Conceptual Art

Museum quality fine art, limited edition contact sheet print of David Bowie in the Scary Monsters Clown costume from the official Duffy Archive. Taken from the original 1980 negativ...

Artist: Chryssa (Greek, born 1933) Chinatown Portfolio #1 Year: 1978 Medium: Screenprint on wove paper Signed in pencil and numbered 97/250 Edition: 250 Dimension: 38 1/4 x 31 1/4i...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

An original wall sculpture by American female artist Felice Koenig. Koenig covers carved polystyrene forms with layers upon layers of acrylic dots. The works take Koenig around 6...

'Notre Dame 9' 2010, Edition of 10 plus 2 Artist Proofs, archival Pigment Print, based on a Polaroid 810 transfer process, 27.3x20cm, not mounted, Signed, embossed stamp and artist c...

Et Dominus by Robert Perez Acrylic on wood 24x24 Conceptual Abstract, Mixed Media, Colors: Orange, Pink, Black, White, Green

Tom Pfannerstill was born in Milwaukee, Wisconsin, in 1951. He earned is bachelor’s degree in 1975 from Western Kentucky University. Pfannerstill has been a full-time studio artist s...

Floriculture 2 by Lisa Creagh 45" x 72" Lightjet Print from a Limited Edition of 10 Creagh's project 'Floriculture' draws on the theme of The Instant Garden, which derived from an ...

Allen Ruppersberg (American, 1944-) Lithograph, Mixed media From the Top Ten Historical Similarities (and Differences) Between Prints and Photographs. This sale is of one print not t...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects and textures arranged meti...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful ob...

Oil on canvas. Dramatic. Female centric. Nighttime. Mysterious. About the artist: “There's a dry ironic twist to Paul’s paintings that give the work — while realistic — a postmodern feeling of reflection, observation and cultural critique. Somewhere between the Cohen Brothers...

Grisha Bruskin, Russian (1945 - ) - Litza II, Portfolio: Lexica, Year: 1992, Medium: Etching with Aquatint, signed, numbered and dated in pencil, Edition: WP, Image Size: 9 x 7....

This Contemporary female artist overlays stenciled figures using vibrant colors. Some of the figures are rendered with detail while others are left in abstraction. Mil Lubroth (1926...

62.5 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 5 $9,000 87.5 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format phot...

This enigmatic lithograph titled “Dramma in Nove Versi” (Drama in Nine Verses) presents a Conceptual Art exploration of text and visual poetry through Textual Art practices. The comp...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

Artist: Deborah Oropallo (1954-) Title: Crown Prince Medium: Etching and aquatint in colors Date: 1987 Printer: Teaberry Press (Timothy Berry, San Franci...

Adam Styka, Polish (1940 - ) - Cocoon II, Year: 1985, Medium: Lithograph, signed, titled, numbered and dated in pencil, Edition: Trial Proof, Size: 22.5 x 30 in. (57.15 x 76.2 cm)

Screen print on Ries Textured Rag paper, Signed and numbered, Edition of 108 Working across all media, Richard Artschwager (1923-2013) has long specialized in the relationship betwe...

Robert Smithson Movie Treatment for Spiral Jetty, Dwan Gallery Poster, 1970 Offset lithograph poster 38 × 22 inches Unframed Rare, historic poster feature...

Chuck Connelly, American (1955 - 2025) - Building Spire, Year: 1985, Medium: Etching on Arches, signed, numbered and dated in pencil, Edition: 2/20, Image Size: 5.75 x 7.75 inch...

Natalie d'Arbeloff, British/American (1929 - ) - Bagatelle, Year: 1989, Medium: Etching with Aquatint and Embossing, signed, titled, numbered and dated in pencil, Edition: 5/150, ...

Grisha Bruskin, Russian (1945 - ) - Anghel, Portfolio: Lexica, Year: 1992, Medium: Etching with Aquatint, signed, titled, numbered and dated in pencil, Edition: 22/24, Image Size...

Grisha Bruskin, Russian (1945 - ) - Litza, Portfolio: Lexica, Year: 1992, Medium: Etching with Aquatint, signed, titled, numbered and dated in pencil, Edition: 23/24, Image Size:...

Mario Segundo Perez Argentine, 1960–2018 Sentimental Ink on Paper Dimensions: 7.5 X 9.75 with frame. sheet is 5 X 7 Does not appear to be signed on front (not examined out of frame. might be signed verso) Provenance: The Estate of Theodore A Bonin (Ted Bonin was a principal in Alexander and Bonin, a New York gallery known for its diverse slate of conceptual artists. He started at Marlborough gallery London in the 60s, then in partnership with Brooke Alexander. In its stable were a host of esteemed artists: Willie Cole, Rita McBride, John Ahearn, Paul Thek, Doris Salcedo, Eugenio Dittborn, Dalton Paula, and Rigoberto Torres, Mona Hatoum and Emily Jacir.) Mario Pérez was born in San Juan, Argentina in 1960. The second of seven children, and the son of a housepainter. He obtained his degree in Visual Arts at Universidad Nacional de San Juan in Argentina. A draughtsman and painter. His style was magic realist or fantastic realism In 2003, Pérez was the recipient of a Pollock Krasner Foundation grant, one of his greatest achievements. He also had the honor of being part of the National Exhibition “200 Years-200 Masters of Argentinean Art”, commemorating the country’s bicentennial. Mario has won international distinctions such as the Cecilia Grierson Award at the Salón Nacional de Pintura in La Plata in 1992; the Marco A. Roca Award at the Salón Pro-Arte, Córdoba, also in 1992; and the first prize in the LXXXVIII Salón Nacional de Pintura in Buenos Aires in 1999. His art often features tiny figures in immense landscapes, and unique backgrounds. It has elements of Conceptual art. His work has been regularly featured in leading auction houses like Christie’s and Sotheby’s in New York, and private and public collections. The magic realism of Mario Segundo Pérez is characteristic of a chiefly Latin-American concept in painting, literature and film that incorporates fantastic or mythical elements into an otherwise realistic scenario. Coined in the 1940s by Cuban novelist Alejo Carpentier, the term often is used when referring to the Colombian novelist Gabriel Garcia Márquez, winner of the 1982 Nobel Prize in Literature. Influences include Frida Kahlo and George Tooker. He was in shows with Ana Fabry and Eduardo Esquivel. Paintings by Pérez are included in numerous private and public collections, including the Ciudad Casa de Gobierno (the Buenos Aires City Hall); the University of Miami School of Architecture, and the College of Communication, Architecture + The Arts (CARTA) at Florida International University. He has been in shows with Juan Cardenas, Anna Mercedes Hoyos, Ignacio Iturria, Alejandro Obregon, Domingo Ravenet, Arnaldo Roche, Edgar Negret, Fidelio Ponce de Leon, Ricardo Martinez, Damian Gonzalez, Jorge Jimenez Deredia, Victor...

Chuck Connelly, American (1955 - 2025) - Structural Column, Year: 1985, Medium: Etching on Arches, signed, numbered and dated in pencil, Edition: 2/20, Image Size: 8 x 5.75 inch...

Unknown Artist - The Kaddish, Medium: Screenprint Monoprint, signed in ink lower right, Size: 44 x 30.25 in. (111.76 x 76.84 cm)

Further to Fly is a series of Wet Plate Collodion Photograms that continues in my practice of using drawings on mylar layered with light-sensitive materials in the darkroom to create...

Archival Ink. Photograph. Waves. Produced by Dye Sublimation - which means archival inks infused into aluminum. Ltd Ed of 10. The art can be inside or outside with no visible lo...

Further to Fly is a series of Wet Plate Collodion Photograms that continues in my practice of using drawings on mylar layered with light-sensitive materials in the darkroom to create imagined landscapes. The illustrations used in the series are based on reference shots I took in Palm Springs...

Nostalgic painting of vintage toy car with graffiti background. About the Artist: Jim Molloy is a studio and plein air painter. "I like to try...

Artist: Risaburo Kimura Title: City 379 Year: 1971 Medium: Serigraph, signed and numbered in pencil Edition: 300 Paper Size: 28.5 x 22.5 inches

Reinhard Görner Open Space, City Library Stuttgart, Germany 2014 Contemporary Interior Architecture Photograph A vision of contemporary minimalism and infinite knowledge, Reinhard ...

Annette Lemieux (American, 1957-) Date: 1994 Medium: photogravure, aquatint (photo etching) and stencil Hand signed and dated lower right. Editioned lower left. Dimensions: Sheet: 22...

the painting is being offered with work and authenticity certificate

This piece is part of my private collection of 20th Century artists that were part of the School of Paris era. This piece is original and signed by Pelayo and numbered.

Mark Wallinger It's the Thought that Counts, 2001 Mixed media Christmas cracker, colored paper/ cardboard and ribbon with snap Plate signed by Mark W...

Reinhard Görner, Ganymed, Palazzo Grimani, Venice, Italy. In this monumental photograph, a sculpture depicting the Kidnapping of Ganymed is suspended in the center of the vault, decorated by lacunae. The image combines the unique geometric abstraction of the architecture with the organic form of the sculpture and the floor. What is so unique about this artwork? Compositionally, all lines radiate to the the center of the room, where the energy is thrust upwards again by the mythical figure. The wings of Ganymed direct the eye back to the perimeter of the room, where the attention flows inwards once again. The floor radiates with an earthy ktenic energy, which compliments the vertical push of the sculpture. The result is a living, pulsing composition, set within the unusual warm classicism of this unique Venetian Palazzo. This beautiful palace was the residence of the Doge Antonio Grimani. It is one of the most unique examples of Venetian architecture in transition from Gothic, well-rooted in the local culture, to the Renaissance. German large-scale photographer Reinhard Görner is known for his stunning, monumental-scale photography, which combine a sense of grandness with intimacy. He was born in 1950 in Leipzig, Germany, and he lives and works in Berlin, Germany. He studied drama, german literature and sinology in Munich and Berlin, and has been photographing architecture, interiors, and public spaces since 1981. Condition: New. Images are crisp and sharp. Images are not shown at full resolution for the protection of the artist. 50 x 49 inches ed of 10 $6,000 60 x 59 inches ed of 7 $9,000 70 x 68.8 inches ed of 5 $11,000 signed and numbered on label, verso Reinhard Görner with his large format architectural photographs orchestrates the monumentality of rooms. An active architecture photographer since 1985, is a master of perspectives and precise spatial compositions, and he thus considers classical sculpture, in all of its possible facets, a special challenge. "Görner’s photographs sometimes open the doors to another world and take the viewer with them on a journey through time. Here the palace is no longer a museum but both royal residence and a site steeped in history. The viewer does not have to share the halls with the masses of visitors; instead the images offer him exclusive impressions of the Galerie des Glaces (Hall of Mirrors) and the Galerie des Batailles (Hall of Battles) as even the king of France was probably never granted. The halls are empty of people, yet they seem to be able to unfurl their individual characters of their own accord. These places practically breathe history, and this aspect is also part of the essence captured in the photographs. King Wilhelm of Prussia was named German Emperor Wilhelm I in the Hall of Mirrors after France was defeated in 1870–1871 in the Franco-German War. The Treaty of Versailles following World War I was also signed there in 1919. In this sense, the architectural photographs of Versailles’s ceremonial rooms have an edge on Renaissance paintings; here even a sense of world history arises within the viewer – one which continues to exert an influence today". Horst Klöver Paper is trimmed to the image: actual image size listed More about the Palazzo: Newly restored, the Palazzo Grimani also includes Camerino di Callisto, with stucco by Giovanni da Udine...

Wave Theory is a painting from the collection "Wave Theory", was participated in the Swiss Art Expo 2021 in Zurich. It is a part of the science art collect...

Evidently, Cherry Kobler was a woman who composed songs and sang them while accompanying herself on the piano. Why she chose a fruity dessert as a stage name is anyone's guess. According to the French files of Columbia Records...

Delightful 1950s French Refrigerator Poster — “Armoires Frigorifiques Commerciales GEL” — Linen Backed, Original! Grade A, Å- condition. Very fine! Searching for the coolest piec...

This lithograph is part of my private collection. It is limited in edition artist pencil signed lower right and is in very good condition . Jean Couty Epreuve de' artist an original ...

How often are we held back from deciding by the many limiting beliefs and frameworks instilled in us from birth by our immediate environment and society? These limiting beliefs are a...

Make My Day - Chicken Rooster Painting by Marc Zimmerman He stands there, blocking all who dare challenge him in their pursuit to get by. This heroic cock, Charlie, the great intimi...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Lourdes Teleferique du Beout original French antique poster. Archival linen backed in very fine condition. The artist Hubert Mathieu created ...

Original vintage travel poster Car Festival at Puri India. Archival linen-backed lithograph in fine condition, ready to frame. At this festival, the public gathers and pull a chari...

Biblioteca Classense Ravenna, Italy 2022 62.5 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 7 $9,000 87 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso The sunlit entrance to the Sala delle scienze e delle arti (Hall of sciences and arts) with the bust of Teresa Gamba (Lord Byron’s lover) in background. The vista is framed by a rhythmic repetition of gleaming wooden doorways and archways, housing shelves of antique tomes. Reinhard Görner records cultural and industrial heritage through his series of photographs depicting contemporary and historical architecture, landscapes, parks, and plants. Best known for his photographs of libraries and reading rooms from around the world—in works such as George Peabody Library...

Phillips Exeter Academy Library 60 x 50 inches ed. of 10 $6000 70 x 58.5 inches ed. of 7 $9000 80 x 66.8 inches ed. of 5 $11000 signed and ...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

SALE ONE WEEK ONLY Jennifer's "Untitled" piece appears to be a landscape with a colorful stripped form arising out of the grasses. It is an iconic image that she incorporates into her work. The following excerpt from her Artist Statement best describes her feeling about it: I stopped the slug imagery and started making purely abstract paintings. Eventually, abstract lines and forms evolved into “characters.” They lived in landscapes of a realistic sort. They were abstractions on a representational journey. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. They were the slugs transformed. Evolved slugs and broken out from their cocoons. They had become abstract “butterflies.” Jennifer Wynne Reeves was known for creating a body of paintings, drawings and photographs that speak to and confront formalist and humanist dilemmas. Beyond her achievements in the art world, Reeves enjoyed a considerable fan-base as a result of her astonishing Facebook presence where she chronicled and interwove her art and diaristic prose. Reeves solo exhibitions included Art & Public in Geneva, Gian Enzo Sperone in Rome; Max Protetch, Ramis Barquet and BravinLee programs, NYC. Reeves was also celebrated for her writing. She produced a graphic novel, The Anyway Ember and Soul Bolt, a book of images and prose. “Profoundly rewarding works” said LA Times writer, David Pagel, in a review her 2015 exhibition at CB1 Gallery. Reeves is a John Simon Guggenheim Fellow recipient. The following is an artist’s statement about her theory off work: “Twenty years ago, I called them slugs. In the beginning, they were like long lumps without arms or legs. Powerless. Difficult. Paralyzed. I thought maybe they were the symbols of sloth or depression or fear. They didn’t do anything. I wondered if I should stop making them? They were not beautiful. Nobody liked them. Nobody wanted to look at them. They were repellent and, worse, they were funny. I hated that. I wanted to be a “serious” artist. I was conflicted. I had to make the images that came to me but I was embarrassed. Maybe it wasn’t a fancy path but painting slugs was more honest than painting flowers (nothing against flower paintings, mind you). It came down to a moral choice. So, I determined to follow the slug road. Maybe it was a road that led somewhere? Or maybe not. After several years, I thought I hit a dead-end. I stopped the slug imagery and started making purely abstract paintings. Eventually, abstract lines and forms evolved into “characters.” They lived in landscapes of a realistic sort. They were abstractions on a representational journey. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. It occurred to me that they were the slugs. I thought they had gone but they hadn’t. They were the slugs transformed. Evolved slugs and broken out from their cocoons. They had become abstract “butterflies.” Little kids liked them. I hated that. I wanted to be a “serious” artist. I’m not sure, exactly, who they are. They could be our conscience, our psychology, or simply the part inside us that yearns. They could be artists, modernists or the first of “us” that crawled out of the ocean. My best hunch is they are whatever it is that makes us want to make. I hope that’s a good thing and beautiful and seriously funny. Whatever the case, I’d like to know what it’s all about.” Jennifer Reeves...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Lawrence Weiner Then Now and Then: Leo Castelli Gallery (Hand Signed), 1997 Vintage Poster Signed by Lawrence Weiner 14 × 12 1/2 inches Unframed Uniquely hand signed poster (of unkno...

Lawrence Weiner Jonathan Richman Live on stage at The Kitchen, non-profit artist's space (Hand signed by Lawrence Weiner), 2017 Offset lithograph poster (hand signed by Lawrence Wein...