Realist Sculptures

Signed/etched by Artist on bronze base of sculpture with edition number. 11/30

Pair of Hyperreal purple glass water balloon sculptures by Dylan Martinez. Dylan Martinez’s hyperrealistic water balloons are made of solid sculpted glass sandblasted and acid-etched to resemble real water balloons. The sculptures are made in small batches, and each color is hand-mixed. Each piece is unique and is signed on the base by the artist. Material: Hot sculpted, sandblasted, acid-etched solid glass Approx. Size: 3 1/2 × 3 1/2 × 4 1/2 inches (each) hyperrealism, glass sculpture, glass balloon...

Edition #20/100 - Original bronze sculpture by Gerald Balciar. Signed on bronze sculpture.

A stunning bronze bust "Le Rieur Napolitain" by Jean-Baptiste Carpeaux (1827–1875), a master of 19th-century French sculpture. This piece captures the joyful expression of a young Neapolitan boy, reflecting Carpeaux’s signature realism and dynamic movement. Details: Artist: Jean-Baptiste Carpeaux Title: Le Rieur Napolitain (The Laughing Neapolitan) Material: Bronze Dimensions: Height 27 cm, Width 19 cm, Depth 12 cm Period: 19th century Condition: Good, with a beautiful natural patina Jean-Baptiste Carpeaux (1827–1875) was a leading French sculptor of the 19th century, known for his ability to infuse lifelike movement and emotional depth into his works. Le Rieur Napolitain (The Laughing Neapolitan) is a striking example of his dynamic and expressive style, embodying his fascination with naturalism and human vitality. This bust is part of Carpeaux’s series of Neapolitan figures...

Charles Schreyvogel (1861-1912) New York / New Jersey Artist Image Size: 12" x 18.50" x 5" Medium: Bronze Sculpture 1903 "The Last Drop" Charles Schreyvogel (1861-1912) New York / Ne...

Pear Tree Sculpture. Elegant, fine and unique piece, not replicable. Forged on wrought iron. Made by six different branches, easy assembled. The sculptor is fresh from the success ...

This artwork titled "Dos Mujeres Mayas (Two Mayan Women)") 1983 is an original Mixograph cast paper bas relief by Costa Rican/Mexican artist Francisco...

Animal sculptor Sophie MARTIN creates from inert clay a whole living animal kingdom. She freely observes the animal and captures and interprets a movement; and places it in nature an...

Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentine singer, 1865. Light brown patinated bronze with cast round plinth mounted on a square marble base (3.5 cm high). Total height 53 cm. Bronze dimensions: 49.5 cm (height) x 20 cm (length) x 10 cm (width), weight 5.6 kg. Inscribed on the plinth "P.[aul] DUBOIS", dated "1865", with the foundry's mark "F. BARBEDIENNE FONDEUR" and the signet "REDUCTION MECANIQUE A. COLLAS". - Patina very occasionally darkened, lute with loss of one tuning peg, otherwise in excellent condition. - The renaissance of the Renaissance - The bronze is a precisely executed and masterfully cast contemporary reduction of Paul Dubois 155 cm tall masterpiece "Florentine Singer", which is exhibited in the Musée d'Orsay and for which the artist was awarded the Medal of Honor at the Paris Salon in 1865. The work acted as a beacon, and was followed by a plethora of depictions of juveniles. Inspired by Donatello and Luca della Robbia, but also by painters such as Piero della Francesca, Benozzo Gozzoli, and Pinturicchio, the "Florentine Singer" is not an epigonal work that pays homage to a vanished era, but a successful attempt to draw vitality from the art of the past and thus give it new life. The effect of vitality is the core of Italian Renaissance art theory. In order to fulfill itself as art, art had to appear like nature. This naturalism also characterizes the "Florentine Singer". The young man appears to have been taken from life, which is reinforced by the momentary nature of his action. He has just struck a now fading chord. In addition, the natural appearance is enhanced by the detailed shaping of the figurative details, such as the laces with the slightly curved leather of the shoes, the belt buckle, or the ornamentation on the body of the lute. Even the fingernails are clearly defined. Unlike the Renaissance, however, the effect of liveliness here is not based on the "discovery" of nature and the human body, but primarily on the rediscovery of the art of the Quattrocento. The liveliness of the artwork is therefore at the same time a revitalization of this art, so that we can speak of a Renaissance of the Renaissance, just as the Pre-Raphaelites in England at the same time transferred the Quattrocento to contemporary art. Dubois takes on the most difficult of all subjects, the depiction of singing through silent sculpture. He was preceded in this by Luca della Robbia and Donatello with their pulpits of singers created in the 1430s in the Museo dell'Opera del Duomo in Florence. Compared to these works, the physiognomy of Dubois singer is far less animated, yet he also depicts singing in a convincing manner. He uses the whole body. He takes the ancient contrapposto, which was essential to Renaissance sculpture, and transforms the standing leg-playing posture into a late medieval S-swing, giving the body an elegant beauty and at the same time setting it in melodic motion. In the equally elegant finger position, the music is expressed in a much more literal way with the beating of the lute. Finally, the musicality of the sculpture culminates in the face with the mouth open to sing. Through the act of singing, which is a great challenge to the artistic will to depict perfect beauty, the gracefulness of the classical face is not diminished, but enhanced. Starting from the face with the singing mouth and the gaze absorbed by the sounds, the inner vitality spreads, giving the bronze sculpture an intense aura, enhanced by the music. Dubois transfers the beauty of the Renaissance to the musical, sublimating the visible sculpture to the invisible of music. He took up the challenge of transcending the Renaissance with the Renaissance, thus responding to the Querelle des Anciens et des Modernes, which arose at the end of the 17th century around the French Academy and remained virulent into the 19th century, in which antiquity was regarded either as an unattainable ideal or as a standard to be surpassed. With his work, Dubois proved that the Renaissance, which had championed the art of the ancients, could lead to a new renaissance of art. About the artist Paul Dubois' great-uncle was the famous French Baroque sculptor Jean-Baptiste Pigalle, in whose footsteps the talented great-nephew followed. When he debuted at the Paris Salon in 1858, he signed his work "Dubois-Pigalle". At his father's request, however, he first studied law before devoting himself to sculpture under the tutelage of François Christophe Armand Toussaint in 1856 and entering the École des Beaux-Arts in 1858. From 1859 to 1863, he lived in Rome and traveled to Naples and Florence. Inspired by Florentine art of the quattrocento, Dubois initiated a school-forming neo-Florentine style that combined the elegantly simple forms of youthful grace with a precise wealth of detail.Two purchases by the French state (“envois de Rome”) were made during his stay in Rome, which brought him recognition in Paris. After his return there, he quickly became an internationally sought-after artist. Dubois was also active as a creator of monuments. His most famous work is the equestrian statue of Joan of Arc (1896) on the forecourt of Reims Cathedral. He was also a sought-after portraitist who produced around 50 busts and - Dubois was also a passionate painter - around 100 portraits in oil. From 1873 to 1878 he was curator of the Museum du Luxembourg, in 1876 he became a member of the Institut de France and from 1878 to 1905 he was director of the École des Beaux-Arts. In 1865, Dubois was awarded the Paris Salon Medal of Honor for his “Florentine Singer”. In 1867 he became Chevalier, in 1874 Officier, in 1886 Commandeur of the Légion d'honneur, which awarded Dubois the Grande Croix in 1896. Selected Bibliography Stole, Elmar: Paul Dubois. In: Saur. Allgemeines Künstlerlexikon, vol. 30, Munich - Leipzig 2001, pp. 677-678. GERMAN VERSION Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentinischer Sänger, 1865. Hellbraun patinierte Bronze mit gegossener runder Plinthe auf quadratischem Marmorsockel montiert (3,5 cm Höhe). Gesamthöhe 53 cm. Maße der Bronze: 49,5 cm (Höhe) x 20 cm (Länge) x 10 cm (Breite), Gewicht 5,6 kg. Auf der Plinthe mit „P.[aul] DUBOIS“ bezeichnet, auf „1865“ datiert, mit dem Gießereistempel „F. BARBEDIENNE FONDEUR“ und dem Signet „REDUCTION MECANIQUE A. COLLAS“ versehen. - Patina sehr vereinzelt nachgedunkelt, Laute mit Verlust eines Stimmwirbels, ansonsten ausgezeichnet erhalten. - Die Renaissance...

"This is one of my earliest sculptures. I depicted a naked girl at the waterfall. She bathes under jets of water. The fabric of clothing hugs her body and lies down to her feet. The ...

Mark Morrison (1895-1964) Ram, ca. 1940 Carved diorite 9" long, 6" wide, height is 7.5" Rusty band on hind quarter is a naturally occurring iron ore occlusion in stone, which bot...

Signed Edition #1 of 6 Provenance Acquired by the gallery directly from the artist Description Feeling the sun’s warmth enveloping her body, Peter Brooke’s bronze “Goddess” express...

Albert-Ernest Carrier-Belleuse (1824 Anizy-le-Château - 1887 Sèvres), Reading Woman, around 1880. Polished bronze mounted on a cast base. 33 cm (total height) x 9 cm (length) x 9 cm ...

Victor Heinrich Seifert (1870 – 1953) Die Trinkende, c. 1900 H 26.25 in. x W 8 in. x D 11.38 inch Bronze with brown patina Austrian artist Victor Heinrich Seifert is known for his ...

Paul Ludwig Kowalczewski (1865 Mieltschin - 1910 Berlin), Field worker with rake, around 1900. Brown and brown-greenish patinated bronze with cast naturalistic plinth mounted on a wh...

This 19th century big scale Italian animalier sculpure features a lion striding forward on a root-wood base, snarling with open mouth and expressive eyes enlivening its rippling mane with an extremely realistic sense of motion. The wooden statue, wonderful as a table top, is entirely hand carved in the round in a single block of solid olive wood, sign of high quality and sculptural artisanal mastery. An original whimsical and impressive centerpiece clearly sculpted by a true artist who carved the block of wood creating this figure of the proudest feline boasting a detailed study of the lion's anatomy.The features on the face, mane, muscles, tail and the paws are still distinctive and full of character as well as the beautifully carved stand. This sculpture boasts smooth surface and a warm patina developed over centuries and exudes wonderful quality and timelessness of the ancient world. The rich original patina brings further intrigue to its intricately carved details. This hand carved wooden lion statue is a great looking antique centrepiece...

Herbert Haseltine Poodles: Nora and Sheila, 1944, cast 1945 Signed and dated on base Bronze with green patina 11 inches high x 17 inches wide x 6 inc...

Augustus Saint-Gaudens Jules Bastien LePage Bronze 14 1/4 x 10 1/8 inches Augustus Saint-Gaudens was born in 1848 in Dublin, Ireland. His father, Bern...

Original bronze sculpture by George Walbye. Edition #78/100. Signed on bronze sculpture.

Nothing is more delightful than depictions of people from the turn of the century that convey a distinguished sort of elegance, composure and dignity. Gone today is the concept of "...

Signed/etched by the Artist in to bronze base of the sculpture with the edition number. 15/30

Albert Pierre LaPlanche (1854 Sainte-Menehould - 1935 Chäteau-Thierry), Vigilant sitting shepherd dog, around 1915. Brown patinated bronze on cast terrain plinth. 45 cm (height) x 45...

Mark Morrison (1895-1964) Dodo, ca. 1940 Carved granite 7.75" wide, 5" deep, height is 7" Provenance: Estate of Mrs. Mark Morrison. Born: Kingfisher, OK Education: Univers...

Bill Starke's "In My Dreams I Can Fly" is a limited edition, cast and patinated aluminum sculpture created by Bill Starke depicting a male figure free falling through the air. ( 3/99 ) Note: Images 4 and 5 depict additional available patinas. About the artist: Human beings interacting, colliding, cooperating, striving, & achieving are the themes I wish to portray in my sculptures. My observations on the human condition are meant to be both humorous and thought provoking. Bill Starke's "Free Man" is everything that good art should be: technically superb, brilliantly composed, emotionally powerful and visually arresting... like George Stubbs, the 18th century English...

"5th Avenue Q" by David Gerstein is a vibrant wall sculpture that captures the dynamic energy of New York City's iconic 5th Avenue. Using bold colors and layered shapes, Gerstein bri...

Wild Running Horse Three-Dimensional Painting on Wood 40H X 30" W 2019 in Los Angeles Collaborative Artwork - Irena Orlov-Zeev Orlov SPECIFICATIONS: Combines Painting and Sculptur...

Bronze sculpture with an inscribed signature by the Artist on the bronze base of the piece.

An exquisite and highly tasteful sculpture, The Cat is one of the most recent artworks by the Italian master blacksmith Ivan Zanoni who has recently been put on display at MART, Museum of Modern Art in Rovereto (the most prominent in Italy), which has dedicated a significant exhibition to him. Ivan Zanoni has learned this rare activity from his father, Luciano, who, among other artworks, has sculpted a four-meter olive tree for Melinda and Bill Gates...

"Cat's Cradle" is a limited edition sculpture created by Bill Starke depicting a figure playing with string. About the artist: Human beings interacting, colliding, cooperating, striving, & achieving are the themes I wish to portray in my sculptures. My observations on the human condition are meant to be both humorous and thought provoking. Bill Starke's "Free Man" is everything that good art should be: technically superb, brilliantly composed, emotionally powerful and visually arresting... like George Stubbs, the 18th century English master...

From Great Britain Paul Eaton VPRMS MAA hand carved a Poodle pendant an elegant sterling-silver miniature dog sculpture made into a jewelry piece you ca...

A lively and important work that would bring animation to any interior. Though he has been called “the world’s best public sculptor,” by art critic Ken Johnson, Tom Otterness’ playfu...

A unique wall piece that is a great gift for any avid gardener or lover of horticulture. Sit Hamo Thornycroft would become one of the youngest members of the Royal Academy, achieve the Medal of Honour at the Paris Exhibition in 1900, and be knighted in 1917. Working in a transitional style between that of the neo-classicists of his parent’s generation and the Modernist style of the 20th century, Thornycroft carved out a niche as a figurative sculptor and noted modeler of public monuments in and around London. Toogoods and Sons, Ltd, established in the early nineteenth century, had, by the turn of the century, grown to become the largest seed company...

"Faces" is a single edition bronze wall sculpture created by Bill Starke, depicting three finely carved human heads from differing perspectives. "Faces" is a single edition install...

MASTERPIECE Made with natural ceramic. Hand-modeled technique and cooked in a wood-fired oven. LISTING =================================== 1 Ceramic Catrina =======================...

"Mother and Child" by Frederick Hart is an acrylic figurative sculpture of a woman and her baby numbered 43/150. Inspired by the birth of his own child, Frederick Hart masterfully ce...

Signature of the Artist engraved in the bronze base of the piece with an edition number. 201/350

Grand Tour Marble Bust of a Young Apollo (Late 19th Century) Marble bust on a swivel marble base Unsigned 24 ½" high x 21" wide x 9 1/2 " deep...

Artist: Telly Mia Title: Fertility Venus Medium: Bronze Sculpture, signature inscribed Size: 20 in. x 11 in. x 10 in. (50.8 cm x 27.94 cm x 25.4 cm)

Signed/inscribed by the Artist on the bronze base of the sculpture with an edition number. 9/20

Provenance Acquired by the gallery directly from the artist Description Slatoff’s sculpture is a biblical reference to the central figure in the book of Nehemiah, which describes a ...

Anonymous, Bust of a young woman, c. 1900, artificial marble and gray onyx marble. 37 cm (height) x 37 cm (width) x 22 cm (depth), weight 17.2 kg. Signed “GURRINI” on the reverse. -...

The sculpture is a unique, unrepeatable piece. Can be an outdoor sculpture. The Lynx belongs to the cycle dedicated to local animals that the sculptor has been working on. The artwork has just been exhibited in the prestigious museum in Rovereto, the Mart, Italy's leading museum of modern and contemporary art. It has been created with a technique that the artist has perfected over his long experience. Furthermore, he learnt a few technical skills from his father, a sculptor of wrought iron too. A few artworks made by father and son are in significant private and public collections, the best known of which is the Melinda and Bill Gates...

Francesco Messina (Linguaglossa 1900 – Milan 1995), Fisherman (1930) Bronze sculpture measuring 131 x 52 x 65 cm, signed and dated 1930 on the base. Francesco Messina’s Fisherman w...

Signed/engraved by Artist on bronze base of sculpture with an edition number. Open Edition #7

A nineteenth-century cast of Antoine-Louis Barye's Le cheval demi-sang arabe (no. A125-Poletti; A148-Pivar), with nice patina. Poletti and Richarme, Barye: ...

"Spirita" Dimensions: 15" x 14" x 7" Medium: Clear Acrylic Resin Edition of 350 Hart wanted to sculpt light, from which forms move in and out, that defined the very delicate sense of...

Tony Hochstetler's "Pitcher Plants and Frog" (2016) is an original handmade bronze sculpture that depicts a small frog standing under 3 pitcher plants. TONY HOCHSTETLER is a sculpto...

This bronze sculpture, from 1996, is a powerful rendering of a horse rearing. It is not uncommon to see stallions rearing; it is a tactic that can be used to dislodge a predator, to...

Christian Thomsen (1860 Kolding - 1921 Copenhagen), Carving boy, design around 1915, execution 1966. model number 905. First choice. Porcelain with underglaze painting. 18.5 cm (heig...

Tony Hochstetler's "Hot Wings Wall Mount (8/21)" (2022) is an original handmade bronze sculpture that depicts a dried peppers with a bat flying downwards. Tony Hochstetler is a scul...

Bronze sculpture with an inscribed signature and edition number by the Artist on the bronze base of the piece. 24/35

A life-sized fiberglass sculpture of a horse, unsigned. This specific breed of horse the sculpture is based on is called Quarter Horse. Many visitors to ...

Signed/inscribed by Artist on bronze base of the sculpture with an edition number. Open Edition

Artist's signature and edition number inscribed in the the bronze base of the piece. 38/65

Signature of the Artist engraved in the bronze base of the piece with an edition number. Open Edition

Mark Morrison (1895-1964) Mountain Goat, ca. 1940 Carved diorite 3 7/8" wide, 2.5" deep, height is 3" Provenance: Estate of Mrs. Mark Morrison. Born: Kingfisher, OK Educatio...

Inscribed by Artist on Bronze base of the piece with signature and edition number. 35/45

“Bast” is A limited edition bronze sculpture of a seated black cat on a black marble base. Black patin From the limited edition of 8. Signed 1/8 Paula Blackman has been a bronze scu...

RICHARD LOUIS GARBE, RA (1876-1957) Alfreda, The Artist’s Daughter Signed and dated 1956 Plaster with patinated surface on a wooden base 30 cm., 11 ¾ in. high Provenance: Gifted ...

"Adam Maquette" by Frederick Hart is a figurative female and male figure bronze sculpture with the edition number 116/350. “Adam is Everyman, pulled from the waters of baptism, concrete and universal, led by the fire of day by night, and the cloud of night by day — triumphing over the powers of darkness-emergent radiant in light.”After “Ex Nihilo” and “Adam” were carved into Indiana limestone...