Abstract Art

Extra-large dramatic painting from 1985 by Francois Boissiere (1956 - )

Johann Berthelsen began his career as a professional singer. Graduating from the Chicago Musical College in 1905, Berthelsen toured the United States and Canada, performing in operas...

The red fish is a symbol of confidence, stable good fortune, and abundance. It represents moving in one’s own rhythm, trusting intuition, and inner stability. The red color emphasize...

Henri Matisse (1869-1954) - Lierre en Fleur Lithograph from 1958. Dimensions of work: 35.5 x 26.4 cm. Plate signed. Publisher: Tériade, Paris. First, original edition. The work...

Meant To Be is a figurative abstraction by Colombian-born, Canadian-based painter Mario Angel. For Mario, the painting is about realizing that everything that occurs in life happens ...

John Levee (American, 1924 - 2017) was an American abstract expressionist who studied at the California Institute of Art alongside Mark Rothko, Clifford Still, and Richard Diebenkorn...

Ludovic Dervillez is a French abstract painter whose practice is a powerful interrogation of how painting can still be a living, resonant space, focusing on the vital tension between...

This contemporary amber coloured glass bubble is a tabletop sculpture. Cheryl Wilson Smith is known for her uniquely beautiful glass work-its form, colour and texture are often inspi...

Harrison Gilman's large original artworks begin with a layer of fast-paced gestural abstraction followed by organic shapes and geometric structures. Some of his paintings remain in t...

This painting is in excellent condition and has only been shown in a gallery. Marcel Demagny was born in 1949 in Nancy, France. He graduated from the Nancy School of Architecture in...

Savage Nature – Original Acrylic and Oil Painting Description Savage Nature is a vibrant, expressive painting that captures the untamed beauty and wild energy of the natural world....

0riginal acrylic on panel painting by the well known American artist, Syd Solomon. Signed Syd Solomon lower center. Signed and dated Syd Solomon 1971 and inscribed as titled on the reverse. 30 × 24 inches. Condition is very good, no issues. The painting is framed in its original wood with silver reveal floating frame. Overall framed measurements are 32.5 by 26.75 inches. Provenance: A private collector. American, 1917-2004 SYD SOLOMON BIOGRAPHY: Written by Dr. Lisa Peters/Berry Campbell Gallery Syd Solomon was born near Uniontown, Pennsylvania, in 1917. He began painting in high school in Wilkes-Barre, where he was also a star football player. After high school, he worked in advertising and took classes at the Art Institute of Chicago. Before the attack on Pearl Harbor, he joined the war effort and was assigned to the First Camouflage Battalion, the 924th Engineer Aviation Regiment of the US Army. He used his artistic skills to create camouflage instruction manuals utilized throughout the Army. He married Ann Francine Cohen in late 1941. Soon thereafter, in early 1942, the couple moved to Fort Ord in California where he was sent to camouflage the coast to protect it from possible aerial bombings. Sent overseas in 1943, Solomon did aerial reconnaissance over Holland. Solomon was sent to Normandy early in the invasion where his camouflage designs provided protective concealment for the transport of supplies for men who had broken through the enemy line. Solomon was considered one of the best camoufleurs in the Army, receiving among other commendations, five bronze stars. Solomon often remarked that his camouflage experience during World War II influenced his ideas about abstract art. At the end of the War, he attended the École des Beaux-Arts in Paris. Because Solomon suffered frostbite during the Battle of the Bulge, he could not live in cold climates, so he and Annie chose to settle in Sarasota, Florida, after the War. Sarasota was home to the John and Mable Ringling Museum of Art, and soon Solomon became friends with Arthur Everett “Chick” Austin, Jr., the museum’s first Director. In the late 1940s, Solomon experimented with new synthetic media, the precursors to acrylic paints provided to him by chemist Guy Pascal, who was developing them. Victor D’Amico, the first Director of Education for the Museum of Modern Art, recognized Solomon as the first artist to use acrylic paint. His early experimentation with this medium as well as other media put him at the forefront of technical innovations in his generation. He was also one of the first artists to use aerosol sprays and combined them with resists, an innovation influenced by his camouflage experience. Solomon’s work began to be acknowledged nationally in 1952. He was included in American Watercolors, Drawings and Prints at the Metropolitan Museum of Art, New York. From 1952–1962, Solomon’s work was discovered by the cognoscenti of the art world, including the Museum of Modern Art Curators, Dorothy C. Miller and Peter Selz, and the Whitney Museum of American Art’s Director, John I. H. Baur. He had his first solo show in New York at the Associated American Artists Gallery in 1955 with “Chick” Austin, Jr. writing the essay for the exhibition. In the summer of 1955, the Solomons visited East Hampton, New York, for the first time at the invitation of fellow artist David Budd. There, Solomon met and befriended many of the artists of the New York School, including Jackson Pollock, Franz Kline, Willem de Kooning, James Brooks, Alfonso Ossorio, and Conrad Marca-Relli. By 1959, and for the next thirty-five years, the Solomons split the year between Sarasota (in the winter and spring) and the Hamptons (in the summer and fall). In 1959, Solomon began showing regularly in New York City at the Saidenberg Gallery with collector Joseph Hirshhorn buying three paintings from Solomon’s first show. At the same time, his works entered the collections of the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, and the Wadsworth Athenaeum in Hartford, Connecticut, among others. Solomon also began showing at Signa Gallery in East Hampton and at the James David Gallery in Miami run by the renowned art dealer, Dorothy Blau. In 1961, the Guggenheim Museum’s H. H. Arnason bestowed to him the Silvermine Award at the 13th New England Annual. Additionally, Thomas Hess of ARTnews magazine chose Solomon as one of the ten outstanding painters of the year. At the suggestion of Alfred H. Barr, Jr., the Museum of Modern Art’s Director, the John and Mable Ringling Museum in Sarasota began its contemporary collection by purchasing Solomon’s painting, Silent World, 1961. Solomon became influential in the Hamptons and in Florida during the 1960s. In late 1964, he created the Institute of Fine Art at the New College in Sarasota. He is credited with bringing many nationally known artists to Florida to teach, including Larry Rivers, Philip Guston, James Brooks, and Conrad Marca-Relli. Later Jimmy Ernst, John Chamberlain, James Rosenquist, and Robert Rauschenberg settled near Solomon in Florida. In East Hampton, the Solomon home was the epicenter of artists and writers who spent time in the Hamptons, including Alfred Leslie, Jim Dine, Ibram Lassaw, Saul Bellow, Barney Rosset, Arthur Kopit, and Harold Rosenberg. In 1970, Solomon, along with architect Gene Leedy, one of the founders of the Sarasota School of Architecture, built an award-winning precast concrete and glass house and studio on the Gulf of Mexico near Midnight Pass in Sarasota. Because of its siting, it functioned much like Monet’s home in Giverny, France. Open to the sky, sea, and shore with inside and outside studios, Solomon was able to fully solicit all the environmental forces that influenced his work. His friend, the art critic Harold Rosenberg, said Solomon’s best work was produced in the period he lived on the beach. During 1974 and 1975, a retrospective exhibition of Solomon’s work was held at the New York Cultural Center and traveled to the John and Mable Ringling Museum in Sarasota. Writer Kurt Vonnegut, Jr. conducted an important interview with Solomon for the exhibition catalogue. The artist was close to many writers, including Harold Rosenberg, Joy Williams, John D. McDonald, Budd Schulberg, Elia Kazan, Betty Friedan...

Bold multi-color abstract expressionist oil painting illustrating vivid colors of gold, magenta, teal and yellows by Michael Pauker (American, b. 1957). This high octane colorful hor...

Artist Unidentified /Unknown, "Untitled" Edition 19/100, 19.75 x 25.50, Late 20th Century Colors: Grey, Blue, Red, Turquoise Note* Unidentified Artist signature on bottom ...

Abstract Expressionist Composition by Jacques COULAIS (1955-2011) oil painting on board unframed: 11 x 7.5 inches condition: excellent provenance: all the paintings we have for sale ...

In “Family Circle,” Jane Waterous creates a powerful visual metaphor for unity, connection, and belonging. Composed of countless tiny, vibrant figures, the circular form emerges thro...

"Vessel" is an original 13in x 13in painting on stretched canvas by Kelly Kozma. Image 1 shows the full piece. Images 2-7 are close-up images of the details of the artwork. Images 8...

A bright, ethereal, dreamy painting of imaginary space. An abstract floral and celestial blue sky. Gorgeous lush texture. Oh, how I wish you were here. In the meadow, in the studio, ...

Abstract print in earth tones from a series inspired by ground cover and vegetation. Signed, titled and numbered in pencil, this is #2 of 4. Charles Eckart was born in Oakland, Cal...

Late Mid Century French watercolour and Gouache on handmade paper of a pair of dancers by Damien Hermellin. Signed and dated bottom right. Pres...

A woman rests among vibrant cushions in her golden dress, two small white dogs curled up beside her. A cozy, sunlit moment of quiet company. Ready on a stretcher bar, size 70/90/1 cm...

One of a series of three contemporary abstract colorfield pastel and acrylic works on paper by Belgian artist Francis Besson. Signed to the reverse and presented in a wooden frame un...

Remanence is an original oil painting on canvas by French contemporary artist Sophie Dumont. Measuring 40 x 40 cm (15.7 x 15.7 in), 47 x 47 cm framed (18.5 x 18.5 in), the artwork is...

In Never Enough, Mary Strasevicius transforms the canvas into a densely layered field of color, gesture, and visual incident. Flecks, loops, drips, lines, and partially obscured form...

In "Blooming Petals", French artist Natalya Mougenot expands the tradition of floral painting into a powerful exploration of color, emotion, and authenticity. Part of her ongoing ser...

This abstract piece captures as an African vibe to it, with soft shades of brown and gold. "I am an interior designer and painter, bridging worlds – connecting lines and colors, pre...

Lime Tree Path in Autumn is the newest work in Shizico Yi’s deeply personal Autumn Series, a project that has become an instant classic within her celebrated career. Painted en plein...

Assembled Set of 7 Lithographs by Romare Bearden (1979) Artist: Romare Bearden Year: 1979 Title: Jazz Series Seven Lithographs. Unframed. Stored flat. Fresh colors. Publisher: Lon...

Tile: My Bouquet in Pink Little gem, focal point, bouquet, flowers, energy, enthusiasm, quiet space This small-scale painting will bring joy in a corner of the collectors space. ...

This abstract artwork is created with alcohol inks on synthetic paper. Vibrant shades of pink, fresh green, violet, turquoise, and soft blue flow into one another, forming a rich and...

In the luminous embrace of gold and shadow, this commanding abstract composition unfolds as a symphony of form and emotion. Bold, sweeping curves intertwine with geometric precision,...

Nan Van Ryzin (American, born 1952) "Ice" 2023 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. "Ice" is a 52" x 74" compelling counterpart to her fiery...

In this canvas, my strokes dance with vigor, wrapping acrylic and ink into an abstract tapestry. The textures speak of ancient tales, untamed nature, and the ever-shifting play of li...

sin titulo. acrylicc painting (CARLOS MENDEZ, ARGENTINA, 1943) Carlos Méndez is an Argentine plastic artist of great projection, based in Barcelona since the eighties. It uses a f...

Painting on Panel signed verso Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in Pagosa Springs, Colora...

Oil on canvas 24 1/2 x 20 x 2 in.

French Paris School modernist abstract expressionist oil on board. Signed verso and framed. Overall dimensions: 10 x 12.5 inches. Artwork alone: 9 x 11 inches.

Richard Serra (born 1939) Videy Afangar #6, from Videy Afangar Series, 1991 Etching on Hahnemühle paper Signed and dated in pencil lower right Edition 73/75 (there were also 20 artis...

Antique American oil painting by Elaine Crawley. Oil on canvas board. Signed. Framed. Measuring 21 by 25 inches overall and 20 by 24 painting alone.

At Escat Gallery, we are committed to upholding the highest standards of trust and professionalism for our collectors. Every artwork in our collection includes a Certificate of Authe...

"Rust Sapath II" by Halsey Chait India Ink Drawing on Strathmore Paper 20" x 20"

After the Warm Day is a contemporary abstract landscape painting inspired by the quiet transition between daylight and evening. Layered textures, expressive brushwork and atmospheric...

This reproduction of Letter on the Blind II by Frank Stella, published and printed by the de Young Museum in 2014, references Stella's original 1974 painting on canvas. Known for his...

Melanie Sherman Fifty Gestures, No. 2 - Large Series 2026 China Ink on Premium Paper Paper Size: 14 x 17 inches (35.56 x 43.18 cm) Matted Size: 19.75 x 27.5 inches (50.17 x 69.85 cm)...

This contemporary semi-abstract landscape from the Horizon series transforms a familiar coastal scene into a place somewhere between memory and imagination. Broad areas of blue, sand...

Acrylic Work on plaster and cement Born in 1944 in the canton of Fribourg, Gilbert Pauli lived in Geneva, where he devoted himself to painting and sculpture, a passion he developed...

Mid Modern Abstract Oil Painting By E. Costello Large and impressive abstract oil painting created with oils on Masonite. This painting can hang vertical, or horizontal. Dimension...

"In Creation" is a mesmerizing abstract modernist painting that offers a brilliant display of mid-century expressionism mixed with surrealist imagery. The painting uses a beautifully...

A triptych doesn't need its three parts to say the same thing. It needs them to breathe the same air. Shade and Breeze I completes that breath. Dark violet-black blossoms cluster low...

An abstract expressionist painting by Duayne Hatchett . Oil on canvas, circa 1990. Signed verso. Framed. Image size, 60"H x 56"L. Duayne Hatchett was a visual artist whose work...

This contemporary wall sculpture features bubbles of clear glass. Each work is individually hand-formed in glass, so slight variations in colour, shape, and texture from the images ...

In creating this piece, I poured raw emotion into layers of pinks and greens, evoking a sense of renewal and fragile beauty. The acrylic textures express movement and growth, while t...

One Rhythm At dawn, the world seems to pause between sleep and awakening. The heroine of this work feels herself to be part of a unified world, where humanity and nature exist within...

What we see here is not an ordinary floral landscape, but a state of time, that brief moment between day and night, when the air still retains warmth, but the light has already becom...

This painting is part of a series titled "The Untethered Soul." The series delves into the transformative power of nature, capturing the essence of what one feels rather than sees....

A dramatic interplay of matte black and luminous gold leaf creates a contemporary composition with timeless elegance and luxurious presence. Gold Edition - with real gold leaf, 23,7...

Abstract encaustic painting with a green, earth toned palette. Made with natural plant material (Northern Sea Oats) "Chasmanthium Insignias I" made by Allyson Levy in 2021 encaustic and plant material on wood panel, 24 x 24 x 1 inches Lightweight, hangs with one d-ring, Signed, verso This modern abstract encaustic painting by Allyson Levy is made with Northern Sea Oats and green encaustic, sealed with a layer of neutral wax on a wood panel. The artist begins by finding the organic material in her 4-acre garden in upstate New York which she then arranges and embeds with encaustic on a wooden panel. The brown, earth toned sea oats are laid in a linear pattern on a wood panel with a surface of green encaustic and then sealed with clear wax. The encaustic wraps around to the sides of the panel, revealing some bumps and downward drips, accumulated during the natural drying process. The piece is lightweight and hangs on one d-ring. About the artist and her work: After moving to the rural town of Stone Ridge, NY seventeen years ago and starting a 4-acre botanical garden with her husband, mixed media artist, Allyson Levy, has found endless inspiration in the plant kingdom that surrounds her. The garden itself, named “Hortus Conclusus”, consisting of thousands of rare plants and edibles, remains at the epicenter of Levy’s art making. A fascination with earth’s bounty is expressed with her works in encaustic. Assorted organic material such as leaves, seeds, branches, insect wings...

Antique American school abstract expressionist painting. Oil on board. Signed. In excellent original condition. Nicely framed in a period wood molding. Excellent condition, read...

Adrian HEATH (1920-1992) Untitled Composition Mixed media Signed and dated '64 Image 11.25" x 9"

Medium: original lithograph. The catalogue reference is Mourlot 857. Printed in 1972 at the Mourlot atelier and published for the "Miro Lithograph I" catalogue raisonne. Size: 12 1/2...