Abstract Sculptures

Neo-Dada Abstract Sculpture: Assemblages In contrast, abstract sculpture followed a slightly different course. Rather than focusing on non-figurative subject matter, it concentrated...

Matt Devine 1763 Study #1 Steel w/ Powdercoat on Marble Base (Indoors Only) 24" x 10" x 8" Matt Devine is a self-taught sculptor working with steel, aluminum and bronze. Born and r...

No.090924 is an abstract sculpture in wood by French sculptor Thierry Martenon. This large, oval-shaped sculpture subtly intertwines wooden geometric forms, evoking a sense of moveme...

"Off Set" by Richard Heinrich Abstract, Large-Scale Outdoor Metal Sculpture in steel Pictured with "Flying Home" at Uncommon Ground IV, Bridge Gardens, Brid...

This beautiful Laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut aluminium covered with automotive paint. As all of Ilanit`s works, this work is ba...

Gary Kahle (American, 1942- ) Metal abstract sculpture on black base, Hand signed and dated 1984 25 1/2" H x approximately 18" W x and 12 1/2" D. Proven...

Artwork made with birch, acrylic, satin lacquer & metallic gold venetian plaster UltraMarine is a mixed media wall sculpture. Made from acrylic washes on birch, MDF and gold metallic Venetian plaster paint. Finished with an elegant satin clear lacquer to enhance the wood grain. The multiple opacities of navy and indigo are almost denim-like in color and allow the brown wood grain to add texture and interest to the piece. Ultramarine takes on the abstract form of a soaring building or perhaps a church spire or other tall building in form. Ultramarine is a monochromatic piece which is minimalistic in nature, so the form, composition and the balance of the piece trump a definitive subject matter. However, the shape is reminesent of mid-century modernism, the sputnik design movement and futurism. The result is an elegant wall sculpture...

The Landscapes of Thought project is inspired by the impermanent nature of all things. Observing the continuous transformation of the environment, of time, of thought, is one of the ...

"Structure Relief 254" is an abstract structural relief painted in earth tones. Throughout his life Barr was interested in engineering, structure, mathematics and nature. Although i...

Acrylic on ceramic vase Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in International Fashion Marketin...

Astian Rey "TRANSFORMATION OF THE UNIVERSE"

"Hamilton Co. Rockslide" by John Van Alstine Green granite, pigmented and sealed steel The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and...

Artist Commentary: The piece was originally commissioned by a son for his mother. Her property in Mont Tremlant, Canada was an ideal setting for this piece. Truly a piece of sculpt...

Untitled, 1975 Bronze ED. 1 of 6 20 x 6 x 4 in Literature: Le Minotaure. Cardenas 1925-2001. May 15 - June 15, 2003. Illustrated on page 9 of the catalog.

Beautiful table top sculpture by renowned Israeli sculptor Menashe Kadishman. Super quality, and visually stunning. There is a large sculpture of his in Rabin Square in the heart of ...

Kristina Fjellman, a Minnesota-based visual artist and performer, seamlessly blends sculpture and performance art in her captivating work. She has garnered recognition with exhibitio...

For Norris, making vases is a process of remembrance, of summoning, visualising and solidifying memory. Optimism and discipline are foundational aspects of his work. So too are playf...

George Nama Genre: Avant-Garde Subject: Abstract Medium: Solid Metal Painted White and Black This is very heavy and solid. I don't think it is bronze. it might be aluminum or steel. ...

This beautiful Laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut aluminium covered with automotive paint. As all of Ilanit`s works, this work is ba...

Eva Ennist, a mixed media and fiber artist, travels extensively through the Far East, gathering materials and techniques for her practice. The sculpture "NE...

"Celebration de Cinquante" is a wall sculpture made of fold formed, forged and fabricated bronze and patina. Approximately 45 by 210 by 4.5 inches. The shape and size of the install...

"Resistance pt.2" Abstract Sculpture 49 x 11 x 11 in Ed. 1/1 by ILLYA TIGOIS Unique sculpture Medium: steel & acrylic paint (varnish) ABOUT THE ARTIST Illya Trofymchuk is a Ukrai...

Ferran Soriano - Sculptor (Barcelona, 1944) Ferran Soriano has been exhibiting his works of art since 1970 around the world (in Spain, Europe and the USA). He has got works of art in...

Abstracted, Judaica Maple Sculpture based upon Jewish Star Eric Pesso is recognized for his mind-bending carved creations, created from single trunks of neighborhood trees. In 2012...

This beautiful Laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut metal covered with automotive paint and comes re...

This engaging artwork was hand made in ceramic and then finished with lacquer in red and purple color. This piece is a part of the DNA collection, that represents the research of the artist into the micro human world. This artwork is a one of a kind piece. Silvia Zotta...

This beautiful Laser cut sculpture is part of Ilanit`s Calligraphy series. It is made of laser cut aluminium covered with automotive paint. As all of Ilanit`s works, this work is ba...

Infinity loops Stone mass h 21 cm; w 11 cm; d 11 cm Small gray color abstract sculpture "Infinity loops" from stone mass

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies, attraction and rejection. We see rocks, bones, structures, flexibility, spaces, movement, st...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies, attraction and rejection. We see rocks, bones, structures, flexibility, spaces, movement, st...

Born Monterrey, Mexico 1991. Graduated from the Bachelor of Arts at the University of Monterrey. (2014) Andrés uses ceramics as a medium to create amorphous beings that seem to belo...

Adela Akers (b. 1933, Santiago de Compostela, Spain) is a Spanish-born textile and fiber artist. She is Professor Emeritus (1972 to 1995) at the Tyler Scho...

"Flare" by Kevin Barrett Unique bronze, abstract tabletop sculpture Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Bronze M...

"Synopsis" by Elsbeth Halvorsen Vever (American, b. 1929). Box sculpture combines aluminum, sand, bone, glass and a magnifier. Signed "Elsbeth Vever 1982" on verso. Image, 24.50"L x 13.75"H x 4"W. Using bone as the central image Elsbeth has assembled an optical and visual experience. One view is the magnification and juxtaposition of the floating effect of the curvature in the stainless steel background; stand back and it's a hologram effect. The first image shows clearly the hologram effect available to the eye of the viewer. From a review of her show of box constructions in Providence, Rhode Island: "Viewing her box constructions is a lot like a walk in the moonlight. What we know, or think, to be true in the hard brightness of daytime reality dissolves into an amorphous space of multiple possibilities and perspectives." Born in Purdys, New York, Elspeth Halvorsen is the daughter, granddaughter, and mother of professional artists. She has studied at prestigious academic and artistic institutions includingthe New School for Social Research, the Art Students League, and the Académie de la Grande Chaumière. In 1955, she moved to Provincetown, Massachusetts, establishing her home and studio in the former residence of Mark Rothko. Provincetown not only remains her home but also acts as a personal, social, and artistic source of inspiration for her work. Shortly after arriving in Provincetown, Halvorsen and her husband, the late Tony Vevers...

Mary Schiliro’s work with acrylic paint on Mylar is process based, and expands the boundaries of painting by exploring alternative presentation methods. Using a dipping process wher...

Hitromemut (Uprise) Beautiful large sculpture by renowned Israeli sculptor Menashe Kadishman. Super quality, and visually stunning. There is a large monumental version of this in fro...

Title: Lantern Column I Year: 1998 - 2014 Medium: Mold blown glass, cast polymer, steel, cast iron Size: 41 3/4" inches Niho Kozuru (髙鶴丹穂) is a Japanese-born mixed media artist based in Boston, MA. Kozuru casts and reconfigures molds of her own designs, classical and industrial turned architectural forms in unexpected materials. Using rubber, glass and clay she creates columns with undulating silhouettes. The “Lantern Columns” are a group of 7 towers, ranging from 4 feet to 7 feet tall. They have been shown in various configurations in multiple US States as well as the Fukuoka City Museum in Kyushu, Japan. Kozuru made 60 components by blowing glass into molds of her own designs while at Artists in Residency at Penland School of Crafts in North Carolina. After traveling the world, the Lantern Columns have been arranged into their final configuration, with a steel armature within and each topped with a vivid cast iron final...

Gold From the series, Elements, this sculpture references the proliferation of gold mines in third world countries. ARTIST'S STATEMENT Michael Davis My sculptures and installations...

"Maybe" is an abstract artwork by Stan Olthuis composed of acrylic paint on polystyrene mounted in a painted wood frame. Maybe measures 26" high by 30" wide by 2.5" deep. Typical of the artist, this minimal geometric abstraction resonates with a rich charge. It's a sculpture and a painting. The circles, the discs, almost touch but not quite. The artist's obsession with geometry and shapes in proximity is a clear gesture here. The eye delights in the formal play of shape and color, while the mind engages the material force of the wood and paint. From Stan Olthuis – "My work has always involved tactility and expressionistic energy. I visualize the story and imagery simultaneously, allowing the work to surprise me and come to life as I work. I am almost careless in how I use color and texture, facing the fear of improvising on-the-fly. I like to leave the obvious raw record of the process visible, but I believe a mystery remains." Stan Olthuis looks for expressive opportunities in found and harvested raw material – wood, stone, metal, rubber – and brings a fabricator's expertise to the work of making minimalist, joyful sculptures. Geometry is key, as are a sense of play and an adept's feel for sacred energies. His work is exhibited and collected internationally, including private and corporate commissions in Canada, United States, France, Japan and Norway. Stan is represented by Gagné Contemporary in Toronto and New York City, and has select works available through the Art Gallery of Ontario (AGO), and Motokawa Gallery in Japan. Stan Olthuis' formal education began in Chicago with Henk Krijger, the celebrated master printmaker, type designer, painter and sculptor. Back in Toronto, Olthuis graduated (with distinction) with a degree in Experimental Arts at Ontario College of Art & Design (OCAD), studying under artists Fred Hagen, Tom Hodgson...

Wood was integral to the artistic practice of the late Markku Kosonen of Finland. An important aspect of his work was the ability to express things; cra...

I am crafting a visual language that aims to be interpreted or understood freely. I wish the viewer to have a free association with the work.

This deep ocean blue-coloured steel wall sculpture is one of a series of contemporary works created by Marlene Hilton Moore. Inspired by ancient ‘singing’ vessels they are intended ...

Named "Inside", this large woven airy sculpture is created by Delphine Grandvaux in reference to the lockdown period and is entirely hand-knitted fr...

Seymour Fogel Untitled Oil on illustration board construction 10 x 7 1/2 inches Provenance: Estate of the artist Charles and Faith McCracken Larry and Trish Heichel Private Collection Seymour Fogel was born in New York City on August 24, 1911. He studied at the Art Students League and at the National Academy of Design under George Bridgeman and Leon Kroll. When his formal studies were concluded in the early 1930s he served as an assistant to Diego Rivera who was then at work on his controversial Rockefeller Center mural. It was from Rivera that he learned the art of mural painting. Fogel was awarded several mural commissions during the 1930s by both the Works Progress Administration (WPA) and the Treasury Section of Fine Arts, among them his earliest murals at the Abraham Lincoln High School in Brooklyn, New York in 1936, a mural in the WPA Building at the 1939-1940 New York World's Fair, a highly controversial mural at the U.S. Post Office in Safford, Arizona (due to his focus on Apache culture) in 1941 and two murals in what was then the Social Security Building in Washington, D.C., also in 1941. Fogel's artistic circle at this time included Phillip Guston, Ben Shahn, Franz Kline, Rockwell Kent and Willem de Kooning. In 1946 Fogel accepted a teaching position at the University of Texas at Austin and became one of the founding artists of the Texas Modernist Movement. At this time he began to devote himself solely to abstract, non-representational art and executed what many consider to be the very first abstract mural in the State of Texas at the American National Bank in Austin in 1953. He pioneered the use of Ethyl Silicate as a mural medium. Other murals and public works of art done during this time (the late 1940s and 1950s) include the Baptist Student Center at the University of Texas (1949), the Petroleum Club in Houston (1951) and the First Christian Church, also in Houston (1956), whose innovative use of stained glass panels incorporated into the mural won Fogel a Silver Medal from the Architectural League of New York in 1958. Fogel relocated to the Connecticut-New York area in 1959. He continued the Abstract Expressionism he had begun exploring in Texas, and began experimenting with various texturing media for his paintings, the most enduring of which was sand. In 1966 he was awarded a mural at the U.S. Federal Building in Fort Worth, Texas. The work, entitled "The Challenge of Space", was a milestone in his artistic career and ushered in what has been termed the Transcendental/Atavistic period of his art, a style he pursued up to his death in 1984. Painted and raw wood sculpture...

"[Masakazu Kobayashi's] woven Waves in dyed threads rank[s] among the most perfect in aesthetic effectiveness ever produced by contemporary weaving….This Japanese way of conjuring up such transparency with threads, of perceiving the thread itself as something creative is highly artistic. They celebrate aesthetic beauty in a way no one can elude.” From “Textile Art and the Avant-garde,” Erika Billeter (Contemporary Textile Art: the Collection of the Pierre Pauli...

​"Casa De La Serpiente" - House of the snake, 29/60, 1996 aluminum, paint, signed.​ Edgard Negret was born in 1920-2012 Colombia. He studied at the Scho...

"Orange Venice vase", original handmade clay vase, original home decor., unique artwork - 14" x 9" x 9" Hand-painted ceramic household decorative v...

Artist and designer Pedro Friedeberg is known for his surrealist paintings, prints, and sculptural furniture. He was the subject of a 2009 retrospective at the Museo del Palacio de B...

Refleksy (Reflexes), flax (linen) and wool, 50" x 48" x 2", 1973. This warm, vivid Mid-Century tapestry, Refleksy (1973) is by Polish textile artist, ...

"Sojourner" by Bill Barrett Fabricated bronze Bill Barrett is considered a central figure in the second generation of American metal sculptors and is internationally known for his a...

Found objects, repurposed textiles Statement In work that integrates the theories and methodologies of both fine art and craft, I transform domestic cast-offs, such as old furnitu...

Always drawn from life and most often constructed in re-claimed steel, Iain Nutting’s sculptures reflect his belief in the importance of the conservation of animals and of the natura...

David Hare Dancer, circa 1955 Bronze with integral stand 68 high x 17 wide x 13 1/2 deep inches “Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.” Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp. In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career. After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt. As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen. In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941. World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors. At the suggestion of Jacqueline Lamba...

Yayoi Kusama Red & Black Pumpkin 2019: An iconic, vibrantly colored pop art piece - this rare, sought-after red Kusama pumpkin sculpture features the universal polka dot patterns and...

MATT DEVINE "Pump House" 36" x 36" x 7" Aluminum with Powder Coat (Indoor/Outdoor) Matt Devine is a self-taught sculptor working with steel, aluminum and bronze. Born and raised in ...

This hand made art work is a modular and comes with 20 fish sculptures all in four different sand tones (five of each). These abstract fish project shadows on the wall turning light into an essential component for double sculpture...

"Urban Scene" is a painted steel sculpture by Ralph Wickstrom created in 1997. Deceivingly thin the sculpture is made up of straight lines and right angles...

Artwork made with pigmented lacquer on MDF and Cherry Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair in...