Abstract Art

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Sara Fine-Wilsons “Tinge” is a gestural 17 x 17 x 8 inch ceramic sculpture in pale cream, light gray and white with iron speckles. In this graceful and evocative sculpture individual...

Vista I (Abstract painting) Acrylic and Gouache on canvas - unframed Artwork is exclusive to IdeelArt. Daniela Marin stands as a pioneering figure in the realm of South American abs...

Ben Wilson Ozymandias, 1989 Oil on masonite board Boldly signed by Ben Wilson on the back 36 × 48 inches Unframed Provenance: acquired from the Estate of Ben Wilson This work is titled "Ozymandias" after the famous sonnet written by Percy Bysshe Shelley (1792-1822). Shelley's poem is one of the most poignant meditations on the fleeting nature of human power and the inevitability of decline. The poem serves as a reminder that time erodes even the most imposing empires and leaders and that the pursuit of lasting fame and control is ultimately futile. Depending on how one views Ben Wilson's Abstract Expressionist painting of "Ozymandias" -- some of the imagery might reveal the head of an angry king and a sickle. Shelley's poem Ozymandias reads: I met a traveler from an antique land...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and propels them into her work,...

Artist: Nicolas Ionesco, Romanian (1919 - ) Title: Untitled Year: 1956 Medium: Oil on Canvas, signed and dated l.r. and verso Size: 23.5 x 28.5 inches (59.7 x 72.4 cm) Frame: 24.75 x...

In my artwork, I channel joyful serenity through a dance of pastel gestures on canvas. Using acrylics, I melded pinks, blues, and creams, evoking a gentle dawn. This painting, textur...

Stanley Sporny (American 1946 - 2008) A view into a stream with overhanging branches reflected in the water. A beautiful oil painting that explores the stream bottom as well as the ...

GJ Rogers Surreal Octopus 1959 Oil on Canvas 36"x24.5" Signed and dated in paint lower right George Jay Rogers was born in Yonkers, New York on June...

Signed, titled and numbered from the edtion of 50. Bozon's prints are often a balance between abstraction and landscape, which he creates with drypoint and aquatint. They reflect th...

Sax Berlin's Skull series form part of his Neo-Expressionist works. Berlin works with speed on these pieces, gives them a sense of urgency. In "person" they are electric and magnetic...

Interior design paintings. The work was done with alcohol ink in grey-blue, brown, beige color on Yupo paper. The work is 11 by 14 inches in size, framed (gold or black) with a glass...

The central concept of Larios painting series KHLORIS is based on the idea of ​​the garden as a metaphorical space. Larios seeks to find a certain romantic beauty in the details of n...

Geoff Rees (1930-2018) Untitled, 1990s Acrylic on canvas. Unstretched. 72 x 86 inches. Description Geoff Rees was a significant figure in West Coast modernist painting, known for h...

Bold contemporary form and striking bright colours define the unique artistic style of Aron Hill. The Calgary-based artist often uses the sun and rocks as central images in their wor...

Rahul Kumar Untitled Natural Pigment on Paper 35.5cm x 26.5cm Rahul Kumar is from a family of traditional miniature painters working in Jaipur. The atelier where his family learnt t...

Artist: Jack Graves III (American, 1988-) Title: "Aura IV" Series: Aura *Signed by Graves lower left. It is also signed, dated, and titled on verso Year: 2022 Medium: Original Acryli...

Final Framed dimension: 18 x 22.5 collage art only: 9 x 12 full paper size: 15 x 19 Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, publish...

Dan McCaw's "Textures" created in 2024, is a striking oil painting measuring 30 x 24 inches. This original artwork features an abstract composition of figures, rendered with rich tex...

"Happy Memories" – Original Acrylic Painting by French Artist Natalya Mougenot This contemporary abstract-impressionist nature painting, executed with touches of Art Brut and Impres...

Colour lithograph on BFK Rives paper 1970 105.5 x 69.8 cm Edition of 200 Hand signed, numbered and dated in pencil by Hockney Printed by Matthieu AG, Zurich, for the 1972 Munich Olym...

This artwork titled "Curvy Brushstrokes" 1997 is a colors etching with sugar lift aquatint on Somerset textured white paper by renown artist Sol (Solomon) LeWitt, 1928-2007. It is hand signed and numbered 1/15 in pencil by the artist. The image size is 29.90 x 39.90 inches, paper sheet size is 40.5 x 49.80 inches, framed size is 43.75 x 53 inches. Published by Crown Point Press, San Francisco, printed by Dana Sywulak, assisted by Dena Schneleit, Mary Andrews and Case Hudson at Crown Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne, plate #1997.07. Custom framed in a wooden black frame, floated on white backing, with white spacer. It is in excellent condition, the frame has minor very small restorations, practically invisible. About the artist: Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality. Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman) Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman) Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art. LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...

This exquisite lithograph by Willem de Kooning (1904–1997), titled Untitled, from the folio Poems, originates from the 1988 edition published by The Limited Editions Club, New York, ...

Artist: Jack Graves III (American, 1988-) Title: "All the Flowers" Series: Abstract *Signed by Graves lower left. It is also signed, titled, and dated on verso Year: 2025 Medium: Or...

Artist: Arne Besser Title: Circus Triad Year: 1981 Print: Silkscreen printed on Somerset White Satin Size: 26 x 22 in Signed in pencil and marked A.P. 22/30 Unframed Arne Besser ...

"Verdigris" 2025, 84" H x 60" W. A captivating large-scale abstract painting by Argentine-born artist Karina Gentinetta, renowned for her work featured in Architectural Digest, Elle...

Using cold wax medium with oil paint, powdered pigments, and pigment stick, Rebecca Crowell builds up layered surfaces as she also scratches, scrapes, and dissolves her layers, selec...

Abstract geometric, minimalist three-dimensional wood wall sculpture in grey and dark taupe with paper collage "Stelae", hand-carved wooden wall sculpture by Hudson Valley artist, St...

Artist: Anja Decker (German, 1908-1995) Medium: Felt pen on paper Period: Late 1950s Condition: Good vintage condition Notes: Mounted on original orange exhibition board, bearing per...

Artist Comments
"It's a muted meditative exploration of how physical distance, as well as the distance created by the passage of time, affects our experiences of memory and p...

Diptych of The paintings was created alongside my tropical series and does not depict a specific scene, but rather abstract forms and shades of nature. Contemplating these natural mo...

Title: Doughlah G.E.P., 1968-71 Year made: 2023 Material: Giclée print on 330gsm Somerset Velvet cotton rag paper with an embossed publisher stamp Edition of 250 It comes with COA f...

Monumental Red Abstract Milburn Smith March 1969 Acrylic paint on canvas 65 x 64 x 1.25 Signed and dated lower right in ink Very Good Condition: Consistent with age and history. Fro...

La Danse des Étoiles exemplifies Gérard Stricher’s ability to merge energy and emotion through color. The work pulses with chromatic vitality—fiery reds, cobalt blues, and golden yel...

Joan Miró "Le Pitre Rose", 1974 Original etching and aquatint From the edition of 50 on arches paper, hand signed and numbered 9/50. Sheet measures: 55 x...

Movement of white color that give impression of power and victory.Working on abstraction is often very intuitive and sometimes the artist has to rein in this "beast" to achieve the ...

Artist Comments
Deep blues sit below the composition, while soft cream tones rest above. The colors illustrate the sky and water along the Big Sur Coast, where artist Heidi Hyb...

Lithograph, 1966 Handsigned by the artist in pencil and numbered 31/80 Printer : Fratelli Pozzo Catalog : Mason-Putman 36 94.00 cm. x 62.50 cm. 37.01 in. x 24.61 in. (paper) 66.50 c...

This painting is unstretched and unframed. It will be carefully rolled and shipped in a tube. "Creating large-scale abstract paintings that evoke tranquility and presence in any spa...

Encaustic on panel. It's simple; I create art because it makes me happy. I try not to overthink the process of what I’m painting and let my intuition be my guide. I love laying do...

Having a Cigarette Among Pink and Blue is an intimate large-scale plein-air painting by British awarded artist Shizico Yi, created in her garden where a historic avenue of 130-year-o...

Untitled 01, 2017 Mixed media: white oil painting, adhesive on canvas (Signed on reverse) 46.85 H x 39.37 W in. 119 H x 100 W cm Zsolt Berszán treats the first layer of the drawing ...

Lynne Mapp Drexler’s "Sporadic Spring" (1963) exemplifies her dynamic approach to color and gesture during her revered 1960s period, a formative decade that has recently been celebra...

Keeping with my passion of nature, this collection focusses on the movement and structure of nature. Primarily that from trees. I am fascinated by trees and their amazing beauty. Co...

A stunning ready to hang vibrating bold painting. READY TO HANG with the edges painted. Dimensions: 80x80X2 cm, 31.5x31.5x0.8 inches. The technique I used: gallery stretched canva...

Roland Ayers (1932-2017). Improvisation, 2nd Series, #5. Ink on paper, measures 19 x 24 inches. Unframed and unmounted. Signed and dated lower right, titled lower left. There are a few minor areas of loss in margins as depicted in close-up photos. Additionally, there a a few minor tears in margins. Ayers holds the distinction of having participated in the first important survey of African-Americans, Contemporary Black Artists in America, a 1971 show at The Whitney. Biography: Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

This contemporary colourful abstract painting was created by Milly Ristvedt. The ‘fugitive properties of colour’ as Milly Ristvedt likes to refer to them have provided her with l...

"Birds" is an elegant and contemporary abstract pattern painting with dark tones and golden highlights. This compelling artwork features an intricate tapestry of overlapping, dark-hu...

keywords; materiality, texture, oil painting, contemporary painting, ooze, perforation, Lucio Fontana, process-based, repetition, abstract painting, patterns, impasto, yellow, bee, p...

Title: Mid Century French Geometric Abstract in Black White and Blue Signed SG by Serge Guerin (b. 1916), French signed lower right “SG”, name stamped verso Acrylic and gouache on ar...

This is a contemporary abstract watercolor painting by artist David Ruth. This series of paintings often feature bright colors and vibrant layouts that draw the viewer in. They are c...

**FALL SUPER SALE UNTIL OCTOBER 13TH** **IMPORTANT: This is Limited edition of 30 museum quality prints on CANVAS, signed and numbered by the artist. A "Certificate of Authenticit...

In Patricia Crotty’s abstract painting “Reflections 12,” colorful shapes and lines create an abstract landscape of blues, greens, pinks, and grays. The reflective surface of a lake i...

Oil on canvas, signed lower left

The project is a series of ink drawings on different surfaces, depicting the solstices and equinoxes of the year through the overlapping of shadows at various times of the day. ...

The kaleidoscope of colours and the dynamic form of nature are expressed in this joyful celebration of nature. Rendered in right red, yellow, blue, green, orange and yellow—the colou...

Sunset Song Series was created entirely en plein air, painted directly under the dimming light of late-summer and autumn sunsets and moonlight, with no artificial light to guide her...

This artwork is a vivid, abstract landscape bursting with dynamic colors and flowing forms. The composition is a harmonious blend of earthy tones—rich reds, deep greens, and soft blu...

"Ritmos Abstratos" invites us to explore the visual universe of the artist Juan Carlos Amador, who, through his unique perspective, translates the pulsations of space and the invisi...

Charmion von Wiegand Intersecting Magic Square, ca. 1963 Gouache on paperboard Signed and titled on the back of the artwork. The signature shown on the frame back is a photo of the actual signature on the artwork itself. Frame Included: elegantly floated and framed in hand made white wood museum frame with UV plexiglass This work is signed and titled on the back of the artwork itself. The signature shown on the back of the frame is a photo of the actual signature, since the actual pencil signature and title is on the artwork itself, which can't be seen within the frame Measurements: Frame: 21 x 17 x 1.5 inches Artwork: 18 x 14.25 inches The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld...