Realist Sculptures

Pierre Jules Mene "Chien Braque" (Tom) Bronze approx. 5 x 9 x 4.25 Signed PIERRE JULES MENE (1810-1879) Pierre Jules Mene, (P. J. Mene), was born in Pa...

An impressiv sculpture by Joseph Wackerle ( 1880-1959 ). One of a kind from 1920, Germany. Wood, carved. Height: 59.06 in ( 150 cm ), Width: 12.6 in ( 32 cm ), Depth: 12.6 in ( 32 cm )

Cv upon request Karla Walter is an American artist who explores similarities between the social interactions among crows and that of individuals in our society. Karla Walter went to ...

Fritz Heidenreich was a German porcelain sculptor and worked primarily with small sculptures and as a ceramist. Heidenreich worked for the porcelain manufacturer Rosenthal from 1919...

Anonymous, Bust of a young woman, c. 1900, artificial marble and gray onyx marble. 37 cm (height) x 37 cm (width) x 22 cm (depth), weight 17.2 kg. Signed “GURRINI” on the reverse. -...

Antique Horse Bronze Portrait of a Trotting Stallion Isidore Jules Bonheur (France, 1827-1901) Cast bronze mounted on a rectangular plinth with dark brown patina, Signed: I. BONHEUR 17 x 11 3/4 A brilliant exploration of a stallion in full trot. The patina is a deep, warm walnut brown with honey-colored tones. Isidore Bonheur was best known and the most distinguished of the 19th century French animalier sculptors. Isidore, the younger brother of Rosa Bonheur and older brother of Auguste, began his studies of painting initially with his father, who was friends with Francisco Goya. By 1848 he debuted at the Paris Salon having discontinued animal and landscape painting to concentrate on creating sculptures and in 1849, Bonheur enrolled at the Ecole des Beaux Arts. He won medals at the Paris Salon in 1859 and did so again in 1865 and in 1869. After entering the Exposition Universelle 1855, he won the Gold Medal in 1889. In the 1870s exhibited in the London at the Royal Academy of Arts where he earned great prestige and won the coveted Medaille d’Or. After winning numerous other medals and prizes, Bonheur was awarded the Legion d' Honneur in 1895 and he was Knighted in Portugal, Spain and France. Bonheur continued exhibiting at the Paris Salon until 1899. Many of his bronzes were fabricated at the foundry owned by Hippolyte Peyrol, Bonheur's brother-in-law by marriage to Isidore’s youngest sister Juliette Bonheur. The Peyrol casts for both Rosa and Isidore are exceptionally well executed which suggests a strong working relationship between the founder and sculptor. There is little doubt that Isidore Bonheur was an acute observer of nature; his animals were not anthropomorphized but modelled to catch movement or posture characteristics of the particular species he was sculpting. He achieved this most successfully with his sculptures of horses which are usually depicted as relaxed rather than spirited. These figures are among his most renowned works and his equestrian models became very popular, particularly among the British aristocracy. An acute observer of nature, his sculptures reflect his commitment to the Realist school - with precise detailing of the movements of animals in their natural habitats. Ultimately, His naturalistic studies of animals are now some of the most highly sought after works by any of the animalier. He was possibly inspired by his many visits to the Buffalo Bill Wild West Show...

"Climbers I" is a limited edition (TBD/75) sculpture created by Bill Starke depicting a figure climbing a rope. "Climbers I" has 1 in stock. Quantities over 1 will take 5-6 weeks t...

Bronze sculpture signed/etched by the Artist on bronze base with an edition number. 10/30

"5th Avenue Q" by David Gerstein is a vibrant wall sculpture that captures the dynamic energy of New York City's iconic 5th Avenue. Using bold colors and layered shapes, Gerstein bri...

This artwork titled "Dos Mujeres Mayas (Two Mayan Women)") 1983 is an original Mixograph cast paper bas relief by Costa Rican/Mexican artist Francisco...

Il busto marmoreo, datato 1890, appartiene alla sua età adulta, nello specifico all’ultimo anno della sua vita, quando era molto richiesto e aveva uno studio molto prolifico a Firenz...

Bill Starke's "In My Dreams I Can Fly" is a limited edition, cast and patinated aluminum sculpture created by Bill Starke depicting a male figure free falling through the air. ( 3/99 ) Note: Images 4 and 5 depict additional available patinas. About the artist: Human beings interacting, colliding, cooperating, striving, & achieving are the themes I wish to portray in my sculptures. My observations on the human condition are meant to be both humorous and thought provoking. Bill Starke's "Free Man" is everything that good art should be: technically superb, brilliantly composed, emotionally powerful and visually arresting... like George Stubbs, the 18th century English...

"Herself" by Frederick Hart is an acrylic figurative sculpture of a woman's face numbered 176/350. Hart began to equate light and spirit, the medium itself conveying the meaning, bey...

Herbert Haseltine Sudbourne Premier: Suffolk Punch Stallion, 1927 Signed left side: © HASELTINE / MCMXXVII Bronze, dark brown patina, parcel gilding ...

"Mother and Child" by Frederick Hart is an acrylic figurative sculpture of a woman and her baby numbered 43/150. Inspired by the birth of his own child, Frederick Hart masterfully ce...

Ben Young’s sculpture fluidly blends glass, concrete, bronze, steel, and light to depict romantic and pensive imagery highlighting the fragility of our climate and its most precious resource – water. Born in Australia and raised in New Zealand, Young is an avid surfer and environmentalist, inspired by a lifetime on and around oceans, bays, and reefs, with an intimate understanding of the challenges our precious ecosystems face. Young’s thought-provoking sculpture shows great range, portraying the beauty and solitude of life on the ocean, haunting depths of the deep sea, and stunning and relaxing upside of island life. Water is many things to many people, which Young encapsulates brilliantly in his work, encompassing themes of sustainability throughout. Using concrete to create mountains, crevasses, sand bars, and cliffs, Young’s innovative use of materials is transportative. With hand-carved glass as his guiding medium, Young amplifies light and its relationship with water – our most sacred element – to create a glowing unity that people from around the world connect with on a personal level, whether they are beachside or in the Desert. Ben Young’s exhibition Delicate Space at Chesterfield Gallery...

Ben Young’s sculpture fluidly blends glass, concrete, bronze, steel, and light to depict romantic and pensive imagery highlighting the fragility of our climate and its most precious resource – water. Born in Australia and raised in New Zealand, Young is an avid surfer and environmentalist, inspired by a lifetime on and around oceans, bays, and reefs, with an intimate understanding of the challenges our precious ecosystems face. Young’s thought-provoking sculpture shows great range, portraying the beauty and solitude of life on the ocean, haunting depths of the deep sea, and stunning and relaxing upside of island life. Water is many things to many people, which Young encapsulates brilliantly in his work, encompassing themes of sustainability throughout. Using concrete to create mountains, crevasses, sand bars, and cliffs, Young’s innovative use of materials is transportative. With hand-carved glass as his guiding medium, Young amplifies light and its relationship with water – our most sacred element – to create a glowing unity that people from around the world connect with on a personal level, whether they are beachside or in the Desert. Ben Young’s exhibition Delicate Space at Chesterfield Gallery...

ARMAN 1928 - 2005 Bronze sculpture, 2004 Polished bronze with black patina, 2004, stamped with foundry stamp and numbered, published by Venturi Arte, Bologna Signed and numbered...

Tony Hochstetler's "Seated Frog Fountain" (2015) is an original handmade bronze sculpture that depicts a frog sitting on a rock. TONY HOCHSTETLER is a sculptor of unusual animals an...

Eugène Laurent (1832 Gray - 1898 Paris), Joan of Arc, around 1880. Brown patinated bronze on a cast rectangular plinth with tree trunk and distaff. 40 cm (height) x 15.5 cm (length) x 15.5 cm (depth), weight 6.1 kg. Signed “E.[ugène] Laurent.” on the plinth and inscribed “HZ” on the reverse. - somewhat stained due to patina, traces of oxidation behind the distaff, slightly rubbed in places, overall still in very good condition for its age - The Liberating Power of Faith - At the age of 13, Jeanne, a peasant girl born in Lorraine around 1412, heard the voices of Saints Catherine and Margaret and the Archangel Michael telling her that she had been chosen to liberate France from English occupation. By 1428, Henry VI's troops had advanced to the Loire and besieged Orléans, a strategic city for the further conquest of France. Joan of Arc went to the exile of Charles VII and, with the king's consent, led the French army into battle against the besiegers. After four days of fighting, the English were defeated and Orléans was liberated. Other victorious battles followed, until in 1430 she fell into the hands of the enemy, who had her executed as a witch by the Inquisition. In May 1431, Joan of Arc was burned at Rouen. After the final expulsion of the English, the "Maid of Orleans" was rehabilitated by the Church in 1456. She was finally canonized in 1920. By then, Joan of Arc had become a national heroine and the patron saint of France. After the French Revolution, the strengthening of the nation-state and the Franco-Prussian War of 1870-71, Joan of Arc was again venerated and depicted in numerous bronze statues. Eugène Laurent depicts the young girl listening to the voices of the saints who reveal her destiny. With her eyes wide open, she gazes at the sky as if she were looking at the revealed future. Her hands are clasped in prayer, indicating her willingness to face her destiny. Leaning against a tree trunk, she treads with one foot on a raised stone, which, together with her upward gaze, gives her an upward movement that announces her higher mission. At the same time, however, she steps down from the stone to the earth, emphasizing her earthly mission, for which she has already taken the first step. In doing so, she steps over the discarded distaff, which refers to her "lower" origins and belongs to the life she has now left behind. Laurent manages to capture the fateful emotion that makes us look at Joan of Arc in awe, even though she is a simple peasant girl. Even if the design is aimed at the overall impression, the artist has nevertheless worked out certain details, such as the tied waistcoat, very realistically and, in addition to the skin, has particularly depicted the material quality of the textiles. About the artist Eugène Laurent studied at the École des Beaux-Arts in Paris, where he won a prize in 1860. He then joined the studio of Jacques Antoine Theodore Coinchon. As a freelance artist, he supplied the Paris Salon with statues, portrait busts, and medallions from 1861 to 1893. He also created large sculptures such as the monument to Jacques Callot in Nancy (1877) and the statue of François Boucher at the Paris City Hall. GERMAN VERSION Eugène Laurent (1832 Gray - 1898 Paris), Jeanne d’Arc, um 1880. Braun patinierte Bronze auf mitgegossener rechteckiger Plinthe mit Baumstamm und Spinnrocken. 40 cm (Höhe) x 15,5 cm (Länge) x 15,5, cm (Tiefe), Gewicht 6,1 kg. Auf der Plinthe mit „E.[ugène] Laurent.“ signiert und rückseitig mit „HZ“ bezeichnet. - patinabedingt etwas fleckig, Oxidationsspuren hinter dem Spinnrocken, stellenweise leicht berieben, insgesamt in einem altersgemäß noch sehr guten Zustand - Die befreiende Kraft des Glaubens - Als 13jähige vernahm das um 1412 in Lothringen geborene Bauernmädchen Jeanne Stimmen der Heiligen Katharina und Margarete und des Erzengels Michael, die ihr verkündeten, auserwählt zu sein, Frankreich von der englischen Besatzung zu befreien. 1428 waren die Truppen von Heinrich VI. bis zur Loire vorgerückt und belagerten die für eine Weitereroberung Frankreichs strategisch wichtige Stadt Orléans. Jeanne d’Arc begab sich ins Exil Karls VII. und führte mit der Einwilligung des Königs das französische Heer gegen die Belagerer ins Feld. Nach viertätiger Schlacht unterlagen die Engländer und Orléans war befreit. Es folgten weitere siegreiche Kämpfen bis sie 1430 in die Hände des Feindes fiel, der bei der Inquisition ihre Hinrichtung als Hexe erwirkte. Im Mai 1431 wurde Jeanne d’Arc in Rouen verbrannt. Im Anschluss an die endgültige Vertreibung der Engländer wurde die „Jungfrau von Orléans“ 1456 von der Kirche rehabilitiert. 1920 erfolgte schließlich ihre Heiligsprechung. Inzwischen galt Jeanne d’Arc als Nationalheldin und Schutzpatronin Frankreichs. In der Nachfolge der Französischen Revolution, dem Erstarken der Nationalstaatlichkeit und dem Deutsch-Französischen Krieg von 1870/71 erfuhr Jeanne d‘Art eine neue Verehrung und wurde in zahlreichen Bronzestatuen dargestellt. Eugène Laurent zeigt das junge Mädchen wie sie die Stimmen der Heiligen vernimmt, die ihr das von der Vorsehung bestimmte Schicksal offenbaren. Mit weit geöffneten Augen blickt sie gen Himmel als ob sie die offenbarte Zukunft schauen würde. Dabei hat sie die Hände in Gebetshaltung geschlossen, was zugleich vom Willen kündet, sich ihrem Schicksal zu stellen. An einen Baumstamm gelehnt, tritt sie mit dem einen Fuß auf einen erhöhten Stein, was ihr – zusammen mit dem aufwärts gerichteten Blick – eine von ihrer höheren Mission kündende Aufwärtsbewegung verleiht. Zugleich tritt sie aber auch von dem Stein auf die Erde herab, wodurch ihre irdische Mission hervorgehoben wird, zu der sie bereits den ersten Schritt getan hat. Dabei steigt sie über den abgelegten Spinnrocken hinweg, der auf ihre ‚niedere‘ Herkunft verweist und zum nun abgelegten Leben gehört. Laurent gelingt es, die schicksalhafte Ergriffenheit zur Darstellung zu bringen, die uns Jeanne d‘Arc, obwohl sie ein einfaches Bauernmädchen ist, ehrfürchtig betrachten lässt. Auch wenn die Gestaltung auf den Gesamteindruck zielt, hat der Künstler doch einzelne Details, wie die zugebundene Weste, äußerst realitätsnah herausgearbeitet und neben der Haut insbesondere die stoffliche Qualität der Textilien zur Darstellung gebracht. zum Künstler Eugène Laurent studierte an der Pariser École des Beaux-Arts und wurde 1860 von der Akademie mit einem Preis ausgezeichnet. Anschließend trat er in das Atelier Jacques Antoine Theodore Coinchon ein. Als freischaffender Künstler beschickte er von 1861 bis 1893 den Pariser Salon mit Statuen, Porträtbüsten und Medaillons. Zudem schuf er Großplastiken wie das Denkmal Jacques Callots in Nancy (1877) und die Statue...

Jan Jozef Jaquet (1822 Antwerp - 1898 Brussels), Psyche, 1847. Black-brown and brown patinated bronze on a cast base. 30 cm (height) x 22 cm (width) x 12 cm (depth), weight 5 kg. Ver...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. This evocative bronze sculpture presents Stańczyk, the iconic ...

Signed, dated, and inscribed on the verso: Malvina Hoffman/ Den Pasar/ “Nipolog”-/ © 1932/ Bali Provenance: The artist; her estate. Literature: Mal...

This bronze sculpture, from 1996, is a powerful rendering of a horse rearing. It is not uncommon to see stallions rearing; it is a tactic that can be used to dislodge a predator, to...

This is a beautiful original bronze casting by the foremost Russian sculptor of his day Evgeny Lanceray. Artist signed on the base in Cyrillic (image 5) and is also inscribed on the ...

A stunning bronze bust "Le Rieur Napolitain" by Jean-Baptiste Carpeaux (1827–1875), a master of 19th-century French sculpture. This piece captures the joyful expression of a young Neapolitan boy, reflecting Carpeaux’s signature realism and dynamic movement. Details: Artist: Jean-Baptiste Carpeaux Title: Le Rieur Napolitain (The Laughing Neapolitan) Material: Bronze Dimensions: Height 27 cm, Width 19 cm, Depth 12 cm Period: 19th century Condition: Good, with a beautiful natural patina Jean-Baptiste Carpeaux (1827–1875) was a leading French sculptor of the 19th century, known for his ability to infuse lifelike movement and emotional depth into his works. Le Rieur Napolitain (The Laughing Neapolitan) is a striking example of his dynamic and expressive style, embodying his fascination with naturalism and human vitality. This bust is part of Carpeaux’s series of Neapolitan figures...

Nothing is more delightful than depictions of people from the turn of the century that convey a distinguished sort of elegance, composure and dignity. Gone today is the concept of "...

Tony Hochstetler's "Pitcher Plants and Frog" (2016) is an original handmade bronze sculpture that depicts a small frog standing under 3 pitcher plants. TONY HOCHSTETLER is a sculpto...

"Marathon" by artist David Everett is polychromed mahogany, and measures 17 1/4 x 23 1/2 x 6 1/2 inches. It is signed "© D EVERETT 2023". A jackrabbit and cactus are depicted. David...

Tony Hochstetler's "Twice as Spicy" (TBD/7)" (2022) is an original handmade bronze sculpture that depicts a two dried red chili peppers resting on one another. Tony Hochstetler is a...

Tony Hochstetler's "Octopus and Shell" (2014) is an original handmade bronze sculpture that depicts an octopus hiding in a sea shell. TONY HOCHSTETLER is a sculptor of unusual anima...

This 19th century big scale Italian animalier sculpure features a lion striding forward on a root-wood base, snarling with open mouth and expressive eyes enlivening its rippling mane with an extremely realistic sense of motion. The wooden statue, wonderful as a table top, is entirely hand carved in the round in a single block of solid olive wood, sign of high quality and sculptural artisanal mastery. An original whimsical and impressive centerpiece clearly sculpted by a true artist who carved the block of wood creating this figure of the proudest feline boasting a detailed study of the lion's anatomy.The features on the face, mane, muscles, tail and the paws are still distinctive and full of character as well as the beautifully carved stand. This sculpture boasts smooth surface and a warm patina developed over centuries and exudes wonderful quality and timelessness of the ancient world. The rich original patina brings further intrigue to its intricately carved details. This hand carved wooden lion statue is a great looking antique centrepiece...

Augustus Saint-Gaudens Jules Bastien LePage Bronze 14 1/4 x 10 1/8 inches Augustus Saint-Gaudens was born in 1848 in Dublin, Ireland. His father, Bern...

Signed Edition #1 of 6 Provenance Acquired by the gallery directly from the artist Description Feeling the sun’s warmth enveloping her body, Peter Brooke’s bronze “Goddess” express...

Life-size sculpture of a bare-footed boy balancing himself atop a ball.

This is a limited edition figurative realistic sculpture by San Diego artist, Peter Dingli. It is made of bronze. Its dimensions are 21" x 35" x 15". A certificate of authenticity wi...

Josef Moest (1873 Cologne - 1914 Rath), Crusader with shield and mace, around 1910. Bronze on a black marble pedestal (19 cm high). 57.5 cm (total height) x 21 cm (width) x 12 cm (de...

Albert-Ernest Carrier-Belleuse (1824 Anizy-le-Château - 1887 Sèvres), Reading Woman, around 1880. Polished bronze mounted on a cast base. 33 cm (total height) x 9 cm (length) x 9 cm ...

This sculpture "The Foundry Worker" c.1925 is a bronze sculpture by German artist Albert Caasmann, 1886-1968. The signature is impressed in the bronze. The subject size is 11.15 x 8.15 x 3.15 inches, including marble base, the size is 13.15 x 8.15 x 5 inches. It is in excellent condition. about the artist: Albert Caasmann (2 June 1886 – 23 March 1968) was a German sculptor and porcelain artist. Caasmann designed toy figures for the Berlin toy company Lineol and from 1919 to 1952 was the lead designer and production manager for the company. He designed figurines for the porcelain companies Rosenthal AG and Volkstedt. Caasmann's work for the company Rosenthal are exhibited in the Porzellanikon's Rosenthal Museum. Lineol toy figures modeled by Caasmann are in the Historical Toy Museum in Freinsheim and the Toy museum in Havelland. Albert Caasmann was born on 2 June 1886 in Berlin, Germany. From 1909 to 1919, he worked as a freelancer for the Berlin toy company Lineol, founded by Oskar Wiederholz in 1906. After service as a soldier in the First World War, he became the leading designer and production manager of Lineol from 1919 to 1952. He designed over 600 figures for Lineol, including soldiers, animals, Indians, knights, fairy figures, and railroad figures. His toy figures were widely used in the region by children. Lineol ceased operations in 1965, and in 1985 the company Lineol Duscha has the trademark rights to Lineol. Lineol Duscha reproduces Lineol figures modeled before 1945. Lineol toy figures modeled by Caasmann are in the Historical Toy Museum in Freinsheim and the Toy museum in Havelland. Caasmann spent time in the Berlin Zoo, where he modeled his animal models. He made a model for a porcelain cheetah...

Tony Hochstetler's "Boa" (2014) is an original handmade bronze sculpture that perfectly captures the detail of a boa constrictor snake.

Original bronze sculpture by Lisa Gordon. Edition #6/12. Signed on base.

Edition 6/30. Original bronze bell sculpture by artist James Moore. Inscribed.

Tony Hochstetler's "Turtle Pad" (2024) is an original handmade bronze sculpture that depicts two turtles, one standing on top of the other. TONY HOCHSTETLER is a sculptor of unusual...

"Spirita" Dimensions: 15" x 14" x 7" Medium: Clear Acrylic Resin Edition of 350 Hart wanted to sculpt light, from which forms move in and out, that defined the very delicate sense of...

Ben Young’s sculpture fluidly blends glass, concrete, bronze, steel, and light to depict romantic and pensive imagery highlighting the fragility of our climate and its most precious resource – water. Born in Australia and raised in New Zealand, Young is an avid surfer and environmentalist, inspired by a lifetime on and around oceans, bays, and reefs, with an intimate understanding of the challenges our precious ecosystems face. Young’s thought-provoking sculpture shows great range, portraying the beauty and solitude of life on the ocean, haunting depths of the deep sea, and stunning and relaxing upside of island life. Water is many things to many people, which Young encapsulates brilliantly in his work, encompassing themes of sustainability throughout. Using concrete to create mountains, crevasses, sand bars, and cliffs, Young’s innovative use of materials is transportative. With hand-carved glass as his guiding medium, Young amplifies light and its relationship with water – our most sacred element – to create a glowing unity that people from around the world connect with on a personal level, whether they are beachside or in the Desert. Ben Young’s exhibition Delicate Space at Chesterfield Gallery...

Tony Hochstetler's "Spicy" (2022) is an original handmade bronze sculpture that depicts a red chili. TONY HOCHSTETLER is a sculptor of unusual animals and botanical subjects. His r...

Victor Heinrich Seifert (1870 – 1953) Die Trinkende, c. 1900 H 26.25 in. x W 8 in. x D 11.38 inch Bronze with brown patina Austrian artist Victor Heinrich Seifert is known for his ...

Hyperreal bright yellow glass water balloon sculpture by Dylan Martinez. Dylan Martinez’s hyperrealistic water balloons are made of solid sculpted glass sandblasted and acid-etche...

Bill Starke's "The Seeker" is a limited edition (#3/50), bronze sculpture created by Bill Starke depicting a male figure peering down through a small opening beneath him. About th...

"Ex Nihilo Fragment 6" by Frederick Hart is a figurative bronze with the edition of 55/65. Ex Nihilo Fragment No. 6, detail from the full-scale plaster for the final stone sculpture of Ex Nihilo, was commissioned as part of The Creation Sculptures at Washington National Cathedral...

Francesco Messina (Linguaglossa 1900 – Milan 1995), Fisherman (1930) Bronze sculpture measuring 131 x 52 x 65 cm, signed and dated 1930 on the base. Francesco Messina’s Fisherman w...

Signed/engraved by Artist on bronze base of sculpture with an edition number. Open Edition #7

Inscribed signature by the Artist on the bronze base of the piece with an edition number. 27/30

Fritz Heinemann (1864 Altena - 1932 Berlin), Young Roman, 1892. Brownish patinated bronze on a cast round plinth, mounted on a red marble base (8.5 cm high), total height 36 cm, dime...

Herbert Haseltine Poodles: Nora and Sheila, 1944, cast 1945 Signed and dated on base Bronze with green patina 11 inches high x 17 inches wide x 6 inc...

Set of 5 hyperreal glass water balloon sculpture installation by Dylan Martinez. Made of 100% hot-sculpted glass. Approx. Size: 3.5 × 3.5 × 4.5 inches (each balloon) Dylan Martine...

Acquired by the gallery directly from the artist Artist Statement “I like to think of the jaguar as the welterweight of big cats. Even though this sculpture is small my aim was to c...

"Ex Nihilo Fragment 3" by Frederick Hart is a figurative bronze with the edition of 61/65. I saw Ex Nihilo (Out of Nothingness) as a single expression of creation, as the metamorphosis of divine spirit and energy. The figures emerge from the nothingness of chaos, caught in the moment of eternal transformation — the majesty and mystery of divine force in a state of becoming. -Frederick Hart Ex Nihilo, Fragment No.3. Detail from the full-scale plaster for the final stone sculpture of Ex Nihilo, commissioned as part of The Creation Sculptures at Washington National Cathedral...

Acquired by the gallery directly from the artist Artist Statement “By exploring the forms in this piece, and given the simplicity of the gesture, I can directly address the concept ...

A nineteenth-century cast of Antoine-Louis Barye's Le cheval demi-sang arabe (no. A125-Poletti; A148-Pivar), with nice patina. Poletti and Richarme, Barye: ...

Signature of the Artist engraved in the bronze base of the piece with an edition number. Open Edition