Expressionist Art

Kathe Kollwitz, German (1867 - 1945) - Kinder halten Essensschusseln (Children holding Food Bowls), Year: 1923, Medium: Lithograph, Image Size: 16 x 11 inches, Frame Size: 25.2...

Complete suite of 11 plates in artist’s proof (in search for the final colours) on thin Japan paper, with Author’s hand-written title, date, notes and signature in pencil. 5 of the p...

Expressionist ceramic head sculpture suspended within an open forged iron framework, combining portraiture, architecture, and material experimentation in a unique contemporary artwor...

This original oil painting captures the joyful spirit of three funny fashionistas. The artist's use of impasto creates a textured surface that brings these characters to life with pl...

coast original watercolor paper expressionist painting. This Catalan painter, settled for years in Mallorca, offers a series of landscapes in which the natural is treated in the imp...

An expressive and highly atmospheric portrait signed J. Prina, depicting a seated young woman adorned with a pearl necklace and dressed in an elegant light-colored gown. Executed in ...

"Cap of Many Colors" is a captivating artwork that features a man wearing a colorful cap that is reminiscent of a rainbow. The piece is both visually striking and thought-provoking, leaving a lasting impression on viewers long after they have finished admiring it. Created by Rotimi Godwin...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Dan...

This extraordinary large-scale original painting by Serg Graff titled “Card Sharpening” is a wildly imaginative and deeply narrative work blending outsider art, naïve primitivism, fantasy symbolism, and surreal storytelling into one unforgettable composition. Executed in acrylic and oil on canvas, the painting depicts an eccentric underground poker tournament taking place inside the abandoned tavern “Poker Face.” Around the vivid green gaming table...

This painting conveys the enthusiasm for freedom of self-expression regardless of the restriction to decide what you are and what you want to express by the way you dress and the way...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Dan...

Artist Comments
A coastal landscape features silhouetted evergreens and islands set against a radiant, cloud-filled horizon. Energetic, sweeping brushstrokes unify the dynamic ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Gob...

Xente Abrigo is an expressionist figurative bust sculpture by Spanish artist Óscar Aldonza Torres, combining high-temperature refractory ceramic, experimental glazing and oil-based p...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Where am from Bandana was once a common style, we called it Big Boy Style, then it’s seem to me like a style or fashion only, because our elder brothers only allowed to used it but n...

The history of American Illustration is filled with battle scenes. Rarely, if ever, have we seen an illustration of raw combat executed in an expressionist style like this. Robert W...

Medium: original woodcut. The inscription on the banner translates to "Come Sweet Death". Printed in Germany in 1922 for the rare Ganymed portfolio of "Das vierte Jahrbuch der Marees...

Artist: Marc Chagall (1887–1985) Title: Moses III (Moise III) Year: July 29, 1960 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26.67 cm) Conditio...

Artist: Marc Chagall (1887–1985) Title: David and Bathsheba (David et Bethsabee) Year: July 29, 1960 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x...

Village. Oil on cardboard, 79.5 x 100.5 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, S...

Artist: Marc Chagall (1887–1985) Title: The Prophet Daniel with the Lions (Le Prophete Daniel avec les Lions) Year: July 29, 1960 Medium: Lithograph on velin du Marais paper Paper Si...

Esta pintura tiene claras influencias del expresionismo español y la técnica del empaste, con pinceladas sueltas y uso de colores oscuros para transmitir intensidad y atmósfera emoci...

original expressionist acrylic painting. frame Painter and draftsman born in Ciutat de Mallorca in 1943. In 1959 moved his address to Barcelona. He was a student of the School of A...

Artist: Marc Chagall (1887–1985) Title: Self Portrait (Autoportrait) Year: October 1960 Medium: Lithograph on velin paper Paper Size: 12.5 x 9.625 inches (31.75 x 24.45 cm) Condition...

In this monumental 145x100 cm canvas, the proprietary "Ordered Chaos" method is pushed to its technical and emotional limits. Part of a profound, decade-long study titled Hydro-Genes...

Agata Czeremuszkin-Chrut was born in 1983 in Czestochowa, Poland. She graduated from the Academy of the Fine Arts in Wroclaw (2008) with the Master degree in Painting. In 2007 she st...

Capture the fluid elegance of nature with 'Tulips Blue in the Wind,' a large original oil pastel painting by contemporary artist Rakhmet Redzhepov. Executed on heavy, premium-grade p...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Medium: original lithograph. Printed in 1920 on smooth wove paper for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edit...

Artist: Marc Chagall (1887–1985) Title: Moses I (Moise I) Year: July 29, 1960 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26.67 cm) Condition: W...

This artwork titled "Portrait of a Young Boy" 1949 is an original lithograph by Swiss artist Cuno Amiet, 1868-1961. It is hand signed and numbered 12/200 in...

original expressionist acrylic painting. RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. ...

Artist: Marc Chagall (1887–1985) Title: The Circus (Le cirque) Year: October 1960 Medium: Lithograph on velin paper Paper Size: 12.5 x 9.625 inches (31.75 x 24.45 cm) Condition: Well...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

In this piece, I've merged the vibrant fluidity of impressionism with the vivid reality of fine art. I wanted the tranquility of the village river to envelop the viewer, the expressi...

Medium: original woodcut. This impression on laid paper was printed in Germany in 1922 for the rare Ganymed portfolio "Das vierte Jahrbuch der Marees Gesellschaft" and published in M...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Oil on wood signed and dated on reverse Stephen Basso's highly origional pastels and oil paintings are romantic yet thought provoking images. His whimsical works are alive with boun...

Artist: Marc Chagall (1887–1985) Title: The Offering (L'Offrande) Year: October 1960 Medium: Lithograph on velin paper Paper Size: 12.5 x 9.625 inches (31.75 x 24.45 cm) Condition: W...

Artist: Marc Chagall (1887–1985) Title: The House of My Village (La Maison de mon Village) Year: October 1960 Medium: Lithograph on velin paper Paper Size: 12.5 x 9.625 inches (31.75...

natura morta con bellissima cornice in legno Enzo FARAONI (S. Stefano Magra, La Spezia, 1920/2017) Signed top right Enzo Faraoni is a great painter and engraver from Florence; he e...

A soul that finds happiness after a broken heart and she decides to be single for the rest of her life. She wanted to travel, live abroad, gain new experiences and didn’t want to sta...

Artist Comments
A hillside home appears from an elevated viewpoint in this Fauvist landscape painting. Late afternoon sunlight intensifies the colors, turning browns into reds ...

This vibrant oil painting is an evocative landscape painting titled The Path to the Sunlit Arch created by the internationally registered artist Elena Lukina in 2012. As a comfortin...

Artist: Marc Chagall (1887–1985) Title: The Angel (L'Ange) Year: July 29, 1960 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26.67 cm) Condition: ...

Artist: Marc Chagall (1887–1985) Title: Job in Despair (David sauve par Michal) Year: July 29, 1960 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26.67 cm) Condition: Well preserved, consistent with age and medium Inscription: Unsigned and unnumbered, as issued Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne Reference: Chagall, Marc, et al. Chagall Lithographe. Andre Sauret, 1960-1986, illustration 230-276. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne des Livres Illustres. P. Cramer ed., 1995, illustration 42 Notes: Excerpted from the folio (translated from French), This double issue of Verve includes the drawings that Marc Chagall executed in 1958 and 1959 on biblical themes that he had not generally dealt with in his illustration for the Bible, engraved with etching and which were included in issue 33/34 of Verve. This album has 96 renderings in black and 24 color litbographies as well as the cover that were specially made for this album. It was completed printing on July 29, 1960 by Draeger Freres for black gravures and by Mourlot Freres for color lithography. Additional notes: This exquisite lithograph by Marc Chagall (1887–1985), titled Job En Desespoir (Job in Despair), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. X, No. 37-38, originates from the July 29, 1960 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1960. This visionary composition reflects Chagall’s poetic interpretation of the biblical figure of Job in a moment of profound suffering, evoking themes of anguish, endurance, and spiritual trial through his luminous color and dreamlike symbolism. The flowing forms and expressive imagery convey a sense of emotional intensity and existential weight, capturing Job’s despair and inner turmoil within Chagall’s distinctive visual language. Infused with movement and lyricism, the work transforms sacred narrative into a meditative vision of sorrow, resilience, and the search for divine meaning. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. X, No. 37-38 on July 29, 1960, represents a significant continuation and expansion of Chagall’s profound engagement with biblical imagery and spiritual narrative. Conceived and directed by the visionary publisher Teriade, the publication builds upon the earlier Verve issue devoted to Chagall’s Bible illustrations by presenting a new body of work executed in 1958 and 1959, exploring themes and episodes that had not been fully addressed in the initial series. Printed in Paris by Draeger Freres for black gravures and Mourlot Freres for color lithography, the edition demonstrates an exceptional level of technical refinement and artistic collaboration. The publication includes an extensive suite of ninety six black reproductions and twenty four color lithographs, as well as specially created cover imagery, reflecting Chagall’s continued innovation in translating sacred themes into graphic form. As part of the broader tradition of Verve, one of the most important artistic and literary publications of the twentieth century, this issue exemplifies the fusion of text, image, and craftsmanship at the highest level. Today, Verve Vol. X, No. 37-38 stands as a major achievement within Chagall’s graphic oeuvre, reaffirming his role as one of the foremost interpreters of biblical narrative in modern art. MARC CHAGALL (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style merging elements of Cubism, Fauvism, Expressionism, and Surrealism defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, artists who sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Job...

I poured vibrant energy into this piece, blending acrylic, oil pastel, and colored pencil to create bold, expressive tulips that burst with life. The fusion of expressionism, impress...

BARCELONA STREET original watercoler painting. MUNDO Ignasi Ignasi Mundó trained at the School of La Lonja, with Joaquín Mir, Mariano Pidelaserra and Manolo Hugué. In 1945 he recei...

Work on canvas signed - Dimension with frame : 109 x 109 x 6 cm This vibrant oil on canvas by Italian artist Carlo Roselli (born 1939) depicts a lively equestrian circus performance, one of the recurring and most recognizable subjects within the artist's oeuvre. At the center of the composition, a group of luminous white horses gallops around the circus ring while acrobats perform among them. In the background, a horse-drawn carriage, performers and a densely packed audience contribute to the theatrical energy of the scene. Roselli constructs the composition through a rich and expressive palette dominated by fiery reds, oranges, ochres and deep browns. Against these warm tones, the almost ivory-white horses create a dramatic visual contrast and introduce a sweeping circular rhythm that guides the eye around the arena. Rather than describing the spectacle with strict realism, the artist transforms the circus into a dreamlike world of movement, color and theatrical fantasy. Figures are deliberately stylized, while the spectators dissolve into rhythmic touches of color. The resulting atmosphere lies between reality and imagination, evoking both the excitement and nostalgia traditionally associated with the circus. Born in Milan in 1939, Carlo Roselli lived in Paris and London before settling in Rome in the 1960s. His experience of the theater played an important role in the development of his distinctive figurative language. Performers, crowds, horses, musicians and theatrical environments became recurring subjects throughout his career. The circus in particular occupies a significant place in Roselli's oeuvre, allowing him to combine his fascination with performance, human gesture and chromatic expression. An expressive and highly decorative example of late 20th-century Italian figurative painting, distinguished by its dynamic composition, theatrical subject and warm, luminous palette. Carlo Roselli, Carlo Roselli Painting, Italian Artist, Italian Painting, Equestrian Circus, Circus Painting, Circus Horses, White Horses Painting...

Karl Michel, 'Ex Libris Verein' (New Year's Ex Libris Club Announcement), etching, 1924. Signed, dated, and numbered 'op. 167' in pencil. Signed and dated in...

Artist Comments
Soft morning light bathes winter trees in a warm glow. A house peeks out from behind the branches, partially hidden within the landscape. Minimal detail is used...

Medium: original woodcut. This impression on thin wove paper was printed in 1902 and published by Gazette des Beaux Arts. Image size: 8 1/8 x 5 1/2 inches (207 x 140 mm). Signed in t...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Gob...

Artist: Marc Chagall (1887–1985) Title: Rachel Steals Her Father’s Idols (Rachel derobe les Idoles de son Pere) Year: July 29, 1960 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 10.5 inches (35.56 x 26.67 cm) Condition: Well preserved, consistent with age and medium Inscription: Unsigned and unnumbered, as issued Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue Raisonne Reference: Chagall, Marc, et al. Chagall Lithographe. Andre Sauret, 1960-1986, illustration 230-276. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne des Livres Illustres. P. Cramer ed., 1995, illustration 42 Notes: Excerpted from the folio (translated from French), This double issue of Verve includes the drawings that Marc Chagall executed in 1958 and 1959 on biblical themes that he had not generally dealt with in his illustration for the Bible, engraved with etching and which were included in issue 33/34 of Verve. This album has 96 renderings in black and 24 color litbographies as well as the cover that were specially made for this album. It was completed printing on July 29, 1960 by Draeger Freres for black gravures and by Mourlot Freres for color lithography. Additional notes: This exquisite lithograph by Marc Chagall (1887–1985), titled Rachel derobe les Idoles de son Pere (Rachel Steals Her Father’s Idols), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. X, No. 37-38, originates from the July 29, 1960 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1960. This visionary composition reflects Chagall’s poetic interpretation of the biblical episode in which Rachel secretly takes her father’s household idols, evoking themes of identity, defiance, and spiritual transformation through his luminous color and dreamlike symbolism. The flowing forms and radiant imagery convey a sense of tension and quiet determination, capturing the narrative’s emotional complexity and symbolic resonance within Chagall’s distinctive visual language. Infused with movement and lyricism, the work transforms sacred narrative into a meditative vision of transition, belief, and the shifting boundaries between past and future. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. X, No. 37-38 on July 29, 1960, represents a significant continuation and expansion of Chagall’s profound engagement with biblical imagery and spiritual narrative. Conceived and directed by the visionary publisher Teriade, the publication builds upon the earlier Verve issue devoted to Chagall’s Bible illustrations by presenting a new body of work executed in 1958 and 1959, exploring themes and episodes that had not been fully addressed in the initial series. Printed in Paris by Draeger Freres for black gravures and Mourlot Freres for color lithography, the edition demonstrates an exceptional level of technical refinement and artistic collaboration. The publication includes an extensive suite of ninety six black reproductions and twenty four color lithographs, as well as specially created cover imagery, reflecting Chagall’s continued innovation in translating sacred themes into graphic form. As part of the broader tradition of Verve, one of the most important artistic and literary publications of the twentieth century, this issue exemplifies the fusion of text, image, and craftsmanship at the highest level. Today, Verve Vol. X, No. 37-38 stands as a major achievement within Chagall’s graphic oeuvre, reaffirming his role as one of the foremost interpreters of biblical narrative in modern art. MARC CHAGALL (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style merging elements of Cubism, Fauvism, Expressionism, and Surrealism defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, artists who sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Rachel...

Etching and Aquatint with embossing featuring a clock, the colonel, a nude woman undressing and a figure. This is numbered by hand in pencil and signed in pencil. Zwy Milshtein (Zvi ...

Belgian Barn by the River - Expressionist Landscape in Oil on Canvas Vibrant depiction of barn by a river by Gloria Takla (American/German, b. 1940). A b...

After Gustav Klimt, Max Eisler Plates #13-16, black & white collotypes after the 1911 cartoon originally in crayon, graphite pencil, gouache and metal powders. #13 Der Lebensbaum...

Etching and Aquatint with embossing, This is numbered by hand in pencil but does not appear to be signed. Zwy Milshtein (Zvi Tzvi Milstein) BIOGRAPHY 1934 Born in Kishinev (Bessarab...

A wonderful 1950's French expressionist oil on canvas depicting figures at a fairground, by Parisian artist André Beaucé. Excellent quality work painted...