Abstract Art

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

Using an impasto, painterly technique Dana Cowie creates cubist-inspired farm and rural landscapes. Working within controlled color schemes, her artworks appear abstract up close and...

This abstract, limited edition print by Elwood Howell features a predominantly green palette, with a muted yellow area at the top of the composition. Subtle circle shapes and long ve...

Helen Frankenthaler (after) A Paintings Retrospective: vintage LACMA Museum poster, 1990 Offset lithograph museum poster (Unsigned & U...

An exceptional example of Arnaldo Pomodoro’s iconic Sfera con Sfera series, — a pivotal period in the artist’s exploration of fractured geometric perfection. Signed, dated "'66," and...

A textured "Cosmic Abstraction " that we attributed to Yeffe Kimball. While the work is unsigned the technique used with the blistering paint closely resembles her work. A dynamic mi...

Artist: Anja Decker (German, 1908-1995) Period: Late 1950s Condition: Good vintage condition Notes: Mounted on original orange exhibition board, bearing period numerical annotations ...

Yuri Larin (1936-2014). Landscape, 1984. Watercolor on paper, 17 x 18 inches. Unframed and unmounted. Signed and dated lower left. Excellent condition. Image is painted on verso side of block print wallpaper sheet of Russian manufacture. Estate of Giovanni and Dagmar Migliuolo, NYC. Giovanni Migliuolo is the former Italian Ambassador to the United Nations, USSR and Egypt. Yuri Larin, also Yuriy Larin (1936–2014) is a Russian painter and graphic artist, a member of the Union of Artists of the USSR since 1977. Larin was born in Moscow to the family of a key Soviet political leader, Nikolay Bukharin, and Anna Larina. Following the arrests of his parents in 1938 and until 1946, he lived with his relatives, and following the arrest of his step-father, he was taken to an orphanage near Stalingrad. A hydraulic engineer by training, he worked at the construction of the Saratov Hydro-Electric Plant and at design institutions. In 1960, he began his studies at the department of drawing and painting of the Krupskaya People’s University of Arts, and then, from 1965 until 1970, he studied at the department of art design at the Moscow State Higher School of Arts and Industry (the former Stroganov Institution). His career as a professional artist began in the early 1970s. From 1970 until 1986, he taught at the Moscow 1905 Memorial Arts School. His letter to prof. Vittorio Strada sent in 1980 contained the first statement of his artistic method he would later dub the “concept of the limit state”. He quit teaching after a serious illness, when he lost the ability to use his right hand. He only worked with his left hand since 1986. He died and was buried in Moscow. Exhibitions: 1981 The sixth All-Union watercolor exhibition. Moscow 1982 Personal exhibition in Moscow Drama Theater after M.N.Ermolova (together with Ye.Kravchenko). Moscow. 1985 The eighth All-Union watercolor exhibition. Moscow 1987 The ninth All-Union watercolor exhibition. Moscow. 1989 Personal watercolor exhibition. Gallery “Books&Company Art”, NY, USA Personal exhibition. The Central House of the Artist on Krymskiy Val, Moscow. 13 Biennale of the countries of the Baltic Region in Rostock, Germany. 1992 Personal exhibition of Russian and German landscapes. Duren, Germany. The exhibition of the Russian graphics. Gallery «Raissa». Erfurt, Germany. 1993 Personal exhibition in exhibition hall of magazine “Nashe Nasledie” (Russian Cultural Foundation), Moscow 1994 Personal watercolor exhibition. Gallery “The Art of the XX century”. Bonn, Germany 1996 Personal exhibition of portraits and landscapes. World Bank Moscow Office 1997 Personal exhibition “From Italian cycle”. The State Institute of Art Studies. Moscow Exhibition “THe Russian Art of the second half of the XX century. Harmony of Contrasts”. The Academy of Arts of the Russian Federation. Moscow. 1998 Personal exhibition “The seasons of Yuriy Larin. From the Russian cycle”. Moscow State Museum of Vadim Sidur...

Bibliothèque Sépia (Sepia Library) exemplifies Sophie Dumont’s celebrated series of abstract libraries — compositions that merge geometry, color, and reflection. In this piece, the a...

Agnes Martin Recent Paintings, 1977 Offset Lithograph invitation on Vellum 12 × 12 inches Edition of 2000 Unframed This early print is an exhibition invitation to the Pace Gallery's 1977 Agnes Martin show in New York. The image is a reproduction of a painting from the show, approved by Martin to be used on the invitation to the show. It is printed on a fragile, almost transparent vellum that captures the delicate power of the art. Less than 2000...

Antique American modernist abstract oil painting. Oil on canvas. Framed. Unsigned.

The piece is signed by the artist on the reverse and includes a Certificate of Authenticity officially stamped by the gallery. We are committed to upholding the highest standards of...

"Look at the flowers. It is simply unbelievable how happy flowers are." — Osho Dimensions: 90 × 90 × 2 cm / 35.4 × 35.4 × 0.8 in Whispers in Green captures the quiet poetry of natu...

Gaia 31 - Spanish Daisies Sparrows in Catalonia Monochrome Black and White Print by Jaume Llorens Bach Gaia 31 is a 18cm x 24cm Black-and-White print on Premio Kozo 180gsm White Pap...

This piece was created on museum quality gallery wrapped canvas stretched over a hand-crafted wooden stretcher frame. Edges are staple-free and painted to compliment the artwork. No ...

Geneviève Claisse Yellow Circle on Vibrant Green 3D-construction on Hahnemuehle Velvet Year: 2015 Size: 24 × 20 on 28.7 × 24 inches (60.96 × 50.8 cm on 72.9 × 61.0 cm) Annotated "Pro...

Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe V Year: 1972 E...

J. Carino 1988 - Current Chronos, 2023 Oil and acrylic on linen 152.4 x 88.9 cm 60 x 35 in

The delicate and poetic artworks of painter Frederic Paul reference his Asian roots in expressive and elaborate compositions. Inspired by the bold colors, spices, flora, and landscap...

Vintage American modernist abstract oil painting. Oil on canvas. Provenance from a Sag Harbor, NY collection. Measuring: 18 by 24 inches overall. Excellent condition, ready to hang...

Although unsigned, this colorful painting is a wonderful example of mid century style. It portrays what is likely a rural farming scene that features different buildings and forms th...

Artist: Ian Tyson Title: Diversions   Year: 1970 Print: Screen Print Size: 16'' x 15'' inches Edition: signed in pencil and marked 54/150 Ian Tyson, British painter, printmaker and...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Artist Comments
Shades of blue and turquoise create an impression of pelting rain and splashing puddles on a summer's day. Subtle accents of orange add warmth to the scene, whi...

This work by Anna Shesterikova is a subtle abstraction that seamlessly fits into the Japandi aesthetic. The painting was created with the idea of ​​a golden rain bringing wealth and ...

Digital art print on Lex Jet, 170 gram Satin Stock paper Blue abstract geometric kaleidoscope pattern made as abstractions of the artist's hand painted GLYPHS series Hand-signed by...

Expression 8 by M.Y. I am constantly looking for different techniques, colors and materials to experiment with, and always strive to achieve sensual harmony in every composition. I ...

Oil on canvas with plaster and cement

Pierre SOULAGES (1919-2022) Serigraph n°12, 1979 Original serigraph Signed in pencil Numbered 27/75 copies On Arches vellum 52 x 37 cm (c. 21 x 15 in) REFERENCE: Catalogue raisonné of the original prints of Pierre Soulages, BNF #104 INFORMATION: This serigraph is part of the series "On the wall opposite", published by Bernard Frize...

a relaxing pathway through a dreamscape :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed:...

This original painting by Sigismond Kolos-Vary, dated 1982, reflects the artist’s distinctive abstract visual language. The composition is built around a dynamic interplay of geometr...

Charmion von Wiegand Pillar of Zen #124, 1959 Gouache on paper painting Hand signed, titled and dated on the front Unique Provenance: Andre Zarre Gallery, with label verso (Estate of renowned gallerist Andre Zarre, ne Andre Sowulewski) Measurements: Framed 26.5 inches vertical by 25.5 horizontal by 2 inches Artwork: 21 inches vertical by 22 inches horizontal Mid century modern, geometric, spiritual abstraction, mystical The Estate of the celebrated artist Charmion Von Wiegand has been represented exclusively by Michael Rosenfeld Gallery since 1998. From March 3 to August 13, 2023, Charmion Von Wiegand was the subject of an acclaimed retrospective at the Kunstmuseum Basel, and she has received major attention in the price, including a June, 2023 ArtNews feature entitled, "Who Was Charmion von Wiegand and Why Is She Important?". Her work was also featured in a solo presentation by Rosenfeld Gallery at the New York Art Show held at the Park Avenue Armory, which also received critical acclaim. Artists Biography - courtesy of Michael Rosenfeld Gallery: Known for her vibrant, geometric paintings that originate a deeply personal language of spiritual enlightenment expressed through a constructivist mode of abstraction, Charmion von Wiegand (1896–1983) was born in Chicago but spent much of her childhood traveling. The daughter of a journalist for Hearst, von Wiegand eventually settled in New York in 1915 to attend Barnard College and Columbia University, where she took classes at the School of Journalism while nurturing a growing interest in art history. In 1925, von Wiegand realized that she wanted to be an artist and set up a studio in Greenwich Village, teaching herself how to paint while pursuing a career as a journalist. In 1929, she secured a position in Moscow as a foreign correspondent for Hearst, the only woman at the desk at the time. In 1932, von Wiegand returned to New York and married Russian émigré Joseph Freeman, who co-founded and edited the leftist journal New Masses. Von Wiegand began writing art criticism for New Masses as well as for other publications, including New Theatre, ARTnews, and Arts Magazine. When the Abstract American Artists (AAA) held their inaugural exhibition, von Wiegand reviewed it. An early champion of abstract art, von Wiegand became close friends with AAA founder Carl Holty. In 1941, Holty introduced von Wiegand to Piet Mondrian, who would have a profound impact on her art. Fascinated by Mondrian’s artistic philosophy, von Wiegand played a key role in the introduction of his work to American audiences, translating many of the Dutch artist’s writings into English and assisting in the composition of his influential article “Toward the True Vision of Reality” (1941). Through her friendship with Mondrian, von Wiegand re-kindled her interest in Theosophy (a religion established in the late 19th century that combines aspects of Hinduism, Buddhism, occultism, and esotericism) and embarked on an extended study of neoplasticism. In her artwork, she incorporated Mondrian’s iconic grid but rejected the constraints of pure neoplasticism and embraced a wide range of influences including surrealism and German expressionism. In 1942, von Wiegand became a member of the AAA, exhibiting regularly with the group and eventually serving as its president from 1951 to 1953. In the late 1940s, sculptor and fellow AAA member Ibram Lassaw gave her a translation of The Secret of the Golden Flower: A Chinese Book of Life, which inspired von Wiegand to immerse herself in a study of Buddhist art. She began incorporating Buddhist motifs such as stupas and mandalas into her paintings, and her spiritual practice steadily intensified throughout the 1950s. In 1953, her husband gifted her a copy of the Taoist I Ching Book of Changes, a guide for divining meaning from randomly derived numbers arranged in a hexagram—a form the artist readily incorporated into her painting. Von Wiegand’s study of Theosophy also intensified over these years, bolstered by her increased access to the religion’s primary sources composed by the religion’s founders and their successors at the New York Theosophical Society’s library. Von Wiegand’s search for the sacred and transcendent ultimately led her to Tibetan Buddhism and, in 1967, von Wiegand met Khyongla Rato Rinpoche, a Gelugpa monk who had recently arrived in New York, who would mentor her spiritual study in the tradition of Mahayana Buddhism until her death. Her travels in the 1960s and 1970s took her to Tibet and India, where she had an audience with the Dalai Lama, who was living in exile in Dharamsala. Many works from these decades incorporate symbols and schematics drawn from Theosophical prismatic color charts, Chinese astrology and tantric yoga. In 1978, she was the subject of a PBS documentary titled The Circle of Charmion von Wiegand, which was scored by Philip Glass. In 1980, von Wiegand was elected to the American Academy of Arts and Letters and in 1982, the Bass Museum of Art in Miami Beach (FL) organized her first retrospective exhibition. She died the following year in New York, bequeathing her estate to Khyongla Rato and the Tibet Center of New York. In 1998, Michael Rosenfeld Gallery became the sole representative of her estate and has presented her work in four solo and multiple group exhibitions. Recent notable exhibitions that have included her work are The Third Mind: American Artists Contemplate Asia (Solomon R. Guggenheim Museum, New York, NY, 2009) and Constructive Spirit: Abstract Art in South and North America (Newark Museum, NJ, 2010). In March 2023, the Kunstmuseum Basel (Switzerland) opened the first comprehensive museum retrospective of von Wiegand’s work in Europe. Von Wiegand’s work is represented in numerous museum collections including the Addison Gallery of American Art, Phillips Academy (Andover, MA); Albright-Knox Art Gallery (Buffalo, NY); Arithmeum, University of Bonn (Germany); Birmingham Museum of Art (Alabama); Blanton Museum of Art, The University of Texas at Austin; Brooklyn Museum (NY); Carnegie Museum of Art (Pittsburgh, PA); The Cleveland Museum of Art (OH); Indianapolis Museum of Art (IN); Fondazione Marguerite Arp (Locarno, Switzerland); Museum of Fine Arts, Boston (Massachusetts); The Metropolitan Museum of Art (New York, NY); The Museum of Modern Art (New York, NY); Newark Museum of Art (New Jersey); Seattle Art Museum (WA); Smithsonian American Art Museum (Washington, DC); Walker Art Center (Minneapolis, MN); Weatherspoon Art Museum, The University of North Carolina at Greensboro; Wellin Museum of Art at Hamilton College (Clinton, NY); Whitney Museum of American Art (New York, NY); and Yale University Art Gallery (New Haven, CT). More about gallerist Andre Zarre A tribute in the New Criterion: Dispatch August 11, 2020 Andre Zarre, 1942–2020 by Dana Gordon On the late New York gallery pioneer. Art should never be aggressively explained; art should be felt. —Andre Zarre, 1977 Often, in the starlit New York cultural mecca, a longtime important figure fades away through the penumbra and dies without notice. Such was the fate of Andre Zarre, the contemporary art dealer, who passed away a few weeks ago. Andy, as he wanted friends to call him, opened his eponymous gallery in 1974 just off Madison Avenue on Sixty-ninth Street. He soon moved it to the omphalos of the art world in that era, 41 East Fifty-seventh Street, the Fuller Building. Over the years he moved to SoHo and then to Chelsea, as fashion and real estate prices pushed the art souk hither and thither. To understand his importance, all you need do is take a look at a list of artists who had solo shows at the Andre Zarre Gallery. This includes such names, from an early generation, as Sonia Delaunay, Nassos Daphnis, Sari Dienes, and Perle Fine. Among a subsequent generation are Pat Lipsky, Jay Milder, Thornton Willis, and Kes Zapkus.1 And this list does not include the many knowns and unknowns who were in his lively group shows. Zarre had a real “eye” and was a champion of abstract art from the moment he founded his gallery—even among the gathering storms of conceptual and political art, which he eschewed. He showed a good deal of figurative art as well. His galleries were always spacious and unpretentious, oriented simply to show the art. In the words of Dee Shapiro, who showed with the Zarre gallery many times, “He had a photographic memory and knew a lot about art and was always interested in the artist’s life.” Reliable biographical information on Zarre is scarce, but he said of his background that he was born in Poland in 1942 and that his parents were a diplomat and a socialite. He left home for the United States at the age of fifteen. During his decades as an art dealer in New York, Zarre did not appear to accumulate wealth, though he acquired a collection and lived on Park Avenue. “He was not personally aggressive in that way. People had to come to him,” Dee Shapiro said. He was honest in his financial dealings with artists, which not all art dealers are. For a long time while running the gallery he had a second job as a supervisor in an airline office and he kept little to no additional staff in the gallery. He supported a brother who remained in Poland. Among artists, Zarre was known to be quite ornery. After my show at his gallery in 1997, I refused to enter it for seventeen years. Then I ran into him in Chelsea and he offered me another show, an opportunity I gladly accepted, but he remained just as disagreeable. He showed the work of many women, probably more than any other gallery, save those devoted to showing only women. Collectors, curators, and writers found him mostly friendly. As Peter Reginato put it, Zarre was a “strange guy but I liked him. I think he was a dealer who was more interested in the art than in making money, but somehow he lasted forty-plus years.” Zarre is not known to have kept extensive or extant records of his gallery’s long history, though these may emerge in time. Scouring the Internet, one may compile a partial list of more than eighty artists who had solo shows at the Andre Zarre Gallery:Nancy Azara, Ellen Banks, Mary Barnes, Tony Bechara, Juan Bernal, Stephanie Bernheim, Randy Bloom, Elena Borstein, Michael Boyd, Fritz Bultman, Ed Buonagurio, Yoan Capote, Sonia Delaunay, Nassos Daphnis, Cathy Diamond, Sari Dienes, Joseph Dolinsky, Beata Drozd, Ronnie Elliot, William Fares, Perle Fine, Lynne Frehm, Ben Georgia, Mikel Glass, Dana Gordon, Juanita Guccione, Fred Gutzeit, Don Hazlitt, Amy Hill, Clinton Hill, Monroe Hodder, Budd Hopkins, Arlan Huang, Richard Hunt, Rhia Hurt, Buffie Johnson, Alexander Kaletski, Robert Kaupelis...

Consigned to American Legacy Fine Arts by H&N Fine Art as part of the Katherine A. Norris Legacy Collection, Newport Beach, California; Bonham’s California, April 11, 2005, lot 205, sold for $7,000; Estate of Sam Harris Signed "Sam Hyde Harris...

Zhyvotkov Serhiy (1961-2000) Portrait of a Woman, 1993. Oil on artist's panel, 16 x 20 inches. Framed measurement 18 x 22 inches. Signed and dated on verso. Author Biography Z...

100 x 70cm mixed media and oil painting on canvas. "Blooming in Silence" portrays the quiet strength that lies within growth and transformation. A cascade of vibrant flowers emerges...

A vibrant mid-century abstract expressionist work, signed and titled verso. Housed in it's original wood strip frame. Framed size is 24.5 x 36.5 inches. Canvas is 24 s 36 inches.

George Dannatt (1915-2009) Deflection of Light - Venice No 1 1995 Mixed crayons on paper Image: 26.4 x 19.6 cm Mount: 40.0 x 32.4 cm Reference no: 1233/1 George Dannatt’s lon...

Acrylic, soft gel, heavy gel on canvas. This painting was conceived as a dance of flowers, with a solo white flower, gorgeous and the centre of the floral ensemble. First, the direct...

Contemporary Art, Abstract Painting Acrylic on canvas 150 x 200 cm Signed FREE SHIPPING ROLLED UP About the artist Enrique Pichardo (Mexico City, 1973) graduated from Escuela Naci...

Untitled, from Zahra Shahcheraghi’s Enchanters of Heaven series (2024) Acrylic and oil pastel on canvas · Zahra Shahcheraghi’s monumental abstraction bridges Persian artistic herit...

Original Contemporary Abstract Figurative Still-life Painting – Small Format Art “Three Lemons” is a vibrant contemporary abstract still life where color becomes the main storytelle...

"Zerques" by Carole Eisner Rolled and welded steel I-beams Carole Eisner has worked with scrap and recycled metal for 40 years creating elegant, abstract forms welded in steel. The ...

Sam Francis, American (1923 - 1994) - Untitled (SF-355), Portfolio: Papierski Portfolio, Year: 1992, Medium: Lithograph on BFK Rives, signed and numbered in pencil, Edition: 50...

Artist Comments
"This composition is segmented in horizontal strips, each featuring different shapes, textures, and a transition of colors," states artist Terri Bell. "There ...

AUDRA WEASER "Bathing Light" Acrylic, Metallic Pigments, Plaster Paint on Canvas 36 x 36 in. ___________________ Utilizing a minimalist color palette, Weaser’s process-based painti...

Lithograph, 1970 Edition : 32/75 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in. (paper) 54.00 cm. x 39.00 cm. 21.26 in. x 15.35 in. (image) Handsigned by the artist in pencil Certific...

Painting of Abstract Turquoise & Red Flowers on a Pink Background by British Landscape Artist, Angela Wakefield. This original is from th...

Linocut on Arches paper, edited in 1961. Limited edition of 100 copies, numbered as 51/100 in lower left corner. This is from the deluxe edition of Jacques Prévert's book "Diurnes", ...

Light’n’Lines No.36 (Blue in Green) is an abstract painting by contemporary German artist Doris Marten. Oil on Alu-Dibond, 31.5 x 78.7 inches (80 x 200 cm). Doris Marten’s work exp...

There’s something ethereal, almost magical, about contemporary paintings. The incredible Expressionism bleeds through the canvas, transforming any room into an entirely new experienc...

Abstract Expressionist Composition signed by Gilbert Pelissier (French born 1924) oil painting on canvas, unframed dated 87' canvas size: 45.5 x 35 inches Inscribed verso condition: ...

-The painting was created alongside my tropical series and does not depict a specific scene, but rather abstract forms and shades of nature. Contemplating these natural motifs always...

Artist: Kuno Vollet Title: Aspiring Path Contemporary rusted steel sculpture for inside or garden outdoor spaces. Stunning large artwork. Possible to put on a pedestal or directly...

Untitled #SP-202 by Murray Duncan Mixed media on paper Size: 32" x 40” Unframed, signed A bold mixed-media work with dynamic lines and textures. This captivating piece by Murray D...

Antique modernist abstract painting by Elsie Orfuss (Born 1913). Oil on canvas. Signed on verso. Nicely framed. Image size, 36L x 48H

Abstract Landscape Mid 20th Century Work on Paper Hamptons, NY Drawing Pastel. Signed and dated '62 lower right. 9 x 12 inches (sight) and 15. 1/2 x 18 1/2 inches framed. BIO Robert Dash is known for his Hamptons paintings...

Collection: Silent Space Acrylic on canvas Md Tokon's style has reflected the art of American Abstract Expressionists. Md Tokon spent his early years in Jhenidah and Dhaka. The phys...

Jardin d'Hiver Series is Shizico Yi's latest works for GSY Studio Gallery Summer Exhibition 2025, this set including 3 paintings. This series created in her winter studio while longi...