Conceptual Art

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Les Levine, Irish/American (1935 - ) - Watch Series 9, Year: circa 1979, Medium: Color Etching, Signed and Numbered in red pencil, Edition: 2/100, Image Size: 18 x 11.5 inches, S...

Les Levine, Irish/American (1935 - ) - Watch Series 7, Year: circa 1979, Medium: Color Etching, Signed and Numbered in red pencil, Edition: 2/100, Image Size: 18 x 11.5 inches, S...

Les Levine, Irish/American (1935 - ) - Watch Series 6, Year: circa 1979, Medium: Color Etching, Signed and Numbered in red pencil, Edition: 2/100, Image Size: 18 x 11.5 inches, S...

Les Levine, Irish/American (1935 - ) - Watch Series 4, Year: circa 1979, Medium: Color Etching, Signed and Numbered in red pencil, Edition: 2/100, Image Size: 18 x 11.5 inches, S...

Les Levine, Irish/American (1935 - ) - Watch Series 3, Year: circa 1979, Medium: Color Etching, Signed and Numbered in red pencil, Edition: 2/100, Image Size: 18 x 11.5 inches, S...

Les Levine, Irish/American (1935 - ) - Watch Series 2, Year: circa 1979, Medium: Color Etching, Signed and Numbered in red pencil, Edition: 2/100, Image Size: 18 x 11.5 inches, S...

Les Levine, Irish/American (1935 - ) - Watch Series 10, Year: circa 1979, Medium: Color Etching, Signed and Numbered in red pencil, Edition: 2/100, Image Size: 18 x 11.5 inches, ...

Les Levine, Irish/American (1935 - ) - Watch Series 1, Year: circa 1979, Medium: Color Etching, Signed and Numbered in red pencil, Edition: 2/100, Image Size: 18 x 11.5 inches, S...

Les Levine, Irish/American (1935 - ) - Watch Series 11, Year: circa 1979, Medium: Color Etching, Signed and Numbered in red pencil, Edition: 2/100, Image Size: 18 x 11.5 inches, ...

David Richard Smyth, American (1943 - ) - Facade, Year: 1972, Medium: Lithograph, signed, dated and numbered in pencil, Edition: Bon a Tirer, Image Size: 36 x 26.5 inches, Size: ...

Trinity Site, 2019 by George McLeod Limited Edition, Framed Fine Art Print #blue #white #human figure in the landscape #white sand dunes #smoke #surreal #NewMexico More info about t...

Untitled #12 from Ruven Afanador "Sombra" series, silver gelatin print, artist print. This work is featured in Afanador's 2004 book 'Sombra" which combines elegant, erotic portraits...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Y...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture. In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...

BETH LIPMAN WILD MADDER (plate), 2021 glass, permanent photographic transfer 1 x 6 7/8 in. etched "BL 2021" on back

David Borawski lives and works in Hartford, Connecticut, and received his BFA from the Hartford Art School of the University of Hartford. A multi-media installation artist, his work...

Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box Gil Scullion’s conceptual text-based work has been featured in exhibi...

Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box Gil Scullion’s conceptual text-based work has been featured in exhibi...

Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box Gil Scullion’s conceptual text-based work has been featured in exhibi...

Where do we come from? Where are we going? What the hell is going on here? 2017-2018 Hand cut paper in wood box Gil Scullion’s conceptual text-based work has been featured in exhibi...

This installation imagines the Radium Girls as abstractd subjects. Repeating a motif of a circle, signifying the mouth, this art object conveys a modern view of the these workers, tied in with repetitive actions in abstracted patterns. Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instrument...

This series of five transparencies are in an edition size of 3. They are designed to be installed directly onto interior window areas to allow light to pass thru them. These transpar...

This series of five transparencies are in an edition size of 3. They are designed to be installed directly onto interior window areas to allow light to pass thru them. These transpar...

This series of five transparencies are in an edition size of 3. They are designed to be installed directly onto interior window areas to allow light to pass thru them. These transpar...

This series of five transparencies are in an edition size of 3. They are designed to be installed directly onto interior window areas to allow light to pass thru them. These transpar...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

Using his inkjet printer as a paintbrush, Jeff Becker creates watercolor-like imagery without Photoshop or filters. Disruptive in nature, the Slurry Series works don't follow the tra...

Using his inkjet printer as a paintbrush, Jeff Becker creates watercolor-like imagery without Photoshop or filters. Disruptive in nature, the Slurry Series works don't follow the tra...

This flat file installation is a kind of Wunderkammer – a Cabinet of Wonder or Curiosity containing a small idiosyncratic collection of select wonders and oddities of the natural wor...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...

The magic sign is a lithograph realized by  Giuliano Sturli in 1976 Good conditions except for a very light folds on the lower corner. Hand-signed and dated on the lower margin. N...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism an...

Using his inkjet printer as a paintbrush, Jeff Becker creates watercolor-like imagery without Photoshop or filters. He refers to this process of dynamic chemical processes as The Slu...

Using his inkjet printer as a paintbrush, Jeff Becker creates watercolor-like imagery without Photoshop or filters. He refers to this process of dynamic chemical processes as The Sl...

Using his inkjet printer as a paintbrush, Jeff Becker creates watercolor-like imagery without Photoshop or filters. He refers to this process of dynamic chemical processes as The Sl...

Using his inkjet printer as a paintbrush, Jeff Becker creates watercolor-like imagery without Photoshop or filters. He refers to this process of dynamic chemical processes as The Sl...

Sacred Abstraction, Royal blue, red and gold leaf on carved wood pane, signed on the back. Krzysztof (Chris) Sokolovski born in 1985 in Eisiskes in Lithuania. Visual artist creating neosacral art: paintings, luminous objects, installations, and monumental painting. He is a creator of the concept of neosacral art. Since 2003 he lives and creates in Poland. He graduated from Gdansk University of Technology (Faculty of Power Engineering) and the Academy of Fine Arts in Warsaw (Faculty of Painting). Also, the artist took a course in clinical anatomy at the Medical University of Gdansk. Sokolovski has created neosacral chapels in Klebark Wielki (Poland) and in Salesian Sisters Convent in Jerusalem. Concept: Sokolowski wants to create modern sacral art founded on visual tradition and theologies of many cultures. “I think that abstract codification of faith is the prospective and only way to save serious attitude to contemporary human’s spirituality. It is fundamental for responsible usage of developing knowledge about the empirical world and for forming sensibility, which should be adequate to it. In my opinion, the progress of civilization cannot be holistic if it is mostly based on scientific and technological development – metaphysical sensitivity is necessary too. Empirical knowledge is confinement if we use it only for improving conveniences and gaining more knowledge. It is not enough for the evolution of mind, which should advance along with changes in our environment.” Individual Exhibition 2018 – “Neosacral Art”, Saris Museum, Bardejov, Slovakia 2018 – “Neosacral Art”, the John Paul II Catholic University of Lublin, Lublin, Poland 2018 – “Neosacral Art”, Gallery “Camaldolese Cellar”, Church in Bielany Forest, Warsaw, Poland 2018 – “Neosacral Art”, Museum of Mińsk Mazowiecki, Mińsk Mazowiecki, Poland 2017 – “Neosacral Art”, Zielona 13 Gallery, Łódź, Poland 2017 – “Neosacral Art”, the University of Warsaw Gallery, Warsaw, Poland 2017 – “Neosacral Art”, Bohema Gallery, Warsaw, Poland 2016 – “Neosacral Art”, Philosophy of Religion Department, University of Warsaw, Poland 2016 – “Neosacral Art”, Gallery of Association “Polish Community”, Warsaw, Poland 2016 – “Neosacral Art”, Exhibition-Conferential Centre, Białystok, Poland Selected group exhibition 2017 – “Deification of Body”, Sheptytsky National Museum in Lviv, Ukraine 2017 – “Sokolovski / Wąsowski / Jędrzejko / Mazuś”, Bohema Gallery, Warsaw, Poland 2016 – “1st Pomeranian Biennial of Young Art”, Sopot, Poland 2016 – “Shape of Spirit”, Gallery of Mathematics and Computer Science Department, Nicolaus Copernicus University in Toruń, Poland 2016 – “Diverted Reality”, Evelyn E. Jorgenson Gallery, Moberly, Missouri, USA 2016 – “Exhibition of Sacred Art”, Gallery of Saint Sophia...

Slickly was a world champion miler and leading French sire. Series: Studio Portraits, Slickly - 'Mane', 2009 by John Reardon Archival Pigment Print on Ha...

"Untitled 1.16" Still Life Photography 35' x 24' in Ed of 10 by García De Marina Signed and numbered by the artist Comes with COA issued by the artist García de Marina was born in ...

This work by Corrado Ferrante exemplifies the artist’s distinctive material language and his ability to transform fragments into powerful visual narratives. Through layered textures,...

Discover beauty and hope in every stroke of this stunning piece by the talented Cuban painter Israel González Sosa. From the prestigious Academy of Fine Arts of Santa Clara -Cuba, Is...

Materials are often the driving force and inspiration behind the works of art that I create. I have always been drawn to the functional wear and patina of vintage and found objects. ...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday archetypes take shape in unexpected combinations of materials. The works emerged as the tactile and visual senses channeled the ritualistic power and materiality of selected artifacts. The resulting objects exist in a space between what they were originally and what they could become. A wheel, for example, is distorted as if seen through a prism. Their collaboration grew out of years of shaping materials into one-of-a-kind objects. Intuitively, the process of creating with their hands took an inward turn. Prism is a travelogue through memories and dreams, yielding abstract forms that capture moments of transformation. Van Wifvat grew up with eight siblings and studied sculpture and environmental design in Minneapolis at MCAD. In 1979, he opened a storefront art gallery to promote the work of local artists. The space featured printed materials—art books, periodicals, fanzines, and postcard’s. Wifvat moved to New York in 1983 to study at the Fashion Institute of Technology and Parsons. In 1987, he co-founded Van Gregory & Norton design studio, specializing in convex mirrors and curtain hardware...

acrylic, duct tape, metal, steel on wood acrylic on board Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting company that took on constant projects of custom painted interiors and decorating. This work of 20 yrs lead him to his fascination with textiles and paint, along with custom furniture. After creating and selling dozens of unique pieces of furniture, here began his transition from wall, to wood on furniture, to canvas. Painting on canvas was the culmination of his creative outlet. William feels that his lack of formal training in Fine Art has afforded him a freedom to paint what he envisions and feels, rather than conform to specific style or genre that he feels is limiting Inspired by hard edge abstraction and color field art such as Kenneth Noland, Joseph Albers, Gene Davis, Frank Stella, Anne Truitt, Imi knobel.William is showing his work locally and nationally and being collected in Palm Beach Island, Washington and New York. Gallery Representation DTR Modern Galleries 440 S. County, Palm Beach FL 33480 DTR Modern Galleries Boston NoSo Fine Art, 3716 S. Dixie Hwy West Palm...