Abstract Geometric Art

Artist: Chryssa, Greek (1933 - 2013) Title: Series 2 Year: circa 1979 Medium: Silkscreen on Arches, Signed and Numbered in Pencil Edition: AP 11/20 Size: 31.5 x 34 inches

**IMPORTANT** This is a limited edition print on premium CANVAS. It will arrive rolled inside a tube. A "Certificate of Authenticity" issued by the artist is included. The print is ...

Born in Turin, Italy in 1963, Alex Bertaina’s creative expression began in early childhood where his passion for drawing and bold colours originated. Though Alex considers art to be...

Marcel Duchamp Lithograph "Broyeuse de Chocolat No. 2" – New York Graphic Society, 1972 Available for sale: A rare lithograph of Marcel Duchamp's iconic 1914 painting Broyeuse de C...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Pagter’s minimalism is emblematic of the shared sensibilities of Scandinavian and Japanese artists, popularly termed 'Japandi'. Into Blue is one in a three part series. “In the refi...

A vibrant 2006 abstract painting by Denver modernist Wilma Fiori titled Yellow Series #5, exploring bold color relationships and structured geometric rhythm through layered fields of...

Flash Solar, by Pedro Friedeberg - Digital Print - 34 x 33 cm - Abstract Geometric, c. 2023 The piece, "Flash Solar," by Pedro Friedeberg is unique and special because it powerfully...

Crossings III, By Murray Duncan Mixed media on paper Size: 32" × 44" Unframed, signed Part of a series of four. Crossings III explores the relationship between line, structure, an...

Do it anyway 60 x 48 x 2, 9 lbs Acrylic Painting Hand signed by artist Artist's Commentary: "DO IT ANYWAY. In this piece, vibrant acrylics and expressive oil pastels dance togeth...

April opus. 2018, canvas, oil, 100x80 cm Abstract cubist composition in earth colors Igor Leontiev (1957) - one of the leading independent painters in L...

Mapping Lines I & II is a pair of original mixed media works on paper by Canadian artist Murray Duncan. Built through layers of charcoal, graphite, acrylic, and intuitive drawing...

This large abstract statement painting by Sofie Swann is made with acrylic paint on canvas. It features an organic abstract red shape that covers almost the entire canvas, leaving a ...

ABOUT THE ARTWORK “AC 2-2” by artist David Kupferman is a lyrical abstract painting that beautifully combines various elements to explore the idea of u...

Tricia Strickfaden skillfully merges design and art in her work, crafting a visual experience that captivates the viewer. Through the skillful interplay of cool tones set against a p...

This modular work features hues of red and blue. Three separate pieces hang together to create one piece. Nancy is inspired by the works of Carmen Herrera, Deborah Zlotzky and Grazi...

Born in Turin, Italy in 1963, Alex Bertaina’s creative expression began in early childhood where his passion for drawing and bold colours originated. Though Alex considers art to be...

Cups "F" - is an one-of-a-kind, hand-crafted, abstract wall sculpture of fine brass wire, employed gesturally, like pencil lines, covered with a soft Japanese paper, creating translu...

Get in Gear - Geometric Abstract Expressionist Mandala in Acrylic on Paper A bold abstract painting in red by California-based artist, Ricardo de Silva (American/Brazil, 20th C). A ...

"Robin egg blue pill" is one of the 30 small tondo paintings on wood comprising the Dopamine mosaic. This 30-piece ensemble was created between January and April 2024 by the artist u...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

"Malevich On My Mind" is a geometric abstraction in yellow and white gold leaf and oil on wood panel, part of a series of small 3-dimensional constructions and 2-dimensional painting...

Delphine Brabant: Low Wall, Plaster, 2024 25 × 58 × 20 cm / 9.8 × 22.8 × 7.9 in 12kg / 26.45 lbs Unique work Low Wall, Plaster is a sculpture by contemporary French artist Delphine ...

The work of Ruth Leavitt (1944, Saint Paul, Minnesota) employs computation to manipulate and alter abstract forms by virtually stretching, rotating and deforming them across three ax...

Robertino Fatica was born in 1948 in Cleveland, Ohio. In 1970 he completed a three-year program at the Cooper School of Art in Cleveland. Following that, Fatica served in the U.S. Ar...

Caisse, 2013, Digital print on Fine art 100% cotton paper Edition 294/300 Image: 52.1×40.2cm (20 ³³/₆₄ x 15 ⁵³/₆₄ in) Sheet: 70.2×50.2cm (27 ⁴¹/₆₄ x 19 ³/₄ in) Limited edition signe...

Floating Frequencies, Abstract Geometric Optical Relief Wall Sculpture Painting Acrylic paint on wood panel 13 x 14 inch Floating Frequencies exemplifies Ron Agam's exploration of ...

This sophisticated sculpture was realized from lymed French oak circa 1950. The perimeter of the piece consists of a mosaic of rectilinear blocks, while the interior rectangular pane...

'Psychadelic' by Damien Hirst is a signed glicée print, one of the 5 in the unique series 'Kaleidoscope' created in 2024. This print was created in a limited edition of only 180, on ...

Sara Eichner wants to create a space where point of view cannot be fixed. Optical games stand in for her struggle to comprehend the complexities of seeing. Using simple drawing tools...

Flux by Rubeena Ratcliffe is an abstract painting featuring bold, interlocking shapes that create a lively, contemporary composition, float-framed in light wood. Repeating linear tex...

Nautic 51.2 x 31.5 x 0.8, 5.5 lbs Acrylic paint Signed by the artist Artist's Commentary: "Original painting on stretched canvas named 'Nautic'. Dimensions: 130cm x 80cm. Art work...

Acrylic over Paper on Canvas by renown artist Cecil Touchon. Signed verso Touchon's paintings are abstractions based upon typography. Using the techniques of collage, he reassemble...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Connected Curves is a striking and impactful large-format painting created in the 1960s by Domenick Capobianco. The work is part of a catalog of bold, post-modernist pieces by the ar...

Karen Schiff is an artist and wordsmith based in New York; she has always been a reader as well as a visual artist. Her drawings, paintings, installations, and performances combine t...

Batik technique on cotton Marko Reeboskic is a Serbian artist born in 1964 who lives and works in Belgrade, Serbia. With an architectural background Marko continues his work in diff...

A bold 1960s abstract geometric composition by Edward Marecak titled Witches Entrance, depicting stylized figures emerging through a structured field of color and form. The painting ...

PGB Slurp (Abstract Painting) Acrylic on aluminum - Unframed Hallard works with the themes of space and geometry, manipulating images and arrangements of objects in order to challe...

This hand painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable hand can be sometime mistaken to a work of a machine, a printer. But if you look close enough you are able to see that it is a work of a line master!! This piece comes framed in a white wooden frame. The measurements of the work with the frame is 11/11". Op art masters from the 20's century that are inspiration to Lucchetta's pieces are Victor Vasarely, Brigit Riley...

Melisa Taylor Metzger’s The Seismology of Cantilevered Hearts 1 transforms a circular tondo plywood panel into a multichromatic composition that blends traditional crafting technique...

Geneviève Claisse - Kinetic Composition II - Original Signed Lithograph Publisher Stamp Edition: EA Geneviève CLAISSE, born in 1935 in France, a relative to Auguste Herbin. She is recognized today as one of the most important geometrical abstract French artist of the 1970s. Her approach to painting was influenced by reading Art d’Aujourd’hui, Tribune of Geometrical Abstraction. 1958 First solo exhibits in the Galerie Caille in Cambrai and Galerie Hybler in Paris. 1961 First exhibit in the Galerie Denise René in Paris where she regularly exhibited in the following years. 1965 + Focused work on color (Cercles, ADN) 1967 Museum of Fine Arts of La Chaux-de-Fonds. Biennale of Paris. 1968 “Art...

The Night's Young 40.0 × 30.0 × 1.5, 3.0 lbs Acrylic paint Hand signed by the artist Artist's Commentary: "Rooted in urban iconography and architectural language, this work transf...

Engraving with carborandum & collages, ed. 6/30 + white frame James Coignard (1925-2008) was a well known French artist/printmaker recognised for his colourful, geometric abstractio...

Geometric abstract composition, influenced by Post-Cubism, with an expressionist touch in the colors. The palette is vivid and saturated. The forms, outlined in black, interlock with...

This hand-painted piece by Lucchetta is part of the op art series where he is able to catch movement with his unique technique. Lucchetta is challenging himself. His precise stable h...

Cosmic Theatrer, by Pedro Friedeberg - Giclée Print, - 34 x 33 cm, - Mexican Abstract Geometric, c. 2023 Teatro Cosmico is unique because it blends the mathematical rigor of Op A...

Iris Kufert-Rivo describes her work... "pattern and repetition of forms is a subject I’ve pursued for decades. This new set of paintings called The Structure Series is inspired by t...

Bodies at Rest #28, is a one-of-a-kind, ceramic abstract figurative sculpture by Paige Stewart in a rich, coffee-colored, metallic glaze is an abstracted figural form that captures h...

# Gate 1 – Creativity This handcrafted artwork is engraved in wood, painted with acrylics, enhanced with genuine gold leaf, and protected with a final layer of varnish. At the hear...

This dynamic wall sculpture is created from sheets of steel, welded together in an abstract geometric pattern. Muted shades of blue, grey, purp...

Sonia Delaunay - Composition Original Lithograph 1969 Dimensions: 32 x 25 cm Revue XXe Siècle Cahiers d'art published under the direction of G. di San Lazzaro. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes, cushions, waistcoats and lampshades, led to one of her first large-scale works, the painting of the Bal Bullier (1912–1913), a popular Parisian dance-hall. Sonia’s first “simultaneous dresses,” a mix of squares and triangles of taffeta, tulle, flannelette, moiré, and corded silk, date from this period. Friendship with the poet Blaise Cendrars...

Second Chances 12.0 x 12.0 x 1.5, 1.0 lbs Acrylic Hand signed by artist Artist's Commentary: "Glenn Fischer is an abstract artist working in collage and painting to create geomet...

Batik technique on cotton Marko Reeboskic is a Serbian artist born in 1964 who lives and works in Belgrade, Serbia. With an architectural background Marko continues his work in diff...

Super attractive geometric abstraction in a rare to find pastel color palette. Circles is a striking and impactful large-format painting created in the 1960s by Domenick Capobianco. ...

Yaacov Agam (b. 1928) Magic Rainbow II, late 20th century Screenprint in colors on wove paper LXIII/XC (edition 63/90) Signed and numbered in pencil along lower edge 13 x 15...

Enchanting pair of Japanese pagodas crafted in iron with classic finials or sorin at the tops on five floors with hanging bells and an entrance at the bottom.

Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. Hedge Fun is a series that celebrates the landscaping commissioned by well-heeled homeowners, high-en...

As is generally the case with my paintings, this work proceeded from a place of unknowing. The specificity of imagery and technique belie the non-specific character of the ideas and narratives presented. The imagery is not tied to any pre-existent source (textual or other). It is not preconceived by the artist, rather it is produced spontaneously in the process of painting. That said, it seems both easy and sensible to connect the imagery in this painting to common cultural material, especially that from very ancient sources. The central figure is very much like a totemic Neolithic goddess- the sort of which seem to be among the most ancient artistic works, examples are extant from eras stretching back tens of thousands of years. A lot has been written about figures of that kind but of course no one can reasonably claim to truly understand them. Here the great goddess appears with wings and entwined serpents. Crowned also with a glowing orb she has become an emblem of a matristic hermetica. The smaller figure may be less evidently archetypical. She is a younger goddess, a daughter like Persephone to Demeter. She lifts the breasts of her mother signifying perhaps how the presence of the child evokes the nurturing qualities of the mother or how Persephone’s seasonal ascent from the underworld awakens in her mother the impulse to again give life to the world. The cluster of gynomorphic figures contained by the crescent moon at the center of the painting refer to the balanced transformations of the lunar cycle and their mysteriously harmonic physical manifestation in the vital cycles of a woman’s body. At their axis is the cycloptical abdomen of the figure enthroned on the moon. The entire totem rises from a terrestrial gateway into an open landscape. In the background megaliths obscure the horizon. They represent a first boundary in time- the beginning of history. Below is the gateway, the opening to an inner earth...

Michael Kessler makes nature-based paintings that merge geometric elements with biomorphism. He began his art career as a landscape painter. While an undergraduate at Kutztown University Kessler received a fellowship from the Whitney Museum of American Art to study and produce art in New York City at the Whitney Independent Study Program. Michael Kessler’s work explores the continuum between gesture and geometry. Each work consists of as many as 50 micro-thin layers of translucent and transparent acrylic. Biomorphic tendrils branch to and fro, while arcs of line and color slip over and under matrices, balancing nature’s sinuous curves with the mindfulness of structure. He likens the gestural freedom in his works to a kind of painterly “tai chi” – a...