Fauvist Art

Josep Moscardó (1953) - Still-life Lithograph - Hand signed Lithograph measures 38x52 cm. Frameless. Numbered 37/50 Barcelona, 1953 Painter, sculptor and draftsman of deep-rooted p...

Bougival Woodcut, 1914 Signed and numbered in pencil Edition 30, this numberd 22 Printed on laid Van Gelder Zonen paper Published by Henri Kanweiler, Paris Printed by Paul Birault, Paris Bougival is located west of Paris, on the left bank of the River Seine. This woodcut was inspired by Vlaminck's 1905 Fauvist masterpiece of the same title in the collection of the Detroit Institute of Art. An impression of this image is in the Yale Univeristy Art Gallery, Condition: Very slight sun staining, otherrwise very good Image/block size: 13 1/4 x 16 1/4 inches Sheet size: 19 1/8 x 22 1/8 inches Reference: Walterskirchen 11b Maurice de Vlaminck (4 April 1876 – 11 October 1958) was a French painter. Along with André Derain and Henri Matisse, he is considered one of the principal figures in the Fauve movement, a group of modern artists who from 1904 to 1908 were united in their use of intense colour.] Vlaminck was one of the Fauves at the controversial Salon d'Automne exhibition of 1905. Life Maurice de Vlaminck was born on Rue Pierre Lescot in Paris. His father Edmond Julien was Flemish and taught violin and his mother Joséphine Caroline Grillet came from Lorraine and taught piano His father taught him to play the violin.[3] He began painting in his late teens. In 1893, he studied with a painter named Henri Rigalon on the Île de Chatou In 1894 he married Suzanne Berly. The turning point in his life was a chance meeting on the train to Paris towards the end of his stint in the army. Vlaminck, then 23 and already active in anarchist circles in Paris, met an aspiring artist, André Derain, with whom he struck up a lifelong friendship.] When Vlaminck completed his army service in 1900, the two rented a studio together, the Maison Levanneur, which now houses the Cneai,[6] for a year before Derain left to do his own military service. In 1902 and 1903 he wrote several mildly pornographic novels illustrated by Derain. He painted during the day and earned his livelihood by giving violin lessons and performing with musical bands at night. Vlaminck participated in the controversial 1905 Salon d'Automne exhibition. After viewing the boldly colored canvases of Vlaminck, Henri Matisse, André Derain, Albert Marquet, Kees van Dongen, Charles Camoin, and Jean Puy, the art critic Louis Vauxcelles disparaged the painters as "fauves" (wild beasts), thus giving their movement the name by which it became known, Fauvism. In 1911, Vlaminck traveled to London and painted by the Thames. In 1913, he painted again with Derain in Marseille and Martigues. In World War I he was stationed in Paris, and began writing poetry. Eventually he settled in Rueil-la-Gadelière, a small village south-west of Paris. He married his second wife, Berthe Combes, with whom he had two daughters. From 1925 he traveled throughout France, but continued to paint primarily along the Seine, near Paris. Resentful that Fauvism had been overtaken by Cubism as an art movement Vlaminck blamed Picasso "for dragging French painting into a wretched dead end and state of confusion". During the Second World War, Vlaminck visited Germany and on his return published a tirade against Picasso and Cubism in the periodical Comoedia in June 1942. Vlaminck wrote many autobiographies. Vlaminck died in Rueil-la-Gadelière on 11 October 1958. Artistic career Two of Vlaminck's groundbreaking paintings, Sur le zinc (At the Bar) and L'homme a la pipe (Man Smoking a Pipe) were painted in 1900. For the next few years Vlaminck lived in or near Chatou (the inspiration for his painting houses at Chatou), painting and exhibiting alongside Derain, Matisse, and other Fauvist painters. At this time his exuberant paint application and vibrant use of colour displayed the influence of Vincent van Gogh. Sur le zinc called to mind the work of Toulouse-Lautrec and his portrayals of prostitutes and solitary drinkers, but does not attempt to probe the sitter's psychology—a break with the century-old European tradition of individualized portraiture. According to art critic Souren Melikian, it is "the impersonal cartoon of a type. In his landscape paintings, his approach was similar. He ignored the details, with the landscape becoming a vehicle through which he could express mood through violent colour and brushwork. An example is Sous bois, painted in 1904. The following year, he began to experiment with "deconstruction," turning the physical world into dabs and streaks of colour that convey a sense of motion. His paintings Le Pont de Chatou (The Chatou Bridge), Les Ramasseurs de pommes de terre (The Potato Pickers...

Genre: Modern Subject: Figures Medium: Oil Surface: Board Country: United States signed lower left Donald Roy Purdy is an American painter whose work evolved through a range of styl...

Heimrad Prem (1934 – 1978) was a German painter born in Roding, Oberpfalz. From 1949–1952 he studied decorative painting at Schwandorf and then studied painting with Josef Oberberger...

Illegible signature lower right. Oil measures 38x46 cm. Frameless. Dated 1976.

Raya Sorkine "La Roue Qui Tourne" wedding in Venice - 1999 Print - Lithograph on Arches Archival Paper   39'' x 29.5'' Edition: signed in pencil and numbered 105/190 IMAGE SIZE; 33"...

Still-life with teapot. Figurative and colorful Oil on canvas Painting in Fauvist style. Author: Elena Negueroles (Spain) Measurements in centimeters:...

Henri Burkhard, Born in New York in 1892, began his studies at the Art Students league in New York and then pursued international studies at the Académie Julian, Acadêmie Colarissi, and Académie de la Grande Chaumière, Pariss. Once the artist returned to New York, he began to exhibit frequently frequently at the Whitney Museum of American Art in 1926-36; the Corcoran Gallery, Art Institute of Chicago, and the Pennsylvania Academy of Fine Arts in the 1930's. Works by the artist have been handled and sold over the last hundred years at major American auction houses and dealers, such as Heritage...

Raoul Dufy was an important multifaceted French artist who worked in a variety of media including painting, print making, mural design, theatre and costume design, upholstery, wall paper, ceramics, and fabric. In his paintings he often depicted the circus, equestrian scenes, Parisian cafe life, yachting scenes, colorful views of the French Riviera, and musical events in a distinctive style that combined the various artistic trends of the day, most notably Fauvism. Born in 1877 in Le Havre France, and after a year of military service in 1900, Dufy won a scholarship to the Ecole Nationale superieure des Beaux-Arts, in Paris, studying under Othon Friesz. He exhibited extensively throughout Paris and France at the various salons, including the Salon des Tuileries. For the 1937 Exposition Internationale in Paris, Dufy completed one of the largest paintings ever conceived, a 250...

Jordi Curós Ventura (1930-2007) - Delft Netherlands - Oil on canvas Oil measures 60x73 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Catalan painter. He tra...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

"Salinas Valley Farm" - Fauvist Landscape in Oil on Artist's Board Bright and saturated landscape by Will H. Light (American, 1926-2004). The viewer stands at the edge of a farm, lo...

French Mid 20th Century oil on board Fauvist view of a Provençal village street, probably near Nice in the South of France by Hyppolite Roger. The pain...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

Linda Clerget's abstract cosmic plant paintings are a journey through the universe and nature. With vibrant colors and clean shapes, these paintings tran...

Medium: lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According to the publisher,...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

Abstracted landscape by California artist Devon Brockopp-Hammer (American, b. 1986). The bold orange underpaint has been allowed to shine through the co...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in Paris on Renage paper in 1952 by the Mourlot atelier, in faithful recreation of the original....

This painting is inspired by the park of the castle of Fontainebleau in France. The artist likes to mix reality and imagination, intoxicated colors felt and suggested, often includin...

Ignasi Mundó Marcet (1918-2012) - Plaza Nueva Barcelona Spain - Oil on canvas Canvas measures 73x60 cm. Frameless. MUNDO Ignasi Ignasi Mundó trained at t...

Yellow-toned abstract figurative portrait by artist T. Moore. The painting depicts a mustached man in a suit seated against a brown-toned background. Signed by the artist at the bott...

SOLD UNFRAMED City View by Ludovic-Rodo Pissarro (1878-1952) Watercolour and ink on paper 17.8 x 22.9 cm (7 x 9 inches) Signed with Estate stamp Executed circa 1904 Provenance Priv...

French Mid 20th Century oil on board, fauvist view of olive trees in a landscape, probably near Nice in the South of France and the surrounding countryside, by Hyppolite Roger...

In Haleh Mashian's piece, "Awaken 3," a portrayal unfolds as the artist captures the countenance of a man who appears to have transcended the pervasive cloud of forgetfulness and dis...

In "Awaken 1," the observer encounters the penetrating gaze of a male figure bathed in inviting warm tones, while the shadows contrast with cool blues and purples. The artist, Haleh ...

Ramón Moscardó (1953) - Goteborg Sweden - Oil on panel Oil measures 23x33 cm. Frame measures 37x48 cm. Ramón Moscardó studied at the Sant Jordi School of Fine Arts and La Lonja Scho...

In Mashian’s "Awaken 2," a woman's face bursts forth with vibrant shades of yellow, green, orange, and blue, engaging the viewer with wide-open eyes that pierce through the canvas. H...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful r...

Vicenç Ferrer Torradellas (1927) - Ibiza Market - Oil on canvas Oil measures 46x55 cm. Frameless. Reus 1927. He studied at the School of Work. He dedicated himself to easel painting...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. According...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful recreation of the original. Accordin...

Rare Set of Four Original Color WDCT Skira 1943 after RABELAIS (François). The Horrible and Terrible Deeds and Prowess of the Renowned Pantagruel, King of the Dipsodes, Son of the ...

Matisse Exhibition poster is a contemporary artwork realized in 1978. Mixed colored offset poster realized in the occasion of the exhibition of Henry Matisse...

Genre: Modern Subject: Figures Medium: Oil Surface: Board Country: United States Dimensions w/Frame: 31 x 37 Donald Roy Purdy is an American painter whose work evolved through a ran...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful re...

Represented by George Billis Gallery. Armine Bozhko works on the crossroads of different cultures- she was born in Ukrainian-Armenian family of writers and diplomats, studied in Rep...

This is most likely a self-portrait. We see the artist in a reflection holding a small 1950s camera while his wife in the foreground holds a large bran...

Represented by George Billis Gallery. Armine Bozhko works on the crossroads of different cultures- she was born in Ukrainian-Armenian family of writers and diplomats, studied in Rep...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful re...

Medium: lithograph (after the 1947 Andre Derain painting). Printed in Paris on Arches paper at the Mourlot studio in 1970 in an edition of 1000 for the Collection Pierre Lévy deluxe ...

Represented by George Billis Gallery. Armine Bozhko works on the crossroads of different cultures- she was born in Ukrainian-Armenian family of writers and diplomats, studied in Rep...

Represented by George Billis Gallery. Armine Bozhko works on the crossroads of different cultures- she was born in Ukrainian-Armenian family of writers and diplomats, studied in Rep...

Represented by George Billis Gallery. Armine Bozhko works on the crossroads of different cultures- she was born in Ukrainian-Armenian family of writers and diplomats, studied in Rep...

Represented by George Billis Gallery. Armine Bozhko works on the crossroads of different cultures- she was born in Ukrainian-Armenian family of writers and diplomats, studied in Re...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful re...

Medium: multi-stone color lithograph (after the original Bonnard lithograph). Printed in 1952 on Renage paper at the Mourlot atelier in faithful re...

KEES VAN DONGEN (ROTTERDAM, 1877 – MONACO, 1968) Nature morte avec poupée 1908 Période fauve Huile sur toile 61 x 46 cm. Signée en bas à droite « Van Dongen » et inscrit « Margoden » au dos. Provenance Collection Ezra et Cécile Zilkha. Cette œuvre sera incluse dans le Catalogue raisonné digital Van Dongen en cours de réalisation par...

Represented by George Billis Gallery. Armine Bozhko works on the crossroads of different cultures- she was born in Ukrainian-Armenian family of writers and diplomats, studied in Rep...

Represented by George Billis Gallery. Armine Bozhko works on the crossroads of different cultures- she was born in Ukrainian-Armenian family of writers and diplomats, studied in Rep...

Represented by George Billis Gallery. Armine Bozhko works on the crossroads of different cultures- she was born in Ukrainian-Armenian family of writers and diplomats, studied in Re...

Represented by George Billis Gallery. Armine Bozhko works on the crossroads of different cultures- she was born in Ukrainian-Armenian family of writers and diplomats, studied in Rep...

Medium: lithograph (after the watercolor). Printed in 1939 at the Mourlot Frères atelier for the art revue Verve and published in Paris by Teriade. Size: 14 x 10 1/4 inches (355 x 26...

Represented by George Billis Gallery. Armine Bozhko works on the crossroads of different cultures- she was born in Ukrainian-Armenian family of writers and diplomats, studied in Rep...

Represented by George Billis Gallery. Armine Bozhko works on the crossroads of different cultures- she was born in Ukrainian-Armenian family of writers and diplomats, studied in Re...

Panthéon and Bridge 2 Charles Cobelle, French (1902–1994) Date: 1959 Watercolor on Paper, signed Size: 24 x 30 in. (60.96 x 76.2 cm) Frame Size: 31 x 37 inches

Represented by George Billis Gallery. Armine Bozhko works on the crossroads of different cultures- she was born in Ukrainian-Armenian family of writers and diplomats, studied in Re...