Impressionist Art

Title: British Impressionist Watercolor of Countryside Landscape with Dramatic Sky By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: 11 ...

Vintage American impressionist flower garden landscape oil painting. Oil on board. Framed. Measuring: 10 by 12 inches overall, and 6 by 8 painting alone.. In excellent original cond...

This stunning piece of art titled "Neve in Val Ceresio" is a captivating original work by renowned Italian artist Carlo Aimetti. Aimetti was known for his captivating scenes portrayi...

"Meadowlands" California Curving Stream in the Springtime by O. Lawrence Hansen Lawrence Hansen (American, 1918-1987) Born in Minnesota in 1918 Fremont, California area artist. One...

Midday water lilies 2 size: 27" x 18.5" (69cm x 47cm), 2023 acr. oil, canvas “Pond with water lilies” is a painting replete with green colors and various shades derived from this co...

Francisco Sanchis Cortés – Woman with Red Flower Medium: Oil on canvas Canvas dimensions: 73 × 54 cm (28.7 × 21.3 in) Framed dimensions: 91 × 72 cm (35.8 × 28.3 in) Signature: Signe...

Artwork signed by the artist. Sold with frame (101 x 140 cm) Jakob Wagner (1861–1915) was a Swiss painter known for his serene landscapes, tranquil waterscapes, and evocative scene...

Carl Johansson's "Summer Landscape with Road" is an exquisite landscape that encapsulates the serene beauty of the Swedish countryside. Painted in 1889, the same year Johansson showcased his work at the Exposition Universelle in Paris, one can't help but wonder if this very painting was among those displayed at the fair. "Summer Landscape with Road" offers a glimpse into the idyllic Swedish countryside through its masterful depiction. The scene is bathed in the distinctive light of the sun positioned at 30 degrees north-northwest, a unique aspect of Johansson's artworks. The viewer's eye is drawn along a winding dirt road that meanders through a tranquil pastoral landscape. Birch trees, with their white bark and tender green leaves, stand tall and sway gently, marking the passage toward a distant homestead nestled beside a calm lake. The rustic wooden fences and the clear sky, dotted with soft, billowing clouds, evoke a sense of peaceful solitude. Johansson's meticulous attention to detail and colour is evident in every brushstroke, from the lush greenery to the soft, earthy path leading to the horizon. The artist's signature use of light not only highlights the natural beauty of the North but also enhances the sense of depth and realism in the painting. Johansson's early works, such as this one, are exceedingly rare, making "Summer Landscape with Road" not only a visual delight but also a collector's gem. The painting's magnificent gold frame enhances the bright, vivid colours of the small-format artwork, creating an impactful presence. Carl Johansson's blue impressionistic depictions of Northern Sweden earned him the nickname "Ultramarine Johansson", and his paintings are celebrated in prestigious collections, including the Nationalmuseum in Stockholm, Kalmar Art Museum, and the municipality of Hudiksvall. oil on canvas signed and dated Carl Johansson . 89 . unframed 27 x 39 cm framed 41,5 x 53 cm Provenance: The previous owner bought it in 1988 at Åmells Stockholm...

Alfred Smith Bordeaux 1854 – 1936 Paris French Painter 'Mother with Children on a Wooded Path in Bordeaux' Signature: signed lower left and dated 1883 'Alf Smith 83' Medium: oil on...

This vibrant artwork is a masterful still life depicting a lush bouquet housed in a dark, elegant vase. Bold, vivid flowers such as peonies and tulips bloom with striking presence, t...

Sky Study oil/panel 7 x 10 image size unframed, is an oil on panel completed in the studio. The painting exudes the rich qualities of oil paint with bright strong color, a variety o...

A beautiful 1930's French impressionist oil on board depicting a view of the Montmartre neighbourhood of Paris, with the domes of Sacré-Coeur church in the background. Charming stre...

In Katharina Husslein's floral-themed paintings, her profound connection to nature and deep inspiration drawn from flowers are unmistakable. Through her textural and abstract approac...

Antique American impressionist landscape oil painting by Cecil Chichester (1891 - 1963). Oil on canvas. Framed. Signed. Measuring: 19 by 23 inches overall, and 16 by 20 painting alo...

Winter Farm oil/canvas panel 9 x 12 image unframed. 15.38 x 18.38 framed signed LR This is a scene of a farm near my studio called the KnowWhere Farm where I have visited many times ...

Artist/ School: by Lucien Chanterelle (French b. 1890) Title: Le Pont Marie, Paris. A beautiful Impressionist oil painting from the 1930's p...

“Entwined Roots ІІ” is a large-scale figurative–abstract painting from the series Rituals of the Invisible. The work explores family relationships, memory, and the invisible bonds th...

Robert Wood (G. Day) (1889 -1979) San Antonio Artist Image Size: 20 x 24 Frame Size: 29 x 33 Medium: Oil Signed Lower left "Bluebonnet" Biography Robert Wood (G. Day) (1889 -1979) A painter of realistic landscapes reflecting a vanishing wilderness in America, Robert Wood (not to be confused with Robert E. Wood) is reportedly one of the most mass-produced artists in the United States. His painting became so popular he was unable to meet all of the demands, and many of his works were reproduced in lithographs and mass distributed as prints, place mats, and wall murals by companies including Sears, Roebuck. He was born in Sandgate, Kent on the south coast of England near Dover, the son of W.L. Wood, a famous home and church painter who recognized and supported his son's talent. In fact, he forced his son to paint by keeping him inside to paint rather than playing with his friends. At age 12, Wood entered the South Kensington School of Art. As a youth, he came to the United States in 1910, having served in the Royal Army, and he never returned to England. He traveled extensively all over the United States, especially in the West, often in freight cars, and also painted in Mexico and Canada. His itinerant existence took him to Illinois where he worked as a farmhand, to Pensacola, Florida where he married, briefly in Ohio, Seattle, Washington, and Portland, Oregon. In 1912, he was in Los Angeles, and in the late 1920s and early 1930s, in San Antonio, Texas, where he lived and in 1928 exhibited in the "Texas Wildflower Competition." From San Antonio, he gained a national reputation for his strong colored, dramatic paintings. Some of that prestige has been credited to his association with Jose Arpa, prominent Texas artist. Wood also gave art lessons, and one of his students was Porfirio Salinas. During this period, Wood sometimes signed his paintings G. Day or Trebor, which is Robert spelled backwards. In 1941 he went to California and painted numerous desert and mountain landscapes and coastal scenes. He lived in Carmel for seven years, and then moved to Woodstock, New York, but he soon returned to California, settling first in Laguna Beach, then San Diego, and finally in the High Sierras, where he and his wife built a home and studio near Bishop and lived until his death in 1979. Robert Wood was born March 4, 1889, in Sandgate, England, a small town on the Kentish coast not far from the white cliffs of Dover. His father, W. J. Wood, was a successful painter who recognized Robert's unusual talent. At the age of twelve, his father enrolled Wood in art school in the small town of Folkstone. He then attended the South Kensington School of Art. While attending art school, Wood won four first awards and three second awards, one each year, a record. In 1910 after service in the Royal Army, nineteen-year-old Wood and his friend, Claude Waters, immigrated to America. Initially, he settled in Illinois and worked as a hired hand on a farm belonging to Water's uncle. He would then strike out on his own, living the life of an itinerant painter. Wood traveled as a hobo, hopping freight trains and selling or bartering small paintings to support him along the way. When times were hard, he worked at whatever job was available. In this manner, he saw most of the United States and fell in love with rural America. By 1912, Wood visited Los Angeles for the first time, arriving on the day of the Titanic tragedy. Later that year, he had met, courted and married young Eyssel Del Wagoner in Florida. The couple moved to Ohio where a daughter, Florence, was born. During World War I, the family moved to Seattle where a son, John Robert Wood, was born in 1919. In the early 1920's, the young Wood family was almost constantly on the move. They stayed for short periods in Kansas, Missouri, California and for a longer time in Portland, Oregon, where Wood's friend Claude Waters had settled. Wood's seemingly endless wanderings disrupted his family life and delayed his development as a painter. However, through his travels he developed an appreciation for the American landscape that would inspire him for the rest of his career. Although aware of the current movement away from traditional realism in American art, he elected to travel that solitary path and remain true to his own vision of American’s grandeur and beauty poetically translated through his landscape and seascape paintings. In 1923, the Wood family discovered the beautiful city of San Antonio, Texas and it was there that he and his family would finally settle. He studied briefly at the San Antonio Art School with Spanish colorist Jose Arpa y Perea (1860-1952), who had arrived in San Antonio that same year. In the latter part of the 1920’s, Jose Arpa’s influence quickly became evident. Wood after several years of experimentation was becoming fine easel painter, capable of great subtlety with a new mature original style. Like Texas painters Robert Onderdonk (1853-1917) and his son Julian Onderdonk (1882-1922), Robert Wood concentrated on the distinctive Texas landscape with its Red Oak trees and wildflowers that covered the hill country landscape. He developed a reputation for his scenes of Blue Bluebonnets, the state flower. In the spring, the Texas prairie is covered with wildflowers, especially in the hill country surrounding San Antonio and Austin. Wood incorporated native stone barns and rough wood farmhouses that added authenticity and romance to his compositions. In 1925, Wood was divorced from his wife. In 1932, he moved to the famous scenic loop on San Antonio's outskirts. While still living in Texas, he took extensive western sketching trips that brought him to California. It is evident that his 1930’s California...

A Quiet River - Oil on Canvas Oil painting depicting a river flowing through a grove of trees. Vibrant green trees surround the river, hues of deep greens make up the trees to the l...

Title: Impressionist Harbour Scene of Whitewashed Buildings and Boats with Blue Sky By Fanch Lel Signed: Yes Size: 19.25 x 23.75 inches (height x width) Oil painting on board, unfram...

Visual Description: This contemporary painting painted in oil on linen is a portrait of a red-headed woman in an impressionistic style. Provenance Acquired by the gallery directly ...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 20 x 24 Frame Size: 29.5 x 33 Medium: Oil on canvas "Spring Showers" Mr. Geral...

Artist: Cornelius van Fulpen– American (1905 - 1987) Title: Silence Year: 1984 Medium: Oil on Canvas Size: 19.5 x 23.75 inches Framed size: 25.5 x 29.75 inches Signature: Signed, da...

Smells of autumn forest - Acr. oil on canvas, large size, 2023 Size - 70cm x 149cm, (27.5" x 58.5") Vibrant colors, rich textures and color tones accurate original brushstroke are t...

Title: French Impressionist Regatta Scene with Colourful Sails and Seaside Village By Fanch Lel Signed: Yes Size: 18 x 21.5 inches (height x width) Oil painting on cardboard, unframe...

James Goodwin McManus (American 1882-1958) CT oil/panel Summer landscape with split rails signed LR dated June 22, 1934 verso 8 x 10 image Biography: James Goodwin McManus was a no...

Sunrise by Anthony Avery (British 1946-2023) * see notes below original watercolor on artists paper, unframed double sided paper dimensions: 11 x 15 inch...

Red Sky, Impressionist Landscape, Signed Oil Painting Signed by the artist and dated '09' on the lower right hand corner Oil painting on canvas, unframed Canvas size: 16 x 24 inches ...

This is an amazing Large vintage original oil painting on canvas depicting Clipper ships in the stormy ocean by Listed Italian Artist Renato Longanesi...

This large landscape oil painting by John Traynor captures a scene in New England. Cows are visible in front of a long picket fence, with a red barn and house behind the fence and lush green trees on either side and along the hills in the horizon. Fluffy, almost abstracted clouds sit above the hills, with a patch of blue skies shining through toward the top of the image. The painting is 48" x 72", and 58" x 82" framed. It is professionally framed in a classic, antiqued, gold leaf frame. It is signed by the artist in the bottom right-hand corner of the canvas, and is wired and ready to hang. John C. Traynor's painting style is reminiscent of some 19th century painters and the Dutch Masters. He uses his knowledge of light and color to create a certain mood in each of his works. The creation of atmosphere is an important element in Traynor's paintings. Painting outdoors, on location, is a prime source of inspiration and ideas for his landscapes. John travels extensively, painting the landscapes around him. John was born in 1961 and spent his early years in Chester and Mendham, New Jersey. His art studies began at Delbarton School in Morristown, New Jersey, and from there he furthered his education at Paier College of Art in New Haven, Connecticut. He studied figure painting at the Art Students League of New York, as a merit scholar, with Frank Mason. Traynor continued his studies in Vermont with Mr. Mason on landscape painting, drawing with Carroll N. Jones Jr. of Stowe, Vermont and sculpture with Brother Jerome Cox...

“Cherry blossoms in the wind – every petal falls with grace.” – Yoshida Kenko A beautiful modern floral painting, made with professional varnished acrylics and Amsterdam acrylic sp...

Title: British Impressionist Watercolor of a Rural Cottage, Farmyard, and Chickens By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dim...

Consigned to the gallery, Pasadena, California; By descent to a private collector, Encino, California; Acquired in 1997 by a private collector, Palo Alto and Oceanside, California; From Joan Irvine Smith Fine Arts, Inc., Laguna Beach, California. Signed "A. Espoy" on lower left Description In California Lupines and Poppies, Angel De Service Espoy captures the vibrant splendor of California’s springtime wildflowers with lyrical brushwork and atmospheric sensitivity. A hillside awash in blooming blue lupines and golden poppies slopes gently toward a distant view of rolling hills beneath a soft, clouded sky. Espoy’s confident handling of color and texture brings the landscape to life, evoking the fleeting beauty of the state’s native flora and the delicate transitions of light across the land. This intimate composition reflects the artist’s deep affection for California’s rural countryside and his enduring legacy as a painter of its most poetic vistas. Based on the painting’s style, subject matter, and scale, California Lupines and Poppies was most likely created between 1925 and 1940—a period when Espoy was actively painting California’s coastal and inland landscapes, particularly in the Monterey Peninsula and Carmel Highlands regions. The composition, with its gently rolling hills, distant haze, and vivid display of native wildflowers, closely aligns with Espoy’s known plein air works of the Central Coast. The loose yet confident brushwork, naturalistic light, and spontaneous floral groupings all support the likelihood that this piece was painted en plein air. Espoy often created small-format oils like this one outdoors as finished works in their own right or as preparatory studies for larger studio paintings. His style blends Realism and Impressionism, drawing upon the influences of his training under Joaquín Sorolla (1863–1923) and the French Barbizon School, resulting in works that balance truthful representation with a painterly, light-filled immediacy. Historical Significance Born in Spain and trained in Barcelona, Angel Espoy immigrated to the United States in the early 20th century, eventually settling in California, where he became known for his floral landscapes, maritime scenes, and depictions of the Pacific coastline. Espoy’s lupine and poppy paintings are among his most beloved subjects, reflecting the natural beauty of the state and the influence of California Impressionism. In the 1920s–1930s, Espoy’s work gained popularity among collectors who sought colorful, uplifting views of the West, particularly during the Depression era. His florals not only document California’s seasonal splendor but also contribute to the legacy of artists who elevated regional wildflowers to a fine art subject—following in the tradition of Granville Redmond, William Wendt, and Guy Rose. Today, Espoy’s flower-filled landscapes remain a favorite among collectors of early California art...

"Finish Line" is a beautiful original pastel painting, framed at 9.25 x 11.25 inches. Created circa 2009 by American artist Ginger Lecher, this piece captures a moment in motion at t...

Medium: pochoir (after the drawing). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x 1...

Seth Winegar's (US based) "Prism Sky" is an original, handmade oil painting that depicts a landscape with a brilliant sunset illuminating a cloudy sky. Bio/artist statement: Seth W...

Le Pecheur by Claude Marin (French 1914-2001) signed and dated 89 oil on artist card stuck on board, unframed board: 9 x 10.5 inches Inscribed verso Provenance: private collection, P...

The rustle of leaves and tall grass, warm sun and fresh wind, all this brings us summer. Looking at this picture, our thoughts fly to where there is peace, serenity and where no one ...

Wonderful Impressionist view of St. Marks Square, Venice. Pam Masco was an American from Massachusetts, and a graduate of the School of the Boston Museum of Fine Arts (1976). She was married to the English artist John Heseltine. Her work is in well-known private and corporate collections and has been shown at the Royal Society of British Artists, the Royal Watercolour Society and other London Galleries as well as in the Provinces. She travelled throughout the U.S.A. and Europe and painted American and European subjects, portraits, landscape and figure compositions, still life and interiors. From 1978 she was involved in drawing, painting, technical painting courses, watercolour and graphic design. She illustrated for major British and American publishers until 1988. Authors include Bruce Chatwin...

Artist: Vahe Yeremyan Work: Print on Canvas Subject: Trees Size: 15.5" x 27" x 0.8''inch, 39x68x2cm Unframed, Stretched on the wooden bar, Gallery Wrapped, Ready to Hang All works a...

Medium: pochoir (after the painting). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x ...

Paul CÉZANNE (after) Provence : Sainte Victoire Mountain Etching and aquatint Engraved by Jacques Villon after the painting of Cezanne Signature printed in the plate On Arches vellu...

Oil on canvas Framed Image 39.5" x 39.5" Signed

In this piece, I poured my emotions into every brushstroke, blending acrylic, pastel, watercolor, and pen to breathe life into a vibrant tree. The mix of expressionism and impression...

This beautiful 20 x 24 inch oil painting was created live at Misty Rocky in Carmel-by-the-Sea one of the treasured painting locations of renowned artist Lynn Gertenbach. This breath...

Winter Tree Study I oil/canvas panel 6 x 8 image unframe, 9.50 x 11.50 Signed LR I enjoy playing with light in my paintings and creating a mood while trying to push the range of colo...

Early 20th-Century Antique English Autumn/fall river landscape. Sidney Pike was a prolific landscape and genre artist exhibiting between 1880-1907, London based originally he seems ...

Jill Opelka Blue Koi Oil on Canvas Year: 2023 Size: 18 x 24 inches Framed: 24 x 30 x 1.5 inches Signed COA provided Tags: Koi, Pond, Lush, Orange, White, Red, Movement, Fish *Framed in a gold wooden frame - ready to hang ----------------- Upon entering Jill Opelka's home, her creative essence is unmistakable. Adorned with New Yorker Magazine covers, her dining room exudes a vibrant charm, complemented by quirky giant tortoises in the living room. The space is a reflection of Opelka's lively personality, evident in her central studio nestled within the bright breakfast nook. Embraced by natural light and captivating outdoor vistas, it's where her artistry thrives, even evident in intricate details like a practical denim quilt on her sofa, crafted from old jeans – a testament to her work and creativity. Descending to her lower-level gallery, her larger original pieces, each with personal anecdotes, take center stage. From a nostalgic converse painting symbolizing childhood choices to a rescued roadside goat immortalized on canvas, her stories are as captivating as her art. Jill Opelka's creations, drawing inspiration from her life's moments, offer a personal touch that adds warmth to any home. From customized shoe and teacup paintings perfect for gifts to commissioned portraits...

Title Eilean Donan Castle Scotland Highland Landscape British Oil William Russell Key Details Artist: William Russell (British, mid 20th century), ...

Acquired by the gallery directly from the artist Signed "Peter Adams" on lower right UNFRAMED: 20" x 24" FRAMED: 26.75" x 30.75" x 1.75" Artist Statement "The last rays of the su...

A beautiful large late 19th century French impressionist oil on canvas depicting an extensive landscape with trees in the foreground and an atmosph...

Beautiful oil painting of nude study titled "The Red Table Cloth" by Bay Area, California artist Shirley Loyst (American, b-1928), circa 1960. Exhibition...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

The painting with rainy Manhattan painting is a great and stylish cityscape - the play of dark and light shades is captured professionally and looks great in the interior of an office or your home. The picture is author's and original. It's signed on the front and back. The edges of the picture are painted. Materials used: oil on canvas, supported wooden frame. Dimensions: 19,7x27,65 in. Packaging: I pack the paintings in special paper, then I wrap them with bubble wrap, and finally I cover artworks with strong wooden sheets. Nikolay Dmitriev...

A beautiful 1930's landscape titled "Trail into California Mountains" by Oklahoman artist Sidney Lorenzo Brock (American, 1869-1943). Presented in ...

Frame size 70x61 cm. José Muntané Balaguer (1889 - 1963) Immerse yourself in the spiritual beauty of "Woman Praying," a sublime work by the acclaimed Spanish artist José Muntané Balaguer. This oil on canvas captures the serenity and introspection of faith, showcasing a masterful use of light and shadow reminiscent of great masters such as Joaquín Sorolla, Ignacio Zuloaga, and even the emotional restraint of Diego Velázquez in his most intimate portraits. The painting depicts the purity of a devotional moment, where the female figure seems to transcend the canvas, inviting the viewer to reflect on spirituality and human connection. The meticulous attention to detail and subtlety in expressions place Muntané Balaguer in the tradition of artists who immortalized scenes of everyday life with unique sensitivity, much like Julio Romero de Torres...

Antique American impressionist signed landscape oil painting. Oil on canvas. Framed. Signed. Measuring: 32 by 26 inches overall. In excellent original condition. Handsomely framed ...

Edgar DEGAS (1834-1917) (after) The Dance Center at the Paris Opera Lithograph after a painting by the artist Signed in the plate On vellum, 56 x 76 cm (c. 22 x 29.9 in) Very good ...

It’s the eyes you notice first, almost photographically rendered in this portrait, and very reminiscent of a certain film star whose first name was Paul. There’s a rock-solid steadin...

Artist: Vahe Yeremyan Title: Montecito View Medium: Oil on Canvas Year: 2025 Style: Impressionism Dimensions: 34" x 34" x 1" inch (87 x 87 x 3cm) Presentation: Unframed, Gallery Wrap...