Fauvist Art

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle Jacqueline Matisse (Miss Jacqueline Matisse), from the album Portraits par Henri Matisse (Portraits b...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie C, var. 1 (Series C, Variation 1), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Henri Matisse (1869–1954), titled Serie C, var. 4 (Series C, Variation 4), from the album Henri Matisse, Dessins, Themes et Variations (Drawings, Them...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Chatou à l'arbre rouge (Chatou with the Red Tree), from the album Vlaminck, originates from the 1958 edition p...

José Luis Florit Rodero (1909-2000) - goyesque scene - watercolor Watercolor measures 42x30 cm. Frame mesures 53x42 cm. José Luis Florit Roder...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Serge Prokofieff (Serge Prokofieff), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), orig...

Artist: Marc Chagall Title: Christ in the Clock Portfolio: Chagall - Jacques Lassaigne Medium: Lithograph Year: 1957 Edition: 6,000 Sheet Size: 9" x 7 7/8" Image Size: 9" x 7 7/8" Si...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Le Cirque (The Circus), from Henri Matisse, Jazz, originates from the 1983 second edition published by George Braz...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame Nadia Sednaoui (Mrs. Nadia Sednaoui), from the album Portraits par Henri Matisse (Portraits by Henri Matiss...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle J. Leriche (Miss J. Leriche), from the album Portraits par Henri Matisse (Portraits by Henri Matisse)...

This exquisite heliogravure after Henri Matisse (1869–1954), titled John Dewey, from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from the 1954 edit...

Jordi Curós Ventura (1930-2007) - Delft Netherlands - Oil on canvas Oil measures 60x73 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Catalan painter. He tra...

This exquisite lithograph after Henri Matisse (1869–1954), titled Auguste Pellerin, from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from the 1954 ...

This exquisite lithograph by Fernand Leger (1881–1955), titled Tete et Feuille (Head and Leaf), from Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, originates from the 1939 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1939. This striking composition epitomizes Leger’s distinct synthesis of mechanical precision and organic vitality. Tete et Feuille demonstrates his fascination with the interplay between geometry and the human figure—translating natural forms into bold, dynamic arrangements of line and color. The juxtaposition of the stylized head and leaf form reveals Leger’s mastery in uniting abstraction with humanism, a hallmark of his mature modernist vision. Through rhythmic design and rich tonal contrast, the work captures the harmony between nature and the machine age that defined much of Leger’s career. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Signed in the plate and unnumbered as issued. The edition reflects the exceptional quality of the Mourlot Freres atelier, renowned for its collaborations with the foremost modern masters of the 20th century. Artwork Details: Artist: Fernand Leger (1881–1955) Title: Tete et Feuille (Head and Leaf), from Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, 1939 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1939 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. II, No. 5–6, published by Editions de la revue Verve, Paris, 1939 About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a union of art and literature, Verve featured original lithographs and writings by the foremost artists and thinkers of its time, including Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, and Fernand Leger. Each issue represented a collaboration between artists, poets, and master printers, notably Mourlot Freres, whose exceptional craftsmanship brought color lithography to new aesthetic heights. The 1939 double issue, Vol. II, No. 5–6, is among the most distinguished editions, reflecting both the intellectual vigor and artistic experimentation that defined the pre-war Parisian avant-garde. About the Artist: Fernand Leger (1881–1955) was a visionary French painter, sculptor, designer, and filmmaker whose groundbreaking fusion of modern industry, vivid color, and geometric form transformed the course of 20th-century art. Born in Argentan, Normandy, Leger began as an architectural draftsman before studying at the Academie Julian and the Ecole des Beaux-Arts in Paris, where he absorbed the lessons of Paul Cezanne’s structural rigor and the revolutionary ideas of Cubism. Alongside Pablo Picasso and Georges Braque, he became one of the leading innovators of the avant-garde, yet his work stood apart through its embrace of mechanical rhythm, bold contrasts, and industrial modernity—earning him the title “the painter of the machine age.” His art celebrated the beauty of technology, urban life, and the human form rendered in dynamic, interlocking cylinders and planes, evoking the pulse of the modern world. Immersed in the vibrant Parisian art scene, Leger worked in dialogue with peers and contemporaries such as Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, all of whom shared his commitment to innovation and the reimagining of artistic expression. Beyond painting, Leger’s creative reach extended into film, design, and monumental public art—his 1924 collaboration on Ballet Mecanique with Dudley Murphy and Man Ray remains a landmark of avant-garde cinema. His later works evolved toward greater clarity and monumentality, celebrating the unity of form, color, and humanity through large-scale murals and mosaics that bridged fine art and architecture. Leger’s synthesis of Cubism, Futurism, and abstraction paved the way for movements such as Pop Art and influenced generations of artists including Roy Lichtenstein, Ellsworth Kelly, Robert Indiana, and Alexander Calder, who admired his fusion of structure, energy, and optimism. Today, his works are prized by major museums and collectors worldwide for their bold visual power and enduring modernity. His highest auction record was achieved by La femme en rouge et vert (1914), which sold for $39,241,000 at Sotheby’s, New York, on May 7, 2008. Fernand Leger Tete et Feuille, Leger Verve, Leger Mourlot...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame Colette (Mrs. Colette), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Esquiman (Eskimo), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates from the 19...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Le peintre Pallady (The Painter Pallady), from the album Portraits par Henri Matisse (Portraits by Henri Matisse),...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame Josette Gris (Mrs. Josette Gris), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), ...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Mademoiselle Eva Mudocci (Miss Eva Mudocci), from the album Portraits par Henri Matisse (Portraits by Henri Matiss...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Paul Matisse (Paul Matisse), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates f...

This exquisite heliogravure after Henri Matisse (1869–1954), titled D’apres Ilya Ehrenbourg (After Ilya Ehrenbourg), from the album Portraits par Henri Matisse (Portraits by Henri Ma...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Etude pour Les Plumes Blanches (Study for The White Feathers), from the album Portraits par Henri Matisse (Portrai...

Maria Vich is an artist from the Balearic Islands. Influenced by her teacher Tito mCittadini, she focuses her work on reflecting the countryside environment, its workers, its landsc...

Josep Moscardó (1953) - Girona Cathedral Lithograph - Hand signed Lithograph measures 54x76 cm. Frameless. Numbered 12/150 Barcelona, 1953 Painter, sculptor and draftsman of deep-r...

This exquisite lithograph by Maurice de Vlaminck (1876–1958), titled La route (The Road), from the album Vlaminck, originates from the 1958 edition published by Andre Sauret, Editeur...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Près de Beaumont sur Sarthe (Near Beaumont on Sarthe), from the album Vlaminck, originates from the 1958 editi...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Le Destin (Destiny), from Henri Matisse, Jazz, originates from the 1983 second edition published by George Brazill...

Acrylic on canvas

This exquisite heliogravure after Henri Matisse (1869–1954), titled Le Cauchemar de l'éléphant blanc (The Nightmare of the White Elephant), from Henri Matisse, Jazz, originates from ...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Le Prince de Joinville (The Prince of Joinville), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter ...

This exquisite lithograph after Henri Matisse (1869–1954), titled Autoportrait au maillot raye (Self-Portrait in a Striped Shirt), from the album Portraits par Henri Matisse (Portrai...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Les Oiseaux (The Birds), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originates f...

This exquisite lithograph after Raoul Dufy (1877–1953), titled L'Orchestre (The Orchestra), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originat...

This exquisite lithograph after Henri Matisse (1869–1954), titled Mademoiselle M.A. (Miss M.A.), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), originates f...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Madame H. Matisse (Mrs. H. Matisse), from the album Portraits par Henri Matisse (Portraits by Henri Matisse), orig...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Fruits, from Verve, Revue Artistique et Litteraire, Vol. I, No. 4, originates from the 1938 issue published by Edi...

Henri Burkhard, Born in New York in 1892, began his studies at the Art Students league in New York and then pursued international studies at the Académie Julian, Acadêmie Colarissi, and Académie de la Grande Chaumière, Pariss. Once the artist returned to New York, he began to exhibit frequently frequently at the Whitney Museum of American Art in 1926-36; the Corcoran Gallery, Art Institute of Chicago, and the Pennsylvania Academy of Fine Arts in the 1930's. Works by the artist have been handled and sold over the last hundred years at major American auction houses and dealers, such as Heritage...

Artist/ School: French School, circa 1950. The style is a combination of Fauvism and Modernism. Title: Seated Young Lady. Medium: oil painting on thick hessian canvas. Size: p...

This exquisite lithograph and pochoir after Andre Derain (1880–1954), titled Arlequin (Harlequin), from the folio Andre Derain 1880 - 1954, 1961, originates from the edition publishe...

Jordi Curos - View of Barcelona - Oil on cardboard Oil measurements 55x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter. He trained at the O...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches; image size: 6.3 x 7.08 inches. Inscription: Unsigned and unnumbered, as iss...

This exquisite heliogravure after Henri Matisse (1869–1954), titled Le Lagon (The Lagoon), from Henri Matisse, Jazz, originates from the 1983 second edition published by George Brazi...

Jordi Curós Ventura (1930-2007) - Woman Acrylic on canvas on cardboard. Work measurements 55x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter...

This exquisite lithograph and pochoir after Andre Derain (1880–1954), titled Amiens (Amiens), from the folio Andre Derain 1880 - 1954, 1961, originates from the edition published by ...

This exquisite lithograph and pochoir after Andre Derain (1880–1954), titled Nature morte avec deux nus (Still Life with Two Nudes), from the folio Andre Derain 1880 - 1954, 1961, or...

This exquisite lithograph and pochoir after Andre Derain (1880–1954), titled Nature morte avec des pommes (Still Life with Apples), from the folio Andre Derain 1880 - 1954, 1961, ori...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Au Maroc (In Morocco), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originates fro...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Les fleurs au pot de grès (Flowers in a Stoneware Vase), from the album Vlaminck, originates from the 1958 edi...

This exquisite lithograph by Maurice de Vlaminck (1876–1958), titled La Potiniere a Rueil (The Potiniere at Rueil), from the album Vlaminck, originates from the 1958 edition publishe...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled L'église de Bougival (The Church of Bougival), from the album Vlaminck, originates from the 1958 edition publi...

This exquisite lithograph by Maurice de Vlaminck (1876–1958), titled Les Challonges (The Challonges), from the album Vlaminck, originates from the 1958 edition published by Andre Sau...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La Seine a Chatou (The Seine at Chatou), from the album Vlaminck, originates from the 1958 edition published b...

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled La route de Longny (The Road to Longny), from the album Vlaminck, originates from the 1958 edition published b...

Mieczyslaw Lurczynski (1908-1992). Pont Neuf/ Landscape. Double-sided canvas measures 10.5 x 13.75 inches. Canvas is a gessoed panel, unstretched. Signed lower right.

This exquisite lithograph after Maurice de Vlaminck (1876–1958), titled Les Reines-Marguerites (The Daisies), from the album Vlaminck, originates from the 1958 edition published by A...

Lithograph on vélin papier bouffant des Papeteries de Casteljaloux paper. Paper Size: 11.02 x 8.46 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Sui...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Hommage a Renoir (Homage to Renoir), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), ...