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Fauvist Art

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Style: Fauvist
Red Bouquet, 1962 - Signed lithograph
Red Bouquet, 1962 - Signed lithograph

Red Bouquet, 1962 - Signed lithograph

By André Derain

Located in Paris, IDF

André DERAIN Red Bouquet,, 1962 Stencil-enhanced lithograph (Mourlot) Printed signature in the plate On vellum 49.5 x 58 cm (c. 22.8 x 19.3 in) Excellent condition

Category

Early 20th Century Fauvist Art

Materials

Lithograph

Fauvist Landscape
Fauvist Landscape

Fauvist Landscape

Located in Sheffield, MA

George-Henri Tribout French, 1884-1962 Fauvist Landscape Oil on board 31 ½ by 41 ¾, w/ frame 34 ½ by 44 ½ in Signed lower right George Henri Tribout was born in Paris in 1884. He s...

Category

Early 20th Century Fauvist Art

Materials

Oil

Low Tide
Low Tide

Low Tide

By Rupert Lovejoy

Located in Sheffield, MA

Rupert Scott Lovejoy American, 1885-1975 Low Tide Oil on canvas 32 ¼ by 36 ¼ in, w/ frame 37 ⅝ by 41 ¾ in Signed lower right Rupert Scott Lovejoy was born in Portland, Maine on 3 J...

Category

Mid-20th Century Fauvist Art

Materials

Oil

Francisco Bores, Sans titre
Francisco Bores, Sans titre

Francisco Bores, Sans titre

By Francisco Bores

Located in Madrid, ES

FRANCISCO BORES Spanish, 1898 - 1972 SANS TITRE signed and dated "Borès 42" (lower left) oil on panel 13-3/4 x 10-5/8 inches (35 x 27 cm.) framed: 19 x 15-3/4 inches (48 x 40 cm.) BIBLIOGRAPHY: Francisco Bores, Reasoned Catalogue, Volume I - Painting 1917-1944, Museo Nacional Centro de Arte Reina Sofía, Madrid, 2003, nº 1942 / 63, reproduced in p. 494 PROVENANCE Carmen Bores Collection, Francisco Bores daughter Private Collection, Madrid Francisco Bores López (Madrid, May 5, 1898 - Paris, May 10, 1972) was a Spanish painter of the so-called New School of Paris. His artistic training originated both in the Cecilio Pla painting academy, where he met Pancho Cossío, Manuel Ángeles Ortiz or Joaquín Peinado, and in the literary gatherings in Madrid related to ultraism. At this time he made engravings and woodcuts for a large number of magazines such as Horizonte, Cruz y Raya, Index, Revista de Occidente. In 1922 he participated in the National Exhibition of Fine Arts. In 1925 he participated in the first exhibition of the Iberian Artists Society. The limited success of this exhibition pushes him to go to Paris. In this city he shared a studio with the Spanish painter Pancho Cossío and also met Picasso and Juan Gris. In 1927 he held his first solo exhibition in Paris. From this moment on, Bores integrates himself into the Parisian artistic environment where he will live practically his entire life. In 1928, his first exhibition in a gallery in the United States, in 1930 he exhibited again, within a group exhibition at the Museum of Modern Art in New York. In the following years, he continued exhibiting in different galleries in Paris, such as the Georges Petit Gallery, the Bernheim Gallery and the Vavin Raspail Gallery. He also participates in several group exhibitions, highlighting the Exhibition of Contemporary Spanish Art...

Category

1940s Fauvist Art

Materials

Oil, Panel

Still Life at Night, 1962 - Signed lithograph
Still Life at Night, 1962 - Signed lithograph

Still Life at Night, 1962 - Signed lithograph

By André Derain

Located in Paris, IDF

André DERAIN Still Life at Night, 1962 Stencil-enhanced lithograph (Mourlot) Printed signature in the plate On vellum 49.5 x 58 cm (c. 19.3 x 22.8 in) Excellent condition

Category

Early 20th Century Fauvist Art

Materials

Lithograph

Along the Seine, Paris
Along the Seine, Paris

Along the Seine, Paris

By William Zorach

Located in North Clarendon, VT

Stunning early watercolor by William Zorach, Along the Seine, Paris. Beautiful condition and housed in a wonderful frame. Watercolor on paper, 7.5" x 10.5", signed and titled lower r...

Category

1910s Fauvist Art

Materials

Watercolor

Fauvist Shipyard
Fauvist Shipyard

Fauvist Shipyard, 21st Century

$636Sale Price|20% Off

Fauvist Shipyard

Located in Soquel, CA

Bright and bold shipyard by an unknown artist. Presented in a new cream mat. Paper size: 10.25"H x 14.25"W; Mat size: 13"H x 18"W

Category

21st Century and Contemporary Fauvist Art

Materials

Paper, Watercolor

Orange and Blue Trees

Orange and Blue Trees

By Linda Jacobson

Located in Palm Desert, CA

A dynamic but lyrical depiction of trees in colorful saturated hues, they dance fluidity in tones of orange, blue and red. My work is a serpentine flow, embodying poetic and rhythmi...

Category

21st Century and Contemporary Fauvist Art

Materials

Canvas, Acrylic

"Salomé" pochoir

"Salomé" pochoir

By (after) André Derain

Located in Henderson, NV

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Category

1930s Fauvist Art

Materials

Lithograph, Stencil

"Salomé" pochoir

"Salomé" pochoir

By (after) André Derain

Located in Henderson, NV

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Category

1930s Fauvist Art

Materials

Lithograph, Stencil

Henri Matisse, The Swimming Pool II, from Last Works of Matisse, 1958 (after)
Henri Matisse, The Swimming Pool II, from Last Works of Matisse, 1958 (after)

Henri Matisse, The Swimming Pool II, from Last Works of Matisse, 1958 (after)

By Henri Matisse

Located in Fairfield, CT

Artist: Henri Matisse (1869–1954) (after) Title: The Swimming Pool II (La Piscine II) Year: July 28, 1958 Medium: Lithograph on velin du Marais paper Paper Size: 14 x 42 inches (35.56 x 106.68 cm), with trifold and stitch perforations as issued Condition: Well preserved, consistent with age and medium Inscription: Unsigned and unnumbered as issued Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 139 Notes: Excerpted from the album (translated from French), This double issue of VERVE is entirely devoted to the last works of Henri Matisse-1950-1954. These works, rendered in color litbography, were made by the artist, in gouache papers, cut with scissors and glued. They are accompanied by drawings executed during the same period or before. Matisse specially composed the cover of this album. Under his direction were drawn, during the year 1954, the first of these lithographic plates. The work was completed on July 28, 1958 by Mourlot Freres for lithography and by Master Printers Draeger Freres for heliogravures and typography. Additional notes: This exquisite lithograph after Henri Matisse (1869–1954), titled La Piscine II (The Swimming Pool II), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Revue Artistique et Litteraire, Vol. IX, No. 35-36, originates from the July 28, 1958 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This visionary composition reflects Matisse’s late mastery of form and color, translating his celebrated cut-out aesthetic into the lithographic medium with remarkable clarity and vibrancy. Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), published as Verve Vol. IX, No. 35-36 on July 28, 1958, represents one of the most important posthumous tributes to Henri Matisse’s final period of artistic production. Conceived and directed by the visionary publisher Teriade, this issue of Verve is entirely dedicated to the works Matisse created between 1950 and 1954, a period defined by his pioneering cut-out technique. Produced in Paris with exceptional technical precision, the publication brings together color lithographs faithfully rendering Matisse’s gouache cut-outs alongside a selection of drawings executed during the same period or earlier. The lithographs were printed by Mourlot Freres, while Draeger Freres oversaw the heliogravures and typography, ensuring the highest level of craftsmanship. The project was initiated under Matisse’s direct supervision in 1954, with the artist guiding the early stages of translation from original cut paper compositions into lithographic form. As part of the broader legacy of Verve, one of the most influential artistic and literary publications of the twentieth century, this issue stands as a monumental record of Matisse’s final innovations, preserving the essence of his late style and affirming his enduring impact on modern art. HENRI MATISSE (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisse’s influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately $80.8 million USD, achieved in 2018 at Christie’s New York for Odalisque couchee aux magnolias (1923). Henri Matisse La Piscine...

Category

1950s Fauvist Art

Materials

Lithograph

Autumn Still Life, 1962 - Signed Lithograph
Autumn Still Life, 1962 - Signed Lithograph

Autumn Still Life, 1962 - Signed Lithograph

By André Derain

Located in Paris, IDF

André DERAIN Autumn Still Life, 1962 Stencil-enhanced lithograph Printed signature in the plate. On vellum 49.5 x 58 cm (c 19.3 x 22.8 in) Excellent condition

Category

Early 20th Century Fauvist Art

Materials

Lithograph

Fauvist Marine Landscape, Oil on Board, Mid-20th Century, Framed
Fauvist Marine Landscape, Oil on Board, Mid-20th Century, Framed

Fauvist Marine Landscape, Oil on Board, Mid-20th Century, Framed

Located in Cotignac, FR

French fauvist Marine Landscape, probably the Mediterranean, mid century oil on board. The painting is signed bottom right but as yet undeciphered. Presented in a period chip carved ...

Category

Mid-20th Century Fauvist Art

Materials

Oil

Fauvist Shore
Fauvist Shore

Fauvist Shore

Located in Sheffield, MA

Edward Reynolds Kingsbury American, 1855-1940 Fauvist Shore Oil on canvas 20 ¼ by 24 ¼ in, w/ frame 29 ¾ by 33 ¾ in Signed lower left Best known as a painter of landscape, marine and coastal, shoreline views. Kingsbury also specialized in miniature and mural painting. Kingsbury was born in Boston, MA in 1855. He studied at the Massachusetts Normal Art School, Boston Museum School, and Académie Julian in Paris. A resident of Carmel, CA in the 1920s, Kingsbury was associated with the present day life of the art colony at that time along with notable artists such as Mary DeNeale Morgan...

Category

Early 20th Century Fauvist Art

Materials

Oil

Fauvist art for sale on 1stDibs.

Find a wide variety of authentic Fauvist art available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add art created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple, green and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Charles Cobelle, (after) André Derain, Evelyne Ballestra, and (after) Pierre Bonnard. Frequently made by artists working with Paint, and Oil Paint and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Fauvist art, so small editions measuring 3.94 inches across are also available. Prices for art made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $2,835,000, while the average work sells for $1,532.