Cubist Art

"Cubist Serenade" by Anthony Dunphy: A Meditation in Motion Anthony Dunphy’s *Cubist Serenade* is more than a painting—it’s an invitation to pause, breathe, and lose yourse...

Memories of Ireland 60 x 50cm Acrylic on canvas Memories of Ireland is a constructed landscape that brings together architectural forms, natural elements, and symbolic fragments i...

This exquisite lithograph after Juan Gris (1887–1927), titled Bouteille (Bottle), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the 1955 editi...

This exquisite lithograph after Juan Gris (1887–1927), titled La Soupiere (The Soup Tureen), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the...

This exquisite lithograph after Juan Gris (1887–1927), titled La Pipe (The Pipe), from the folio Au Soleil du Plafond (In the Sunlight of the Ceiling), originates from the 1955 editi...

An Elaboration This oil painting ‘Neo deco – 15-01-24’ is an elaboration of a pastel of almost 7 years back. Together with my graphite pencil drawing ‘Roundism – 26-05-1...

Jean-Emile Laboureur (1877-1943), Le 14-Juillet au Village, engraving and roulette, 1925, signed in pencil lower left and numbered lower right (30/100) [also initialed and dated in t...

"Inner Child Dreams" Painting 43" x 35" inch by Tasneem El-Meshad Acrylic and Oil on Canvas Academy of Fine Arts Cairo graduate Tasneem El Meshad describes her art, as “a reflectio...

Back in 2014 This oil painting ‘Neo Deco – 05-03-24’ is an elaboration of my pastel drawing ‘Cubist Nude – 28-03-14’. One I was bound to elaborate at some point. I rem...

Jean-Emile Laboureur (1877-1943), Le Cafe du Commerce, etching, 1913, signed in pencil lower left and numbered lower right 28/35 [also with the signature and d...

All of a Sudden, Sun! Last week on my way home from a student I came across Buitengoed Leeuwenbergh. It was late in the afternoon and surprizingly a drizzly grey day turned into a b...

Pablo Picasso A.R. 417 Pase de Cape 1959 16.5” round Edition of 100 White earthenware clay. Ramie 417 is a Madoura ceramic that one rarely sees come on the m...

Summer Still Life, Wine, Melons and Fruit Henry Lee McFee (American, 1886-1953) Watercolor on Paper Signed Lower Right 14 x 19 inches 22.75 x 28.75 inches with frame Henry Lee McFee...

Vintage American cubist still life painting. Oil on canvas. Signed. Framed. Measuring: 32 by 12 inches overall and 30 by 10 inches painting alone. Framed in a wooden molding. Exce...

Mr. Weissman (Active circa 1940) Young Woman with a Flower, 1948 Oil on canvas Signed on the back 65 x 50 cm

Jean-Emile Laboureur (1877-1943), Sur la Marne, engraving, 1924, signed in pencil lower right [with the initial lower right in the plate]. Reference: S. Laboureur 277, third state (o...

Jean-Emile Laboureur (1877-1943), Chez la Fleuriste, etching, 1919-1920, unsigned [with initials and date in the plate]. Reference: Laboureur 192, second state (of 2), from the editi...

Jean-Emile Laboureur (1877-1943), L’ile Desert, etching, 1914, signed in pencil lower left and numbered lower right (33/35). Reference: Laboureur 135, only state, from the edition of...

Still lifes of vases and simple fruits in the house that the artist knows how to breathe into the paintings are really beautiful, and give the viewer a feeling of lightness and purity. Hanging still life...

Brightly colored abstract by Michael William Eggleston (American, 20th Century). Eggleston's use of various mediums and techniques show through...

JOHN SUTTON (20th Century) Still Life with Fruit Signed, inscribed and dated: 10/5/42 Watercolour, chalks and pen and ink, unframed 25 by 31.5 cm., 10 by 12 ½ in. (mount size 40 ...

In this oil and wax creation, I set out to explore the essence of form and vitality. The interplay of angular, cubist elements with expressive, figurative gestures captures a dynamic...

In this piece, I poured my vibrancy and passion for music into a tapestry of oil and wax. The cubist influences breathe life into the figurative forms, inviting viewers into a dance ...

Cathédrale Saint Front Acrylic on Canvas 61 x 50 cm Cathedrale Saint-Front (Périgueux) presents a structured yet luminous interpretation of the iconic cathedral in the historic tow...

Éluard, Paul. Liberté j’écris ton nom. Paris (Seghers), [1953]. Folding broadside (leporello), with continuous color silkscreen by Fernand Léger, integrated with text, extending th...

Mâtinée à l’atelier (Morning at the Studio) Acrylic on canvas 40 × 32 cm Mâtinée à l’atelier presents a modern cubist interior scene drawn from the artist’s studio, approached as a...

Something Different This graphite pencil drawing ‘Louise Brooks – 12-07-23’ is something different. That is, compared to the previous one. Up to now I used only regular refe...

"Meeting" is an cubist and abstract painting by the Armenian-Bulgarian artist Maestro Arshak Nersisyan. About the artwork: TECHNIQUE: oil painting STYLE: Impressionist, Contempora...

Still lifes of vases and simple fruits in the house that the artist knows how to breathe into the paintings are really beautiful, and give the viewer a feeling of lightness and purity. Hanging still life...

Vibrant and textured depiction of colorful buildings on the coast by an unknown artist (20th Century). The sky has heavy impasto, adding depth to the composition. The buildings are r...

Le Banquet (The Banquet) Acrylic on canvas 80 x 60 cm Le Banquet is a cubist still life in which bottles, glasses, and tableware are fragmented and reassembled into a structured, rh...

Dancing This graphite pencil drawing ‘Darja Collin – 27-09-22’ is a natural follow-up of her portrait a week ago. For those who not know her already, click the link and read...

This gouache and tempera with pencil is signed in gouache by the artist in the lower right image "Kàdàr Bèla". The paper bears the collector’s mark of Rudolf Bedő and an invetory num...

The Market Square is a drawing, realized in early-20th century , by the French post-impressionist painter and illustrator Lucie Caradek (1880-1936). Mixed media on paper. Hand Signe...

Lech Ostrokow was a Polish painter who, like many artists in the mid-century, picked up the thread of Cubism and created a resurgence of the style. There is a bit of Futurism here as...

Large-scale contemporary cubist abstract interior scene, composed of pink and multicolor geometric shapes by Bay Area artist Michael Pauker (American, b. 1957). The geometries are fr...

A Most Peculiar Photo This work is a conversion of my graphite pencil drawing ‘Roundism - 07-08-21 (sold)’ into oil. For the appreciation of the merits of the initial referenc...

Lithograph after Georges Braque. Signed in the plate Edition of 150 Dimensions: 76 x 117 cm Bibliography: « Les Métamorphoses de Braque» of Heger de Loewenfeld and Raphaël de Cuttoli , Editions FAC, Paris, 1989. In 1961 Georges Braque decided with his laidary friend Heger de Loewenfeld to pick up certain of his works to in order to create artworks, this beautiful litograph is one of them. Héméra in the Mythology: In Greek mythology Hemera was the personification of day and one of the Greek primordial deities. She is the goddess of the daytime and, according to Hesiod, the daughter of Erebus and Nyx (the goddess of night). Hemera is remarked upon in Cicero's De Natura Deorum, where it is logically determined that Dies (Hemera) must be a god, if Uranus is a god. The poet Bacchylides states that Nyx and Chronos are the parents, but Hyginus in his preface to the Fabulae mentions Chaos as the mother/father and Nyx as her sister. She was the female counterpart of her brother and consort, Aether (Light), but neither of them figured actively in myth or cult. Hyginus lists their children as Uranus, Gaia, and Thalassa (the primordial sea goddess), while Hesiod only lists Thalassa as their child. The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote...

autumn moon There is always a moon in every street, but to watch the moon, it must be Autumn. Even now the moonlight has been bullied by the high-pressure light, but even on the day...

Still lifes of vases and simple fruits in the house that the artist knows how to breathe into the paintings are really beautiful, and give the viewer a feeling of lightness and purity. Hanging still life...

A Continental School mid century modern cubist still life. Framed - 21 x 24.75 inches Unframed - 16 x 20 inches

Half in Limbo This pastel drawing 'Golden Purple - 25-02-21' is based on a previous graphite pencil drawing 'Roundism - 14-09-19'. The latter I always liked because of its abstract ...

This is an original ink drawing by the Hungarian artist Bela Kadar. The work is stamped with the "Bela Kadar - Deak Family" stamp at the lower right corner. Provenance: The Istvan a...

Untitled is an artwork realized by Ossip Zadkine in the mid-20th Century. Lithograph, 50 x 65 cm, no frame. Numbering (copy 29 / 65) in pencil in the front. Blind stamp Atelier ...

Jean-Emile Laboureur (1877-1943), La Petite Plage, 1926, etching and engraving, signed in pencil lower left [inscribed lower margin as a trial proof; also wi...

Bloomsday 46 x 35.5 cm (unframed) 60 x 50 cm (with frame) Acrylic on Board Bloomsday presents a layered portrait of James Joyce in a composition referencing the literary universe of...

Enameled ceramic sculpture on a black granite base. After the original 1963 gouache. Incised artist’s signature and numbered 1/8 on the front right side. Literature: Heger de Loewe...

Théière et Citron by Georges Braque (1882-1963) Oil on panel 22.5 x 25 cm (8 ⅞ x 9 ⅞ inches) Signed lower left, G. Braque Executed in 1947 Provenance: Perls Galleries, New York Fuji...

Jean-Emile Laboureur (1877-1943), Le Facteur Rural, engraving, 1924, signed in pencil lower right. Reference: Laboureur 283, third state (of 3), from the total printing of about 80. ...

A storytelling work of Africa Cubism Style Post Modern About the Artist: Kenneth B Walsh (1922-1980) In the 1950s, Kenneth Bonar Walsh came to Montauk from New York City to paint...

This is an oil painting by spanish artist Emilio Perez Romero. The technique is based on a direct pictorial treatment "alla prima" and thick line. The focus is the harmony of color ...

This is a view of the Comares Tower and the exterior of other buildings from the Alcazaba. The Comares Tower is a Tower-Palace, one of the most beautiful and imposing of the Alhambra...

Original painting on foam board with custom painted frame. Hand signed lower front by Fernando Fernandez. Size including frame approx 44 x 34.75 inches. Artwork is in excellent con...

Agudelo (XX), Abstract Figural Composition, Oil on Canvas, signed lower right, unframed. 65" H x 65" W x 2.25" D. Provenance: From a Scarsdale, New York Estate.

I have painted around the edges of the canvas should you decide to hang this work unframed. :: Painting :: Cubism :: This piece comes with an official certificate of authenticity sig...

Jean-Emile Laboureur (1877-1943), La Fille aux Oies, engraving, 1916, signed in pencil lower left, numbered (4/40) lower right and inscribed “imp,” also titled lower left margin edge...

Jean-Emile Laboureur (1877-1943), Le Policeman, Londres, 1913, etching on zinc. Signed lower left in pencil [also with the signature and date in the plate]. Reference: Godefroy, Sylv...

Jean-Emile Laboureur (1877-1943), Le Marché aux Fleurs ou la Rencontre, 1914, Engraving. Sylvain Laboureur 127, second state (of 2). Edition of 35. Signed, titled, and numbered 2/35 ...

20th Century School, Post-Cubist Harbor Scene, Oil on Canvas, 1991, signed and dated "lil '91" lower left, painted wood frame. Image: 11.5" H x 11.25" W; frame: 17" H x 16.5" W x 1"...

Jean-Emile Laboureur, Lassitude, 1912, woodcut, signed and numbered (24/35) in pencil. Reference: Sylvain Laboureur 682, third state (of 3). From the edition of about 35, published b...