Naturalistic Art

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

This vibrant diptych celebrates the intricate beauty of coral reefs through layered abstraction and pastel hues. Branch-like forms in soft pinks, blues, and earthy browns intertwine ...

An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Le Soldat Du Chene, An Osage ...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Shau-Hau-Napo-Tinia, An Ioway Chief", lithographed by J. T. Bowen after a pa...

Engraving with etching by Marco Antonio Corsi after a drawing by Giuseppe Zocchi (Italian, 1711/17–1767). From 'Vedute delle ville, e d'altri luoghi d...

This is a striking original antique colored botanical mezzotint and line engraving of two varieties of corn or maize, which is finished with hand-coloring. It is entitled "Frumentum ...

Image dimensions: 16.5x10 cm Signed on plate by the artist. Bibliography: A.Baboni, L’Ottocento: le incisioni di Giovanni Fattori, Museo Civico “Giovanni Fattori”, Livorno 2001, p. 7...

Colour aquatint after Samuel Howitt (1756/7-1822). From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...

This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject. This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping. Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...

This is an original 19th century hand-colored folio-sized lithograph entitled "Archibuteo Lagopus" (Rough-Legged Buzzard) by John Gould and Edward Lear, from Gould's "Birds of Great Britain", published in London between 1862 and 1873. The print depicts an adult Rough-Legged Buzzard perched on a branch of a tree looking to the left. This beautiful framed Gould hand-colored lithograph is presented in a gold-colored wood frame and cream-colored French mat, embellished by a gold-colored fillet. The frame measures 33" high, 25.5" wide and 1.25" thick. It is in excellent condition There are several other unframed Gould bird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio in the 1stdibs or InCollect search field to be taken to our storefront. John Gould (1804-1881]) was an English ornithologist and artist. He, like his American contemporary John James Audubon, published a number of books on birds in the mid 19th century, illustrated by hand-colored lithographs. His wife and fellow artist, Elizabeth Gould, and several other artists including Edward Lear and Henry Constantine Richter produced lithographs for his various publications. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. Charles Darwin referenced Gould’s work in his book, "On the Origin of Species" and Gould named a bird after Darwin; "Darwin's finches". Gould began his career in London as a taxidermist, but in 1827 became the first curator and conservator at the museum of the Zoological Society of London. In this position naturalists brought him collections of birds from all over the world. He began creating drawings and eventually hand-colored lithographs with his wife and Edward Lear, which were the basis for his first publications. Darwin brought him specimens from the Galapagos Islands, including 12 species of finches which had never been described. In 1838, Gould and his wife travelled to Australia and their work led to the seven volume publication of “The Birds of Australia”. Gould had a fascination for hummingbirds and collected specimens of 320 varieties before ever seeing a live hummingbird on a trip to the United States in 1857. He eventually published “A Monograph of the Trochilidae, or Family of Humming-birds". Other large publications include: "The Birds of Europe"," A Monograph of the Ramphastidae, or Family of Toucans”, “A Synopsis of the Birds of Australia, and the Adjacent Islands”, “A Monograph of the Odontophorinae, or Partridges of America”, “The Birds of Asia”, “The Birds of Great Britain” and "The Birds of New Guinea and the Adjacent Papuan Islands, including many new species recently discovered in Australia". John Gould (1804-1881) was a British ornithologist and illustrator who is best known for his monumental work, "The Birds of Europe," published between 1832 and 1837. Gould was born in Lyme Regis, Dorset, England, and began working as a taxidermist and natural history dealer in London in the 1820s. In 1827, Gould was appointed the first curator and preserver of birds at the Zoological Society of London, where he began to build his collection of specimens and began to study the birds of the world. He published his first monograph, "A Century of Birds from the Himalaya Mountains," in 1831, which included 80 plates of Himalayan birds. Gould continued to publish numerous volumes on the birds of the world throughout his life, including "The Birds of Australia" (1840-1848) and "The Birds of Great Britain" (1862-1873). His works were highly regarded for their accuracy and detail, and he was one of the most prominent ornithologists of his time. In addition to his work as an ornithologist, Gould was also a successful businessman, and he used his profits to fund expeditions and to support the scientific community. He was elected a Fellow of the Royal Society in 1843, and he was awarded the Royal Medal...

'Bloom Cluster' London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and bac...

Albert Charpin, born in Grasse, Alpes-Maritimes in 1842, died in Asnières-sur-Seine in 1924. He was a naturalist painter associated with the Barbizon school. He painted real objects ...

'Pale peaks' Alto Adige, Italy, 2021 Printed on the finest archival paper, these limited edition photographs are designed to withstand the test of time, preserving the beauty and ...

Poppy No.12 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 125 x 100 cm and is part of an exclusive series of 10 prints, each han...

Red Marine Flora is a vibrant marine-inspired abstract that celebrates the organic beauty of underwater plant life. Rich reds, corals, and earthy tones intertwine with cooler greens ...

Artist: Franz Lenhart. Size: 27.5" x 39". Professional archival linen backed; ready to frame. "La Conca d'Oro dell 'alto Adige" The water flows f...

This is a hand-colored engraving of a parrot bird entitled "La Perruche-Ara, de Cayenne (Parrot)" by Francois Nicolas Martinet, plate 864 from 'Histoire Naturelle des Oiseaux' in ass...

This original painting offers a striking exploration of contrast and form, where bold botanical lines intersect against a pale, subtly textured background. Inspired by the tangled st...

Paul MATHEY Paris, 1844 – Paris, 1929 Portrait of a Young Girl with a Red Bonnet Oil on paper laid down on cardboard Not signed 39 x 31 cm (43.5 x 35.5 cm with frame) Inscriptions on...

On offer is a painting of English-grown plums depicted in all their natural and splendid blue-black hues. Specifically, this work is noted as being of "Plums. Black Diamond grown at ...

This is an original 19th century John James Audubon hand-colored lithograph entitled "Swift Fox", No. 11, Plate LII, from Audubon's "Viviparous Quadrupeds of North America", printed ...

This is an early 18th century hand-colored copperplate engraving of the anatomy of lemons by Johann Christoph Volkhamer, entitled "Limon Peretto" from his publication "Nurmbergische ...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

This captivating painting from around 1890 depicts a Swiss Golden Eagle in a dramatic mountain landscape, fending off Carrion Crows. Oil on canvas, signed F. Furet. Francois Furet...

Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CI; CII; CIII & CIV. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...

This is an original 19th century John James Audubon hand-colored lithograph entitled "Missouri Meadow Lark, Male", No. 98, Plate 489 from Audubon's "Birds of America, lithographed, p...

This is an original hand-colored folio edition John James Audubon engraving entitled "Esquimaux Curlew", Folio, Pl. CCVIII", No. 42, Plate 208, from Audubon's "Birds of America". It was engraved, printed and colored in London by Robert Havell, Jr. in 1834. It depicts a male and a female Esquimaux Curlew birds...

Three plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: XLVIII; XLIX & L. MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation. Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

Oil on canvas 60x60 cm

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Stramonia Aegyptiaca foetida semine pallido flore albo duplici triplicive...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

This is a hand-colored folio sized lithograph entitled "Selasphorus Scintilla" (Little Flame-bearer Hummingbirds) by John Gould, Plate 162 in his "A Monograph of the Trochilidae, or Family of Humming-birds", published in London in 1850. The print, which was drawn by Gould and Henry Richter and lithographed by Hullmandel and Walton, depicts three brown, green, ochre-colored hummingbirds with flame red protrusions under their beaks; perched on broad moss green-colored leaves of a plant with pale blue-colored flowers. This beautiful Gould hand-colored hummingbird lithograph is augmented with iridescent gum-arabic paint. It is in excellent condition. The original text page is included, which has extensive foxing related to the lower quality paper used for the text pages in the publication. There are several other unframed Gould hummingbird...

This is a beautifully framed engraving, printed in colors with additional hand coloring, from the famous "Cries of London" series, depicting the lives and professions of the common p...

”Cleopatra II” is a painting created in the technique of fluid acrylic, where the free flow of paint gives birth to living forms and sensual lines. Before us appears a flower that tr...

This is an original John James Audubon hand-colored lithograph entitled "The Camas Rat" (Gopher), No. 29, Plate CXLII from John James Audubon's Quadrupeds of North America, published...

“Cleopatra I” is a painting created using the fluid acrylic technique, where the free flow of colors forms the silhouette of an exotic flower. Its petals shimmer with golden-orange h...

'Dawn Lake (Blue Ridge Mountains)' Original Artwork. Unframed ______________ The dawn is painting transient layered reflections in the water, shifting the softened space between whe...

This charming painting depicts a group of gentlemen gathered around a kitchen table and admiring an English Setter. The snowy rooftops, just visible from the kitchen window, combined with the lit fire and holly decorating the picture frames in the room, implies that this is a Christmas scene. It also appears that the gentlemen have just returned from a fox hunt, and are now warming themselves, drinking port and smoking long pipes by the fire. Five men — three gathered behind the table and two standing in front — are identically dressed in long black riding boots...

Four magnificent copper engraved plates with hand-colour from "Hortus Eystettensis", one of the earliest and most famous works in the field. [Nuremberg and Eichstatt, 1640]. The Hortus Eystettensis is a pictorial record of the flowers grown in the greatest German garden of its time, that of Prince Bishop of Eichstatt, Johann Conrad von Gemmingen. The garden was begun by Joachim Camerarius in 1596 and, after his death in 1598, completed by Basil Besler...

Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. His w...

Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. His w...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

Pair of 'Peony' and 'Peony No.2' Each print 8x10" from limitd edition of 30. Photographed in London, United Kingdom 2023. It is a still life black and white film...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstruct a whole from these fragments, recreating a forest in the center of Bogotá. Wynograd also examines a historical archive of landscapes, the roots of his own vision. He believes that the old mimetic dream of photography is still alive. These exercises aim to weave a series of visual connections and reflect on the complex web of interdependencies between humans and nature. If there is a light of hope in the midst of overlapping crises, it is the awareness that we all belong to a whole. Perhaps these images can help in that reflection. Miguel Winograd...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

Poppy No.10 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 40 x 32 cm and is part of an exclusive series of 20 prints, each hand-...

This is an original John James Audubon hand-colored lithograph entitled "Buff-breasted Merganser Goosander, 1. Male 2. Female", No. 83, Plate 411 from Audubon's "Birds of America, li...

Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. His w...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

What began as a pretext to exercise MIguel Wynograd's gaze, little by little became a meditation on different intertwined temporalities. The superposition of very ancient times with ...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...