Realist Sculptures

"Classical ballet was my main source of inspiration. Grace and beauty of ballerinas combining with extremely hard work they do. This combination is shocking and inspiring in the same...

"Classical theme of a Greek art inspires me. I am a big fan of a Greek mythology, so I depict it often". This sculpture shows beautiful woman in wet fabrics that emphasize body curve...

| About the work This particular artwork is part of the serie dans le bonheur, started in 2009 with a special request from Elysee Palace in Paris that was acquired by the National M...

| About the work A child of another South, Diadji "gives body" to this word , Fraternity and enriches the lexicon of plastic expressions known in Morocco with characters, inhabited b...

| About the work This particular artwork is part of the serie dans le bonheur, started in 2009 with a special request from Elysee Palace in Paris, the larger scale swimmer was acqui...

| About the work This particular artwork is part of the serie dans le bonheur, started in 2009 with a special request from Elysee Palace in Paris that was acquired by the National M...

| About the work A child of another South, Diadji "gives body" to this word , Fraternity and enriches the lexicon of plastic expressions known in Morocco with characters, inhabited b...

This pair of majestic cats is traditional gold-plated with 24k gold leaf and can function as an outstanding center piece for any environment, as they can be placed both outside and i...

Traditional gold-plated bull with 24k gold leaf. This bull can be placed both outside and inside. The dimensions are aprox. 28 x 11 x 40 cm.

Vincenzo Gemito Meissonnier with palette and brushes cm h 54 Signature on base "Gemito Notes: bears Gemito foundry stamp Vincenzo Gemito (Naples, 1852 - 1929) was placed, as an infa...

Traditional gold-plated couple of dogs with 24k gold leaf. These two can be placed both outside and inside. The dimensions are approx. 23 x 15 x 37 cm per figure.

Traditional gold-plate carp with 24k gold leaf. This carper can be placed both outside and inside. The dimensions are aprox. 25 x 20 x 65 cm.

Traditional gold-plated owl with 24k gold leaf. This owl can be placed both outside and inside. The dimensions are aprox. 42 x 16 x 30 cm.

JEAN-BAPTISTE CARPEAUX 1827 - 1875 Le Chinois N°1 (study for Asia) (1868). Model from the observatory fountain. Sketch Height ca.60 cm A similar copy auctioned on June 22, 2023, at ...

The Olive tree's unique piece forged in wrought iron is not replicable. It was created by one of the most significant contemporary worldwide artist-blacksmith. He is Italian. Fixed...

"Dolci sogni" is a sculpture that combines beauty, sensuality and elegance, made by Ugo Riva, who is one of the greatest contemporary interpreters of the female figure. The overa...

Acquired by the gallery directly from the artist Artist Statement “By exploring the forms in this piece, and given the simplicity of the gesture, I can directly address the concept ...

Acquired by the gallery directly from the artist Artist Statement “I like to think of the jaguar as the welterweight of big cats. Even though this sculpture is small my aim was to c...

"Quiet Descent" is a digital print on 5 acrylic panels by Michelle Jader.

"Vaquero" is numbered 5 out of an edition of 10 by Scott Rogers. Scott is a sculpting artist, specializing in creating unique ‘Old West’ and ‘Americana’ themed sculptures. He sculpts using clay as his medium and casts these pieces into bronze. This piece is very large at 70% life size with the dimensions of 82x84x38 in. The ‘Vaquero’ is the original cowboy. Ever heard of the name, ‘buckaroo’? It is a derivative of the word ‘vaquero’ (in Spanish the ‘v’ is pronounced like a ‘b’). The Mexican vaqueros...

"Solitary Climber" is an open edition sculpture created by Bill Starke depicting a figure climbing a ladder. Please allow 2-4 weeks for delivery. Ab...

Acquired by the gallery directly from the artist Artist Statement “Charlotte is from a series I did, called ‘Blue-Eyed Girls.’ They take their names from heroines of Jane Austen, an...

American Indian with beaded buckskin dress and moccasins. Part of Artist's Private Collection.

Pear Tree Sculpture. Elegant, fine and unique piece, not replicable. Forged on wrought iron. Made by six different branches, easy assembled. The sculptor is fresh from the success ...

Impressive Bronze Relief by Käthe Kollwitz ( 1867-1945, Germany ). Created 1938 in memory of her friend Ernst Barlach. Bronze brown patinated. On the left side signed: Kollwitz. He...

Bronze sculpture with 24K gold leaf caps on granite base. Variant of 8. Artwork in Excellent Condition. Certificate of Authenticity is included. Please do not hesitate to ask us any further questions. All reasonable offers will be considered. About the Artist: Carole A. Feuerman (American, born 1945) is a Hyper-Realist sculptor. Along with artists like Duane Hanson and John DeAndrea...

Gratitude Bronze 76 3/4 x 21 5/8 x 13 3/4 in 195 x 55 x 35 cm "My great hope for my work is that it makes people experience a truly special feeling that only they can explain. I hope that they experience a sense of what I feel...These feelings and emotions can’t be expressed in words, as it’s on such a deeper level."– John Fitzgerald: Anthology (2023) Born in Co. Meath in 1976, John Fitzgerald is now established as one of Irelands leading Equine, Sporting and Portrait Artists. Originally John studied Industrial Design in Letterkennny RTC & at the University of Wales, Swansea. It was while in college that he developed a strong understanding of drawing and design, and the different techniques used in completing a piece from initial concept sketches, to oberservation, to 3 dimensional form. In 2013 John was asked to be the artist in residence by the Curragh Racecourse where he now has his own studio/gallery, which is open to the public on race days. 2014 saw Johns work reach a huge audience at the Cheltenham festival, where he was filmed by Channel 4 racing while completing a range of works including A.P.Mc Coys portrait, and a set of sketches...

A one of a kind 15x15x9 Figurative Impressionist Bronze Metal Sculpture. A certificate of authenticity will be provided upon its purchase or delivery. Manuelita Brown is a San Dieg...

ALFRED STEVENS (1817-1875) Judith Bronze 22 cm., 8 ¾ in. high Provenance: Handley-Read Collection; Fine Art Society, London, 1979; Collection of Peter Rose and Albert Gallichan. ...

Young Cowboy with Hat & Bandana. Part of Artist's Personal Collection.

This is a carved glass panel. I belive this is milk glass. it is a classic Americana scene of a cowboy or frontier trapper and an Indian or Native American with a feathered headdress...

Original. Part of Artist's Personal Collection.

This sculpture "The Foundry Worker" c.1925 is a bronze sculpture by German artist Albert Caasmann, 1886-1968. The signature is impressed in the bronze. The subject size is 11.15 x 8.15 x 3.15 inches, including marble base, the size is 13.15 x 8.15 x 5 inches. It is in excellent condition. about the artist: Albert Caasmann (2 June 1886 – 23 March 1968) was a German sculptor and porcelain artist. Caasmann designed toy figures for the Berlin toy company Lineol and from 1919 to 1952 was the lead designer and production manager for the company. He designed figurines for the porcelain companies Rosenthal AG and Volkstedt. Caasmann's work for the company Rosenthal are exhibited in the Porzellanikon's Rosenthal Museum. Lineol toy figures modeled by Caasmann are in the Historical Toy Museum in Freinsheim and the Toy museum in Havelland. Albert Caasmann was born on 2 June 1886 in Berlin, Germany. From 1909 to 1919, he worked as a freelancer for the Berlin toy company Lineol, founded by Oskar Wiederholz in 1906. After service as a soldier in the First World War, he became the leading designer and production manager of Lineol from 1919 to 1952. He designed over 600 figures for Lineol, including soldiers, animals, Indians, knights, fairy figures, and railroad figures. His toy figures were widely used in the region by children. Lineol ceased operations in 1965, and in 1985 the company Lineol Duscha has the trademark rights to Lineol. Lineol Duscha reproduces Lineol figures modeled before 1945. Lineol toy figures modeled by Caasmann are in the Historical Toy Museum in Freinsheim and the Toy museum in Havelland. Caasmann spent time in the Berlin Zoo, where he modeled his animal models. He made a model for a porcelain cheetah...

This artwork "Chevre Allongee (Reclining Goat)" c. 1860, is bronze sculpture after renown French artist Antoine Louis Barye, 1796-1875. Signature is impressed in the bronze. The subject size is 4.25 x 7 x 3.35 inches, including marble base is 5.25 x 4 x 7.75 inches. It is in excellent condition. About the artist: Antoine-Louis Barye lived his entire life in Paris and may never have left France. He was born in 1795 (a date revised in the 1990s from 1796 as a result of Martin Sonnabend's recalculation of the Revolutionary calendar). He is reported to have had minimal formal schooling even in reading, and to have acquired his extensive liberal-arts education on his own. His initial professional training was in metalwork: first with his father, a goldsmith from Lyons, then with a metal engraver in military equipment, and finally with Martin-Guillaume Biennais (active 1800-1832), then master goldsmith to Napoleon. After serving in the army from 1812 to 1814, Barye trained in the fine arts with sculptor François-Joseph Bosio (1768-1845) and painter Baron Gros (1771-1835). He then studied at the Ecole des Beaux-Arts from 1818 to 1823. His miniature medallion, Milo of Crotona Devoured by a Lion, won an honorable mention in metal engraving in 1819, but he failed to win the Prix de Rome. He worked as a craftsman for the goldsmith Jacques-Henri Fauconnier (1779-1839) from 1823 to 1831 and made his Salon debut in 1827 with a selection of busts. Barye made his critical and public mark as a sculptor four years later, in the Salon of 1831, with groups representing predatory violence in the wild. His first government commission came soon after, precisely for such a subject. The Minister of the Interior purchased Barye's monumental plaster Lion (since called Lion Crushing a Serpent), shown in 1833, and had it cast in bronze by Honoré Gonon and shown in 1836, before placing it in the public Tuileries Gardens (now Musée du Louvre, Paris). In 1834 Barye was chosen for a project that was never executed, the colossal eagle as the crowning element of the triumphal arch at the Etoile. Around 1836 the government commissioned him to execute the emblematic animal decoration on the July Column at the place de la Bastille, inaugurated in 1840. He produced a monumental effigy of Saint Clotilde for the Church of the Madeleine, Paris, in the early 1840s. In 1846 the government commissioned a pendant Seated Lion for the Tuileries Lion Crushing a Serpent (1847, bronze, Portal, Pavillon de Flore, Palais du Louvre, Paris). During these same years the royal family began buying and commissioning small-scale works from Barye for their private collections. Around 1834, the duc d'Orléans commissioned a highly publicized surtout de table representing hunts of different regions and historical periods, possibly one of several tabletop projects that he ordered from Barye. The duc's sister Marie d'Orléans allegedly commissioned a lost-wax bronze of Barye's Charles VI Surprised in the Forest of Le Mans (location unknown; later serial variants), a model first shown in the Salon of 1833; his brother, the duc de Montpensier, apparently commissioned a pair of figurative...

Represented by George Billis Gallery. This work is about what I do while I write letters and think about all these urgent, global concerns and feel frustrated and powerless. I drin...

Represented by George Billis Gallery. This work is about what I do while I write letters and think about all these urgent, global concerns and feel frustrated and powerless. I drin...

Represented by George Billis Gallery -- This work is about what I do while I write letters and think about all these urgent, global concerns and feel frustrated and powerless. I dri...

Has been in artist's private collection. Maquette hunting dog with training dummy.

One of the most iconic pieces by the artist, the boy with the Shark, is in the biggest version. Shown at Master Piece London in 2022, also one sculpture in Bond Street in London ( se...

Every artwork is hand-made and supported with a certificate of authenticity. Made in Spain, 2023. Package: protected cardboard box. Dispatching terms: 2-3 working days. Location an...

Delicate depiction with special patina of female. Part of artist's private collection.

Has been in artist's private collection. Young girl with bow in her hair holding her favorite toy.

Has been part of artist's private collection. Sculpture named after book written by Margaret Stanger entitled, "That Quail, Robert."

Large, Neapolitan, late 19th Century hardwood sculpture of a camel. Artist unknown. A beautifully patinated hardwood sculpture. The sculpture is extremely charming and having been handled for over a century has a lovely warm and tactile patina. It is particularly nice too see the work of the craftsperson in the adze and chisel marks along the body of the sculpture. The Italians and most notably the area around Naples has a long and storied tradition in the creation of sculptures for Nativity Scenes. This camel is both an endearing item and a piece of social history. A wonderful addition in its own right to the traditional Christmas scene, by tradition this sculpture was used as a maquette for the production of papier-maché models used in Christmas Creches which have such a long tradition in Italy and throughout the world. Wonderfully carved this piece was used to create hollow models out of papier-maché which were more affordable for this Christmas tradition. Hundreds of strips of papier-maché would be layered onto the figure in all directions. Then using a sharp tool the papier-maché was pushed into all the crevices of the sculpture to give it crisp detail. Once the layers of paper were dry the papier-maché was cut at certain points and lifted off the sculpture. Then finally the resulting body parts were glued back together, painted and patinated ready to be placed in the crèche scene. In the Christian tradition, a nativity scene (also known as a manger scene...

Native American on horseback. Signed and numbered 24/30, artists cypher. Daro Flood (1954 - 2017) was active/lived in Arizona. Daro Flood is known for Portrait bust Indian and cowboy sculpture...

LADY MURIEL WHEELER, PSWA (1888-1979) Mother and Baby Signed and indistinctly dated 19-4 Terracotta on wooden base 44 cm., 17 ¼ in. high including base Muriel Bourne was born in ...

Wisent (Żubr) XL model Lines WB, 2022, glazed ceramics painted over glaze, 22 x 14 x 30 cm, on the bottom the author's logo and numerical description: 148/2016. Mariusz Dydo...

Sculpture in bronze by Mario Dilitz. It is an edition of 8 sculptures + 4 Artist Proofs, all numbered and signed by the artist.

Represented by George Billis Gallery. Pedro's sculpture's are whimsical and sophisticated. The sailboat series is affordable for the work involved in creating them. His use of mix...

Boar model Benzin / 2021, glazed ceramics painted over glaze, 18,5 x 31 x 12 cm. Horns and hooves gilded with 24 carat gold. On the bottom the author's logo and numerical description: 59/2021. Mariusz Dydo...

Boar, patinated bronze, 19.5 x 32 x 12 cm, on the bottom the author's logo and a numerical description. Weight: 4.35 kg, edition 3 of 8, 2022. Mariusz Dydo...

Represented by George Billis Gallery. Pedro's sculpture's are whimsical and sophisticated. The sailboat series is affordable for the work involved in creating them. His use of mix...

Boar, patinated bronze, 19.5 x 32 x 12 cm, on the bottom the author's logo and a numerical description. Weight: 4.35 kg, edition 2 of 8, 2022. Mariusz Dydo...

Represented by George Billis Gallery. Pedro's sculpture's are whimsical and sophisticated. The sailboat series is affordable for the work involved in creating them. His use of mix...

Represented by George Billis Gallery. Pedro's sculpture's are whimsical and sophisticated. The sailboat series is affordable for the work involved in creating them. His use of mix...

A fine cast patinated bronze bust of a woman with her hair tied back by American artist Andrew Coppola (1941-1992). Coppola was an active artist in Connecticut, known for his figura...

"Discover," is a digital print on 5 acrylic panels by Michelle Jader.

"Transcendent" Dimensions: 19" x 11" x 9" Medium: Clear Acrylic Resin Edition 96/350 Frederick Hart's 1991 “Transcendent” lucite sculpture is imbued with a truly sublime presence. Female and male figures emerging from the Lucite seem to appear and disappear within the work. This ghostly effect is created through Hart’s unique process of embedment, which involves casting one acrylic work within another. It is a technique the artist patented in 1982, marking the end of a decade of constant experimentation and progression and the beginning of a period of precise refinement. Consistent with his unique poetic vision, the inner, emotional, intellectual, and spiritual forces dominate the work. Imbued with a distinct sense of grace, this piece is a testament to Hart’s remarkable technical abilities and devotion to the craft. Frederick Hart's "Transcendent" is signed by the artist and includes a gallery certificate of authenticity. It is from an edition of 350 (+ 60 AP) and the current gallery retail price for the piece is over $40,000. About Frederick Hart As one of America’s greatest representational artists, Frederick Hart left a lasting and unique mark in the world of modern sculpture. Born in Atlanta, Georgia in 1943, he studied at the University of South Carolina and after protesting alongside black students during the Civil rights movement, he moved to Washington D.C. to continue his studies at the Corcoran School of Art. Fascinated with the human figure and the classical approach, he started developing his career in 1966 as a stone carver apprentice at the National Cathedral in Washington D.C. Leaving the Cathedral in 1971, Hart started his own studio practice but had little success in the first years. In 1974, he was awarded the project by the Cathedral to create a contemporary interpretation of The Creation, an event that would change his life. Soon, Hart’s career took a turn for the better, and in the upcoming decades, he rose to national prominence, becoming a government art advisor in 1985 and receiving the prestigious Henry Hering...