Expressionist Art

The King's Ring is an intriguing artwork that portrays a man wearing a ring. The ring is the centerpiece of the artwork. The painting is oil and acrylic on ca...

This oil painting presents a dreamlike aquatic world where stylized fish move among abstracted leaves and flowing organic forms. The composition combines figurative elements with exp...

Inspired by Rachaels winter dog walks along the Norfolk Broads with her lovely dog Sandy. Rachael Dalzell's paintings are colourful and expressive.  Her free and lively use of paint...

There is no other love that’s as special as the love of a grandma. So warm and fuzzy, so calm and sweet, so cheerful and joyful. You never know the love of a grandparent until you become one. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Oluwaseun Ojebiyi is a promising young Nigerian visual artist who was born in the year 1996 into a family in Oyo state richly endowed with a unique artistic inclination. He is gifted with unusual energy and a future that sparkles with excellence. His works are at once artistic and realistic and laced with active energy with the characteristic of curiosity in figure study. He delivers his works through drawing and painting with mastery usage of charcoal, pastel, Oil paint, and acrylic. His expressive works bring back fond memories of childhood experiences. His works reveal the bond, teamwork, genuine love, selflessness, and other fine qualities in African culture. His palette which contains a variety of colors is a great asset for his delivery, with its rich Shade of hues. Oluwaseun inspiration is divine, He is also inspired by both past and everyday life experiences. Oluwaseun Ojebiyi had an HND in painting from The Polytechnic, Ibadan. He also served an apprenticeship under the renowned international artist Oluwole Omofemi...

"Blue Towel" is an artistic composition that demands our attention. The woman wrapped in the titular blue towel stands as a metaphor for the delicate nature...

Created in 1994, this original Indian ink drawing on paper exemplifies Menachem Gueffen's enduring fascination with the female figure. Executed with confident, fluid brushwork, the c...

Shawarma, a delicious culinary delight enjoyed by many, takes center stage in this artwork. The artist playfully emphasizes the word "Shawarma" on the tote bag, highlighting its significance as a symbol of enjoyment and pleasure. This whimsical representation serves as a reminder to relish the simple, gastronomic experiences that can bring moments of happiness and contentment to our lives. "You can't buy happiness, but buy shawarma." These words resonate deeply, encapsulating the idea that true happiness cannot be purchased, but it can be found in the small, fleeting moments of joy. The artwork encourages us to seek happiness in the every day and appreciate the simple pleasures that add flavor to our lives. By celebrating the act of indulging in a beloved food like shawarma, the artist reminds us to embrace the little things that bring us happiness. "Sometimes a sad day is a good day to enjoy life." This thought-provoking statement challenges our perspective on difficult times, suggesting that even in moments of sadness, we can find solace in the small joys that surround us. The artwork portrays a young woman, perhaps caught in a moment of contemplation, choosing to uplift her spirits through the simple act of enjoying shawarma. It serves as a reminder that even during challenging times, we can find solace and pleasure in life's little pleasures. "Life is too short to not Shawarma" serves as a gentle reminder to live fully in the present. It urges us to savor the flavors, experiences, and connections that make life beautiful. In a world that often rushes by, this artwork encourages us to slow down and appreciate the present moment, relishing the delicious tastes and sensations that bring us joy. Food has an incredible ability to bring people together, transcending cultural boundaries and creating moments of shared happiness. The artwork's focus on shawarma as a source of enjoyment underscores the significance of culinary delights in our lives. It invites us to celebrate the diverse flavors and experiences that the world of food offers, fostering connections and creating memories. "Life is too short to not Shawarma" is not just a whimsical artwork...

29 3/4 x 21 1/2 paper 34 x 25 1/4 framed Signed lower right. Claude Weisbuch was born in Thionville, France in 1927 and was a pupil at L' École des Beaux-Arts de Nancy, France. As ...

In Blue, Yes, I'm in blue not because I choose to but because that's who l am and it tells my story. With a hoodie because I came from this very hood. I drank...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

In the landscape "Radiant Vitality" (2022), which serves as a pivotal anchor within the "Solar Echoes" series, Elena Lukina focuses on the interplay of chromatic vibration and atmosp...

This piece begins a new body of work that asks a simple question: What if becoming never required us to leave ourselves behind? For me, growth should never come at the cost of ident...

About the Artwork Peach blossom is the most beautiful and popular flower in the North of Vietnam, loved by many people and displayed during Tet. Peach tree is considered the quin...

"Mary and Her Little Lamb" is a well-known American nursery rhyme that has been enjoyed by generations of children. The rhyme has inspired many artists to create works of art depicting Mary and her beloved lamb, and one such artwork is the painting by Theophilus Madaki...

JULES PASCIN Le Seuil de Porte, Cuba, ca. 1917 Watercolor on paper 8 x 10 in Provenance: New Orleans Auction, New Orleans. Fine Art & Design. 23 apr 2026. Lot 142. Private Collectio...

Acrylic work on archival quality paper. Belongs to a series of work on windows done during confinement in 2020. The longing to be outside. :: Painting :: Expressionism :: This piece...

Embroidery by Yanne Kintgen: "Poetry 30". Born in Redon (France) on April 26, 1960, Yanne Kintgen has been a painter and illustrator since 1985. To ente...

’The Arms of Winter' is an impressive painting inspired by the North Norfolk Broads and beautiful countryside near to where Rachael lives. Rachael Dalzell’s paintings are colourful ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Ola...

Bernard Buffet (1928-1999) - Voyages Fantastiques aux États et Empires de la Lune et du Soleil (Cyrano de Bergerac) Complete portfolio of 18 original drypoint etchings from 1958. E...

Christian Rohlfs 1849 Niendorf/Holstein - 1938 Hagen Berg Coloured pencil on paper Sheet size: approx. 14.2 x 18 cm Frame: 19.5 x 25.5 cm Provenance: Paul Vogt Collection, private ...

Artist: Marc Chagall (1887–1985) Title: Ruth at the Feet of Boaz (Ruth aux pieds de Booz) Year: July 29, 1960 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26.67 cm) Condition: Well preserved, consistent with age and medium Inscription: Unsigned and unnumbered, as issued Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne Reference: Chagall, Marc, et al. Chagall Lithographe. Andre Sauret, 1960-1986, illustration 230-276. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne des Livres Illustres. P. Cramer ed., 1995, illustration 42 Notes: Excerpted from the folio (translated from French), This double issue of Verve includes the drawings that Marc Chagall executed in 1958 and 1959 on biblical themes that he had not generally dealt with in his illustration for the Bible, engraved with etching and which were included in issue 33/34 of Verve. This album has 96 renderings in black and 24 color litbographies as well as the cover that were specially made for this album. It was completed printing on July 29, 1960 by Draeger Freres for black gravures and by Mourlot Freres for color lithography. Additional notes: This exquisite lithograph by Marc Chagall (1887–1985), titled Ruth aux pieds de Booz (Ruth at the Feet of Boaz), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. X, No. 37-38, originates from the July 29, 1960 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1960. This visionary composition reflects Chagall’s poetic interpretation of the biblical moment in which Ruth lies at the feet of Boaz, evoking themes of humility, devotion, and destiny through his luminous color and dreamlike symbolism. The flowing forms and radiant imagery convey a sense of intimacy and quiet revelation, capturing the emotional and spiritual significance of the encounter within Chagall’s distinctive visual language. Infused with movement and lyricism, the work transforms sacred narrative into a meditative vision of faith, grace, and providential union. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. X, No. 37-38 on July 29, 1960, represents a significant continuation and expansion of Chagall’s profound engagement with biblical imagery and spiritual narrative. Conceived and directed by the visionary publisher Teriade, the publication builds upon the earlier Verve issue devoted to Chagall’s Bible illustrations by presenting a new body of work executed in 1958 and 1959, exploring themes and episodes that had not been fully addressed in the initial series. Printed in Paris by Draeger Freres for black gravures and Mourlot Freres for color lithography, the edition demonstrates an exceptional level of technical refinement and artistic collaboration. The publication includes an extensive suite of ninety six black reproductions and twenty four color lithographs, as well as specially created cover imagery, reflecting Chagall’s continued innovation in translating sacred themes into graphic form. As part of the broader tradition of Verve, one of the most important artistic and literary publications of the twentieth century, this issue exemplifies the fusion of text, image, and craftsmanship at the highest level. Today, Verve Vol. X, No. 37-38 stands as a major achievement within Chagall’s graphic oeuvre, reaffirming his role as one of the foremost interpreters of biblical narrative in modern art. MARC CHAGALL (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style merging elements of Cubism, Fauvism, Expressionism, and Surrealism defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, artists who sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Ruth...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

From very small edition of 15 on handmade mould made paper, with Jewish star Magen David watermark. From the deluxe boxed portfolio edition. János Kass (...

Still life with blue drapery and fruits. 1980, oil on cardboard, 100x81 cm Valdis Bush (1924-2014) studied at the Art academy of Latvia (1945 – 1950), h...

In this oil painting, expressionism and impressionism merge with symbolic elements. I have passionately applied every brushstroke to depict emotions and memories. The powerful splash...

Expressive nude figure, movement, powerful color and texture, abstract brushwork

In the landscape miniature "Solar Echoes: Miniature II" (2021), Elena Lukina focuses on the interplay of light and texture within a compact format. Painted on a deep cotton 3D canvas...

"Twin Cacti" is an original contemporary botanical acrylic painting by French artist Natalya Mougenot, created in her expressive language of color, authenticity, and emotional truth....

The Severn Vale is an Original Painting by Eleanor Woolley This miniature painting shows the vast Severn vale looking out from Edge near Stroud. The little patchwork fields of pink a...

Big Rio, Original Contemporary Expressionist Landscape Painting 48" x 48" x 1.75" (HxWxD) Oil on Linen This large square-format work by artist Carol Tippit Woolworth features a stunning color palette of rich greens and reds combined with muted blues, purples, and orange tones. There is a balance, both with the color, but also with the composition as the Rio Grande wraps around the curves in the Southwestern landscape, opening up towards the viewer and simultaneously guiding your eye around to the landscape in the distance. This Mexican desert appears calm and a bit desolate, but also bursting with life and energy through the colors used and the loose, energetic mark making that is characteristic of expressionist landscape works. Artist Commentary: The Rio Grande About the Artist: Art has always been a central part of Carol's life. Constantly drawing as a child, the passion to create something two dimensional has continued to this day, through oil and gouache. Carol currently lives in Santa Fe, NM and exhibits at Smilow Mathiesen Gallery on Canyon Road. She graduated with a BA in Art through the University of California at Santa Barbara, with an emphasis in Painting, but has continued to study at various art institutions (Parsons NYC; Silvermine Artists Guild, CT; Rohaton Art Center, CT; Delaware College of Art & Design (DCAD), DE) throughout her career. She now teaches painting at DCAD (Continuing Education), has several private art students, and leads painting workshops in France twice a year. She also works as a self-employed graphic designer. Carol has always been interested in France, the French landscape and French culture. She loves the fields and hilltop towns,and the strong clean lines and shapes they create. The past couple of years this influence has dominated her work. Her landscapes are a constant search for color, contrast, and shapes. Recently Carol has discovered the natural beauty of Lancaster County PA and Northern New Mexico, and is applying her French vocabulary to these new areas. Another influence early on was of an artist whom she babysat for, and who lived across the street, in Santa Barbara: Priscella Bender Shore. She eventually became her favorite art teacher and mentor at the Santa Barbara Community College. Priscella's work was of women in a swimming pools, reflecting and refracting light. They were both figurative and abstract. This images haunted Carol's memories until she could recently recreate the swimming pool paintings...

In my painting, I've embraced the whimsical charm of naive art while infusing it with surreal and symbolic elements. Using oil paints, I've brought two feline figures to life against...

This is a rare ceramic plaque painted with enamel glaze by famed Israeli German artist Irene Awret is signed Awret Safed on the verso. the actual glazed ceramic is 10X15 inches. Irèn...

Original collotype created from Gustav Klimt’s Malcesine on Lake Garda, painted in 1913. Published and edited by Verlag H.O. Miethke and printed by k.k. Hof- und Staatsdruckerei, Vienna, in an edition of 300. Between 1908 and 1914, H.O. Miethke published Das Werk Gustav Klimts...

"The painting ""SHINY"" transports us to a quiet and cozy corner of Transcarpathia, when Hungary influenced the architectural appearance of the region. Here, a picturesque house with...

Lofty vintage Italian oil painting on canvas of a mysterious abstract portrait executed in an expressionist impasto technique. Signed Donati in the lower right and presented in a woo...

Cherry blossoms are very loved by the Japanese people, so in fact they exist as a symbol and the national flower of Japan. For the Japanese, Sakura zensen symbolizes beauty, fragil...

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A woman peacefully floats in a world of sand and sea. Layers of blue and ochre blend her figure with the surroundings, creating a dreamlike effect. Artist Richa...

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A woman floats in her serene world of color and light. Artist Richard Johnson shares that he has become more observant of life over time. He sees the connection...

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A woman wearing a dark, flowing dress stands with her back turned. Her posture emphasizes her grace and beauty. She appears strong yet soft, powerful yet vulner...

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The landscape captures the quiet power of a solitary tree standing against the horizon. The bright pink color of its leaves and the field in the foreground cont...

In the still life "Solar Echoes: Relic Tea Light" (2017), Elena Lukina builds a sophisticated modern impressionism composition featuring a sunflower and a porcelain teacup curated fo...

Innocent Chikezie (Nigerian, born 1982) "Her Eyes" 2022 Acrylic Paint, Canvas, Stretcher Bars The artist signed the bottom right of the painting. In "Her Eyes", Innocent Chikezie’s ...

Street view. 2013. Cardboard, oil, 97x123 cm

In a fervent dance of color and texture, I've brought to life the serene beauty of nature's gentle floaters, the water lilies. Through energetic brush strokes in acrylics, my vision ...

This work reflects the romantic mood that we get while on vacation. Beautiful roses in the garden on the shore of the southern sea. White sails and blue sky, all this resembles a par...

Jean Vinay was a self-taught artist though he received artistic guidance from Albert Marquet, the Fauvist, who he knew through his travels in French North Africa. Jean Viney...

Bull- original expressionist acrylic painting During its first exhibition in Paris, the French press catalogs it like "The Catalan Sorolla". Honorary Member of the MECOART (Mediter...

This is a small oil painting on on panel. A Rabbi at a Farbrengen 15.5 X 14.5 with frame. 6.5 X 5.5 painting alone Zwy Milshtein (Zvi Tzvi Milstein) BIOGRAPHY 1934 Born in Kishinev...

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Seen from above, this colorful view of a small village highlights the dynamic play of color. Bold primary hues, softened secondary shades, and muted tones overl...

Artist: Abraham Rattner, American (1895 - 1978) Title: In the Beginning Portfolio Year: 1972 Medium: 12 Lithographs on Arches, signed and numbered in ...

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Tree trunks rise from the forest floor, some cloaked in moss and blending with the fertile surroundings, while others stand out with dark red bark. Shifting sha...

Marc Chagall "L'Artist Phoenix Poster" for Galerie Maeght from 1972. It is from the edition of 5000. 30 1/2" x 20" art 40 1/2" x 32 1/4" frame Marc Ch...

Born in Poland in 1920, Bernstein completed his art studies in the Academy of Vilna in 1939. His family was wiped out in the Holocaust, but he survived the war and lived in Russia un...

Masri is a passionate Italian, US-based artist whose work has been exhibited in USA, the UK, Germany, Lebanon, Italy and Norway. His work is varied and known especially in Europe, an...

Johann Berthelsen (Danish/ American 1883 - 1972) View From Artist's Porch; Including his Two Sons, New Milford, Connecticut', Circa 1947/48. Oil on canvas. Signed lower right. P...

In this painting, I've captured the enchanting essence of Venice at dusk. Using a blend of acrylics and oils, I employed expressionistic strokes to evoke the fluidity of the water an...

French landscape, Expressionist oil on board by Jean Arene. The painting is signed bottom left, titled dated and signed to the back and is presented in the original 'Arene' frame sup...

Oskar Kokoschka Wer Liefert, circa 1917 Sanguine on paper 8 1/2 x 10 1/4 inches Throughout his career, Kokoschka demonstrated a thirst for independence and refrained from associati...

This was supposed to be an abstract painting like most of my artworks, but suddenly I had this desire to see some persons in it. So I was just drawing the silhouette of them and this...