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Conceptual Art

CONCEPTUAL STYLE

In 1967, artist Sol LeWitt wrote that in “Conceptual art the idea or concept is the most important aspect of the work.” He was giving a name to an art movement that had emerged in the 1960s in which artists were less focused on their medium being something traditionally “artistic” and instead engaged in using any object, movement, form, action or place to express an idea.

LeWitt’s work was featured alongside an assemblage of notes, drawings and outlines by other artists in “Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed as Art,” a groundbreaking show at New York City’s School of Visual Arts curated by Mel Bochner, another leading exponent of Conceptualism. Building on radical 20th-century statements, like Fountain (1917) by French artist Marcel Duchamp, Conceptual artists around Europe and North and South America were not interested in the commercial art scene and rather directly challenged its systems and values.

Stretching into the 1970s, this movement has also been called Post-Object art and Dematerialized art. Conceptual art reflected a larger era of social and political upheaval. Pieces associated with the style range from Roelof Louw’s Soul City (Pyramid of Oranges) (1967) — a work of installation art that sees fresh oranges stacked into a pyramid from which visitors are allowed to take one orange away — to On Kawara’s “Today” series, which saw the Japanese artist carefully painting a date in white acrylic on canvases consisting of a single color from 1966 to his death in 2014. Artists such as Ed Ruscha, who created the Twentysix Gasoline Stations book — a collection of photos of gas stations that is widely said to be the first modern artists’ book — made photography a major platform for Conceptual art, as did Bruce Nauman, who burned one of Ruscha's books and then photographed it for his own.

Conceptual art’s legacy of questioning artistic authorship, ownership and how to work with complex ideas of space and time had a significant influence on the decades of culture that followed, and it continues to inform art today.

The collection of Conceptual photography, paintings and sculptures on 1stDibs includes artworks by John Baldessari, Jenny Holzer, Lawrence Weiner, Joseph Kosuth and others.

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Style: Conceptual
Birds, Cibachrome Photograph Print, Signed Conceptual Art
Birds, Cibachrome Photograph Print, Signed Conceptual Art

Birds, Cibachrome Photograph Print, Signed Conceptual Art

By Brenda Zlamany

Located in Surfside, FL

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...

Category

1990s Conceptual Art

Materials

C Print

Like in a Dream, Pop Art Serigraph by Arman
Like in a Dream, Pop Art Serigraph by Arman

Like in a Dream, Pop Art Serigraph by Arman

By Arman

Located in Long Island City, NY

Artist: Arman, French (1929 - 2005) Title: Like in a Dream Year: 1979 Medium: Silkscreen on Arches, Signed and numbered in Pencil Edition: 150, AP 30 Size: 30 in. x 22 in. (76....

Category

1970s Conceptual Art

Materials

Screen

Original Pompe Caruelle - water pump, vintage French antique poster
Original Pompe Caruelle - water pump, vintage French antique poster

Original Pompe Caruelle - water pump, vintage French antique poster

Located in Spokane, WA

Original linen-backed fun vintage poster "POMPE CARUELLE" full lithograph from 1924. Printed by Gaillard, Paris, France. Linen baked in very fine condition, A-.. Ready to Frame. The image features a boy showing how easy the new Pomjpe Caruelle is to use, able to work it with just one hand. Above him are featured an American Indian, a Chinese man, a Man in a green hat, and an African with large earrings and a nose ring...

Category

1920s Conceptual Art

Materials

Lithograph

Bethany Krull Cat Tree Ceramic Paper Clay Green Conceptual Modern Sculpture
Bethany Krull Cat Tree Ceramic Paper Clay Green Conceptual Modern Sculpture

Bethany Krull Cat Tree Ceramic Paper Clay Green Conceptual Modern Sculpture

By Bethany Krull

Located in Buffalo, NY

An original hand built porcelain and paper sculpture by contemporary conceptual American artist Bethany Krull. Cattree, 2019 Paper, paint, wire, soil, found table This work is currently featured in the artist's solo exhibition inside The Corridors Gallery at Hotel Henry...

Category

2010s Conceptual Art

Materials

Porcelain, Clay, Found Objects, Handmade Paper

Move VI, Lithograph by Helene Guetary

Move VI, Lithograph by Helene Guetary

By Helene Guetary

Located in Long Island City, NY

Artist: Helene Guetary, French/American (1957 - ) Title: Move VI Year: circa 1979 Medium: Lithograph on Arches, Signed and Numbered in Pencil Edition: 200 Size: 38 in. x 25.5 in. (96...

Category

1970s Conceptual Art

Materials

Lithograph

George Washington, Lithograph by George Deem
George Washington, Lithograph by George Deem

George Washington, Lithograph by George Deem

By George Deem

Located in Long Island City, NY

Artist: George Deem, American (1932 - 2008) Title: George Washington, George Washington Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 300; AP 30 Image Size: ...

Category

1970s Conceptual Art

Materials

Lithograph

LOL (laugh out loud)
LOL (laugh out loud)

LOL (laugh out loud)

By Rosemary Lyons

Located in Buffalo, NY

LOL (laugh out loud) 2014 4x6" framed. 8x10" SUBTEXT This series of small paintings are a mash-up of Renaissance Choir book borders with their ornate grotesques and drolleries combi...

Category

Early 2000s Conceptual Art

Materials

Gold Leaf

Birds, Cibachrome Photograph Print, Signed Conceptual Art
Birds, Cibachrome Photograph Print, Signed Conceptual Art

Birds, Cibachrome Photograph Print, Signed Conceptual Art

By Brenda Zlamany

Located in Surfside, FL

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp...

Category

1990s Conceptual Art

Materials

C Print

Unknown Person, Surrealist Etching from Brodsky and Utkin: Projects 1981 - 1990
Unknown Person, Surrealist Etching from Brodsky and Utkin: Projects 1981 - 1990

Unknown Person, Surrealist Etching from Brodsky and Utkin: Projects 1981 - 1990

By Alexander Brodsky and Ilya Utkin

Located in Long Island City, NY

Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: Unknown Person from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching on German Rag paper, signed ...

Category

1990s Conceptual Art

Materials

Etching

Acheter Dieu, 1961 - mixed media, 44x33 cm, framed
Acheter Dieu, 1961 - mixed media, 44x33 cm, framed

Acheter Dieu, 1961 - mixed media, 44x33 cm, framed

By Ben Vautier

Located in Nice, FR

Gouache and technic mixte on paper, signed in the text. Benjamin Vautier was born July 18, 1935 in Naples, Italy to a French family. He is the great-grandson of the Swiss painter Marc Louis Benjamin Vautier [fr] (1829-1898). He discovered Yves Klein and the Nouveau Réalisme in the 1950s, but he became quickly interested in the French dada artist Marcel Duchamp and the music of John Cage. In 1959, Vautier founded the journal Ben Dieu. In 1960, he had his first one-man show, Rien et tout in Laboratoire 32. Ben joined George Maciunas...

Category

1960s Conceptual Art

Materials

Mixed Media

Haystack, After Monet #3 (Pictures of Color)
Haystack, After Monet #3 (Pictures of Color)

Haystack, After Monet #3 (Pictures of Color)

By Vik Muniz

Located in Greenwich, CT

Haystack, After Monet #3 was created by Vik Muniz for his 'Pictures of Color' series. The art is 47.5 x 67 inches and the framed size is 52.25 x 72.5 inches. There is a label on the verso with the artist's signature and edition number AP 1/5. From the total edition of 15 of which there were 10 Arabics and 5 APs. Framed in the original artist's frame. Literature: Pedro Corrêa do Lago, Vik Muniz: Obra Completa 1987-2009, Rio de Janeiro, 2009, pg.456. Vik Muniz — Haystack, After Monet #3 (from Pictures of Color) Vik Muniz’s Pictures of Color series stands at a pivotal moment in the evolution of visual culture. Conceived for the Venice Biennale, the series responds to the year when digital cameras first outsold film cameras worldwide, a symbolic tipping point in how images are made, shared, and believed. While exploring Venice’s long tradition of mosaic art, Muniz recognized a striking parallel between ancient mosaics and the emerging digital pixel: both construct images from countless discrete units, inviting viewers to experience perception as an assembly of parts. In Pictures of Color, Muniz replaces the pixel with a tactile, analog counterpart: Pantone color chips. Each work is composed of thousands of hand-placed squares, arranged with meticulous precision to form images that appear crisp and cohesive at a distance. As the viewer approaches, the illusion dissolves into grids of pure color. This oscillation between clarity and fragmentation, between image and code, lies at the heart of the series. Muniz reveals the mechanics behind seeing in the digital age, prompting the viewer to consider how images are built, translated, and trusted. Within this broader project, Muniz created a subseries dedicated to reinterpreting Monet’s iconic haystacks. Monet’s original paintings...

Category

21st Century and Contemporary Conceptual Art

Materials

Paper, C Print

Birds, Cibachrome Photograph Print, Signed Conceptual Art
Birds, Cibachrome Photograph Print, Signed Conceptual Art

Birds, Cibachrome Photograph Print, Signed Conceptual Art

By Brenda Zlamany

Located in Surfside, FL

This is a proof print. signed and marked bat (for bon a tirer or good to print) This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″. Muse [X] Editions. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow, a sizzling sunset by Peter Alexander, abstract compositions by Pauline Stella Sanchez and Jennifer Steinkamp, text and photo combinations by Bill Barminski and Nancy...

Category

1990s Conceptual Art

Materials

C Print

Reggia by Gina Soden, Photography, Interiors, Documentary Photography
Reggia by Gina Soden, Photography, Interiors, Documentary Photography

Reggia by Gina Soden, Photography, Interiors, Documentary Photography

Located in Deddington, GB

Reggia by Gina Soden [2013] limited_edition and hand signed by the artist Digital photograph on Baryta paper Edition number 4 Image size: H:70.02 cm x W:105 cm Complete Size of ...

Category

21st Century and Contemporary Conceptual Art

Materials

Paper, Digital

Waterdrops, Lithograph by Kim Tschang-Yeul
Waterdrops, Lithograph by Kim Tschang-Yeul

Waterdrops, Lithograph by Kim Tschang-Yeul

Located in Long Island City, NY

Artist: Tschang-Yeul Kim, Korean (1929 - ) Title: Water Drops Year: 1988 Medium: Screenprint, signed and numbered in pencil Edition: 300 Size: 43.5 in. x 29 in. (110.49 cm x 73.66 cm)

Category

1980s Conceptual Art

Materials

Screen

Phish Tour Print Nashville Tennessee by Justin Helton on Rainbow Foil Art Paper
Phish Tour Print Nashville Tennessee by Justin Helton on Rainbow Foil Art Paper

Phish Tour Print Nashville Tennessee by Justin Helton on Rainbow Foil Art Paper

Located in Draper, UT

Justin Helton is a graphic designer/illustrator specializing in design for the music industry. He is probably best known for his excellent gig posters, which usually comprise of quite detailed illustrations, beautiful typesetting and are all printed by hand. Justin works from Knoxville, Tennessee, creating work for bands such as Phish, The Avett Brothers...

Category

2010s Conceptual Art

Materials

Foil

YES NO
YES NO

YES NO

By Dike Blair

Located in Long Island City, NY

Artist: Dike Blair, American (1952 - ) Title: YES NO Year: 1986 Medium: Mixed Media Collage, signed and dated verso Frame Size: 98 x 17.5 inches

Category

1980s Conceptual Art

Materials

Acrylic, Stencil

Joy. Oil on cardboard, 47. 5 x 57 cm
Joy. Oil on cardboard, 47. 5 x 57 cm

Joy. Oil on cardboard, 47. 5 x 57 cm

By Victor Karnauh

Located in Riga, LV

Joy. Oil on cardboard, 47.5x57 cm Victor Karnauh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer, graduate of La...

Category

1990s Conceptual Art

Materials

Oil, Cardboard

Isolamento by Gina Soden, Colour photography, Limited edition print
Isolamento by Gina Soden, Colour photography, Limited edition print

Isolamento by Gina Soden, Colour photography, Limited edition print

By Gina Soden

Located in Deddington, GB

Isolamento by Gina Soden [2020] limited_edition and hand signed by the artist Digital photograph on Baryta paper Edition number 3 Image size: H:70.02 cm x W:105 cm Complete Size of Unframed Work: H:74.2 cm x W:109 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look "On my 4th attempt I finally got inside here. Always overlooked by neighbours and a police station right next door, it always seemed tricky as it was hard not to get spotted. This was a grand villa...

Category

21st Century and Contemporary Conceptual Art

Materials

Paper, Digital Pigment

Royal Guns, Abstract Pop Art Screenprint by Arman

Royal Guns, Abstract Pop Art Screenprint by Arman

By Arman

Located in Long Island City, NY

Artist: Arman, French (1929 - 2005) Title: Royal Guns Year: 1979 Medium: Screenprint on Arches, signed and numbered in pencil Edition: 150, AP 30 Size: 30 x 22 in. (76.2 x 55.88 cm)

Category

1970s Conceptual Art

Materials

Screen

Meeting II. Oil on canvas, 85x84.5 cm
Meeting II. Oil on canvas, 85x84.5 cm

Meeting II. Oil on canvas, 85x84.5 cm

By Victor Karnauh

Located in Riga, LV

Meeting II Oil on canvas, 85x84.5 cm Victor Karnaukh (1950, Dnepropetrovsk Oblast, Ukrainian SSR – 2012, Dnepropetrovsk Oblast, Ukraine) – a painter, a monument designer, graduate ...

Category

1990s Conceptual Art

Materials

Canvas, Oil

Cosmic Gal -  Figurative Painting- Spacescape Art By Marc Zimmerman
Cosmic Gal -  Figurative Painting- Spacescape Art By Marc Zimmerman

Cosmic Gal - Figurative Painting- Spacescape Art By Marc Zimmerman

Located in Carmel, CA

The Goddess creates from within her own creative imagination .Universes appear as her mudra engenders planets and stars. Cosmic Gal - Figurative Painting- Spacescape Art By Marc Zi...

Category

2010s Conceptual Art

Materials

Oil

Birds, Cibachrome Photograph Print, NFS Sample Conceptual Taxidermy Art
Birds, Cibachrome Photograph Print, NFS Sample Conceptual Taxidermy Art

Birds, Cibachrome Photograph Print, NFS Sample Conceptual Taxidermy Art

By Brenda Zlamany

Located in Surfside, FL

This is a proof print. Stamped with the Muse X stamp and marked NFS. This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow...

Category

1990s Conceptual Art

Materials

C Print

Prise De Possession Du Tout, 1960 - mixed media, 33x34 cm, framed
Prise De Possession Du Tout, 1960 - mixed media, 33x34 cm, framed

Prise De Possession Du Tout, 1960 - mixed media, 33x34 cm, framed

By Ben Vautier

Located in Nice, FR

Gouche and technic mixte on paper.signed in the text. Benjamin Vautier was born July 18, 1935 in Naples, Italy to a French family. He is the great-grandson of the Swiss painter Marc Louis Benjamin Vautier [fr] (1829-1898). He discovered Yves Klein and the Nouveau Réalisme in the 1950s, but he became quickly interested in the French dada artist Marcel Duchamp and the music of John Cage. In 1959, Vautier founded the journal Ben Dieu.[2] In 1960, he had his first one-man show, Rien et tout in Laboratoire 32. Ben joined George Maciunas...

Category

1960s Conceptual Art

Materials

Mixed Media

Hydra, Pop Art Serigraph by Arman

Hydra, Pop Art Serigraph by Arman

By Arman

Located in Long Island City, NY

Artist: Arman, French (1929 - 2005) Title: Hydra Year: 1979 Medium: Serigraph on Arches, signed and numbered in pencil Edition: 150 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

Category

1970s Conceptual Art

Materials

Screen

China Night, Surrealist Lithograph by Terry Allen
China Night, Surrealist Lithograph by Terry Allen

China Night, Surrealist Lithograph by Terry Allen

By Terry Allen

Located in Long Island City, NY

Artist: Terry Allen, American (1943 - ) Title: China Night Year: 1985 Medium: Lithograph, signed and numbered in pencil Edition: 75 Size: 23 x 30 in. (58.42 x 76.2 cm)

Category

1980s Conceptual Art

Materials

Lithograph

Experiencing Anxiety (Abstract Photography)
Experiencing Anxiety (Abstract Photography)

Experiencing Anxiety (Abstract Photography)

By Gianfranco Pezzot

Located in London, GB

Experiencing Anxiety (Abstract Photography) Archival Pigment Print on Ilford Smooth Pearl paper. Unframed. Edition 6 + 2 AP - Edition 2/6 This new series titled Neurosis brings t...

Category

2010s Conceptual Art

Materials

Archival Pigment, Paper

Silence, Conceptual Etching by Kim Tschang-yeul
Silence, Conceptual Etching by Kim Tschang-yeul

Silence, Conceptual Etching by Kim Tschang-yeul

Located in Long Island City, NY

Kim Tschang-yeul, Korean (1929 - 2021) - Silence, Year: 1970, Medium: Etching on Arches, signed and numbered in pencil, Edition: 60/90, Size: 30 x 22 in. (76.2 x 55.88 cm), Publi...

Category

1970s Conceptual Art

Materials

Etching

Conceptual art for sale on 1stDibs.

Find a wide variety of authentic Conceptual art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, red and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Reinhard Görner, Kojun, Jose Sierra, and xulong zhang. Frequently made by artists working with Paper, and Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Conceptual art, so small editions measuring 1 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $45 and tops out at $500,000, while the average work sells for $2,465.