Abstract Geometric Art

Skipstep (DE) (Abstract Painting) Acrylic on canvas. Unframed. The skipstep and Shadow Boxer paintings grow out of an interest in the paradox of spatial comprehension found in abstract painting. As with the shadow boxing practice in which the athlete spars with his or her own shadow, Bolt finds that the illusory qualities of abstract composition initiate a similar exercise of perception and expectation. Using...

Record, woven linen, cotton cord, 102" x 27", 2020. This abstract, geometric woven textile wall sculpture is by contemporary American fiber artist, Blair Tate. "In weaving there i...

Alberto Magnelli Original Lithograph Executed in 1967 for XXe Siecle (issue No. 29 "Vers un nouvel humanism") published in Paris by San Lazzaro There is a fold in the center, as issu...

Pagter’s minimalism is emblematic of the shared sensibilities of Scandinavian and Japanese artists, popularly termed 'Japandi'. Into Blue is one in a three part series. “In the refi...

High Frequency/Slow Shift (Abstract Painting) Acrylic on canvas. Unframed. This work is a triptych which focuses on a shallow, mostly monochromatic surface that include bas-relief planes “locked” together against a more “fluid”, painterly background. The dripped surface of that background is only seen through small openings, or gaps between the flat, assembled forms. The tension of overlapping foreground shapes and the contrary background treatment is accentuated by the high-key yellow color that pushes the composition forward toward the viewer. It creates a drama that might not readily be associated with such a shallow space that includes subtle shifts and provides a perceptual twist that has a kind of electric visual charge. Macyn Bolt is an American abstract painter. Using a visual language informed by geometric abstraction, he creates artworks that examine how color and form create shifts in visual perception. He lives and works in Brooklyn, NY, and upstate Pennsylvania. Bolt works with acrylic paint on a variety of surfaces including canvas, wood panel, vinyl and paper. Using scrapers...

Blossom Copper Mosaic 36.0 x 36.0 x 1.5, 23.0 lbs Copper, mixed media Hand signed by the artist Artist's Commentary: "Vibrant hues radiate from this copper mosaic, whose delicate ...

Pool is an original watercolor drawing, realized by an anonymous artist of the XX century. The state of preservation of the artwork is good. Sheet dimension: 8.5 x 39.5 cm. Passep...

Brandon Neher is a California artist whose original paintings embody a profound exploration of space, structure, and balance, infused with a touch of modern minimalism. Drawing inspi...

A Visual Journey: Landscape #6, Original Contemporary Abstract Expressionist Painting, 2022 Reminiscent of the abstract expressionist works of Hans Hoffman, this small-format mixed media painting study by artist Simona Gocan...

Shadow boxer (A.2) (Abstract Painting) Acrylic on canvas. Unframed. The Shadow Boxer and skipstep paintings grow out of an interest in the paradox of spatial comprehension found in abstract painting. As with the shadow boxing practice in which the athlete spars with his or her own shadow, Bolt finds that the illusory qualities of abstract composition initiate a similar exercise of perception and expectation. Using...

This artwork is a striking example of geometric abstract art, defined by its bold use of color and form. Dominating the composition is a large expanse of vibrant red at the top, whic...

Yvaral Lithograph Structure géométrique 1 Signed in pencil Numbered 209/225 Circa 1974 59x64 cms 950 euros

"Rift Valley, Sonde 2" is a textural and elemental abstract painting on canvas. It explores the hybridization of chance-derived color-fields with textural topography. Various techniq...

Cups "C" - is an one-of-a-kind, hand-crafted, abstract wall sculpture of fine brass wire, employed gesturally, like pencil lines, covered with a soft Japanese paper, creating translu...

Greg Chann creates contemporary modern abstract geometric sculptures. His constructions are complex interwoven systems of physical elements varying in size, material, and color. Thes...

Evan Venegas studied at the San Francisco Art Institute and earned his BFA in Painting in 1998. Evan Venegas creates artwork that lives at the intersection of geometry and atmosphere...

Evan Venegas studied at the San Francisco Art Institute and earned his BFA in Painting in 1998. Evan Venegas creates artwork that lives at the intersection of geometry and atmosphere...

Evan Venegas studied at the San Francisco Art Institute and earned his BFA in Painting in 1998. Evan Venegas creates artwork that lives at the intersection of geometry and atmosphere...

Yaacov Agam (b. 1928) Magic Rainbow II, late 20th century Screenprint in colors on wove paper LXIII/XC (edition 63/90) Signed and numbered in pencil along lower edge 13 x 15...

Evan Venegas studied at the San Francisco Art Institute and earned his BFA in Painting in 1998. Evan Venegas creates artwork that lives at the intersection of geometry and atmosphere...

Evan Venegas studied at the San Francisco Art Institute and earned his BFA in Painting in 1998. Evan Venegas creates artwork that lives at the intersection of geometry and atmosphere...

A wonderful abstract brutalist welded and torch cut steel wall sculpture with many points and a burnished finish, by 20th century California artist Tony Melendy...

Acrylic on canvas - Unframed The Shadow Boxer and skipstep paintings grow out of an interest in the paradox of spatial comprehension found in abstract painting. As with the shadow ...

Standout pair of 19th Century neoclassical Italian obelisks clad in mirrored sections with etched floral designs now oxidized to perfection with the expected imperfections. Presented...

After Marcel Duchamp Rotorelief Print Framed, circa 1980 Edited by Walther König Series 133, Germany in 1987. Framed Artwork in Wood. In original condition, with minor wear cons...

Cups "F" - is an one-of-a-kind, hand-crafted, abstract wall sculpture of fine brass wire, employed gesturally, like pencil lines, covered with a soft Japanese paper, creating translu...

Paolo Minoli nasce a Cantù (Como) e si diploma “Maestro d’Arte” nel 1961 presso l’Istituto d’Arte di Cantù, dove insegna dal 1964 al 1978. A partire dagli anni Settanta sviluppa una ...

Sonia Delaunay Full-page, colour pochoir after costume designs by Sonia Delaunay Edition 331/500 copies on Velin Aussedat Dimensions: 28.5 x 19.5 cm. From 27 Living Paintings. [Milano, Edizioni del Naviglio, 1969]. Jacques Damase. Robes Poèmes, Introduction. Text by Guillaume Apollinaire and Blaise Cendrars. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...

Watercolour on lithographic paper, retouched in pencil and hand-coloured by the artist, published in 1969. ‘Metaphysical Interior’ written in pencil at the bottom centre, accompanie...

2025 Acrylic on canvas 16 x 16 in. (40.6 x 40.6 cm) Unique Signed and dated, verso

Virus Americanus XII, 2002 oil enamel on canvas 150 x 128 inches

This contemporary, mixed media Wall Relief by Ned Evans features yellow, black and blue oil paint and resin on wood. Its modern design turns y...

Oscar Reutersvärd (1915-2002) Fifteen European Impossible Figures, Italy, 39,5x30 cm

Standout pair of Anglo Indian obelisks with classic form crafted in mahogany and with silver plate bases with floral designs and ball feet. Signed on the bottom S P 2001.

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Roger Selchow oil on canvas 32x40 inches Signer Verso 1970’s Roger Hoffman Selchow was born in Greenwich, Connecticut, and is best known for his paintings of geometric abstraction...

2025 Acrylic on canvas 16 x 16 in. (40.6 x 40.6 cm) Unique Signed and dated, verso

Pagter’s minimalism is emblematic of the shared sensibilities of Scandinavian and Japanese artists, popularly termed 'Japandi'. Into Black is one in a three part series. “In the ref...

"Viva La France!," 23 Karat Gold Leaf and Oil on Canvas, 32 x 48 Inches, is inspired by the French flag, elegant and whimsical, however it can also be viewed as a pure geometric abs...

A large minimal abstract painting on paper by Yasmin Brandolini. Artist: Yasmin Brandolini d'Adda, South African/Italian (1929 - ) Title: 6C Year: 1984 Medium: Tempera on Paper, sig...

Untitled (From the Sotomagie Portfolio), 1967 Denise Rene Editeur, Paris Based on Soto's Work Rotation, 1952, Oil on Plywood Silkscreen 23 7/8 x 23 7/8 in (60.5 x 60.5 cm) Editioned ...

The colorful paintings of Jan Pieter Fokkens transport us to distant worlds beyond our comprehension. Within his seemingly infinite networks of lines, dots, and crosses, he decodes the recognizable to create something unfamiliar. Each work begins with a colorized photo captured by a deep-space...

Signed lower right. This Mid Century Modern artist, Malcom Edgar Case (1924-1984), is known for abstract figurative painting and clothing design. Th...

Frank Stella's work references many of the key developments or movements in post-war American art; Op Art, hard-edge abstraction, conceptual art and Minimalism. His iconic concentric...

Bloom, No. 7, 2026 (Contemporary colorful round tondo painted in oil on canvas) acrylic and marble dust on collaged repurposed canvas on panel 29 in. diameter Colorful pinwheel tond...

Madman (Fou) from Art of Today, Masters of Abstract Art, Album I, 1953 - Édition Art d'Aujourd'hui, Boulogne Screenprint in colors, 25.2" H x 19.2” W (64 x 49 cm), signed and dated ...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Viktor Schreckengost paints an ocean scene and moon with precise attention. The painting is part document and part flat abstraction. The uniqueness in this work is how Schreckengos...

From the Series Reliefs Aquaresin and Pigment 79 H x 16.5 W in. This striking artwork features three elongated, vertical panels, each uniquely textured with a rugged, charred surf...

Excerpts from William Peterson, Tom Waldron, 1985 They cut through space like beautiful and efficient tools. No bases or pedestals are required. They sit ...

Includes a Certificate of Authenticity

A contemporary painting by NYC's Gene Johnson. A balance of values, texture, line and form. Unframed. Signed "Gene Johnson" on verso. Gene Johnson has been painting and exhibiting ...

Cups "D" - is an one-of-a-kind, hand-crafted, abstract wall sculpture of fine brass wire, employed gesturally, like pencil lines, covered with a soft Japanese paper, creating translu...

Flash Solar, by Pedro Friedeberg - Digital Print - 34 x 33 cm - Abstract Geometric, c. 2023 The piece, "Flash Solar," by Pedro Friedeberg is unique and special because it powerfully...

Louis Marcoussis (1883-1941), Un Reve, etching, 1930, signed in pencil lower right and inscribed “2nd etat 1/2” lower left. Plate 1 of the portfolio Aurelia. Reference: Milet 55II, second state (of 4), before the edition (of 153 in the fourth state). In good condition, on a wove paper with full margins (a small area of discoloration below the border lower left, remains of prior glue right margin edge), 7 1/4 x 5 3/8, the sheet 15 5/8 x 9 3/8 inches, archival matting. A fine impression of a rare proof, before the edition. This is one of the two proofs of the second state. After this state the plate was reduced in a third state (from 183 to 174 mm), and then steel faced for the edition. Provenance: Libreria Prandi Reggio (blindstamp lower right corner) Jean Cassou and Pierre Courthion asked Marcoussis to illustrate Aurelia, a novel by Gerard de Merval. This was the first album of their collection “Le Blanc et Le Noir,” edition chez Fourcade. Marcoussis was familiar with this novel, in which imagination and reality intermingle. In it de Merval wrote: “La Reve est une seconde vie.” (The Dream is a parallel life.) Marcoussis wrote of the print: “Il ressemblait a l’Ange de la Melancholie d’Albrecht Durer.” (It recalls the angel in Durer’s Melancholia...

Midi - Plate 3 from the 12 plate Portfolio, 1959 Published by Denise Rene, Paris Lithograph in colors on heavy paper 26 x 20 inches Signed, dated and numbered in ink, edition of 150 ...

"Homage to the Square - P2, F32, I1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that...

Jean-Emile Laboureur (1877-1943), La Rentree au Seminaire, 1897, woodcut, signed in ink lower right and inscribed “tire a 15 ex.” [also with monogram in the plate]. Reference: Laboureur 566, only state. In good condition, with some staining toward margin edge not affecting image, tack-holes at corners, 4 3/8 x 4 3/8, the sheet 9 5/8 x 8 1/2 inches. A fine impression, printed on a grey/green wove paper. A very early woodcut; the first time that Laboureur used a monogram within the plate. This woodcut was made shortly after Laboureur learned printmaking from the famed printmaker – and woodcut specialist – Auguste Lepere; and the composition, with its ordering of a mass of marchers, appears to be influenced by Felix Valloton...

"Ritmos Abstratos" invites us to explore the visual universe of the artist Juan Carlos Amador, who, through his unique perspective, translates the pulsations of space and the invisi...

Paolo Minoli nasce a Cantù (Como) e si diploma “Maestro d’Arte” nel 1961 presso l’Istituto d’Arte di Cantù, dove insegna dal 1964 al 1978. A partire dagli anni Settanta sviluppa una ...