the Zionist Congress of 1905, he proposed the idea of an art school in the Yishuv (early Jewish settlements), and in 1906 he moved to Israel and founded the Bezalel School of Art in Jerusalem. Bezalel, which was a school for crafts as well as for graphic art, became successful very rapidly. Schatz’s vision was to develop useful arts and crafts among Palestinian Jews, thereby decreasing the dependence on charity. At the same time, he sought to inspire his students to create a Jewish national style of the arts, in order to promote the Zionist endeavor. The inhabitants of 19th-century Palestine, both Jewish and non-Jewish, had produced mostly folk art, ritual objects and olive-wood and shell-work souvenirs, as well as oil painting, sculpture, tapestry and mosaics. So the founding of Bezalel provided a professional and ideological framework for the arts and crafts in Jerusalem. The school employed workers and students, of whom there were 450 in 1913, in manufacturing, chiefly for export, decorative articles ranging from cane furniture, inlaid frames and ivory and wood carvings, to damascene and silver filigree and repousse work. A major part of Schatz’s school was the workshops, which, starting with rug-making and silversmithing, eventually offered 30 different crafts. Workshops included the "Menorah" workshop where they designed relief and souvenirs made of terra-Cotta, and the Sharar, Stanetsky and Alfred Salzmann workshops where Menorah lamps...

This 19th century big scale Italian animalier sculpure features a lion striding forward on a root-wood base, snarling with open mouth and expressive eyes enlivening its rippling mane with an extremely realistic sense of motion. The wooden statue, wonderful as a table top, is entirely hand carved in the round in a single block of solid olive wood, sign of high quality and sculptural artisanal mastery. An original whimsical and impressive centerpiece clearly sculpted by a true artist who carved the block of wood creating this figure of the proudest feline boasting a detailed study of the lion's anatomy.The features on the face, mane, muscles, tail and the paws are still distinctive and full of character as well as the beautifully carved stand. This sculpture boasts smooth surface and a warm patina developed over centuries and exudes wonderful quality and timelessness of the ancient world. The rich original patina brings further intrigue to its intricately carved details. This hand carved wooden lion statue is a great looking antique centrepiece...

A resin sculpture by Sergio Bustamante from 1987. A piece from Bustamante's animal sculpture period in which his whimsical style is portrayed in fantasy-like animal figures. Artist...

Keith Haring Skateboard Deck c.2012: Rare, out of print Keith Haring skate deck featuring one of the artist's iconic dragon images, set amidst a vibrant array of colors that really p...

Medium: Poplar, concrete, dye As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual l...

Linda Stein, Tough Love 683 - Contemporary Mixed Media Fashion Leather Sculpture Tough Love 683 is from Linda Stein's Body-Swapping Armor series. These wearable sculptures are ambig...

Parallax III is a discreet and elegant minimalist contemporary wall sculpture. It is constructed with birch panels, acrylic washes and completed with a semi-gloss lacquer finish. The...

The two artists and industrial designers, Ampi Arozarena and Elena De La Fuente describe form and color as their core of exploration. They admire the dual identity the two elements c...

A hand-carved marble head of Mercury mounted on a stained wooden plinth.

AVAILABLE TO COMMISSION Betsy Enzensberger sculpts works that create a visceral longing and remembrance of the most nostalgic delights from childhood. The artist uses the familiarit...

In shiny hot pink, two vertical rectangles sit side by side ‘in sync’ in this elegant wall sculpture by California artist, Lori Cozen-Geller. Cozen-Geller’s work is minimalism, and h...

Unknown/ Unidentified Artist, "Red Devil", Wooden Figurative Folk Art Sculpture, 30 H x 10 W x 6 D, 20th Century, ca. 1989 Colors: Red, Brown, Black Proven...

Anne Andersson Sisal fiber wall sculpture Monkey Head (# 1) Hand signed to verso Dated 2009. Measures approx. 11" height x 10" width x 6 1/4" depth. Her sculptures are made of natural sisal Fiber from an agave and meticulously hand painted. The eyes are hand blown glass. Anne Andersson was born in Gothenburg, Sweden, with a great desire to explore Nature and a Passion for Art. She received a degree in science in 1981 from Kjällbergska University in Gothenburg and a degree in Art from the Art Institute of Fort Lauderdale. She now works from her studio in St. Petersburg, Florida as a Sculptor, illustrator and painter. Her work calls to mind the animalia artworks of Henri Maik and Gustavo Novoa. Anne Andersson's artwork serves as an homage to our planet’s charismatic and rare wild animals. Inspired by the majesty and beauty of exotic wildlife, and motivated by an urge to preserve them, Anne’s astonishingly realistic life-size sculptures capture the experience of seeing these animals up close without exploiting them. Her sculpted work using natural materials and clay, provides a humane alternative to big game trophy hunting and taxidermy. She combines her talents in painting, tapestry weaving and illustration with an intuitive attention to the smallest detail to truly bring her sculptures to life. She has created lions, tigers, leopards, jaguars, cheetahs, bobcats, lynxes, pumas, panthers, elephants, rhinos, bears, water buffalo, bison, moose, wolves, coyotes and more—but she feels closest to the big cats. Anne graduated with honors at the Art Institute of Fort Lauderdale in 1989. It was then that she met Don Moore...

Victor Vasarely Untitled Acrylic on wood 27 x 15 in Ed. EA

Aerosol, oil and wood stain on reclaimed oak wood by street artist and muralist RH Doaz. Earth tones, metallic, folk art style, inspired by Hungarian textiles...

NOTE: This piece has sold. But it can be commissioned in different sizes and or colors. Timeline for commission is roughly 4-6 weeks to ship. Modulus II is a striking mid century ...

As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual language. The figure is abstract...

"Rose Gold Shimmers" is a contemporary and parametric wall sculpture. Made from oil lacquer paint and acrylic mirror on carved maple, this body of work...

Jacobo and Maria Angeles. Owl #24. Oaxaca, Mexico. Weight: 1.6 lbs., height: 7 in., length:4 in. width: 3 in. Copal Wood

Note: Streamliner I is shown with Streamliner II in some of the photos. Streamliner II is the Darker of the two sculptures and shown on the right (When both are shown in same photo)...

This work from Linda Stein's Displacement From Home series draws from the tradition of wunderkammer/cabinets of curiosities to highlight the globa...

This Series focuses on the combination of wood and sleek modern painted panels. I feel they are retro-futurist. The juxtaposition of the organic and warm wood grain with jutting, sha...

Vestment 628 from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The series references popular and religious icons such ...

Painted wood wall hanging sculpture "Red, White and Blue," (and gold) 2008 Stamped signed with initials, date and edition 2/5 Oded Halahmy, Abstract Modernist artist, was born in Iraq in the old city of Baghdad in 1938, the artist came from a family of Orthodox Jews with deep roots in ancient Babylonian culture. His father, Salech Haskel Chebbazah, was a prosperous goldsmith in Baghdad and a Jewish member of the Communist Party when Jews comprised more than a quarter of the population of Baghdad. He refers to his home as the “land of wheat, barley, grapes, figs, pomegranates, olives and dates.”, Oded moved with his family to Israel in the 1950s, was educated at St. Martin's School of Art in London which was then a leading center for sculpture, led by Anthony Caro and Philip King and having links to Henry Moore. He taught sculpture are in the collection of the Guggenheim Museum, the Hirshhorn Museum, and the Israel Museum in Jerusalem, as well as many other public and private collections worldwide. He currently lives in New York City and Old Jaffa, Israel. Like countless New Yorkers who arrived from distant lands, Oded Halahmy has a rich personal history of exile, migration and travels. Although New York has been his home for over 45 years, memories of Iraq left an indelible imprint on his life and work. Known for his dynamic yet often playful figurative pop art style sculptures in wood and bronze, he fills his work with images — albeit abstracted from reality — that evoke the landscape, architecture and rich colors of the Middle East. Palm trees, doves, pomegranates, temples and age-old symbols abound along with deep reds, amber, sky blue and the familiar greenish-blue hues of aged bronze. SELECTED SOLO EXHIBITIONS Dates-Pomegranates-Olive Oil: Chanukah Lamps, Yeshiva University Museum, New York, NY District of Columbia Jewish Community Center Ann Loeb Bronfman Gallery, Washington, D.C. Homeward: Baghdad - Jerusalem - New York, Sundaram Tagore Gallery, New York, NY Homelands: Baghdad-Jerusalem-New York, A Retrospective, The Ann Loeb Gallery, Washington, Homelands: Baghdad-Jerusalem-New York, A Retrospective, Yeshiva University Museum, NY The Common Ground; The Sculpture Of Oded Halahmy, Sundaram Tagore Gallery, New York, NY Herr-Chambliss Fine Arts, Hot Springs, AR Artists Studio, Old Jaffa, Israel Byer Museum of Art, Evanston, IL The Aldrich Museum of Contemporary Art, Ridgefield, CT Tomasulo Gallery, Union College, Cranford, NJ Martha White Gallery, Louisville, KY Louis K. Meisel Gallery, New York, NY New England Center for Contemporary Art, Brooklyn, CT Hebrew Union College, New York, NY Bicentennial Tribute, United States Federal Plaza, New York, NY Horace Richter Galleries, Jaffa, Israel, 1976 Parsons School of Design, New York, NY America-Israel Culture House, New York, NY Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Louis K. Meisel Gallery, New York, NY Gallery Moos, Toronto, Canada Old Jaffa Gallery, Jaffa, Israel Pollack Gallery, Toronto, Canada SELECTED GROUP EXHIBITIONS 2006 Iraqi Art...

This handcrafted wall sculpture, made from reclaimed cork oak wood, features a radiant smile composed of meticulously arranged clovers and foliage. The interplay of deep greens with ...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

Artwork made by acrylic on solid maple, matte clear coat Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century ...

Sandblasted carved glass, cast glass, bronze and wood. Steve Linn describes himself as a documentary sculptor, conducting meticulous research on each of his selected subjects and choosing which references to interpret for the piece he then creates. "I was born and raised in Chicago," Linn says, "and in 1956 before my 13th birthday, my father took me to Maxwell Street to buy me my first suit. This was a momentous occasion, not because I was getting a suit, but it was my introduction to the blues. Maxwell Street was the center of Jewish pushcart commerce and haberdashery emporiums, it was also where black blues musicians congregated, played, and thrived in harmony with their neighbors. My dad let me stay and listen that day and I became a life-long fan." The merchants provided electrical extension cords from their establishments to power the amplifiers of the musicians, and in return the musicians were an attraction to lure customers into the shops. Many famous blues musicians got their start on Maxwell Street having migrated to the city from the deep south: Muddy Waters, Little Walter, Bo Diddley, and Howlin...

Nicholas Crombach (BFA, 2012) is an artist working in Kingston Ontario. Crombach has been awarded the Elizabeth Greenshields Foundation Award. His solo exhibition, Behind Elegantly Carved Wooden Doors, was presented at Art Mûr...

Antichità Castelbarco SRLS is proud to present: Flemish sculptor of the 17th century Pair of bas-relief panels depicting the Allegory of Spring and the Allegory of Autumn Oak wood ...

“Salon (13)“ is a collection of 13 small-scale works by artist Heather Nicol. The installation of 13 assemblages is variable. The artist will personally consult with the buyer and can be on site for the installation. The 13 mixed media pieces include delicate lighting elements that shift and change via arduino electronic devices, or utilize picture lights throwing a soft roll of light across the artwork. These works are linked through their wiring, which is enveloped in a white umbilical cord-like fabric casing, creating an organic, unifying code of display. Heather Nicol is a multidisciplinary artist whose practice includes immersive sound installation, small-scale discrete object making, and independent curating. Her large site-specific interventions explore the architectural, sonic, historic and operational conditions across a wide range of locations. These include concourse atriums, rail terminus, lobbies, a theatre, a public school building, a theme park...

Oriental sculpture from the mid-20th century. Finely carved and crafted exotic wooden object depicting a fisherman with fish, of good quality. Sculpture made from a single wooden blo...