Conceptual Art

Further to Fly is a series of Wet Plate Collodion Photograms that continues in my practice of using drawings on mylar layered with light-sensitive materials in the darkroom to create imagined landscapes. The illustrations used in the series are based on reference shots I took in Palm Springs...

I like modern Japanese painting. One of the most famous artists is Yayoi Kusama. Her image and paintings inspired me to this work.

Reinhard Görner Château de Fontainbleue III Library France 50" x 50" Edition of 25 $6,000 60" x 60" Edition of 15 $9,000 70" x 70" Edition of 10 $11,000 signed and numbered on la...

SALE ONE WEEK ONLY Jennifer's "Untitled" piece appears to be a landscape with a colorful stripped form arising out of the grasses. It is an iconic image that she incorporates into her work. The following excerpt from her Artist Statement best describes her feeling about it: I stopped the slug imagery and started making purely abstract paintings. Eventually, abstract lines and forms evolved into “characters.” They lived in landscapes of a realistic sort. They were abstractions on a representational journey. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. They were the slugs transformed. Evolved slugs and broken out from their cocoons. They had become abstract “butterflies.” Jennifer Wynne Reeves was known for creating a body of paintings, drawings and photographs that speak to and confront formalist and humanist dilemmas. Beyond her achievements in the art world, Reeves enjoyed a considerable fan-base as a result of her astonishing Facebook presence where she chronicled and interwove her art and diaristic prose. Reeves solo exhibitions included Art & Public in Geneva, Gian Enzo Sperone in Rome; Max Protetch, Ramis Barquet and BravinLee programs, NYC. Reeves was also celebrated for her writing. She produced a graphic novel, The Anyway Ember and Soul Bolt, a book of images and prose. “Profoundly rewarding works” said LA Times writer, David Pagel, in a review her 2015 exhibition at CB1 Gallery. Reeves is a John Simon Guggenheim Fellow recipient. The following is an artist’s statement about her theory off work: “Twenty years ago, I called them slugs. In the beginning, they were like long lumps without arms or legs. Powerless. Difficult. Paralyzed. I thought maybe they were the symbols of sloth or depression or fear. They didn’t do anything. I wondered if I should stop making them? They were not beautiful. Nobody liked them. Nobody wanted to look at them. They were repellent and, worse, they were funny. I hated that. I wanted to be a “serious” artist. I was conflicted. I had to make the images that came to me but I was embarrassed. Maybe it wasn’t a fancy path but painting slugs was more honest than painting flowers (nothing against flower paintings, mind you). It came down to a moral choice. So, I determined to follow the slug road. Maybe it was a road that led somewhere? Or maybe not. After several years, I thought I hit a dead-end. I stopped the slug imagery and started making purely abstract paintings. Eventually, abstract lines and forms evolved into “characters.” They lived in landscapes of a realistic sort. They were abstractions on a representational journey. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. They were the slugs transformed. Evolved slugs and broken out from their cocoons. They had become abstract “butterflies.” Little kids liked them. I hated that. I wanted to be a “serious” artist. I’m not sure, exactly, who they are. They could be our conscience, our psychology, or simply the part inside us that yearns. They could be artists, modernists or the first of “us” that crawled out of the ocean. My best hunch is they are whatever it is that makes us want to make. I hope that’s a good thing and beautiful and seriously funny. Whatever the case, I’d like to know what it’s all about.” Jennifer Reeves...

Braunschweig 1, Laser cut archival pigment ink print, signed, numbered, framed Ideas of home and dislocation have always been compelling to me as the child of immigrant parents who...

Landscape with beach chair or lawn chair in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conce...

Nostalgic painting of vintage toy car with graffiti background. About the Artist: Jim Molloy is a studio and plein air painter. "I like to try...

Landscape with snow capped mountains in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptua...

Joan Brossa (Spain, 1919-1998) 'Laberint Poema visual de Joan Brossa', 1996 engraving, silkscreen on paper 15.8 x 11.9 in. (40 x 30 cm.) Edition of 150 ID: BRO1205-005-150_3 Hand-sig...

Archival Ink. Photograph. Waves. Produced by Dye Sublimation - which means archival inks infused into aluminum. Ltd Ed of 10. The art can be inside or outside with no visible lo...

Museum quality fine art print of an alternative shot from the cover shoot for Aladdin Sane by David Bowie from the official Duffy Archive. This official Duffy Archive print is avail...

This piece is from my private collection of 20th Century -21st Century artists, many of which are from the School of Paris era. Pelayo produced this lithograph in colors. The Latin American spirit...

Fresh Paintings 274 by Niko Luoma (1970) Date: 2004 Chromogenic Print with Diasec, signed in pen on verso Edition of 1/3, 2 AP's Size: 39.25 x 49.25 in. (99.7 x 125.1 cm)

Fresh Paintings 445 by Niko Luoma (1970) Date: 2004 Chromogenic Print with Diasec, signed in pen on verso Edition of 1/3, 2 AP's Size: 39.25 x 49.25 in. (99.7 x 125.1 cm)

Fresh Paintings 9905 by Niko Luoma (1970) Date: 2004 Chromogenic Print with Diasec, signed in pen on verso Edition of 1/3, 2 AP's Size: 39.25 x 49.25 in. (99.7 x 125.1 cm)

In her photographic series, Barbara Probst explores the ambiguities of the photographic medium and the subjectivity of truth and perception. At first, the groups may appear to be the...

Anne Collier produces sparse still lifes of found objects using a technique of re-photography that is informed as much by West Coast conceptual art practices as by product photograph...

Anne Collier produces sparse still lifes of found objects using a technique of re-photography that is informed as much by West Coast conceptual art practices as by product photograph...

Detail From: The Saints Laurentius and Catherine, Giovanni Gaddi, 1380 painting Berlin Painting Gallery 2008 Two editions available. This 2008 conceptual photograph by German photo...

Landscape with Swiss cheese (or architectural frieze) in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pio...

Wood, mirrors, wire, plastic, LED lights. Artist statement: "Behind the doors of this cabinet/tower is an infinity mirror and a DNA double helix branded with the word “trauma.” The...

Dinosaur, 2011 53 x 43 inches Acrylic, oil, latex and image transfer on board $3300 2015 A painter, sculptor, and installation artist, Niki Singleton draws on both popular cu...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck arrived, but in that moment it was a revolving abstraction of potential, delineation, growth, and destruction. Once filled it was gone: the plywood was stripped away, the earth was backfilled. To suspend that moment he began building models of formworks. Leaving them unfilled, they are perpetually unfinished. From models based directly on architecture, Horstman expanded to forms found in the landscape. Making a formwork that depicts constraint upon the landscape is not exactly a reversal of the formwork’s function, but it asks different questions than a formwork designed for a building would. Why would you make a cement creek? What is the relationship between a flowing creek and poured cement? Is this a barrier or just delineation? For River Woman ODETTA, in addition to several small sculptures in the Flat File, Horstman will install Formwork for the East River, which describes that river’s shape as it flows from Rikers Island to the tip of Manhattan. The 3 x 18 x 7 foot sculpture...

Signed by the artist, Edition 16/75 COA provided Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual artist, performance artist, earth artist, sculpto...

Mark Wallinger It's the Thought that Counts, 2001 Mixed media Christmas cracker, colored paper/ cardboard and ribbon with snap Plate signed by Mark W...

The war, cruelty, racism, political games, the age of gluttony in consumption, making money and of course the race for youth and beauty, when it’s hard to find out who you are and wh...

Delightful 1950s French Refrigerator Poster — “Armoires Frigorifiques Commerciales GEL” — Linen Backed, Original! Grade A, Å- condition. Very fine! Searching for the coolest piec...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Lourdes Teleferique du Beout original French antique poster. Archival linen backed in very fine condition. The artist Hubert Mathieu created ...

"Untitled 4.16" Still Life Photography 24' x 16' in Ed of 15 by García De Marina Signed and numbered by the artist Comes with COA issued by the artist García de Marina was born in ...

Leslie's public projects respond to site, history and the body. Figures are female or hermaphroditic, of imaginary descent, often melded with animal, architecture and plant forms. I ...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Anish Kapoor Poster for Svayambh at the Royal Academy, London (hand signed by Anish Kapoor), 2009 Offset lithograph poster Boldly signed by Anish Kapoor on the lower right front 21 ×...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

This striking conceptual abstract oil painting is by British artist Penelope Ellis. It was painted in 1963. A superb image and ahead of the conceptual ideas of the swinging sixties a...

A digital c-print by Peter Coffin. A conceptual work featuring a diptych of two pages from open books referring to the degrees of separation within the relationship between artist, a...

This striking conceptual abstract oil painting is by British artist Penelope Ellis. It was painted in 1962. A superb image and ahead of the conceptual ideas of the swinging sixties a...

Lawrence Weiner Jonathan Richman Live on stage at The Kitchen, non-profit artist's space (Hand signed by Lawrence Weiner), 2017 Offset lithograph poster (hand signed by Lawrence Wein...

A masterpiece of Baroque symmetry and intellectual grandeur, Reinhard Görner’s Wren Library, Cambridge captures the timeless elegance of one of Brita...

N. Levi (signed in Hebrew and English) Menorah Done in a brutalist design with the Hebrew words "Seek the peace of jerusalem" Dimensions: 8 X 9 X 2.5 inches This appears to be silver plated as I do not see a silver standard mark or hallmark. There has been a resurgence of fine artists making Judaica, There was initial generation of the Bezalel School in Jerusalem and later Ludwig Wolpert at the Jewish Museum in New York City, whose spare, geometric, functionalist style was influenced by the Bauhaus school in particular and modernism in general, Moshe Zabari, Maxwell Chayat, in New York, Menachem Berman...

Landscape with refrigerator in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist...

Museum quality fine art, limited edition contact sheet print of David Bowie in the Scary Monsters Clown costume from the official Duffy Archive. Taken from the original 1980 negativ...

Lanscape with waffle iron in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. F...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Large-scale oil on canvas by Italian conceptual artist Francesco Correggia, titled "I Am Alone," created in 2014. This signed original work measures 76 x 73 inches and is in new cond...

Landscape with music record or disc in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual...

Grisha Bruskin, Russian (1945 - ) - Ptitza, Portfolio: Lexica, Year: 1992, Medium: Etching with Aquatint, signed, titled, numbered and dated in pencil, Edition: WP, Image Size: ...

Provenance: Deaccessioned from a New York University. Condé + Beveridge Carole Condé and Karl Beveridge Condé born in Hamilton in 1940. Beveridge born in Ottawa in 1945. Both live ...

Landscape with framed house in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist....

Natalie d'Arbeloff, British/American (1929 - ) - Juke Box Tune 2, Year: 1989, Medium: Etching with Aquatint, signed, titled, numbered and dated in pencil, Edition: 32/150, Image S...

"Working Drawing for an Unfinished Project" is an original lithograph by Robert Stackhouse, numbered 99 578. It depicts abstract, sculptural drawings of a project the artist was work...

Landscape with ironing board in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist...

Landscape with barbecue grill in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artis...

The size is as indicated here. the size on sticker is off. 1948 Born in Toyama Prefecture 1973 Dokuritsu Bijyutsu exhibition, Tokyo Metropolitan Art Museum Record of Awards 1977 Da...

Size is without frame Barton Benes (November 16, 1942 - Hackensack, New Jersey – May 30, 2012 - New York) was an artist who lived and worked in New York City. He studied at Pratt Ins...

Landscape with Ranch Fence in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. ...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

A one of a kind 17x19 Surreal Watercolor and Cyanotype executed on Cotton Sateen by artist Annalise Neil. A certificate of authenticity will be provided upon its purchase or delivery...