Cubist Art

Signed and dated ‘Ozenfant 1917’ (lower right) Price excl. VAT

VALENTINE ZADKINE PRAX 1897-1981 (French) Title: Gatherers of Dry Wood / Ramasseuses de Bois Mort, circa 1925 Technique: Original Signed Oil Painting on canvas size: 116.2 x 100.3 cm / 45.75 x 39.5 in Additional Information: This original oil painting by Valentine Prax-Zadkine is hand signed by the artist at the lower left part. It was painted in circa 1925. Provenance: Collection Pierre Alexandre Regnauld (1868-1954), Amsterdam. Anonymous sale; Collection de Tableaux Modernes de feu P.A. Regnault, Paul Brandt...

FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Portrait of an Old Man, 1922 Technique: Original Hand Signed, Titled, Dated and Dedicated Woodcut on thin paper Paper Size: 19.2 x 14.5 cm / 7.5 x 5.7 in Image size: 14.5 x 11.7 cm / 5.7 x 4.5 in Additional Information: This work is hand signed and dated in pencil "Fedor Loevenstein '22" at the lower margin It is also tilted and inscribed in Cyrillic in pencil at the lower left margins. There is an additional text in French at the far lower right margin. This work as printed in 1922 in a small edition. Originally from Czechoslovakia, Fédor Löwenstein...

FRANCISCO BORES Spanish, 1898 - 1972 LES FUMEURS signed & dated "Borès 35" (lower right) titled in pencil "Les Fumeurs", unfinished sketch (head), signed & dated "Bores 36" (on the reverse) oil on cardboard 10-5/8 x 13-3/4 inches (27 x 35 cm.) framed: 15-1/2 x 18-1/2 inches (39.5 x 47 cm.) NOTE: THIS WORK IS ACCOMPANIED BY A CERTIFICATE OF AUTHENTICITY ISSUED BY “ARCHIVO FRANCISCO BORES”. BIBLIOGRAPHY: Francisco Bores, Reasoned Catalogue, Volume I - Painting 1917-1944, Museo Nacional Centro de Arte Reina Sofia, Madrid, 2003, n° 1935 / 49, reproduced in color p. 281 PROVENANCE Carmen Bores Collection, Francisco Bores daughter Francisco Bores López (Madrid, May 5, 1898 - Paris, May 10, 1972) was a Spanish painter of the so-called New School of Paris. His artistic training originated both in the Cecilio Pla painting academy, where he met Pancho Cossío, Manuel Ángeles Ortiz...

Still lifes of vases and simple fruits in the house that the artist knows how to breathe into the paintings are really beautiful, and give the viewer a feeling of lightness and purity. Hanging still life...

Still lifes of vases and simple fruits in the house that the artist knows how to breathe into the paintings are really beautiful, and give the viewer a feeling of lightness and purity. Hanging still life...

Still lifes of vases and simple fruits in the house that the artist knows how to breathe into the paintings are really beautiful, and give the viewer a feeling of lightness and purity. Hanging still life...

The present etching is numbered ‘29/50’ lower left and signed ‘G. Braque’ lower right. Also watermarked ‘ARC’ lower right. Sheet size: 56,8 x 38,1 cm Plate size: 34,5 x 21,8 cm L...

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reaso...

Lithograph on paper. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 195. Image size: 27.5 x 16.5 i...

Original painting on canvas. Hand signed on front by the artist. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers...

This is an oil painting by spanish artist Emilio Perez Romero. The technique is based on a direct pictorial treatment "alla prima" and thick line. The focus is the harmony of color ...

It is an oil painting on canvas. The title is "The Source" and the dimensions are 46 x 61 cm. The theme is about an imaginary landscape of the Andalusian countryside and some women ...

Elisabeth DUJARRIC de LA RIVIÈRE (Jouy-en-Josas 1930 – Excideuil 2005) Artist's self-portrait Oil on canvas H. 171 cm; L. 70 cm Signed on the back Provenance: Private collection, Périgord Born in the heart of the Bièvre valley, a few kilometers from Versailles...

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is sretched. Artwork is in excellent condition. Certificate of authenticity included. All reasona...

Geesje Kwak – 12-07-21 A Portrait of Geesje A day ago I experimented with Art Graf. I was quite surprized and therefor I thought it would be nice to do a portrait of Geesje Kwak. There are only some odd 15 pictures...

"Unleashing the Inner Child" (rotating) Painting D 43" inch by Tasneem El-Meshad Medium: acrylic on wood (rotating) Academy of Fine Arts Cairo graduate Tasneem El Meshad describes ...

I have painted around the edges of the canvas should you decide to hang this work unframed. :: Painting :: Cubism :: This piece comes with an official certificate of authenticity sig...

Oil on canvas, signed lower left Circa 1930 Image size: 41 x 34 inches (104 x 86 cm) Framed

The organic shapes which resulted from my first improvisations on the canvas formed into a conglomeration which reminded me of the audience at an event of some undetermined nature. :...

This painting includes collage of English and Chinese news print layered between acrylic paint. This painting is about friendship with no boundaries. A frie...

"The Compromise" Painting 24" x 24" inch by Tasneem El-Meshad Acrylic and Oil on Canvas Academy of Fine Arts Cairo graduate Tasneem El Meshad describes her art, as “a reflection of...

Lithograph on paper. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 195. Image size: 27.5 x 16.5 i...

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is stretched. Artwork is in excellent condition. Certificate of ...

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is stretched. Artwork is in excellent condition. Certificate of...

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is sretched. Artwork is in excellent condition. Certificate of authenticity included. All reasona...

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is sretched. Artwork is in excellent condition. Certificate of authenticity included. All reasona...

Jean-Emile Laboureur (1877-1943), Le 14-Juillet au Village, engraving and roulette, 1925, signed in pencil lower left and numbered lower right (30/100) [also initialed and dated in t...

Jean-Emile Laboureur (1877-1943), Le Marché aux Fleurs ou la Rencontre, 1914, Engraving. Sylvain Laboureur 127, second state (of 2). Edition of 35. Signed, titled, and numbered 2/35 ...

Jean-Emile Laboureur (1877-1943), La Fille aux Oies, engraving, 1916, signed in pencil lower left, numbered (4/40) lower right and inscribed “imp,” also titled lower left margin edge...

Jean-Emile Laboureur, Anzacs, woodcut, 1918-22, signed and numbered (7/45), the second state (of 2). Reference: Sylvain Laboureur 713. In good condition, with remains of old hinges ...

ean-Emile Laboureur (1877-1943), La Fille au Litre (Grande Planche), engraving, 1921, signed in pencil lower left and inscribed “ep d’art”. Reference: Sylvain Laboureur 217, third st...

Jean-Emile Laboureur (1877-1943), La Receveuse, engraving, 1919-1920, signed in pencil lower left, numbered (2/38) lower right and annotated ”imp” [also with initials and the date 19...

Jean-Emile Laboureur (1877-1943), Le Policeman, Londres, 1913, etching on zinc. Signed lower left in pencil [also with the signature and date in the plate]. Reference: Godefroy, Sylv...

Jean-Emile Laboureur (1877-1943), Le Promenade au Phare, engraving, 1925, signed in pencil lower left and numbered lower right (24/70) [with the initial in the plate lower left]. Ref...

Jean-Emile Laboureur (1877-1943), Negres Americains a Saint-Nazaire, 1917-1920, engraving on cream wove paper, signed in pencil lower left, titled lower left margin edge, and numbere...

Jean-Emile Laboureur (1877-1943) etching and engraving Paysage au Buttes-Chaumont (2nd Planche), 1920-21, signed and numbered ( 38/55) in pencil. Reference: Sylvain Laboureur 205. In very good condition with wide margins (remains of old hinging on margin verso, some showing through not near image). On white wove paper, 7 7/8 x 9 1/4, the sheet 10 x 13 1/2 inches, archival matting. A fine, fresh and clear impression of this important cubist-influenced scene. Jean-Emile Laboureur was born in Nantes in 1877. He traveled to Paris in 1895 intending to study law at the Sorbonne, but found himself drawn to the nearby famed Academie Julian, and although he never officially matriculated there, he became immersed in the Parisian art scene. Laboureur then traveled widely, staying for periods in the US and London, and studying classic art and printmaking in Italy and Germany. Although he had moved back to Paris by 1910, a time when analytical cubism was emerging in the work of Picasso and Braque, he continued working in an abstract, modernist mode, waiting until about 1913 or shortly thereafter to invent a cubist idiom all his own. Cubism remained an important theme for Laboureur, a theme he varied, sometimes using it as a strong design or compositional component, sometimes only as a subtle background element. In Paysage aux Buttes...

From my man dreaming ongoing series, I sometimes need to revisit certain themes. Themes that were inspired by my life experiences and characters that have come and gone or passed thr...

Where do you want to live now? :: Painting :: Cubism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Sig...

1917. (Godefroy 172, II/II). Engraving on Rives. Signed with initial and dated on the plate, l.r "L 1917". Signed in pencil and numbered 28/45. Framed Stein, The Cubist Print p. 14...

"Guitar Player" is a limestone sculpture by Maureen Bergquist Gray. Much like the cubists in the early 20th century, Maureen abstracts the figure of a guitar player into simple shape...

George Terzian and his unique Cubist style of painting is highly regarded and his oils are collected internationally. His subjects are presented as a symphony of various colors and s...

Robert Marc (French, 1943-1993) Untitled (9618) oil on canvas 20 x 60 cm (7⅞ x 23⅝ in.) signed ‘ROBERT MARC’ (lower centre) Price: £10,000 GBP Provenance: Estate of the Artist Foru...

Lithograph on paper. Hand signed, dated and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 195. Image size: 27.5 x 16.5 i...

FRANCISCO BORES Spanish, 1898 - 1972 JOURNÉE CLAIRE signed and dated "Borès 34" (lower left) oil on canvas 18 x 15 inches (46 x 38 cm.) framed: 26 x 23 inches (66 x 58 cm.) BIBLIOGRAPHY: Francisco Bores, Reasoned Catalogue, Volume I - Painting 1917-1944, Museo Nacional Centro de Arte Reina Sofía, Madrid, 2003, nº 1934 / 15, reproduced in p. 231 PROVENANCE Private Collection, Madrid Francisco Bores López (Madrid, May 5, 1898 - Paris, May 10, 1972) was a Spanish painter of the so-called New School of Paris. His artistic training originated both in the Cecilio Pla painting academy, where he met Pancho Cossío, Manuel Ángeles Ortiz or Joaquín Peinado, and in the literary gatherings in Madrid related to ultraism. At this time he made engravings and woodcuts for a large number of magazines such as Horizonte, Cruz y Raya, Index, Revista de Occidente. In 1922 he participated in the National Exhibition of Fine Arts. In 1925 he participated in the first exhibition of the Iberian Artists Society. The limited success of this exhibition pushes him to go to Paris. In this city he shared a studio with the Spanish painter Pancho Cossío and also met Picasso and Juan Gris. In 1927 he held his first solo exhibition in Paris. From this moment on, Bores integrates himself into the Parisian artistic environment where he will live practically his entire life. In 1928, his first exhibition in a gallery in the United States, in 1930 he exhibited again, within a group exhibition at the Museum of Modern Art in New York. In the following years, he continued exhibiting in different galleries in Paris, such as the Georges Petit Gallery, the Bernheim Gallery and the Vavin Raspail Gallery. He also participates in several group exhibitions, highlighting the Exhibition of Contemporary Spanish Art...

Provenance: Illustration House, New York, Framed in a simple and modest frame. This is a brilliant post-Cubist work by Dutch-American illustrator Charles Verschuuren...

Exhibited: The North Carolina Museum of Art , October, 1967 Exhibited: November 5th to December 4, 1977 Titled: Study for Gomorrah, 1944 His work is in the collections of: Philli...

HUGO SCHEIBER 1873-1950 1873 - Budapest - 1950 (Hungarian) Title: The Rhythm of the City, 1920's/1930's Technique: Original Signed Charcoal and Pastel Drawing on Paper Size: 61 x ...

SERGE FERAT 1881-1958 (Le Comte Sergueï Yastrebzov) Moscow 1881-1958 Paris (Russian/French) Title: Theater Interior Design Technique: Original Signed Gouache Painting on paper siz...

FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Jewish Man, early 1920’s Technique: Original Hand Signed, Numbered and Titled Woodcut on thin paper Paper Size: 28 x 22 cm / 11 x 8.7 in Plate Size: 14.8 x 10 cm / 5.8 x 3.9 in Additional Information: This work is hand signed in pencil by the artist "F. Loevenstein" at the lower right margin. It is also tilted in Cyrillic "EBPEЙ" (Jew) and numbered "19" in pencil at the lower left margins. This work was printed in the early 1920's in a small edition. Our impression is number 19 from the edition. Originally from Czechoslovakia, Fédor Löwenstein...

Heavy impasto pained in alla prima ( Wet-on-wet ) technique. Layer of damar varnish. Frame burn, On Masonite. Unframed Signature: Signed Max Weber upper left.

JANKEL ADLER 1895-1949 Lodz 1895-1949 London (Polish / British) Title: Still Life with Fish and Bottle, circa 1920's Technique: Original Signed Oil, Sand and Gouache on board...

FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Portrait of a Man with Hands on Table, early 1920’s Technique: Original Hand Signed, Numbered and Titled Woodcut on thin paper Paper Size: 28 x 22 cm / 11 x 8.7 in Plate Size: 14.8 x 10 cm / 5.8 x 3.9 in Additional Information: This work is hand signed in pencil by the artist "F. Loevenstein" at the lower right margin. It is also tilted in Cyrillic "ИАН ИАNCON" (probably Jan Jansson) and numbered "22" in pencil at the lower left margins. This work was printed in the early 1920's in a small edition. Our impression is number 22 from the edition. Originally from Czechoslovakia, Fédor Löwenstein...

BELA KADAR 1877-1956 Budapest 1877-1956 (Hungarian) Title: A Couple in Architectural Cityscape, circa 1930's Technique: Original Signed Ink Drawing on paper size: 29.5 x 2...

LOUIS MARCOUSSIS (1883-1941) (Ludwik Kazimierz Wladyslaw Markus) 1878 or 1883 Łódź, Poland – 1941, Cusset, France (Polish/French) Title: The Balcony (Drawing for Plate I, Plan...

FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Beggars / Bettler, early 1920’s Technique: Original Hand Signed, Inscribed, Dedicated and Titled Woodcut on thin wove paper Paper Size: 28.5 x 20.5 cm / 11.3 x 8 in Plate Size: 15 x 10 cm / 5.9 x 3.9 in Additional Information: This work is hand signed and dated in pencil by the artist "F. Loevenstein 22" at the lower right margin. It is also tilted "Bettler" (Beggars) and inscribed "Handabzug" (Hand printed) in pencil at the lower left margins. It is dedicated “pour ma chere et jamais ce debacle, Fedor, Zoppot Sommer 22” (for my dear never this debacle [sic], Fedor, Sopot (Poland) Summer (19)22.) This work was hand printed by the artist himself in the early 1920's in a small edition. Originally from Czechoslovakia, Fédor Löwenstein (Munich, 1901 - Nice, 1946) studied art in Germany before moving to Paris in 1923, attracted by its artistic influence. There he mixed with the painter André Lhote from Bordeaux and joined the Groupe des Surindépendants in 1936. His style evolved from Cubism to a form of Romantic abstraction. In 1938, he painted La Chute (The Fall), inspired by the signing of the Munich Agreement ratifying the dismantling of the Czechoslovakia created in 1918. France’s entry into the war drove him to leave the capital for Mirmande, a ruined village in the Drôme region, where Lhote held a summer academy. Löwenstein then divided his time between Mirmande and Nice where his mother and sister lived, but had to take refuge for a time in the Abbey of Aiguebelle. He fell ill in the autumn of 1943 and went to Paris to see a doctor; he died in Nice in 1946. Exhibited: Fédor Lowenstein...

Mélodie (Melody) Ink on paper 53 x 53 cm A rare square-format nude ink drawing on paper by Grégoire Mathias, perfect for adding a pop of color and movement to compact spaces, art cl...

LOUIS MARCOUSSIS (1883-1941) (Ludwik Kazimierz Wladyslaw Markus) 1878 or 1883 Łódź, Poland – 1941, Cusset, France (Polish/French) Title: Frontispiece for Planches de Salut, 19...

MANUEL HERNÁNDEZ MOMPÓ Spanish, 1927 - 1992 CASA DE LECHERA signed "H. Mompó" (upper left) & inscribed "Rotterdam 55" (upper right) with inscrip...

Eva Tanguqy-A Strange Request, New York Evening World newspaper India ink and blue pencil on heavyweight paper 16-1/2 x 10-1/2 inches (41.9 x 26.7 cm) (each, image) Signed lower righ...