Abstract Sculptures

Leroy Setziol Monumental Carved Douglas Fir Wall Sculpture for United States National Bank of Oregon, 1963 This monumental wall sculpture by Leroy Setziol (1915–2005) was commission...

Unity in Diversity 2008, stone wear, 90х35x42 cm Gray abstract sculpture from stone

"Rhapsody" (maquette) Abstract, Tabletop Size, Metal Sculpture by Kevin Barrett Bronze Kevin Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture an...

Mint 24" x 36” x 1”-2020. Mixed Media – Wood, paint, lacquer on MDF Mint is an elegant modern and minimalist contemporary wall sculpture. It is constructed with birch panels and acr...

acrylic on African fabric

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis Edition 1/5

This fibers, drawing, and sculptural work titled "Soft Swirl" is an original artwork by Kelly Kozma made of hand-embroidery, colored pencil, and acrylic paint on paper. The artist us...

Sidney Gordin Untitled, 1958 Incised with initials Welded Steel 15 x 10 1/2 x 6 inches Provenance: Eric Firestone Gallery, New York On October 24, 1918, Sidney Gordin was born in Chelyabinsk, Russia. He spent his early years in Shanghai, China. At the age of four, he moved with his family to New York. Gordin’s nephew, Eliot Nemzer recalls that when Gordin was a child he attended “a dinner party with his parents. Someone showed him a book of pictures that when thumbed through quickly made the image appear to move. This person then gave him a wad of blank papers and something to write with. Sid created a similar type of moving image with his materials. All the adults at the party became quite excited [and] praised his efforts. Sid told me he thought this was a pivotal experience in guiding him towards his vocation.” During his formative years at Brooklyn Technical High School, he briefly contemplated the idea of becoming an architect; yet, by the time he enrolled at Cooper Union, he was determined to become a professional artist. There, he studied under Morris Kantor (1896-1974) and Leo Katz...

Abstract Sculpture. Painted White. About the Artist: Ed Haugevik has established a career as professional sculptor placing his work at numerous private and public sites througho...

"Windy Ribbon" by Richard Pitts Powder-coated aluminum Richard Pitts works in many media, from steel to wood to bronze to aluminum, not to mention his paintings. His often colorful,...

This dramatic stainless steel sculpture titled "Victim of War" by Marian Owczarski depicts a falling figure reaching towards the sky. The figure is suspended by a single leg which Ow...

Biomorphic Hemp Fiber Sculpture, Contemporary Organic Form in Light Natural Tones By Silvana Ilieva (b. 1989) This work was selected for the curated exhibition Artists in Focus at ...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

It was the tumult of the sixties that compelled me to drop out of Swarthmore College, move “back to the land” and become an intuitive artist. I believed that if we were to survive a...

Paint on muslin with mixed media

Merging Styles and Cultures, Original Contemporary Mixed Media Installation, 2021 Digital images printed on transparency, hand-stitched Utili...

"Rendezvous" by Kevin Barrett Bronze Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Bronze Metal Outdoor Sculpture...

Flashe on muslin with mixed textiles

Stephen Lee is a Korean-American sculptor based in Dallas, Texas. Born in South Korea and immigrating to the United States as a teenager, Lee draws from a dual set of cultural influe...

"Sheer" by Michael Thacker British, 21st Century Rose Aurora Marble Sculpture size (HxWxD): 13.75 x 10.5 x 5 inches

The act of painting becomes a form of meditation. Marino explains that the time and process of creating work are at the core of what the painting wants to mean, declaring: that is ho...

Dutch, b. 1938 Renowned for his monumental sculpture created primarily for open-air public locales, Hans Van de Bovenkamp has been described as an artist-mystic whose work -- with i...

"Guided Spirit" by Kevin Barrett Painted steel on a stainless steel base This sculpture measures 76"h and rests on a 28" steel pedestal for a total heigh...

Bodies At Rest #29 by Paige Stewart is a one-of-a-kind ceramic sculpture that presents a tall, pared-down human form shaped by gravity and internal force. The slick bronze metallic g...

MATT DEVINE "Pump House" 36" x 36" x 7" Aluminum with Powder Coat (Indoor/Outdoor) Matt Devine is a self-taught sculptor working with steel, aluminum and bronze. Born and raised in ...

Roberto Estopinan, Cuban, 1920 - 2015 Dimensions: 24.5" wide x 13" high plus 6" high base. Roberto Estopiñán (1921–2015) was a Cuban American sculptor known for his sculptures of the human form, including political prisoners. Born in Camaguey, Cuba, he lived in the United States for over fifty years. His works are held by major institutions such as the Museum of Modern Art, the Whitney Museum and the Smithsonian Museum of American Art. Roberto Gabriel Estopinan, a sculptor, draftsman, and printmaker, was born in Havana, Cuba on March 18, 1921. Estopiñán enrolled at the San Alejandro Academy when he was just 14 years old and became the protegé and studio assistant of the sculptor Juan José Sicre. After graduation he traveled first to Mexico, where he met and befriended Francisco Zuniga, and studied Pre-Columbian sculpture. In 1949 he traveled to Europe, visiting England, France and Italy. In these trips he encountered the sculpture of Henry Moore and Marino Marini, and their humanistic yet formal visions would be influential on Estopinan's work. Estopiñán was a pioneer of direct carvings using wood and of welding techniques in Latin America. Throughout the 1950s, Estopiñán received important prizes at various national exhibitions in Havana. In 1953 he was the only semi-finalist from Latin America at the Tate Gallery's international sculpture competition for a Monument to the Unknown Political Prisoner. In 1961, the artist moved to New York, where he resided until 2002. Roberto Gabriel Estopiñán a Cuban emigre sculptor who emigrated to exile in the United States not long after Fidel Castro’s revolution in 1959, is considered one of Latin America’s most important 20th-century artists. His work, which includes drawings and prints as well as sculptures in wood and bronze, is in the collections of New York’s Museum of Modern Art, the Smithsonian’s American Art Museum, the Art Institute of Chicago, and the Detroit Institute of Art, among many locations. He is best known for his stark, disturbing renderings of political prisoners, the fruit of his own experiences as a dissident under both Castro and his predecessor, the dictator Fulgencio Batista, and for his representations of the female torso that can remind viewers of both classical statuary and the high-modern, abstractly elongated work of Henry Moore.mHe was born in Havana to a father from Asturias in northwest Spain and a mother of African descent. Estopiñán was something of a prodigy. At the age of fourteen, he won the first prize in drawing at the Centro Asturiano, a regional association for Cubans of Asturian descent. Shortly afterward he received special permission to enter the San Alejandro Academy of Fine Arts in Havana. At the school he was mentored first by its director, the painter Armando Menocal (1863-1941), then by the landscape artist Antonio Rodríguez Morey (1872-1967), and finally by Juan José Sicre (1898-1974), regarded as one of Cuba’s greatest sculptors. Sicre, a professor of sculpture at the Academy, had helped introduce European modernist art to Cuba, and from the 1930s through the 1950s had sculpted monumental figures in Havana of José Martí and other Cuban national heroes that stand to this day. Estopiñán was first Sicre’s student, then his assistant, and, finally, his colleague for the next fifty years. After graduating from San Alejandro in 1942, Estopiñán began simultaneously teaching art at the Ceiba del Agua School for young men, assisting Sicre in public art projects and developing his own artistic vision. He also traveled widely, to Mexico, New York, France, and Italy. From the late 1940s through the 1950s his sculpture evolved from an early neoclassical phase under the influence of Maillol to what he defined as “formalist humanism”: emphasizing the abstract beauty of the shapes he sculpted while not abandoning the human figure as the basis of his work. As the 1950s progressed he chose to carve in native Cuban woods...

Rolf Hans Frankfurt 1938 - 1996 Basel Figure XXV, 1995 wooden sculptures signed, dated, and titled on the underside 126 x 24 x 26 cm The sculptures are accompanied by a catalog about...

Naum Knop (Ukrainian-Argentinean, 1917-1993) Modernist Brutalist bronze figural sculpture with heavy verdigris green finish. Melted forms in the shape of an abstract pretzel like twist. Affixed to white stone plinth. Artist signature, "NK" side of base. Good condition, shows rich green patina and aged oxidation. Measures approximately 17.5 in. x 19.5 in. x 6.5 in. Naum Knop, Argentine sculptor, was born in 1917 in Buenos Aires, into a Jewish family of Russian origin from Ukraine. His childhood was spent in the neighborhood of La Paternal where his father had a carpentry workshop, a space in which he made contact for the first time with the technique of wood carving. After finishing elementary school, he worked with the teacher Luis Fernández and soon after he dedicated himself to furniture design. Around 1935, he entered the Manuel Belgrano School of Fine Arts . Between 1941 and 1942 he attended the course for graduates taught by Alberto Lagos and Alfredo Bigatti at the National School of Fine Arts and continued his training between 1942-1945 at the Ernesto de la Cárcova High School with Soto Avedaño, Carlos de la Cárcova and José Fioravanti. At this time he put his works in dialogue with other young artists such as Libero Badii and Aurelio Macchi . Around 1947 he made his study trip abroad. He goes to California, United States, where he enters the Art Institute of Los Angeles. At the same time visit museums and galleries. In January 1948 he organized his first exhibition abroad, held at the Hall of Arts in Beverly Hills in Los Angeles. During this period he toured Chicago and then New York. That year he traveled to Europe; his itinerary includes France, Italy, Switzerland and England. As a result, he came into contact with the work of Henry Moore, Hans Jean Arp, Jacques Lipchitz, Constantin Brancusi, Umberto Boccioni, Henry Laurens, Ossip Zadkine. Artists who have an impact on the young Knop and whom he honors in his subsequent production. He returned to Argentina in 1949 and installed his workshop where he worked on ornamental carving and on pieces in which he oscillated between a synthetic figuration and abstraction. In 1956 he began his successful participation in salons , obtaining numerous awards at the national and municipal level. In 1959 he participated in the shipment to the 5th São Paulo Biennial and since then, to the success achieved at the local level, the multiple exhibitions carried out in the international field have been added. The exhibitions in Tel Aviv , Jerusalem and Rome (1966) stand out; Dusseldorf (1977); Los Angeles and Palm Spring (1981); New York (1986), San Pablo and Los Angeles(1989). During this period, his work matured, while he began to experiment with the direct wax technique, obtaining textured surfaces similar to welds that gave it a strong abstract expressionist feature. In parallel to his personal production and to the small models, the artist receives private and public commissions for which he works on large-scale sculptures and murals. Around 1967, the architect Mario R. Álvarez summons him to participate in a closed competition for the creation of a work to be located in the General San Martín Cultural Center . Libero Badii and Enio Iommi participate with the artist ; the bronze Reclining Figure Knop is chosen. Among the large-scale monuments it is worth remembering the piece Los tres soles temporarily located in Recoleta in 1984 and later installed in Maryland, United States; as well as Seated Figure (Reminiscence of Michelangelo) located in the shield of a private building in 1970. To these are added the numerous murals in which he experiments with various materials and techniques such as casting in bronze, openwork and reliefs in wood and work in cement. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein, Julio Gero, Naum Knop, Aldo Paparella, Enrique Romano, Eduardo Sabelli, and Luis Alberto...

Aluminum sheet, metal wire and acrylic - mobile "Limited edition of 3 1/3 Available on request- 3 week turnaround" Amaury Maillet is a self-taught art...

Hand Built and glazed ceramic. Free standing, safe for outdoors. My interest in clay as an artistic medium began in 1984. Like most beginners in the medium, I focused on creating ...

Curt Beckman Solingen 1901 – 1970 Düsseldorf Figured sculpture Bronze Unsigned Height 15.5 cm Good condition (see photos) Viewing and collection are welcome by prior appointment ...

'Ha'apai' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space series. It features painterly brushstroke formations in glass called trails. Trails ar...

"Ghost Coral Color Variation" by Rogan Brown Laser and hand cut paper, framed in a plexiglass shadow box Available by commission. Please allow 8-12 weeks production time. A smaller...

Indigo 2 is a meditation on depth, movement, and the quiet drama of form. Created with hand-dyed linen on linen, this work embodies the physicality and elegance of Hedden’s Fold Seri...

"Two Note Swivel" by Alex Barrett Large-scale, organic abstract metal sculpture in powder-coated aluminum Alex Barrett's monumental abstract sculptures are built with aluminum, and ...

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis Edition 1/5

glass and bronze Keith Cummings is a celebrated artist, as well as an educator and author. He specializes in casting sculptures from glass, often combined with metal. Cummings is cr...

Red and Yellow Vase David Ruth, American Date: 1989 Blown Glass, Signed and dated Size: 7.5 x 4.25 x 3 in. (19.05 x 10.8 x 7.62 cm)

In the manner of Julio Gonzalez, mixed metal sculpture. Neo-Dada Abstract Sculpture: Assemblages Abstract sculpture followed a slightly different course. Rather than focusing on no...

This is a white, plaster cast sculpture designed to be mounted directly to the wall or installed on a shelf. It is an abstract image evoking the churning sea. It is reminiscent of a fossil or natural or scientific curiosity in a "Wunderkammer," or historical cabinet of curiosities. It is signed on the back. Ava Blitz...

Astian Rey "ALCHEMICAL TABLES" Dimensions of the second sculpture: Height 105 cm Width 50 cm Depth 5,5 cm

Tea Bowl
2017
Porcelain, Glaze, Gold
16.5 x 20.5 x 16.5 cm

In this work, Takuro Kuwata transforms the archetypal Japanese tea bowl into a glea...

This modular work features hues of red and blue. Three separate pieces hang together to create one piece. Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazi...

Flashe on muslin with mixed media

Artwork made with Suede Venetian paint, latex, birch, MDF & wax Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other A...

Contemporary polymer clay wall relief sculpture composed of hundreds of colorful geometric elements arranged in a vibrant abstract composition that ex...

Yasuhisa Kohyama shapes his asymmetrical forms using piano wire, creating distinctive rough surfaces. The clay with its feldspar nuggets creates a tac...

Red and Black Vase David Ruth, American Blown Glass, Signed Size: 10 x 3.25 x 3.25 in. (25.4 x 8.26 x 8.26 cm)

"Saxum Velum (stone sail)" by John Van Alstine Granite and bronze The sculpture of John Van Alstine beautifully, and powerfully, balances the union of stone and metal, while explori...

This dynamic wall sculpture is created from sheets of steel, welded together in an abstract geometric pattern. Muted shades of blue, grey, purp...

SALE ONE WEEK ONLY "Medusa Tree" is a free-flowing sculpture of cane that suggests a figure either emerging from or descending into a tangle of twisting lines. Several parts are painted red or blue or stripped that gives a contrast to the black structure and a spark of energy shooting forth. This piece seems experimental from her more conservative pieces that can be easily identified as basketry, paper forms and shaped objects. Danielle Bodine...

"Small Mandala 1" by Rogan Brown Laser and hand cut paper, framed in plexiglass shadowbox Available by commission. Please allow 8-12 weeks production time. Rogan Brown creates abst...

This abstract figurative sculpture by Gal Melnick is from here latest body of works. It is a laser cut metal sculpture which is painted with automotive pai...

This contemporary outdoor metal sculpture is geometric in shape. Philippe Pallafray's hand forged and welded stainless steel sculpture seems to defy gravity. The Quebec sculptor is ...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

One of a kind Blown and fused Glass Sculpture in brown/black, bluish black, opaque white and White sandblasted. Includes its black metal base ( about 32 cm X 10 cm X 18 cm ). Tota...

"Arabesque XXXIV" is an original abstract carved Bubinga wood sculpture by Robert Longhurst. The artist signed and dated the piece. It features a dark...

Bronze Sculpture 'O.T.I' by Carola Eggeling Abstract sculpture with beautiful curved lines. German bronze sculpture Bronze Polished Certificate of authenticity Numbered and signed ...

Silver sculpture with chrome-plated brass Executed in 1973, work produced in 2 copies + 1 artist's proof Dimension of the work: 24.8 x 18.5 x 8 cm signature engraved on the lower rig...

"Cell Colony " by Rogan Brown Laser and hand cut paper, framed Rogan Brown creates abstract and sculptural wall reliefs. The large, hand cut pieces are dissected from sheet after sh...