Wood Sculptures

AVAILABLE TO COMMISSION Betsy Enzensberger sculpts works that create a visceral longing and remembrance of the most nostalgic delights from childhood. The artist uses the familiarit...

"Miro, Miro, On the Wall... Who's the Fairest of Them All?..." is a painted wood birdhouse homage to Miro signed by Kyle Zubatsky. This piece is surroun...

Abstract Hanging Sculpture - Triangle by Mickey "Kano" Kane (American, 1939-2002). This striking piece can be viewed from both sides. It is composed of two separate triangles which ...

Daniel Fiorda takes objects such as old typewriters and 35mm cameras: “Discarded remnants of the industrial world,” transforming these objects into high-e...

This sculpture from the "Aliens" series. In this series I created miniatures from different materials, combining them with fabric. Each sculpture is an association with some real o...

**ATTENTION** This piece can not be shipped. It need to be sold in California where the showroom is located in Los Angeles. California residents will receive free w...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in in...

George Lilanga (1934 Kikwetu - 2005 Dar es Salaam), Sculpture of a red figure, circa 1995. Polychrome wood, 80 cm (height) x 40 cm (width) x 25 cm (depth), signed on the carved base ...

This series of sculptures is called Emotional States. It was created in 2023 in Kyiv (Ukraine). I lived and worked all year in my hometown in the middle of a Big war. I experienced a...

Aflame-Redwood Burl Wall Sculpture 25.0 × 46.0 × 2.0, 20.0 lbs Wood Hand signed by the artist Artist's Commentary: "Carved from gorgeous rare Redwood old growth black burl, this wa...

Organic, clean, minimal and meditative white and golden yellow sculptural wall relief that is ceramic on painted wood panel. 24 x 24 x 2 inches. A beautiful and tactile work of art f...

NOTE: This is a commission piece, made after the original. It can be commissioned in custom sizes. Allow 3-4 weeks plus shipping. Modulus is a striking mid century modern inspired...

"Bourgeois Big Top" is a wood wall sculpture. Made for repurposed oak, mahogany, walnut, leather, suede, dining room table legs and brass tacks, the piece has an overtly architectur...

Evoking both nostalgia and a forward-looking vision, "Firedancer" is a dynamic wood wall sculpture that captures the essence of mid-century modernism. Pigmented lacquer on poplar woo...

NOTE: This is for a commission piece based on the original. Colors and size can be customized. Allow 4-6 weeks. Quiet Riot is a large mixed media wall sculpture. Layers of MDF pa...

"Pagoda" is a modern rustic wall sculpture. It was made in a similar fashion to an abstract expressionist painting, where the process of creating the piece is not predetermined, but ...

In this whimsical wall-mounted mixed media piece, María Magán constructs a surreal domestic scene blending floral textiles, embroidered text, and a dripping pink liquid painted on a ...

Contemporary bust from John Goodman, whose sculptures, drawings and paintings are a dichotomy of understated minimalism conveying a subtle, but evi...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

This wall-mounted conceptual sculpture by María Magán features a border fully covered with hand-shaped chewing gum forms in alternating tones of soft grey, strawberry pink, and dusty...

This white lunar wall relief by Vera Vizzi is a circular mixed media sculpture made with hand-modelled foam clay, acrylic paint and enamel on fir wood. A pale avalanche-like mass flo...

Wooden sculpture realized by Ferdinando Codognotto in 2023. Swiss pine wood. Carved signature. Excellent condition.

The modern Wood Sculpture " Kootook ” is a unique piece made from a burnout mold by David Marshall in 2021, sand cast in aluminium, mounted on raw wood, in our foundry, handcrafted b...

Chaim Gross (American, 1904-1991) Cast bronze sculpture Caring (or Mother and Child) signed Mounted on wooden plinth Featuring a mother raising her child up in superb high relied i...

EMERSON WOELFFER Abstract Form No. 1 1979 Porcelain on wooden plinth 3.5 x 3.5 x 11.5 inches

This sculpture titled "We're All Just Taller Children" is an original artwork by Kelly Kozma made of colored pencil, ink & acrylic on paper, wood, chain and handmade origami wishing ...

"All" Teak Wood Sculpture 20" x 14" inch by Mohamed Hassan Medium: teak wood Mohamed Hassan is a traditional Arabic calligraphist, he obtained his official license to practice this...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...

The freestanding sculptures in this portfolio are made from the “sticks”: a pile of found wood that Sweibel has been pulling from to make new works since about 2002. The pile consisted of more than a dozen four- to seven-foot lengths of hardwood, each an uneven inch in depth and width. The sticks were warped, with worn yellow paint on one side and raw wood on the other three. Over the years she has painted the raw sides of the sticks, cut the wood into shorter lengths, and sliced paint off – and kept the residue from these actions. Sweibel has also made sculptures ranging from full-length sticks to tiny stick splinters. She built these sculptures using sliced-off paint. Timeworn materials and objects have an intelligence that the artist looks for and listens to. Shaping and reshaping material to find new form and elicit new insights in the material itself is the territory she is mining. The limitations of the process are its strengths. Her work is concerned with fragility, precariousness, adaptability, and strength. It is a visual response to powerful yet unseen forces - like wind and thoughts - that threaten, propel, ruin, and protect. Liz Sweibel is a multidisciplinary artist working in drawing, sculpture, installation, and digital photography and video. Her spare, personal language of abstraction transforms ordinary materials into statements about connectedness and responsibility: every action has an impact, the effects persist in space and over time, and we are accountable. By drawing attention to simple, ordinary “stuff of life” and referencing both shared and personal history, Sweibel’s work explores and reflects back fundamental experiences in response to our world and relationships. Her intention is to reinvigorate viewers’ awareness of the everyday – in its raw beauty and precariousness – in hopes that they might bring heightened senses of sight and care to their daily lives. Sweibel has participated in solo, two-person, and group exhibits in New York, Massachusetts, Maine, Connecticut, Michigan, and Tennessee since 1998. In 2016, Sweibel’s work was in the group shows Lightly Structured at Sculpture Space NYC, Precarious Constructs at the Venus Knitting Art...

CARLO RAMPAZZI (b. 1949) Chair (Collection Etruska) Wood, fur 110 x 50 x 50 cm 43.31 x 19.69 x 19.69 inches

Origin: Chinese Artist: Unknown Title: Dragon Medium: Hand-Carved and Painted Wood Sculpture Size: 11.5 in. x 13 in. x 6 in. (29.21 cm x 33.02 c...

Medium: Sapele Wood Jim Perry’s sculpture has been included in the Whitney Biennial as well as solo exhibitions at Calloway Fine Art & Consulting, Washington, DC (2018); The Cen...

This white winter wall relief by Vera Vizzi is a mixed media sculpture made with hand-modelled foam clay, acrylic paint and enamel on fir wood. Layered bands form a tactile landscape...

TAKI-KASURI FOLDS from Chloe Hedden’s Fold Series explores the tension between softness and structure through the poetic manipulation of handmade Japanese fabric on linen. In this sc...

Superbly handcrafted pair of Mid-Century-Modern wooden wall art sculpture panels. The artworks feature dimensional female and male faces or mask wood relief with stylized shapes and ...

Manganese, Prussian Blue, and Vermillion Excess Trio Combo by Chloe Hedden presents a high-impact chromatic narrative that oscillates between intensity, depth, and heat. Together, th...

Architectural ceramic sculpture combining a human head with inhabited wooden architecture, exploring the body as a place of dwelling, memory and identity. Fogar I belongs to José Per...

Sydney Kumalo. Features a bronze stylized female figural form sculpture fixed to a marble plinth and wood base. Bears signature on base. Measures 9 1/2" x 4 1/4". There is no edition number on the piece. Sydney Kumalo (1935 - 1988) was born in Sophiatown, Johannesburg, on 13 April 1935. His was one of the families who had to move out of the "white" city to the South Western Townships, or Soweto. Raised in Diepkloof and educated at Madibane High School, he took with him from old Sophiatown the curious and diverse heritage of its heyday. Art classes in the Catholic school, "Sof' town" blues and jazz, the vibrant street culture and growing defiance of its population of various races who were gradually forced out into separate race-group areas. So it was that these various aspects of his early life created for Kumalo a cultural mix of a Zulu family related to the traditional royal house; city schooling, nascent township music and lingo; growing urbanised political defiance and the deep-rooted Zulu pride and respect for the legends and ancient stories of a tribal people. This mix of old and new cultures was reinforced when he began his studies at the Polly Street Art Centre in 1953 where he became a member of Cecil Skotnes group of serious artists who were encouraged to acquire professional skills. Skotnes introduced a basic training programme with modelling as a component, which marked the introduction of sculpting (in brick-clay) at Polly Street. Kumalo was Skotnes’ assistant at Polly Street from 1957 to 1964, and having recognised his great talent as a sculptor, Skotnes encouraged him to become a professional artist. After Kumalo’s very successful assistance with a commission to decorate the St Peter Claver church at Seeisoville near Kroonstad, with painting designs, sculpture and relief panels in 1957, Skotnes arranged for Kumalo to continue his art training by working in Edoardo Villa ’s studio from 1958 to 1960. Working with Villa, he received professional guidance and began to familiarize himself with the technical aspects of sculpting and bronze casting. In 1960 he became an instructor at the Polly Street Art Centre. Kumalo started exhibiting his work with some of the leading commercial Johannesburg galleries in 1958, and had his first solo exhibition with the Egon Guenther Gallery in 1962. He was a leader of the generation who managed to leave behind the forms of African curios, reject the European-held paternalism which encouraged notions of "naive" and "tribal" African art, and yet still hold fast to the core of the old legends and spiritual values of his people. He introduced these subjects into his bronze sculptures and pastel drawings, evolving his own expressive, contemporary African "style". Together with Skotnes, Villa, Cecily Sash and Giuseppe Cattaneo, Kumalo became part of the Amadlozi group in 1963. This was a group of artists promoted by the African art collector and gallery director Egon Guenther, and characterised by their exploration of an African idiom in their art. Elza Miles writes that Cecil Skotnes’ friendship with Egon Guenther had a seminal influence on the aspirant artists of Polly Street: “Guenther broadened their experience by introducing them to German Expressionism as well as the sculptural traditions of West and Central Africa. He familiarised them with the work of Ernst Barlach, Käthe Kollwitz, Gustav Seitz, Willi Baumeister and Rudolf Sharf.” It is therefore not surprising that some of Kumalo’s sculptures show an affinity with Barlach’s powerful expressionist works. Guenther organised for the Amadlozi group to hold exhibitions around Italy, in Rome, Venice, Milan and Florence, in both 1963 and 1964. Kumalo’s career took off in the mid 1960s, with his regular participation in exhibitions in Johannesburg, London, New York and Europe. He also represented South Africa at the Venice Biennale in 1966, and in 1967 participated in the São Paulo Biennale. EJ De Jager (1992) describes Kumalo’s sculpture as retaining much of the “canon and formal aesthetic qualities of classical African sculpture. His work contains the same monumentality and simplicity of form.” His main medium for modelling was terra cotta, which was then cast in bronze, always paying careful attention to the finish of both the model as well as the final cast. He began casting the pieces he modelled in clay or plaster into bronze at the Renzo Vignali Artistic Foundry in Pretoria North. He worked throughout his life with its owners, the Gamberini family, and enjoyed learning the technical aspects of the casting process, refining his surfaces according to what he learned would produce the best results in metal. De Jager further writes that Kumalo’s distinctive texturing of the bronze or terra cotta is reminiscent of traditional carving techniques of various African cultures. “In many respects Kumalo thus innovated a genuine contemporary or modern indigenous South African sculpture”. Kumalo came to admire the works of the Cubists, and of British sculptors Henry Moore and Lynn Chadwick. He became noted for adapting shapes from them into his own figures. The success of his use of the then current monumental simplicity and purely aesthetic abstractions of natural forms has been emulated by many South African sculptors since the 1970s. He was in many ways the doyen of South African Black art. As such he was an important influence especially on younger African sculptors, by whom he is greatly revered. Through his teaching at Polly Street and at the Jubilee Centre, as well as through his personal example of integrity, dedication and ability, he inspired and guided students who in their own right became outstanding artists, for example, Ezrom Legae, Leonard Matsoso and Louis Maqhubela From 1969 onward, he allied himself with Linda Givon, founder of The Goodman Gallery in Johannesburg, where he exhibited regularly until his death in December 1988. Working with Givon also perpetuated his associations with his many friends of strong principles. Skotnes, Villa, Legae and later such peers from the Polly Street era as Leonard Matsoso, Durant Sihlali and David Koloane have all exhibited at The Goodman Gallery. Kumalo, Legae, and later Fikile (Magadlela) and Dumile (Feni) were among the leading exponents of a new Afrocentric art...

Abstract Asymmetric Totem New Age Surreal Sculpture by Mickey Kane Biomorphic construction by Mickey "Kano" Kane (American, 1939-2002). This piece has a carved and painted surface t...

The Key is a wooden scultpturerealized  Ferdinando Codognotto in 2023. Original wood sculpture realized in swiss pine expertly carved in the shape of a key. 10x28 cm.  Carved sign...

turned wood, wooden vessel, oak Anthony Bryant began woodturning in 1973 after discovering an old 19th Century treadle lathe in his father's workshop. He was immediately fascinated...

Medium: Sapele Wood Jim Perry’s sculpture has been included in the Whitney Biennial as well as solo exhibitions at Calloway Fine Art & Consulting, Washington, DC (2018); The Cen...

In the body of work for “Child’s Play” Roleke has created diminutive worlds in which toys tell the story of consumption, consumerism, war, and the misuse of power and religion. The m...

Wim Van Borm (Belgian, born 1972) "Between Strokes" 2025 Mixed media, epoxy resin, and polyurethane on a wood base The artist signed the back of the artwork. "Between Strokes" is a ...

Dark Plum, Persian Rose, and Prussian Blue Trio Combo by Chloe Hedden presents a rich chromatic dialogue through sculptural abstraction. United by format but distinct in emotional to...

"But I Loved Only You" Cherry Wood Sculpture 14" x 25" inch by Mohamed Hassan Medium: cherry wood Mohamed Hassan is a traditional Arabic calligraphist, he obtained his official lic...

3-D sculpted multiple (to be hung on the wall) by British Pop Art pioneer Richard Smith: Richard Smith D from Logo Suite (Magenta), 1971 Silkscreen on 3-D Molded Plastic Over Wood P...

To get a complete description of this work, we will mail it to you. Ray Johnson, 1960/1963. Mail art assemblage titled "Grey Envelope With Hinge," consisting of an envelope mailed ...

This extraordinary garden torch "Flame" on oxidised oak pedestal is a real eye-catcher for your house or garden. The included burner already contains individual lava stones, so this...

stitched tree bark

FOCUS is a public art sculpture about the viewer’s growing visual perception and bodily experience. It consists of two large rectangular-shaped pieces, one placed in a vertical posit...

"You Have the Right to Remain Silent" Wood Panel Original Painting and Carving Elaborate collage, painting and carved sculpture by Mickey "Kano" Kane (American, 20th century). In Yo...

THE SAME is a mixed media wall sculpture by Vera Vizzi that renders the lunar surface as both stage and symbol. Modeled in clay and acrylic on a 30 cm Ø fir wood disc, the piece pres...

Unique piece Created in 2015 49 x 28 x 29 cm " My work investigates the slippery intersection between the digital world and reality. Specifically, I am interested in how we experien...

"Blue Morpho" is a contemporary and parametric wall sculpture with gorgeous blue tones. Made from oil lacquer paint and carved Baltic birch wood, this ...

"Kota Reliquary Figure Nigeria" is a wood and copper sculpture created in Nigeria circa 1970. A head is made with wide red eyes. Their hair is in...

This is a hand made piece - No Props.. (it hangs on the wall Ryan Thomas Monahan hails from Yorkville, Illinois. Utilizing a combination of physical and imaginative exploration R...

Lonnie Holley Untitled - Face , circa 1989 Mixed media sculpture, found and assembled objects 25 x 16 1/2 x 4 1/2 inches Since 1979, Holley has dedicated his life to the realm of improvisational creativity. His artistic expressions and musical works, emerging from adversity and challenges, but even more so from a relentless curiosity and innate need, have taken form in various mediums such as drawing, painting, sculpture, photography, performance, music, and filmmaking. Holley’s sculptures are crafted from found objects, reflecting the ancient traditions of African American sculpture...

Duane Paul's work can best be characterized as innovative, dynamic and intimate. His sculptures each employ colorful organic shapes, which act as a personal language. The playful and...