Academic Art

Thane Gorek's (US based) "Red Bell II" is an original, handmade oil painting that depicts a red bell pepper halved, so that it's seeds and core are exposed...

Beautiful, original watercolor on archival paper of an Italian seaside villa with figures. Executed in 1902 by the American artist, George Washington Nicholson...

Unidentified Artist, "Untitled: 1930s Drawing of a Seated Woman", Signed Figurative Pencil Drawing on Paper, 21 x 13.88, Early 20th Century, 1936 Colors: Black and White *Unknown Artist signature...

Unidentified/ Unknown Artist," Untitled: Front Nude Watercolor", Figurative Nude Academic Watercolor Painting on Paper, 18 x 13, Late 20th Century Colors: Black and White A 18 x 13...

Woodcut on vélin Tosa Hanga à la main paper. Paper Size: 16 x 12 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Description of a Masque, 1998. Publis...

Jan De Ruth (American/ Czech, 1922-1991), " After the Bath" Edition 19/250, Figurative Lithograph on Paper signed and titled in Pencil, 30 x 21 (Image: 25 x 15.50), ca. 1970s, Late 20th Century Colors: Blue, Yellow, Red, Grey, White, Purple Jan De Ruth enjoyed special popularity as a portrait artist and has become one of the best known painters of the nude female in the world today. It's a long way from sketching in leftover coffee to painting a portrait of Ethel Kennedy for the cover of Time Magazine, twenty-five years in fact; and during that period, Jan De Ruth's personal experiences have been enough to fill two ordinary lifetimes. Through them all, art has sustained him and been his primary interest. To begin with, De Ruth, a native of Czechoslovakia and now an American citizen, spent the years of World War II being shunted through 5 different concentration camps, including the infamous Auschwitz. He made four escape attempts and finally made good on his fifth try. De Ruth constantly sought materials with which to draw, but "The only things we had were the few pieces of cloth we wore," he recalls. By chance, he was transferred to Germany as part of a labor detail and managed to sneak a pencil away from the camp supervisor-"I became a perfect thief during those years," he says. Jan drew a mother and child on a scrap of paper he scrounged from the factory where he worked, filled it in with shadings of coffee in various strengths-his finger was his brush. He exchanged the sketch for a piece of bread from a camp guard, and in effect, sold his first painting. In March of 1945, after being transferred to his native Czechoslovakia, he made his successful escape "knowing every step of the way." After the war, De Ruth became the commissar in a small Czech town and remained in the post for one year, just long enough to forge some documents that allowed him to flee to England. He took up residence in London and enrolled at the Ruskin Art School in Oxford University. He arrived in the USA in 1948. There are times in the life of a painter when his dedication to his art is overshadowed by the immediate requirements of self-preservation. This was one of those times! From '48 to 1955 he supported himself by working at night, earning his way painting designs on neckties and bathroom cups; as a fashion designer, illustrator, vacuum cleaner salesman, theatre manager, and actor. In '55 Jan De Ruth made his professional debut as a full-time artist and two years later his first one-man show established him as a serious painter. His work has been acclaimed for combining the technique of the old masters with a modern manner, and has been exhibited in more than 40 one-man shows in galleries and museums across the United States. He has been judged positively by juries in 28 national exhibitions and his numerous awards include the Purchase Prize of the Butler Institute of American Art, and the Gold Medal of the National Arts Club. De Ruth, author of the books "Portrait Painting" and "Painting the Nude," has devoted his entire life to painting the female face and form. He enjoys special popularity as a portraitist and has become one of the best known painters of the nude female in the world today. Often asked why he concentrates on this most demanding of all art subjects he replies: . . . "Each painting of the nude becomes a new experience . . . It (the human figure) is nature's most perfect and most imperfect creation, communicating, even in silence and immobility, the physical and spiritual power-and frailty-of humanity." Articulate, sophisticated, outspoken and well informed, De Ruth has also been a welcome guest on radio and television shows. But, it is painting that gives a purpose to Jan De Ruth's existence: "It is an unending challenge-there is no end, no final result-to be found in painting the human body. I have never seen two gestures that are alike, but so are the possibilities of expression. There will always be painters who will find one more way of saying: "See! This is what I feel about humans." . . . So until a greater challenge and a more profound symbol comes along, it is the human figure I wish to paint." AWARDS Butler Institute of American Art Purchase Prize Oguniquit Art Center Knickerbocker Artist 1964 Audubon Artist, Grumbacher Purchase Prize National Arts Club of America Gold Medal Windsor-Newton Award of the National Arts Club ONE MAN MUSEUM EXHIBITIONS B'nai B'rith Museum - Washington D.C. Florida Gulf Coast Art...

Unknown/Unidentified Artist, "Untitled: Left Side Seated Nude", Unsigned Figurative/ Nude Watercolor, Charcoal (Mixed Media) Painting on Paper, 18 x 14, Late...

signed "Emile Noirot 1893" at lower right overall dimensions, including frame, are 19 3/4 x 23 5/8 inches

Oil on canvas signed Blanche Pierron, depicting an elegant young woman dressed in an Orientalist costume and holding an abundant bouquet of red flowers and foliage. The sitter is sho...

Stamp of the workshop lower right Work on paper Golden wood frame with glass pane 35.5 x 41 x 3.5 cm

Stamp of the workshop lower right Work on paper Golden wood frame with glass pane 35.5 x 41 x 3.5 cm

Illegible signature Artwork on canvas

Original stipple engraving with colors titled “Les Revers de la Fortune” (Reversal of Fortune) by the well known French engraver, Louis Marin Bonnet...

Original oil painting on wooden panel of a bustling Venice square by the American artist, Albert Munghard. Signed by the artist lower right. Circa 1975. Condition is excellent. Th...

Maurice DENIS (1870 - 1943) Nymph of Eurydice Original lithograph enhanced in pastel Printed signature in the plate On light cream tinted vellum 40 x 24,5 cm (c. 15,7 x 9,6 inch) I...

Outstanding Italian Neoclassical Sphinx Carrara Marble sculpture designed as entrance guardian, this mythical lady sphinx statuary display the head and chest of a neoclassical woma...

Artist: Eugene Schmidt (German/American, 1919-2007) Title: Solothman on the Aase, Switzerland Year: Circa 1970 Medium: Oil on canvas board Board size: 10 x 8 inches Signature...

Maurice DENIS (1870 - 1943) Dancing Ariane, Study for Ariane's Figure Original lithograph enhanced in pastel Printed signature in the plate On light cream tinted vellum 48 x 31 cm (...

Italian school from the beginning of the 19th century ? Oil on canvas (2) 99 x 65 cm (103 x 78 cm with the frame) Old frames with gadroons and palmette decoration Very good condition...

Here for your consideration is a wonderfully detailed miniature painting of the Matterhorn. Signed and titled verso. Attributed to the artist William Archibald Wall. Dated 6/50 verso...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 11.937 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the fo...

China Trade aquatint engraving. The plate was engraved by Dadley in London after drawings by Pu Qua of Canton and published in 1799 by W. Miller of Bond Street in London. Sight size 11.5 by 9.5 inches. Under glass. Silver leaf frame with wear consistent with age. Overall framed measurements are 13.5 by 11.5 inches. Not examined out of frame. Borghese label verso. Provenance: Sarasota collector. Inscriptions read as follows: Pu-Qua. Canton. Delin. Dadley, London, Sculpt. Published May 4, 1799, by W. Miller, Old Bond Street, London. John Dadley...

French school 19th Century A Muskeeter Pencil on paper 26.5 x 17 cm Bears a signature "F. Roybet" in the lower right In quite good condition, bears some visible foxings, In an old mount (some damages) (not framed) Even if the style, execution and of course subject are those of Ferdinand Roybet...

George EDWARDS Bird and beetle ('The Gowry Bird') Original engraving, enhanced with watercolor Printed signature in the plate Dated, 1741 28.8 x 23.3 cm Created for Volume I of the...

Original photogravure of a young woman in the garden. Original painting was done by Jean Louis Harmon in 1857. Condition is very good. Le Crepuscule is the French word for twilig...

Woodcut on vélin Tosa Hanga à la main paper. Paper Size: 16 x 12 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Description of a Masque, 1998. Publis...

Franck Bailleul is a French painter born in 1964 who lives & works in Abbeville, Normandy, France. He has exhibited nationally as well as in the United States and China. His works e...

small oil landscape on cardboard “Village 3”, drawn by Natalya Shiporina, signed to the verso. The painting is part of a series of three paintings...

Artist: Pierre Lavarenne (French, born 1928) Title: Landscape, Paysage aux Bories Year: Circa 1975 Medium: Oil on canvas Canvas size: 15 x 18.25 inches Signature: Signed lo...

Francis GARAT Omnibus in Paris Original watercolor painting Handsigned in ink On vellum, 30 x 40 cm (c. 11,8 x 15,7 inch) Excellent condition

An archival pigment print on Hahnemühle Photo Rag® Baryta 315 g/m² paper of a photograph by Harry Sutcliffe (1878- 1942) entitled ' Beaty ' Portrait of a young woman created cerca ...

For your consideration here is a wonderful original watercolor by the Scottish born artist John P. Nicolson also known as John Nicolson. Executed circa 1915 in the style of Winslow H...

New Orleans/Washington State artist Lue Isaac shows off her remarkable draftsmanship with this classical nude figure drawing. Note that this is from her ske...

Georges CONRAD (1874-1936) Secretary in the Subway Original pencil and color pencils drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Good conditio...

Dionisio MORETTI Venice, Rialto Bridge, 1831 Original etching Finely enhanced by hand with watercolor On vellum 26 x 41 cm (c. 10.2 x 16 inch) Ve...

Jean Joseph Bonaventure LAURENS (Attributed to) Carpentras, 1801 – Montpellier, 1890 View of Grenoble from the heights Oil on canvas mounted on cardboard 35.5 x 42.5 cm (46.5 x 54.5 ...

Exquisite original watercolor of Warwick Castle by the famous British artist, Edmund John Niermann. Signed lower right. Circa 1850. Condition is very ...

The Hüreli, Klosters, Switzerland by His Majesty King Charles III (created when he was HRH Prince Charles, The Prince of Wales) - Hand Si...

The mat measures 21 X 16 the images are around 12 X 9 inches. They bear the blindstamp of the American Colony Jerusalem. I am not sure if these are hand colored but they are from th...

English Mansion by the Cemetery - Late 1800s Watercolor on Paper Dramatic and detailed landscape by Lucy Cooper (British, 1853-1929). A large home is shown on the left, with a red r...

Beautiful oil on fiberboard painting of a view of Switzerland done by the American artist, John William Casilear. Signed with monogram lower left. Condition is excellent. Circa 1857/1858. The painting is housed in a contemporary frame. Overall framed measurements are 6 5/8 by 8 5/8 inches. lProvenance: Long Island, New York collector. Biography John William Casilear was born in New York City on June 25, 1811. Like his fellow Hudson River School landscapists Asher B. Durand and John F. Kensett, he worked as an engraver before turning to painting. In 1826 Casilear was apprenticed to the engraver Peter Maverick (1780-1831), and at first he primarily executed bank notes. Durand encouraged him to attempt other subjects, however, and during the 1830s he madeengravings after some of the most prominent paintings of the day, including Daniel Huntington's The Sybil (New-York Historical Society). In 1832 he began submitting engravings to the National Academy of Design exhibition and he first showed paintings there in 1836. In 1833 Casilear was elected an Associate of the Academy; he was elevated to full Academician status in 1851. In 1840 Casilear accompanied Durand, Kensett, and another painter, Thomas P. Rossiter (1818-1871), on a trip to Europe. There the artists studied and copied paintings...

Early 20' Century large cityscapes of Venice oil on canvas with a finely carved gilt wood frame. Rialto Bridge painting is beautiful reminder of Venice, Italy's iconic bridge. The...

Désiré Auguste GHESQUIER Lille, 1861 – Lille, 1934 Portrait of an Italian Woman from the Back Watercolor on paper Signed lower right "D. Ghesquier" 39.5 x 27 cm (43.5 x 30.5 cm with ...

George Weissbort (Belgian / British, 1928 – 2013) A SQUASH, A BUNCH OF GRAPES AND A GLASS OF WINE Oil on canvasboard 18.1/8 x 22 in. (46 x 55.7 cm.) George Weissbort was born in ...

Firmado en la parte inferior por el artista Se presenta sin enmarcar la obra Medidas obra: 55 cm. de altura x 42 cm. de ancho Buen estado de conservación el de la obra ::::::::::...

Hand colored copper plate engraving from “The History of Birds. Plate 117 published in 1776.. “Yellow Created Parrot” Dedicated to Daniele Farsetti, a well known art collector Veni...

Stone Steps by the River - Late 1800s Watercolor on Paper Dramatic and detailed landscape by Lucy Ellen Cooper (British, 1853-1929). On the right side of the composition, a set of t...

ALONSO PEREZ (1881 - 1914) Lady and Napoleon Soldier in the Street Oil on canvas signed and dated 1906 low right Dedication : Au sympathique maître et...

Classical style allegorical painting with puti and monarchy type figures floating within the clouds. The canvas is framed in a decorative gold frame. Dimensions Without Frame: H 43.5...

RÖTIG Georges-frédéric (1873-1961) Lion and Lioness On The Hunt Oil on canvas signed and dated 1933 lower right. The canvas is mounted in a frame called "Berain style” inherited fro...

Original etching on Ingres laid paper (watermarked, see last photograph) attributed to the hand of the well known Dutch artist, Hermanus Jan Hendrik Rijkelijkhuysen. No visible signature. Sheet size 9.25 by 12 inches. Sight size 7 by 9 inches. Under glass. Circa 1875. Condition is excellent. Professionally matted and framed in a walnut colored frame with gold leaf edge. Overall framed measurements are 12.75 by 14.5 inches. Gallery label verso. Provenance: A Sarasota, Florida collector. Biography: Hermanus Jan Hendrik Rijkelijkhuysen (1813-1883) was a landscape painter and etcher. Rijkelijkhuysen spent most of his life working in the vicinity of his birthplace Utrecht. Inspired by the polders on the one hand and the Utrechtse Heuvelrug on the other, he mainly painted and etched water...

Still Life, 20th Century Oil on board Sight: 16 1/4 x 19 in. Framed: 19 3/4 x 22 1/4 x 1 in.

An archival pigment print on Hahnemühle Photo Rag® Baryta 315 g/m² paper, a photography of a street scene featuring a man on a Side-car, in Montreal cerca 1930 entitled ' Rescued ' ....

Original watercolor with graphite tracings of a hunter bring home the fresh game by the British artist, George Anderson Short. Signed top right. ...

Circa 1940 Signed lower left Sight size 19 x 26 in Overall 27.5 x 34.5 in original period frame

Original high profile wax cameo of William Shakespeare. Unsigned. Composed of natural and colored wax. Condition is very good. Most likely of British origin. Original shadow box fra...

The rapid pace of the ride over a country landscape and the relationship between the rider and horse are felt in this oil on canvas painting by Chris Brizzard...

The mat measures 21 X 16 the images are around 12 X 9 inches. They bear the blindstamp of the American Colony Jerusalem. I am not sure if these are hand colored but they are from th...

Graphite and watercolor attributed to the well known British artist, Henry Thomas Alken. Circa 1825. Unsigned. Condition: Good. Provenance: Christie’s London, 1993. Matted but presently unframed. Alken was born on 12 October 1785 in Soho, Westminster, and baptised on 6 November at St James's Church, Piccadilly. He was the third son of Samuel Alken, a sporting artist. Two of his brothers were George and Samuel Alken the Younger, also an artist. In 1789, the Alken family moved from Soho to 2, Francis Street East, Bedford Square. Young Henry first studied under his father and then with the miniature painter John Thomas Barber...

Here for your consideration is a late 19th century needlepoint, petitepoint and beaded portrait of a young woman. It is a highly detailed and meticulously crafted beaded portrait wi...