Realist Art

After the storm. Watercolor, paper, 70 x 96 cm Sea after the storm Zigmunds Šņore was born in 1942 in Latvia. His works has been exhibited since 1969 and are held in private collec...

Expansion of Consciousness. 2018, oil on canvas, 160x100cm Agate Apkalne. Born in Riga, 1977 Education: 2005 – MA in arts, Art Academy of Latvia 1998 ...

A stunning portrait of Mr John Gilbert. This original oil on canvas was painted by James Peter Quinn in 1929 and was exhibited at The Paris Salon of that year. A fine portrait, it is in excellent condition and framed in the original period frame. This is a fine painting by a noted Australian listed artist. Signed right. Provenance. Exhibited at the Paris salon 1929. Condition. Oil on canvas in very good condition, image size 40 inches by 30 inches. Housed in its original gallery frame, 47 by 37 inches framed. Excellent condition. James Peter Quinn (1869-1951) was born on 4 December 1869 at 60 Bourke Street, Melbourne. He was the third son of John Quinn, restaurant-keeper born in Antigua, West Indies, and his English wife Ann, née Long. Little is known of Quinn's childhood and early education; both parents died when he was young. His guardians apprenticed him to an engraver, but he undertook part-time studies at the school of design, National Gallery of Victoria, under Frederick McCubbin in 1887-89, and at the school of painting under George Folingsby and Bernard Hall in 1890-93. Awarded several student prizes, he won the gallery's travelling scholarship in 1893. Quinn went to London in 1894 but quickly left for Paris where he studied at the Académie Julian, at the Académie des Beaux-Arts under Jean Paul Laurens, and with Colarossi and Delécluse. He returned to London about 1902 and married fellow art-student Blanche Louise Guernier there on 29 September. By 1904 he had exhibited with the Royal Academy of Arts and went on to establish a reputation as a highly successful portrait painter. His finest and most sensitive work was produced before 1910. His family were the subjects of many paintings, including 'Mère et Fils', awarded an honourable mention at the Old Salon, Paris, in 1912. He also painted many self-portraits. His many commissioned works included portraits of Joseph Chamberlain, the Duchess of York and, later, the Duke of Windsor. In 1918-19 he was an official war artist with the Australian Imperial Force in France, and exhibited war paintings at the Grafton Galleries, London. In 1919, with George Coates he was an official artist to the Canadian War Records. He was a council-member of the London Portrait Society, and a member of the Royal Society of Portrait Painters and the Royal Institute of Oil Painters, exhibiting regularly with them and the Royal Academy, and in Paris with the Old and New salons. Quinn's sudden return to Australia in December 1935, alone, followed the death of his gifted artist-son René. He held exhibitions at the Fine Art Society's Gallery, Melbourne, in 1936 and the Royal South Australian Society of Arts Gallery next year. Quinn ostensibly returned as an acclaimed artist, was invited to rejoin the Victorian Artists' Society he had joined first in 1888, and was its president (but for one year) in 1937-50. Yet a coolness existed. Though he had little in common with the modernist painters of the period, his commitment to a tolerant brotherhood of artists found no allies among the aggressively conservative old guard. In 1937 he clashed publicly with (Sir) Robert Menzies who in opening a V.A.S. exhibition denigrated modern art. In spite of the affection felt for him by many artists and students, Quinn was somewhat isolated. He continued to exhibit, winning the Crouch prize, Ballarat Fine Art Gallery, in 1941. In the mid-1940s he taught briefly at the National Gallery school. A lover of good food, wine and conversation, Quinn delighted in mixing with all classes. Frequenting the haunts of journalists, writers and the more Bohemian fringe, he was easily recognizable with his bow tie, grey curly hair and cigarette dangling from the corner of his mouth. Survived by one son, he died of cancer on 18 February 1951 at Prahran and was buried in St Kilda cemetery. His war portraits are held by the Australian War...

Olga Antonova’s subject is compositions of extraordinarily elegant and beautiful cups, plates, teapots, and dishes, but there is something humorous and provocative about these painti...

WESTERN LIGHT & SHADOW, Original Contemporary Realist Landscape Painting 24" x 40" x 1.25" (HxWxD) Oil on Stretched Linen Artist Jim Lamb paints the rural pastural landscape with a ...

Provenance Acquired by the gallery directly from the artist FRAMED: 21.375" x 17.375" x 1.25"; UNFRAMED: 12" x 16"

Original painting signed by the Artist on the lower right.

Spring. Oil on cardboard, 40x50 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to...

The painting “Akari. Holiday” continues the series of paintings “Children of the World”. "Akari is the most popular girl's name in Japan today." said Anna about this portait. "The g...

This artwork titled "Saint Cergue Switzerland" c.1930 is a watercolor by noted Scottish artist William Stuart Orr, 1872-1944. It is hand signed by the artist at the lower left corner...

Robin Cole's (Us based) "Beginnings" is an oil painting that depicts a window partially blocked with a white curtain, with the contending light and shadows making patterns on its for...

Acquired by the gallery directly from the artist Artist Statement “I like to think of the jaguar as the welterweight of big cats. Even though this sculpture is small my aim was to c...

Puissance is a beautiful and unique charcoal drawing on paper of a dynamic horse. The Fabriano paper is a high quality watercolor grade set in a custom white wood frame, all archival...

Water Lilies Van Reken Cornelis 1879 – 1959 Dutch Painter Harlem School Signature: Signed bottom left Medium: Oil on canvas Dimensions: Image size 60 x 80 cm Biography: Van Reken Cornelis was born in 1879. He was a Dutch landscape painter...

One of the characters in this scene is a mature man, kneeling with his head bowed and hands clasped near his chest in a gesture of supplication. His posture conveys a sense of humili...

Provenance: Private Collection Atlanta, GA Estate sale Everard Gallery, Savannah, GA, Private Collection Callen Estate, Savannah GA 2018 Description: The painting is signed on the lower right side. Francesco Beda (1840-1900) was an Italian painter celebrated for his exquisite genre scenes and historical subjects. Born in Italy, Beda displayed a natural talent for art from a young age and received formal training in painting. He developed a distinctive style characterized by meticulous attention to detail, vibrant colors, and a keen eye for capturing the essence of his subjects. One of Beda’s notable oil paintings on canvas is titled “Musical Interlude.” This masterpiece measures 24×36″ and bears the artist’s signature. The painting showcases Beda’s exceptional skill in depicting textures, colors, and architectural details with stunning realism. In “Musical Interlude,” Beda transports the viewer to a scene of musical entertainment in the 19th century. The bold and vibrant colors of the dresses and period-style clothing evoke the richness and elegance of the time. Beda’s attention to fabric texture allows the viewer to almost feel the weight and flow of the garments through their eyes. The interior architecture depicted in the painting reveals Beda’s mastery in capturing delicate details. The beautifully painted marble column and intricately carved wood chair...

This large-scale black and white landscape is part of artist Ron Tarver's long-term, ongoing project, " Land, Sea, Air," that explores the wide-ranging system of wetlands in the US National Wildlife Refuge. It depicts the wetlands of the Bombay Hook National Wildlife Refuge, one of the largest remaining expanses of tidal salt marsh in the mid-Atlantic region. The refuge, located along the coast of Delaware, is mostly marsh, but also includes freshwater impoundments and upland habitats that are managed for other wildlife. Through his elegantly rendered naturalistic photos that verge on abstraction, Tarver investigates the delicate nature of the ecosystem, the government's precarious conservation policies, and our relationship to these unique spaces. This print is also in the collection of the Woodmere Art Museum, Philadelphia, PA. It ships rolled in a 36 "x 6" tube. Ron Tarver is a professor of Studio Art specializing in Photography at Swarthmore College. He served as staff photographer at the Philadelphia Inquirer for 32 years, and his work has appeared in National Geographic, Life, Time, Newsweek, The New Yorker, and Black and White Magazine. He is co-author of the book We Were There: Voices of African American Veterans, published by Harper Collins in 2004, which was accompanied by a traveling exhibition. Tarver shares a 2012 Pulitzer Prize at the Inquirer for his work on a series documenting school violence in the Philadelphia public school system, and was nominated for a second Pulitzer in 2013 for a series exploring dog...

Still life with fruits. 1930, oil on canvas, 64x56 cm Alfons Mihailovskis (1899. 29. 03. Riga - 1966. 27. 12. Nothingem, England) He graduated the Art Academy of Latvia, master clas...

Satirical French Illustration of Man and Woman Comical illustration by Gaston Hoffmann (French, 1883-1967) titled "un bon tien vant amieux que deux tu l'auras" in French, "one real ...

This is an original 19th century duotone lithograph entitled "The Coffee-Shop of Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in Lo...

"Ex Nihilo Fragment 6" by Frederick Hart is a figurative bronze with the edition of 55/65. Ex Nihilo Fragment No. 6, detail from the full-scale plaster for the final stone sculpture of Ex Nihilo, was commissioned as part of The Creation Sculptures at Washington National Cathedral...

Wonderfully detailed steel engraving of the earth, locations labeled in French: Afrique, Grande Tartarie, La Chine, etc., by By Francois Halma (Dutch, 1653-1722), 1705. Interesting f...

"Afternoon Cala Molto" is a stunning oil on canvas by Patsy McArthur, showing a couple underwater swimmere surrounded by refreshing, cool turquoise green water and stunning reflectio...

FRANCES WATT (1923-2009) London Stock Exchange Waiter Pen and ink and watercolour wash, unframed, in mount only 17 by 13 cm., 6 ½ by 5 in. Edith Frances Watt was born in Falkirk in 1923. In 1926 the family moved to Switzerland when her father, the Rev Thomas Meikle Watt, was appointed permanent chaplain to the Church of Scotland in Geneva. Her father died in 1938 and the family returned to Scotland where Frances continued her schooling at Aberdeen High School for Girls. Her mother moved the family to London in about 1940 and they settled in Southwood Lawn Road, Highgate. Frances attended the Hornsey School of Art were she gained a National Diploma in Design before going on to study at the Byam Shaw School in London, where she later taught. In Highgate she was a member of the Highgate Artists Group, which included Sir Kyffin Williams among its exhibiting members, and she was also an active member of the Highgate Choral Society, designing many programmes and posters for its productions in the 1950s. In the early 1960s she was commissioned by the Council of the Stock Exchange to record the daily life in the Square Mile. Over the next 20 years she was brilliantly placed to observe the enormous changes taking place in the great institutions of the Stock Exchange and Lloyd’s of London...

Acquired by the gallery directly from the artist Artist Statement “By exploring the forms in this piece, and given the simplicity of the gesture, I can directly address the concept ...

Untitled (Fantasy Landscape), c. 1890 Oil on canvas Sight: 5 1/4 x 3 14 in. Framed: 12 3/4 x 10 5/8 x 1 in.

Frank Weston Benson (1862-1951) Massachusetts Image Size: 15.5 x 15.5 Frame Size: 23.25 x 27.25 Medium: Charcoal on Paper Dated 1930 "Two Mallards Biography Frank Weston Benson (1862...

This early 1960s portrait photograph, captured by society photographer Slim Aarons, features children playing 'Ring a Ring o' Roses' on a street marked with graffiti reading 'No Surr...

skiers by Kolkhoz at winter A. Zviedris was a member of the Latvian Artists’ Union since 1945 and had more than 50 solo exhibitions in Latvia. He travelled extensively by yacht aroun...

“On Lake Senezh, Moscow Region” - Continuity of artistic traditions in a modern vision You have a unique opportunity to join the living history of art through the painting “On Lake S...

Hyperreal bright yellow glass water balloon sculpture by Dylan Martinez. Dylan Martinez’s hyperrealistic water balloons are made of solid sculpted glass sandblasted and acid-etche...

Light. Amber evening. Warm water, serenity of waves, shine of the ocean, evening sun glare glide on the water, create an atmosphere of relaxation and romance. Made in the style of re...

"Finest Hope" is an original color lithograph by Michael Knigin. The artist signed the piece in the lower right and wrote the edition number, 182/300, in the lower left with graphite...

Lake Michigan is famous for its landscape paintings. This limited edition lithograph numbered 459/500 is entitled "Spring Surf on Lake Michigan" and is signed and remarqued by the artist Leo Kuschel.

Original Summers Point Bridge to Ocean City, NJ oil/canvas 20 x 28 image size 26 x 34 framed (frame shows some age with marks, etc. on sides but shows well front on) An oil painting ...

"Prisoner of Love" Oil Painting 47" x 47" inch by Dmitriy Krestniy 2019 ATTENTION: Painting ships rolled in a tube. A look through Dmitriy’s designs reveals a glamorous, feminine,...

"Summer Over Bridgehampton" is an oil on brass landscape painting. The painting shows the sun setting over a mecox bay from Scott Cameron Beach in The Hamptons. Clouds swirl around t...

Daud Akhriev's (EUR and US based) "Reds of Venice" is an original, handmade oil painting that depicts a boat floating on a channel within the brick lined walls of Venice, Italy. Ar...

Jill Soukup's "Russian Olive Tree" is an oil painting created on location in 2021` that depicts a tree highlighted with sky. About the artist: Jill Soukup was born in Buffalo, New...

This coastal seascape limited edition print captures a scene from the porch of a beachfront property along the coast. A setting sun casts sharp light and cool blue-grey shadows across the porch, where two sets of shoes and two boat paddles...

This is a beautiful and unique charcoal on paper drawing. The Fabriano paper is a high quality watercolour grade set in a custom white wood frame, all archival materials. Scottish ...

A fine, circa 1907, Edwardian pencil / charcoal drawing. Executed by Maria Cowell nee Sayer, it depicts a portrait of Decima Moore - an actress and Suffragette. A very striking and f...

Acquired by the gallery directly from the artist UNFRAMED: 18" x 24" FRAMED: 25.5" x 31.75" x 1.75" Artist Statement “I love sunrises. I love the life-affirming sensation of the inevitable coming of light despite the temporary rule of darkness. I try to catch it every time I can. Sunrises are particularly spectacular in the mountains. Camping with our twin boys sets opportunities to witness those awesome moments, such as with this magical sunrise at Lake Arrowhead...

One of those cold, blustery nights in Tribeca, snow squalls and wind! The play of street lights, window lights, and car lights against the darkening night sky highlights the lone fi...

Realist still life painting by contemporary Houston artist Scott Woodard. The work features a vase of white tulips, a brown decorative vase, a statue referencing Jan van Eyck's "The ...

SEBASTIÁN LLOBET RIBAS Spanish, 1887 - 1975 signed "Llobet Ribas" (lower right) signed again "Llobet Ribas" (on the reverse) oil on canvas 32 x 25-3/4 inches (80.5 x 65 cm.) unframed PROVENANCE Private Collector, Barcelona Painter and draftsman of the twentieth century, born in Barcelona in 1887. He attended the Fine Arts Schools and was a disciple of Vicente Climent. He participated in the Self-Portraits Exhibition held in 1907, in the Drawing Exhibition in the Sala Parés in 1910, in several of the Spring and International Exhibition, and in the National Exhibition of 1942 and 1944 in Barcelona and in 1950 in Madrid. In the 1951 Exhibition of the Circulo de Bellas Artes de Palma de Mallorca, he obtained a medal for the set of drawings...

Robin Cole's "Study I (Surrender)," completed in 2023, is a captivating example of contemporary realism expressed through the timeless medium of oil on mounted linen. This original ...

Still life with vegetables. 1973. Oil on cardboard, on canvas, 35x55 cm

An original contemporary graphite drawing by American contemporary female artist Amanda Besl. Diana's Field 2, 2018 Graphite on paper 34 × 24 in 86.4 × 61 cm This work was created ...

An Old Man Pointing at Pocket Watch Artist 19th Century European School Signature: Signed bottom left Medium: Oil on panel Dimensions: Image size 46 x 55,50 cm

Up for sale is an original oil painting on canvas depicting a Still Life composition. Unsigned. Nicely framed. Good condition. Please see the photos, they are part of the descript...

Gouache on paper Signed and dated, l.r. 9 x 12 inches This artwork is offered by ClampArt, located in New York City Born in California, John Button (1929-1982) was educated at Univ...

Antique American modernist still life oil painting. Oil on canvas. Signed.

Сollaboration work by two Norwegian artists: Morten Müller (1828 - 1911) and Olaf Christopher Dahl (1842 - 1895). Painted approximately in late 19th century (ca. 1870 - 1880). The collaboration of two renowned Norwegian artists in this landscape is an example of the fusion of their talent and skill. A very interesting compositional solution, where among the hills buried in vegetation, a lowland with a small pond is depicted, where a young shepherd has brought his cow to the watering hole. In the distance, on the hill, a windmill is visible, creating an emphasis on the perspective and depth of the composition. The nuanced interplay of light and shadow adds of complexity to the scene. The calmness of the pastoral setting below contrasts markedly with presence of gloomy clouds looming above. This juxtaposition creates a harmonious balance, presenting a duality inherent in nature. And this rare and awesome work of art should be considered for museum collection as well. Both painters presented in National Museum Oslo, Norway. Size app.: 46 x 69 cm (roughly 18.1 x 27.2 in), with frame 60 x 84 cm cm (roughly 23.6 x 33.1 in). Good condition with wear, tiny losses to paint in minor areas and craquelure. So it needs minor care and conservation. Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 4.4 kg is going to measure some 6 kg volume weight packed for shipment. Morten Müller began his art studies with Adolph Tidemand and Hans Gude in Düsseldorf, Germany, from 1847 to 1848. From 1850 he was again a student at the Kunstakademie Düsseldorf, with Johann Wilhelm Schirmer as a teacher. From 1850 to 1851, Müller painted with the Swedish landscape painter Marcus...

Signed lower right, 'C.A. Bartels' for Cornelius Anton Bartels (Dutch, born 1890) and painted circa 1945. A still-life with a sculpture of the Daoist immortal, Liu Haichan...

In the yard. 1869, watercolor on paper, 30, 5 x 47, 5 cm C. J. W. Huns was born in the family of Estonian teacher, organ player and sacristan Karl Fridrich Huhn. He studied in Rig...

Sea View by Jane Peart [2022] original Acrylic painting Image size: H:51 cm x W:76 cm Complete Size of Unframed Work: H:51 cm x W:76 cm x D:2cm Sold Unframed Please note that insitu...

"Tiny Dancer" by Olaf Schneider is a 16"x10" oil painting on canvas. This life-like painting depicts a brunette ballerina dancer in pose, dressed in blue with a white hair piece tyi...