Wood Sculptures

acrylic on plywood With the series titled We Share the Same Sky and New Objects Same Sky, my choice of natural wood as a material is influenced by the rich heritage of my father and...

"Pair III" is a bronze sculpture of a couple sitting on a wooden block. Edition 18, signed, numbered and dated on the bottom. The wooden block has a concrete aesthetic. Comes with t...

SSB1 (Shou Sugi Ban) is a modern mixed media wall sculpture made from MDF, enamel, lacquer and stained shou Sugi ban pine wood. The pine was charred and then brushed back to create a...

I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...

SSB6 (Shou Sugi Ban) is a modern mixed media wall sculpture made from MDF, enamel, lacquer and stained shou Sugi ban pine wood. The pine was charred and then brushed back to create ...

This Zen like sculpture is formed from Linden wood also known as basswood, which was considered sacred in Slavic mythology. This minimalist sculptu...

Indian Rosewood with hand tint by Tennessee sculptor Brad Sells. Sells explores the relationship between man and tree in his sculptural woodwork. He approaches each piece with a stro...

Solid and veneered walnut, brass. Asher Israelow was born in New York City and graduated from the Rhode Island School of Design with degrees in fine arts and architecture. Back in New York, he currently works at the Brooklyn Navy Yard, designing buildings and building furniture. Drawing on his training as an architect and a love of lore, Asher designs work for the modern explorer. All the materials are ethically and locally sourced, building upon the importance of origins. Each piece narrates the story of its materials, with an honest approach to joinery and a touch of conceit. The studio produces all original and small batch pieces designed to last for generations. The work emphasizes a handcrafted and emergent vision of contemporary culture. This piece exemplifies the new age of brown furniture.

The modern Sculpture " Helping Hand ” is a unique piece made from a burnout mold by David Marshall in 2015, sand cast in aluminium and brass in our foundry, handcrafted by the Arti...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 23" tall. Traditional Wayang Golek plays can be comp...

Unique elephant silhouette made with 22,540 black pins. One by one, the pins were carefully placed and were recycled from an antique textile factory. This circular frame was handmad...

A large late 20th Century sculpture of a jumping swordfish. Made of Ironwood, the sculpture shows fine details. An elegant coastal decor to elevate the style of any room or interior....

Textured contemporary orange and green wall sculpture. The work is textured using masonite and sawdust. The work is titled, dated and signed by the artist on the back of the work. Michael Richardson...

The Gem Tree, Original Contemporary Mixed Media Sculpture 26" x 31" x 19" (HxWxD) Wood, Wire, Crystal Beads Artist Todd McCollister has created a 3D surreali...

This Sculpture is made by Jos de Wit. It is made of mahogany wood. The pedestal is made of mahogany and maple wood. In the not of the fish there is a piece ...

Artist: Pieter Wiegersma Title: Orange Square Year: 1992-94 Medium: Unique 3-D Acrylic on Wood Construction, signed verso Size: 14 x 13 x 3 inches

Churros Basswood 21" High X 9 Wide Wood, oil, steel Lautz's Zen like sculpture is formed from Linden wood also known as basswood, which was conside...

Size includes wood mounting. George Aarons (born Gregory Podubisky, in St. Petersburg, Russia, 1896 - died in Gloucester, Massachusetts 1980) was a distinguished sculptor who lived and taught in Gloucester, Massachusetts, for many years until his death in 1980. He had, many students in the area and he designed Gloucester's 350th Anniversary Commemorative Medal. Aarons moved from Russia to the United States when he was ten. His father was a merchant. He began taking drawing classes during evenings at Dearborn Public School in Boston as a teenager and went on to study at the Boston Museum of Fine Arts in 1916. Aarons later moved to New York City to study with Jo Davidson, and other Paris-trained masters at the Beaux-Arts Institute. He eventually returned to the Boston area and established studios in Brookline and Gloucester, Massachusetts. During his lifetime, he was recognized internationally and won several prestigious awards. Aarons had studios in Brookline, Massachusetts and Gloucester, Massachusetts where he produced large bronze and marble figures and wood carvings. He produced several projects for the Works Progress Administration including a group of three figures for the Public Garden (Boston), a longshoreman, fisherman and foundry worker, as well as a large relief (1938) for the South Boston Housing Project and façade of the Baltimore Hebrew Congregational Building (1956). His works are at the Museum of Art in Ein Harod, Israel; Fitchburg Art Museum in Massachusetts, Musée de St. Denis in France; Hilles Library at Radcliffe College in Cambridge, Massachusetts; and Hillel House at Boston University in Massachusetts. He did reliefs for Siefer Hall at Brandeis University in Waltham, Massachusetts (1950); Edward Filene (the founder of Filene's Department Store and a philanthropist) on the Boston Common; Fireman's Memorial in Beverly, Massachusetts; a memorial to Mitchell Frieman in Boston; the U.S. Post Office in Ripley, Mississippi; and at the Cincinnati Telephone Building; the Combined Jewish Philanthropies building in Boston (1965); and a commemorative medal for the 350th Anniversary of the City of Gloucester, Massachusetts (1972). Characteristic of his era, George Aarons was among the foreign-born American sculptors of the early 20th century who started their careers as academicians and evolved into modernists and increasingly abstract artists. Over thirty pieces spanning the length of this sculptor's career were featured in this exhibition, including work in various medium bronze, wood and original plasters. Like his contemporaries, Aarons experimented with direct carving in wood, and he was one of the few academically trained sculptors who consistently cut his own works in marble. His early work was classically inspired figurative work, along with sensitive portraits. Some of his most powerful sculpture comes from his middle period, when he worked through his emotional pain following the global realization of the Jewish Holocaust. He depicted humanity deep anxiety over this tragedy with figures that are at once symbolically charged and movingly beautiful. Aarons late work consists of radically simplified forms that continue to reference the human form and often are carved directly in wood and stone. Aarons summered and taught classes on Cape Ann for many years before moving to Gloucester full-time with his wife about 1950. While Aarons is best known locally for his domestic-scale works, he also executed numerous monumental, public commissions that can be found throughout the United States in cities such as Washington, D.C.; Baltimore, Maryland; and Cincinnati, Ohio; as well as in France and Israel. As noted in a Gloucester Daily Times Article, Aarons wanted his sculptures to honor the struggles and nobility of people and rail against the evil done against them. And that was why, even as his work grew more and more abstract, stylized and simplified, he never left behind the form of the human figure that had been his focus from his earliest works. Aarons told the Gloucester Daily Times in September 1954 that he found it hard to remember at just what age he started studying art, but he recalled that the nude model had to partially dress when he was in class because he was so young. He initially studied painting and drawing at the museum school, but he once said he became fascinated by sculpture when he met an established sculptor at the Copley Society in Boston who invited Aarons to his studio and offered him some clay to "play around" with. After he graduated, he apprenticed under sculptors Richard Brooks, Robert Baker and Solon Borglum. He worked as a carpenter, shipbuilder, dishwasher and chimney sweep. He fashioned architectural decorations, including figures for fountains and now and then a few commissioned portraits. He returned to Boston by the early 1920s and began to exhibit his own works and get commissions for portraits, fountains and reliefs. His sculptures from this time are dreamy and romantic in the realistic, academic style of the time. A painted portrait of the young Aarons that is included in the North Shore Arts Association exhibit shows a determined fellow with dark brown hair, a suit and bow tie. However, in 1922, this determined young artist was living with his parents on Calder Street in Dorchester. In the 1930s, Aarons adopted the streamlined, monumental style of the socialist works of the time. Aarons made money, as he would all his life, from commissions, selling his personal work and teaching sculpture, but the Depression of the 1930s was tough for everyone. So Aarons found work though the federal Works Progress Administration, one of Franklin Roosevelt's New Deal programs. He received his first major commission when he was asked to create a public sculpture for the South Boston Harbor Village public housing project around 1937. He was elevated to the position of supervisor for the project and received a corresponding $5 pay increase to make his weekly salary $32. The raise convinced him he was fit to marry and he proposed to Gertrude Band, an attractive brunette dancer whom he had been dating for more than a year. They were married before the Harbor Village project was dedicated on Labor Day 1938. Aarons' design featured a brawny, larger-than-lifesize fisherman, longshoreman and a laborer flanked by a boy and girl at either end to portray the children who would live in the apartments. Aarons elected to do the piece in cast stone to employ carpenters and laborers as well as craftsman for a total of 10 men. In his sculpture, Aarons focused more and more on the theme of oppressed people as he worried about the spread of fascism and Nazism during the 1930s, World War II and after. He had done pieces during the mid-1930s about the oppression of African-Americans, including "Negro Head," which is in the North Shore Art Association retrospective. After the war, he also delved into Jewish themes and became increasingly known as an important Jewish artist, leading to commissions from Jewish organizations across the country and abroad. "He gets into raw emotion. Some people describe him as an expressionist because of the emotion (in his work)," Reynolds says. But Aarons, also sculpted sensual sexual nudes...

The Abstract Fish Sculpture " Grayling ” is a unique Sculpture made from a burnout mold by David Marshall in 2013, created through the sand cast process,( where molten aluminium is p...

One of a kind handcrafted surrealist sculpture made by local San Diego artist, Richard Becker. This is made from plastic, stainless steel and wood. The artist has depicted a bulldog ...

The modern Totem Sculpture " Siku ” is a unique Sculpture made from a burnout mold and recycled wood by David Marshall in 2015, sand cast in alu...

This painted wood chair by Paul von Ringelheim is a playful synthesis of form and content. The chair, an everyday item, has been transformed by von Ringelheim's imagination.

Linda Stein, When Passions and Pastimes were Possible 1274 - Contemporary Art Mixed Media Wunderkammer Cabinet Sculpture This work from Linda Stein's Displacement From Home series d...

This piece is unsigned. Irving Lehman (1900-1983) was an American Jewish painter, sculptor, engraver, and designer. Born in Kiev in then Russia, Lehman studied at the Art Students League, Cooper Union and the National Academy of Art and spent much of his working life in New York City. Part of the Abstract Expressionist school, he worked in oil and watercolor as a painter and in metal and steel as a sculptor; his works have been shown in galleries in England, France, Italy, Israel and Japan, and were included in an international traveling exhibition in Europe in 1951. Like many other artists of his generation, he painted for the WPA and then adopted a more abstract style after WWII. Lehman spent much of his career in NYC. He had his first exhibition at ACA Gallery in 1934. He also exhibited at the Whitney, National Academy, PAFA, Brooklyn Museum, Chicago Art Institute, and others. This work contains Constructivist elements anticipating the more gestural abstraction of the post-WWII New York Abstract Expressionist School. Member of American Art Congress, worked near Woodstock and in Columbia County...

Linda Stein, Hop and Skip 355 - Mixed Media Metal Wood Stone Contemporary Art Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural works that ...

Diane Baker is a mixed media and fiber-related sculptor working out of Buffalo, NY. She has exhibited throughout the United States and in Canada and is included in several public and...

Artist: Unknown Medium: Hand-Hammered and Welded Copper and Wood Construction Size: 89 in. x 19 in. x 2 in. (226.06 cm x 48.26 cm x 5.08 cm)

Rare Guardian Dog Figure, Kalimantan Island 19th Century, this figure was carved from one piece of very strong and hard Ironwood. The statue of a dog was to protect the house agains...

beta fish synchronized 3.5 x 4.5 x 10.0, 1.0 lbs Wood Hand signed by artist Artist's Commentary: "The fierce, but elegant betas, have an unmatched beauty. This piece is made fro...

"Mask, Baga Guinea" is a carved wooden mask created c. 1920. Where a face would go in the mask is actually the body of a woman figure. There are two breasts above a hole for the mask wearer...

African. Baule Colonial Figure Ivory Coast, c. 1910 Wood, 24 1/2" x 5 1/2 inches.

Original Wooden Sculpture Approximately 20.5 × 6 × 5.5 inches Signed by Artist-signature carved into side of sculpture Good/Fair Condition-signs of wear consistent with age and ha...

Emma Bell 73cmx73cmx 7cm Three clays XIII Emma Bell’s ceramic and porcelain Pot Frame – Installation Piece. Emma Bell says: “This piece is inspired by my glaze test vessels. As a pot...

A conceptual four part wall sculpture by American female artist Dianne Baker. I 8"x8"x 1" wood, metal, canvass II 8" x 10"x 1" wood, metal III 15" x 8" x 2" wood...

Andy Harding is a sculptor living and working in Nashville, TN. A range of interests from Eastern philosophy to contemporary science inspire and influence his work, but the practical...

Train Engine Folk Outsider Art Deco Assemblage Found Objects Contemporary Statue Actual Dimensions: 8.75 X 19.75 X 5.75 inches Michael Riley (Mike Riley) (American, born 1957). A model train engine statue in mixed media. Metal, wood, and other elements. An Art Deco Moderne style design produced from found objects, including garden hose fitting, sliding door track, trombone instrument counter weights, flute instrument...

Artist: Eliot Greenwald Title: Instrument Size: 18 1/2 × 18 1/10 × 6 3/10 in (47 × 46 × 16 cm) Medium: Wood and Metal Edition: of 40 Year: 2022 Notes: Instrument is a hand-wou...

This Golek puppet was made by an unknown Indonesian artist using wood and cloth. It is approximately 24" tall. Traditional Wayang Golek plays can be comp...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...

With the exception of the dark metallic one they are transparent and opaque glass. I have shot the photos on a dark background so you can better see the images. they are signed in ink, dated and numbered from the edition of 25. I am selling them individually. the box from Vincent Fremont Multiples is not included. Suzan Etkin's passionate involvement with glass began in 1993, when she was invited to design sculptural chandeliers for gallery exhibitions with Giorgio Giuman and master glass blowers in Murano, Italy. Prior to working with glass as a medium she was the production manager for Andy Warhol Factory (Production Manager, Film & Video), and quickly emerged as a conceptual artist of global recognition. Her work has been shown in the Museum of Modern Art in New York, Paul Kasmin Gallery, Holly Solomon Gallery, and other museums and galleries around the world. In 2001, Suzan founded sei studio in SoHo with her husband, Brenden FitzGerald. They have collaborated with some of the industry’s most innovative architects and interior designers to produce custom chandeliers and art features for hundreds of landmark spaces, including the W Hotel Seoul, Mandarin Oriental New York, and Intercontinental Hong Kong. School of Visual Art: Instructor Drawing, Sculpture and Interrelating the Arts RESIDENCIES AND GRANTS: Pollack-Krasner Foundation Grant Artist in Residence – Foundation Cartier pour L Art Contemporanian, Jouy-en-Josas, France SELECT EXHIBITIONS Holly Solomon Gallery, New York City Cleveland Center for Contemporary Art, Cleveland Phillipe Rizzo Gallery, Paris The Greenberg Gallery, St. Louis Anders Tornberg Gallery, Lund, Sweden Earl...

This is called “Intimacy Version #2" because I’m still learning about relationships and, with this sculpture I’ve learned that revealing our vulnerabilities brings us true intimacy. ...

"Hot Mess" is a minimalist and modernist wood wall sculpture reminiscent of both mid century modern forms and bold graphic design. It is part of my "Small Pop...

In ADORNED OBSOLESCENCE 03, Liz Miller creates a sculptural wall hanging piece out of a found headboard piece that she has painted and utilized as the found...

Tertiary Stack is composed of kiln fired stacked glass and sand casted aluminum. This piece is mounted atop a painted, black wood base. Meant to be placed indoors. This piece is c...

This Nepalese Teral blessing post was carved from wood. It was created in the 19th Century and features abstract patterns. It is 27" high, 8" wide, and 2" deep.

A functional sculpture (Bench and Planter) created with black walnut, bent italian maple and black walnut veneer. This work was part of a recent pop up exhibition The Dreamer Who Dr...

"Sunday" is a minimalist and modernist solid wood wall sculpture that brings bold statement to wherever it is placed. The piece is part of my popular "Small Pops" Series which are in...

David E. Peterson is a Painter, Sculptor, and Deconstructive Designer. His "Leaners" are stunning and will add a contemporary feel to any space. Peterson sources each exotic wood pie...

An original conceptual wall sculpture by contemporary Canadian female artist Lyn Carter. Lyn Carter works primarily in sculpture as well as drawing and has exhibited across Canada...

Linda Stein, Warrior Waging Peace: Addressing Protection 1282 - Feminist Figurative Mixed Media Black and Colorful Contemporary Sculpture Free-standing contemporary sculpture with...

Contemporary minimalist lead on wood wall sculpture by Steve Murphy (Stephen Murphy). Signed by the artist at the back (long edge). Artist Statement: I am dealing with the classic e...

“Iris Crystals” is a rich blue colored wall sculpture made out of solid koa wood and then painted and sealed with a UV matte sealer. The geometric facets are hand carved and add intr...

Lego, discarded wood, gilder’s bole This work was created for an exhibit as part of the artistic unit SHIKŌ, a collaborative effort between sculptors Kanji Hasegawa, Isaji Yugo, and...

Medium: Wood, cutouts from books TONY DAGRADI is an internationally recognized jazz performer, artist, composer, author, and educator. For over three decades he has made his home in...

Chicago-based artist Patrick Fitzgerald uses his works as a means of resurrecting the idyllic worlds he once found in the industrial surroundings of his youth. Raised in Grand Rapids...

An original conceptual sculpture by contemporary artist Dianne Baker, created in 2015 using wood, paint, metal, rubber and plexi.

Artist: Lucio del Pezzo, Italian (1933 - ) Title: Chair Year: circa 1970 Medium: Sculpture Assemblage with wood, upholstery and paint, signed and numbered in ink Edition: 26/70 ...

Mixed media: linen canvas, acrylic paint, wood, mirrored acrylic glass, polished stainless steel Eric Beauplace is a French contemporary plastic artist born in 1962 who lives & work...