Post-Modern Art

Soft pastel on red toned paper signed and dated on bottom left. Part of a series of music themes by the artist Reminiscent of Botero and Diego Rivera ABOUT Stephen Basso Stephe...

The case will remain unsolved. Veneer, acrylic, 50x50 cm Dzemma Skulme worked in oil, acrylic and water-colors. She developed the theme of the caryatid,...

Threads. Paper, watercolor, 100x72 cm Dzemma Skulme worked in oil, acrylic and water-colors. She developed the theme of the caryatid, wherein she endeav...

Soft pastel of seated nude on toned archival paper warm muted earth tones signed and dated on bottom left hand corner. . Suitable for framing under glass ABOUT Stephen Basso Stephe...

'Ravello, Italy' . Part of a portfolio of Gradwell's time and experiences in paint. In live studies around the Amalfi Coat.' I found an attempt to marry the beauty of the day witho...

Alamo Square Painted Ladies with modern skyscrapers in background, San Francisco. Signed dated and numbered 2/15 lower right recto, other sizes available, unframed, printed later. ...

Abstract textured biomorphic shape painted with bright pink pigment by contemporary Houston, TX artist Matthew Reeves. The work is designed to hang away from the wall and cast a shad...

Moses With the Ten Commandments by Sir Jacob Epstein (1880-1959) Pencil and watercolor on paper 22 x 16 ⅝ inches unframed (55.88 x 42.24 cm) 28 ½ x 23 inches framed (72.39 x 58.42 cm) Signed on bottom left Description: In this figurative watercolor painting, Jacob Epstein depicts Moses holding two tablets, one in each arm, that are inscribed with the ten commandments. This is a visualization of the traditional biblical story in which Moses goes to Mount Sinai and has the ten commandments revealed to him by God which he inscribed onto two tablets and keeps in the Ark of the Covenant...

The ceramic sculpture made in Italy's best artistic kiln, Gatti, is coated (when fired) with a pure gold patina. Essential and meaningful, it is an object of rare elegance, at the ...

ethereal woman female figure struck by an external entity that transforms into an explosion of emotions :: Painting :: Post Modern :: This piece comes with an official certificate of...

My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...

Soft pastel on toned sanded archival paper suitable for framing under glass. Signed and dated bottom right.. Part of an ongoing series of mermaid themes by the artist

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Includes a Certificate of Authenticity

Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models - which Lachapelle has recently begun to make with the help of the latest 3-D printing technology - shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle's work - for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness - these are the artist's references to spaces and occurrences which may be concealed below the surface of outward semblance. Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa - Centre d'Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...

oil on linen canvas heavy duty stretcher reference to Hatian vessels named govi containing souls of the departed

a lifelike motif that one can see everywhere in nature and in microcosmos, here I deducted it and abstracted it from its peculiarities and surrounding details and artistically create...

THIS PAINTING VALIDATES THE POWER OF ABSTRACTION TO CREATE IMAGES WHICH HAVE LYRICAL RESONANCE. :: Painting :: Post Modern :: This piece comes with an official certificate of authent...

FOR A SPOONFUL OF COLOR is an inspirational work that celebrates the joy of painting. :: Painting :: Post Modern :: This piece comes with an official certificate of authenticity sign...

It is a theme painting if you ever wanted to escape, use this, what? the horse? this art is done with minimal realism and leaves it open to the imaginary .Take it! :: Painting :: Pos...

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...

Seize the moment. This unique abstract acrylic painting will accentuate your interior. The product has a consistent modern aesthetic design and is filled with positive energy. Vivid ...

"A different version of my Manhattan image." Please note this image is available in different sizes, please enquire for further details Pleas...

Donald Curry Boxer, 1989 Archival pigment print image size: 48 x 48 inches Signed and numbered edition of 10 William Coupon is an American photographer, born in New York City, ...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

"Homage to Picasso" is an acrylic on gourd signed by Kyle Zubatsky. This sculpture shows a nude woman. Her body is shown in the lower and larger part of the gourd, everything is circular. The face is pouty and a crown is made by yellow sticks around her head. Sculpture: 11.5 x 8 x 8 in Wisconsin artist Owner of the Tall Tree Gallery Used to co-own the Art Escape Gallery in Thiensville, WI with Diane Arenberg Volunteered her talents to Wisconsin Breast Cancer Coalition's "The Rare Chair Affair" an auction/event to raise awareness about Breast cancer; was a guest artist for ColettaScope 2008-10th Anniversary...

"Barn Near Big Cedar Lake #781" is an original sepia conte crayon drawing on paper by Sylvia Spicuzza. The drawing depicts an old barn surrounded by wooden fencing. The fence cuts di...

"Family Portrait" is an original gouache and pencil piece on paper by Thomas Smith. The artist uses pure, unmixed color in flat planes, shading only on the faces of the figures, which makes them stand out from the rest of the image. The three figures sit in a triangular formation. The tallest figure looms over the other two with a dark black cloak...

"Season's Greetings" is an original lithograph by Mark Mille. The artist signed the piece lower right and wrote the edition number (25/40) in the lower left. It features a winter river scene...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

"Token" is an original collograph by Joseph Rozman. It is edition 9/10 and is signed in the lower right of the circular composition. 9.75" x 9.75" art 22" x 22" frame Joseph Rozma...

The Illustrated Long Walk to Freedom, Limited Edition Autobiography of the life of Nelson Mandela. A leather-bound book in a presentation box with an original pencil signature insert...

Emile Albert Gruppe (American, 1896-1978) Post Impressionist Titled Verso: “Hauling The Nets” Oil on canvas Canvas: 25 x 30 inches (63.5 x 76.2 cm) Framed Dimensions 31 X 36 Inches S...

Bones and Butterflies together in this playful bright painting that includes collaged pieces of handwritten pages. Beautiful contrast and meaning in this bespoke and beloved piece. W...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over 25 years, they made a significant contribution to po...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant cont...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance. While the medium frequently changed, General Idea early introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. (The EyeEye crest, for example, reappears in 1993 as a benefit print for the International Festival of Authors) This print comes from "Fear Management": a set of 8 prints...

In 1967, General Idea was founded in Toronto by AA Bronson (b. 1946), Felix Partz (1945-1994), and Jorge Zontal (1944-1994). Over the course of 25 years, they made a significant contribution to postmodern and conceptual art in Canada and beyond. The group was both prolific and multi-disciplinary long before it became de rigueur. They with photography, sculpture, painting, mail art, video, installation, multiples, and performance. With their subversive approach and interest in parody and appropriation, General Idea addressed a broad range of social (and art-world) issues such as the cult of the artist, mass media, queer identity, and consumerism. Thematic continuity was a key element in General Idea's work. Early on they introduced talismans or logos that they would revisit and re-envision, including skulls, ziggurats, and poodles. This print comes from "Fear Management": a set of 8 prints that celebrates some of General Idea's defining and most beloved motifs by situating them on a crest. This showcases their clever blend of historical fantasy and invented patrimony. Many of these self-mythologizing crests debuted in 1986 during their exhibition at the Albright-Knox Art Gallery in Buffalo entitled: The Armoury of the 1984 Miss General Idea Pavillion. This series is a defining example of one of General Idea's most iconic motifs, the crest, which showcases their clever blend of historical fantasy and invented patrimony. Centered on a handpainted background, "The Honeymoon...

The female body has always been a source of inspiration for an artist, the simplicity of a simple line that expresses the content, a background that does not vary its range of colors...

My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...

From my series of the same name. This work highlights the role of technology today in looking for romantic love and the speed at which relationships come and go (whirlwind) and the...

this piece deals with the media saturated world we now live in and the constant propaganda and sales pitches that surround us. it is one of the original pieces from a series of abstr...

this piece came together quite nicely: i ran a sheet of silver foil through my printer/copier multiple times roughly knowing were the various object would print and as luck would hav...

my take on narcissus and the general human condition of blind self love. this abstract piece is a mix of computer and found imagery that's been transferred onto silver foil and pape...

An idea of space and sensitive perception. It is through the practice of dance that Remi Delaplace addresses the question of space. In this painting, he proposes a reflection arou...

spray paint - Cutting - Collage - print on Art paper - size 50*65 cm ( edition of 30 in this size and 7 on a bigger size. ) each one with a few differences as made by hand Numbe...

this work is complete abstract simplicity relying on color balance and depth. :: Painting :: Post Modern :: This piece comes with an official certificate of authenticity signed by th...

- READY TO HANG - SIGNED CANVAS - SIGNED CERTIFICATE OF AUTHENTICITY - BOLD STATEMENT PIECE Detailed brush strokes combines with gestural and organic shapes. Iridescent m...

Oil On Canvas Based On Natural Elements. My Abstract Paintings Are All About Creating Excitement For The Viewer Through Concentrated Exploration. Each Painting Is Inspired By Nature,...

Abstract Inspired By Natural Elements. My Abstract Paintings Are All About Creating Excitement For The Viewer Through Concentrated Exploration. Each Painting Is Inspired By Nature, T...

Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful universes which combine objects of undetermined purpose; in this way, he opens the conventions of our reality to fresh disposition. The architecture of his models - which Lachapelle has recently begun to make with the help of the latest 3-D printing technology - shows motifs originating from the everyday, certainly, but seeming strange, alienating or even uncanny when combined as the artist chooses. A kind of transition between two worlds often appears in Lachapelle's work - for example when the model of a library filled with books curves inwards and reveals a mysterious opening pointing into darkness - these are the artist's references to spaces and occurrences which may be concealed below the surface of outward semblance. Guillaume Lachapelle has participated in several solo and group exhibitions including Manèges at Circa - Centre d'Exposition Art Contemporain (Montreal) in 2006; Quebec Gold at the Ancien Collège des Jésuites (Rheims, France) in 2008 and in Abracadabra (Edward Day...

Text by Michelle Cantin-Reid The common object reconstructed through skilful assembly and technique; casted, welded, and chased metal forms; almost perfect doppelgangers of the originals, this is how Zeke Moores’ work appears. Upon closer consideration, the materiality of these pieces comes to light. Deceivingly close to the real thing, they greatly diverge from the original. From chromed steel Trashcans to the reconstructed Port-O-Potty made from cast aluminum and nickel-plated steel, Moores uses metalsmithing techniques to render his sculptures, usurping of the traditional modes of mass production as well as the disposable materiality that we associate with these objects. In his work, mechanised assembly line production and objects made to be thrown out or forgotten become a craftsman’s labour of love. As the disposable dejected everyday object is taken from the street and placed into the gallery, our use and imposition of a hierarchy on objects becomes apparent. However, it also speaks of the amount of work no longer done by people or often done by a series of anonymous workers in a repetitive but carefully choreographed dance with machines. We approach very differently a practical or a mass-produced object and one that is crafted. These works also celebrate those objects designed for practical but not specifically aesthetic purposes. The imposition of a new materiality gives them durability and in the case of bronze casts or chrome plating a superficial prestige. Sitting in a gallery contemplated and beheld, the cast bronze Barrier is not unlike a monument or a statue. Though, these nobler materials are not wherein the beauty lies. Happy Meal...

Eiffel Tower Paris's most iconic and romantic landmark is depicted in a romantic and moody light. Signed dated and numbered 2/15 lower right recto, other sizes available, unframed, p...

"White Picket Fence (Aspirational Memoir)" is an oil painting by contemporary Trompe L'Oeil painter Anthony Mastromatteo, inspired by Toni Morrison's novel "The Bluest Eye". A composition of mostly pitch black ground, features a "white picket fence" of masking tape around a green square, highlighting a clipping from an old illustrated children's book. The focal point is a bright green square, encased with a picket- fence made of white tape. Inside the square is an old page torn from a “Dick and Jane...

Watercolor and gouache on paper laid on board Magazine Illustration defined by bold graphic composition and limited color palate yielding a powerful image that jumps off the page. u...

Melanie Pullen explores our desensitization to violence and its glamorization, especially involving women, through dramatic recreations of actual crime scenes and images depicting ou...

“I’m continuously creating imagery that questions our perceptions and our ingrained desire to observe the forbidden, to find beauty where we shouldn’t and to glamorize violence.” - M...

Jay Mark Johnson Constantino Sott’Acqua #2 Cetona, Italia, 2007 Archival pigment, paper, aluminum 47.5”x 95.5” (framed) Edition of 3/3 $32,500

Eiffel Tower Paris's most iconic and romantic landmark is depicted in a romantic and moody light. Signed dated and numbered 2/15 lower right recto, other sizes available, unframed, p...