Conceptual Art

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

In a statement Roesch says: "The spires describe my journey on the planet. I have placed spires in rows, in star patterns, and in random placement. The spires in Random placement are...

Artist: George Deem, American (1932 - 2008) Title: Bruna Sevini and Whistler's Mother Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 40 Image Size: 2...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Reinhard Görner Hôtel de Ville II Library Paris, France 59.8" x 50" Edition of 10 $6,000 71.8" x 60" Edition of 7 $9,000 83.7" x 70" Edition of 5 $11...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...

Artist: Byron Goto Title: Portrait of Herb Tauss Year: circa 1975 Medium: Charcoal on Paper, signed Paper Size: 62 x 42 in. (157.48 x 106.68 cm) Frame Size:...

An original hand built porcelain and paper sculpture by contemporary conceptual American artist Bethany Krull.

Chromogenic print in diptych format from the Minimiam series. Depicts workers inflating raisins, to make grapes. In celadon, yellow and blue. Facemounted in plexiglas. No need for ...

Drawing, glass, and light: these three ingredients are the basis of Katherine Jackson’s work. She begins with drawing, which sometimes becomes an end...

Eastman Kodak HDPE polyester film viewing machine reel, signed open edition Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun p...

Eastman Kodak HDPE polyester film viewing machine reel, signed open edition Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun p...

A conceptual four part wall sculpture by American female artist Dianne Baker. I 8"x8"x 1" wood, metal, canvass II 8" x 10"x 1" wood, metal III 15" x 8" x 2" wood...

Inkjet print of digital photograph on Kakejikuya 100% kozo paper mulberry washi with silver origami backing paper, mounted in Japanese silk scroll Kojun is an self-taught multimédia...

Immerse yourself in the enchanting grandeur of one of the world's most beautiful libraries with this evocative photograph by celebrated German artist, Reinhard Görner. This captivating image features the Library Hall at the Upper Lusatian Library of Sciences, a testament to the intersection of history, knowledge, and architectural elegance. Lit by a warm, timeless glow, the scene leads you through multiple carved archways...

Depiction of a kind of life. About the Artists: Animated through an assemblage of analog, digital, and lenticular photographic technologies, these selections from Reisig and Tayl...

Artist: Dennis Oppenheim, American (1938 - 2011) Title: Ghost Trip Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 100 Size: 39 in. x 27 in. (99.06 cm x 68.58 cm)

twisted newspaper obituaries

#18, 2020 by Jose Sierra From "La Piedra Sustituta" Series Edition of 10 + 2AP Unframed Additional sizes are available. All Prices are quoted as "initial price". Please note that p...

Artist: Robert Morris, American (1931 - ) Title: Security Walls from In the Realm of the Carceral Year: 1978 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 150,...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful ob...

Please bear in mind that all prints are produced to order and lead times are between 15-20 days. Seascapes 8 is a stunning Digital C-Type print on Fuji Maxima Matte Paper. This is ...

He refers to the history of art, particularly to pop culture and the social circumstances of its local environment as well as its universal confrontation. Humor and irony with a crit...

Artist: Dennis Oppenheim Title: Mud Flat Year: 1977 Medium: Lithograph, signed and numbered in pencil Edition: 100 Size: 41 in. x 29 in. (104.14 cm x 73.66 cm)

UV print of digital photograph on brass leaf on paper Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started in 2010...

'The Sorcerers Apprentice’, 2017, 24 x 20 cm, edition of 2/10, Archival C-Print based on a Polaroid, Numbered and signed on the back by the artist. Not mounted. A piece from T...

Eastman Kodak HDPE polyester film viewing machine reel, signed open edition Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun p...

UV print of digital photograph on pewter leaf on paper Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started in 201...

'Untitled' 2013, Edition of 10 plus 2 Artist Proofs, 27 x 21.5 cm, Digital C-Print, based on an IMPOSSIBLE 8x10 Colour Instant Film, Signed, embossed stamp and artist certificate. ...

Eastman Kodak HDPE polyester film viewing machine reel, signed open edition Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun p...

This large scale conceptual text based painting by New York artist, David Kramer, features, in bold type the phase: "... I AM STILL WAITING FOR MY...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifi...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

Oil-based alkyd enamel on plywood panel with cuts. this is a cut plywood wall relief sculpture with paint on it. This has an architectural quality to it. Peter Wegner (born 1963) is an American artist whose works consist of painting, photograph, collage, prints, artist's books, and large-scale installations Born in Sioux Falls, South Dakota, Peter Wegner earned his BA at Yale University. He works in multiple media, ranging from paintings and photography to large-scale installations and wall works. His pieces are included in major public and private collections worldwide. He currently lives and works in Berkeley, California. A core theme in Wegner's work is color. Professor, author, and critic Eve Meltzer noted in a 2002 review that “color may be the… center” of his entire practice. The artist first began deconstructing the subject in the late 1990s with his "Remarks on Color" series, which used commercial paint chip samples as their starting point. Another theme identified by experts is Wegner's engagement with architecture. For example, in his photography series "Buildings Made of Sky," Wegner reverses urban streetscapes to reveal how skyscrapers shape the open-air spaces between one another into skyscraper-like forms of their own. Wegner has also often pushed the construction of his works in an architectural direction, presenting paintings in the form of leaning columns, complex lattices, and multi-layered scrims. Huldisch noted that “[h]is stacks, grids, and lattice structures reveal both an interest in the forms of Minimalism and a rejection of the stringent doctrine that predicated them." Wegner's early work focuses on everyday artifacts embedded in popular culture, including typography specimens (the basis for the "American Types" series), commercial paint chips (in the "Remarks on Color" series), and security envelopes (in the "Security" series). Wegner produced in 2005 the "Lever Labyrinth," a human-scale maze composed of 2.2 million sheets of stacked paper––all in various shades of green, creating columns of subtly gradating color––constructed inside the Lever House building. In 2008, Wegner executed the major paper installation "GUILLOTINE OF SUNLIGHT, GUILLOTINE OF SHADE" at the San Francisco Museum of Modern Art. The piece consisted of 1.4 millions sheets of die-cut paper in 40 hues, arranged to create two 12’ x 26.5’ x 7" color gradations inside the museum: a wall progressing from blue to yellow in one gallery, and a wall progressing from yellow to red in another. Around this same time, Wegner introduced two new elements into his work: time and neon. He combined both in 2007 to create “THE UNITED STATES OF NOTHING,” which included time-controlled neon signage showing the name, latitude, and longitude of every U.S. city that invokes the concept of nothingness. He has showed at William Griffin Gallery. The gallery has featured solo exhibitions by James Turrell, Richard Long, Robert Rauschenberg, David Lynch, Ed Ruscha, Richard Serra, Tony Smith, Peter Wegner, Greg Colson, Liza Ryan and others. It has presented group exhibitions such as Early California Minimalism, a survey of significant early works by Robert Irwin, John McCracken, and Craig Kauffman; and Wall Installations, with works by Maya Lin, James Turrell, Richard Long, Robert Therrien, Teresita Fernández, Karin Sander, Peter Wegner, and Kira Lynn Harris. It has also presented projects of work by Richard Tuttle, Ana Mendieta...

Artist: Arman Title: Viola d'Amour Year: 1978 Medium: Silkscreen on Arches, Signed and Numbered in Pencil Edition: 150, AP 30 Paper Size: 30 in. x 22 in. (76.2 cm x 55.88 cm) Printer...

Artist: Alexander Brodsky and Ilya Utkin, Russian (1955 - ) Title: Electric Donjon from Brodsky and Utkin: Projects 1981 - 1990 Year: 1990 Medium: Etching on German Rag paper, signed...

Inkjet print of digtial photgraph on Kakejikuya kozo washi with origami backing paper Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 199...

Inkjet print of digital photograph on hemp washi Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Kojun project started in 2010 expl...

Reinhard Görner Rose Main Reading Room, 2014 New York Public Library New York, NY 70 x 88.9 inches Ed. of 5 60 x 76.2 inches Ed. of 7 50 x 63.5 Ed. of 10 signed and numbered on l...

UV print of digital photograph on pewter leaf on paper, mounted in fabric scroll Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. K...

UV print of digital photograph on silver leaf on paper, with retouching in acrylic and silver gindei, mounted in Japanese silk scroll Kojun is an self-taught multimédia American art...

Invacuo Project #19, 2016 by Koray Erkaya From the series of Invacuo Project Hahnemühle Photo Matt Fibre Duo 210 Image size: 16 in. H x 24 in. W (40 cm H x 24 cm W) Edition of 10 Work is also available framed at an additional cost. All sizes signed, titled, dated, and numbered on artist label verso All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. _____________________ JAZZ AND GAS Joyful humour characteristic of the pro-democracy environmentalist Gezi Park protests in June 2013. People of all ages, students, writers, artists, actors, musicians, LGBT activists, Anti-Capitalist Muslims, Marxists, Anarchists, Kurdish and Turkish nationalists were peacefully together in the heart of modern Istanbul: Taksim Square. Then the police attacked with tear gas and their usual equipment. But if they use uneven brutal force, then we use uneven intelligence and creativity: “We are fair: Their gas is fresh air.” Such sarcastic slogans multiplied echoing the positive, hopeful, unyielding and determined character of the our jazz like plural harmony. If Sultanahmet Square is the heart of Classical Istanbul with its Byzantine and Ottoman heritage, Taksim Square represents the modern city: the central statue representing the national liberation war and the formation of the Turkish Republic, Gezi Park, Ataturk Cultural Centre, big hotels, and the historic Istiklal (Independence) Street. Eyes shed tears not only because we laughed due to high quality satirical slogans but also because of the harmful gas and the deaths of several youngsters. Numerous citizens lost an eye or arm. Thanks to international media coverage, the inspiring Gezi Park resistance (or “June Movement”) in Turkey drew attention all over the world -while the pro-government media kept silent. Whether on purpose or not, tear gas –and its canisters at close range- took several lives. Don’t let anybody fool you: Tear gas may kill. And it did. Though “as a nation” we had been used to gas in previous demonstrations, one point was unique: The whole city was gassed. Babies, old people and citizens with asthma suffered in their homes. Before the police attack, maybe most of the young protesters were “merely” environmentalists without a major political orientation. Tear gas brutality transformed most of them into political activists. Since that June, our lungs, souls and future have been full of that gas. Tear gas has been used not only in Turkey but in many other countries as well –since the 1990s. We tend to think that “Every soul shall taste it,” –sounding like a statement from a holy book. The situation is unacceptable: A child on the way to get bread for breakfast may die –in fact be killed by the police using tear gas without proper concern and care. Tear gas is a chemical weapon. It’s vital to comprehend that. The marketing is well-phrased but misleading: “Made from fruit and vegetables, wholly organic.” But when it is used at close range, its metal canister becomes a bullet. Fifty years ago, in late 1960s, 90 countries signed a petition against the usage of tear gas. Our country signed the 1997 Convention on Chemical Weapons, which states that tear gas is considered to be a chemical weapon when it is used in closed places, at close range or in a crowd. Despite this, it has been used time and again in Brasil, Chile, Egypt, Germany, Gaza, Iraq, Ireland, Israel, Panama, the Philippines, South Korea, UK, USA, and Vietnam. The Association of Turkish Medical Doctors and the Initiative Against Tear Gas have been working and reacting diligently on this issue. “But the label says it’s harmless,” say some. But the firms that produce gas bombs put labels according to the demands of governments. Are you Shocked? Global trade has priority over humanitarian concern. But why this introduction? Don’t we all know all these things? We certainly do, but the “agenda” changes so fast that our knowledge does not find time to unite with our action in order to change the ongoing chain of events. Enter arts. With the mission of contributing to collective memory, Artist Koray Erkaya creatively documents experience. In his new photographic art series, Erkaya revolts against individual and social de-sensitivisation. In order to address the memory and to increase awareness, he uses “gas” against everyone –without discrimination. He tests his models with gas in the specifically prepared labyrinth made of mirrors. But of course, the gas he uses is not one of the types of tear gas labeled OC, CS or CN. In any case, the violence the people suffer is not limited to the content of the gas. When he started his voyage to display the violence, loneliness, nakedness, helplessness, spiritual and physical isolation of women, children, gays, transsexuals -all the humiliated people under some form of gas, Erkaya began working with models from various nations in Istanbul. Now he is on his way to show that this issue is a problem for all who live on the same planet. When we see ourselves in the eyes of the models in the mirrors...

This portfolio of eight prints by the art duo, Ligorano/Reese portrays leaders from the Bush administration, photographed in a mug shot style. The date on the placard they hold is the date the artists feel they betrayed the public trust. This work is a bold statement on politicians and their duty to the public, and the ramifications of abusing their power. Three of the prints are already framed in black frames that measure 16 x 22 inches. Artist: LigoranoResse (a.k.a. Nora Ligorano and Marshall Reese) Title: Line Up Date: 2005 Medium: Eight Archival Pigment Prints, each signed and numbered in pencil Edition: 18/50 Image Size: 9 x 14.75 inches Paper Size: 11 x 17...

Deseo Insular VIII by Jose Sierra Archival Pigment Print Semi-Matte Sheet size: 40 in. H x 23.27 in. W Edition of 10 + 2AP Unframed 2016 Other sizes are available. All Prices are qu...

This bold graphic piece fantastically captures the iconic Italian Olivetti Typewriter. This artwork is a limited edition of 25, lustre photographi...

This bold graphic piece fantastically captures the iconic Italian Olivetti Typewriter. This artwork is a limited edition of 25, lustre photographi...

He refers to the history of art, particularly to pop culture and the social circumstances of its local environment as well as its universal confrontation. Humor and irony with a crit...

TECHNICAL INFORMATION John Baldessari Falling Star 1989-1990 Sugar-lift, spit-bite, aquatint in colors and photogravure, on torn Somerset Satin paper w...

Edition of 5 Signed and numbered in pencil, and blind stamp on print margin Signed, titled, dated, and print type in pencil on print verso. Paper size: 42 x 34 1/2 in., Image: 40 x 3...

60 x 45 inches ed. of 5 $6,000 80 x 60 inches ed. of 5 $9,000 93.2 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner, with his large format photog...

From the 2018 Singapore Series, Postcards from afar. This artwork is a limited edition of 25, gloss photographic print. Accompanied by a signed and numbered certificate of authentic...

From the 2018 Singapore Series, Postcards from afar. This artwork is a limited edition of 25, gloss photographic print. Accompanied by a signed and numbered certificate of authentic...

Reinhard Görner Law Library Zurich, Switzerland 50" x 62.5" Edition of 10 $6,000 60" x 75" Edition of 7 $9,000 70" x 87.5" Edition of 5 $11,000 signed ...

Reinhard Görner Weightless Wisdom Library Zurich, Switzerland 62.5" x 50" Edition of 10 $6,000 75" x 60" Edition of 7 $9,000 87.5" x 70" Edition of 5 $11,000 signed and numbered...

Reinhard Görner Schussenried Abbey I Library Germany 50" x 63" Edition of 10 $6,000 60" x 75.7" Edition of 7 $9,000 70" x 88.3" Edition of 5 $11,000 signed and numbered on label,...

Reinhard Görner Schussenried Abbey Library Germany 50" x 59.9" Edition of 10 $6,000 60" x 71.9" Edition of 7 $9,000 70" x 83.8" Edition of 5 $11,000 signed and numbered on label,...

Reinhard Görner Assemblée Nationale III Library Paris, France 62.5" x 50" Edition of 10 $6,000 75" x 60" Edition of 7 $9,000 87.5" x 70" Edition of 5 $11,000 signed and numbered ...

Reinhard Görner Law Library Zurich, Switzerland 50" x 62.5" Edition of 10 $6,000 60" x 75" Edition of 7 $9,000 70" x 87.5" Edition of 5 $11,000 signed ...