Surrealist Art

Feu central is an original modern Artwork written by Benjamin Péret (Rezé, July 4, 1899 - Paris, September 18, 1959) and illustrated by Raymond Georges Yves Tanguy (January 5, 1900 – January 15, 1955) in 1947. Original Edition. Published by K éditeur, Paris. 1030 numbered copies. Format: in 4°. The dimensions and the weight are indicative. The book includes 101 pages with Four Full page illustrations. Mint conditions. Raymond Georges Yves Tanguy (January 5, 1900 – January 15, 1955), known as just Yves Tanguy, was a French surrealist painter. Tanguy's paintings have a unique, immediately recognizable style of nonrepresentational surrealism. They show vast, abstract landscapes, mostly in a tightly limited palette of colors, only occasionally showing flashes of contrasting color accents. Typically, these alien landscapes are populated with various abstract shapes, sometimes angular and sharp as shards of glass, sometimes with an intriguingly organic look to them, like giant amoebae suddenly turned to stone. Benjamin Péret (Rezé, July 4, 1899 - Paris, September 18, 1959); he was a French poet. Alongside Breton he was among the most important and influential protagonists of the surrealist movement. He wrote poems characterized by a vehement anti-bourgeois aggression, by the rejection of the clichés of morality, by the parody of official rhetoric: Le Passager Du Transatlantique, Je Ne Mange Pas De Ce Pain-La, Feu Central. Faithful to the libertarian and internationalist ideal, communist militant, then Trotskyist, he enlisted in the international brigades...

Max Ernst, German (1891 - 1976) - Les Chiens Ont Soif I, Portfolio: Les Chiens Ont Soif, Year: 1964, Medium: Lithograph, Edition: 165/320, Size: 17 x 24.5 in. (43.18 x 62.23 cm)...

Marc Chagall, Russian (1887 - 1985) - Full Moon, Medium: Etching on Arches, Image Size: 7.5 x 14.25 inches, Size: 15 x 22.5 in. (38.1 x 57.15 cm), Description: From the collection ...

Medium: lithograph (after the painting). Printed in 1966 for Derriere le Miroir (issue number 162) and published in Paris by Maeght. This lithograph was done after the Francis Bacon ...

Italian painter Silvia Pavarini is known for her distinctly feminine artworks that resonate with the quiet whispers of nature. Each piece she creates embodies an ongoing dialogue wit...

This serigraph is considered a masterpiece of Pedro Friedeberg's work, created around 1974. Its uniqueness is the profound intellectual and visual fusion of Mesoamerican cosmology wi...

Fernando de Szyszlo El Innombrable, 1980 Titled inscribed dated verso: Orrentia 1980 "El Innombrable" Signed lower bottom edge center "Szyszlo" Oil on canvas 59 1/2 x 59 inches Fernando de Szyszlo was a Peruvian painter...

Dalí's Ouroboros is more naturalistic than his other prints in Alchimie des Philosophes, and its features are similar to an eel or sea serpent. It is cut into many pieces, though the...

Performing in the circus is an original artwork realized in the 1960s by Marc Chagall. Mixed colored lithograph. The artwork represents a typical compostion in the Chagall style.

Papageno original lithograph limited edition painting Original lithograph signed by hand. Perfect state

Size of sheet is ca. 21 x 29 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It comes...

Yuko Montgomery's "Extravagant Coat" is an original, handmade oil painting that depicts a close up portrait of a vulture in front of a surreal landscape with an eclipse in the sky ab...

Color etching on Arches paper. Image dimension 19.8x12.3. Edition of 69/200. Hand signed and numbered in pencil. Prov. Collection Marie Luise Seidel. Ref. Michler Lopsinger 219a.

Roland Ayers (1932-2014). Ancestor Worship II, 1971 Ink on paper, 4 × 5.5 inches. Signed and dated. Artist and art educator, Roland Ayers was born on July 2, 1932, the only c...

Sybiline's (CAN based) "Unum" is an original, handmade oil painting that depicts brilliantly detailed purple iris blooms with several bees cavorting nearby. About the Artist: Sybi...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Meyer LAZAR (1923-1995) Surrealism : the Garden of Eden, 1980 Original oil painting Signed lower right On wood panel 37 x 36 cm (c. 14 x 14 in) Excellent condition

This original etching with drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also hand numbered 49 in pencil from the edition of 110, at the lower left margin. There were 84 impressions on laid paper and a further 26 impressions on Japan paper. It was published by Paul Cassirer, Berlin in 1923. Note: The work was part of Chagall's important and renowned series "Mein Leben...

David Hare Untitled, circa 1949 Bronze 25 x 8 x 7 inches Provenance Kootz Gallery, New York Collection of Samuel Kootz New York Estate of the above Collection of Dr. Joyce Kootz, Ne...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Unsigned edition of over 5,000 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

The work shows a fine society that has gathered at a table for a feast. The participants are blowflies, whose bodies shimmer metallically due to their blue, green to golden-green gl...

John Baker’s “Studio Sketch of Dmitri” is an acrylic painting on canvas with collage 20 x 16 inches in tans, greys, blues and whites. When he arrived at the studio Dmitri was immedia...

Paul KLEE (1879 - 1940) Happy character Color photolithograph after a painting Signed in the plate On vellum 83 x 60 cm (c. 32 x 24 in) Excellent condition

This exquisite lithograph by Alexander Calder (1898–1976), titled La lune (The Moon), originates from the historic 1963 folio Derriere le Miroir, No. 141. Published by Maeght Editeur...

Man & Woman, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 inches. Signed lower left. Excellent condition. Unframed.

Artist: Salvador Dali (1904-1989) Title: Télévision liquide et gazeuse (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Liquid and carbonated television, Im...

Lithograph on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Zao, Wou-ki. Zao Wou-Ki: Les Estampes, 1937...

Lithograph on vélin papier pur chiffon paper. Paper Size: 10 x 7.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Les chants de Maldoror, illustrat...

Medium: collotype (after the Miro lithograph). Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for "The Prints of Joan Miro" portfolio. Size: ...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

ARTIST: Salvador Dali TITLE: Petites Nus (From Appollinaire) D MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet EDITION NUMBER: 39/95 MEASUREMENTS: 15.2" x 11....

Figurative woman art original oil painting Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2020 Style: Surrealism, Title: From Insight out S...

Roy Carruthers is a brilliant mix of George Tooker and Fernando Botero but with unexpected charm. "The Suitor with Voyeur", A variation of this concept was done in oil twenty years later. "The Venus of Ponte Vedra...

"Back Cover of Derrière le Miroir #235, M 946" is an original lithograph by Marc Chagall. This Chagall is a graphic piece, with black lines on a white paper. The main figure is a je...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

This exquisite lithograph by Alexander Calder (1898–1976), titled Tamanoir (Anteater), originates from the historic 1963 folio Derriere le Miroir, No. 141. Published by Maeght Editeu...

Sueño Original Magical Surrealism Mixed media paper painting. virtual frame Cándido Ballester is a contemporary Mallorcan painter who was born in 1926. As a child he had to emigrate...

Abstract Composition signed by Jack Penouel (French 1936-2018) oil on canvas, framed framed: 18.5 x 15.5 inches canvas : 18 x 15 inches provenance: the ar...

Andrés Barajas (Spain, 1941) 'Untitled from Portfolio "Los Deseos"', ca.1990-1999 mixed media on paper 20.9 x 15 in. (53 x 38 cm.) Edition of 200 ID: BAR1017-026-200 Hand-signed by a...

Lithograph on vélin paper. Paper Size: 12.5 x 9.625 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Joan Miró,...

Etching and drypoint realized to illustrate Pierre Ronsard's "Les Amours de Cassandre". Published by Argillet, Paris, in 1968. Edition of 299 pieces. One of 165 specimen on Arches ...

One of a kind mixed-media sculpture by Philip Kuznicki from the Spirit exhibition. Comes in its original frame. Born in Dunkirk NY, Kuznicki started his career working for artists su...

Andrés Barajas (Spain, 1941) 'Untitled from Portfolio "Los Deseos"', ca.1990-1999 mixed media on paper 20.9 x 15 in. (53 x 38 cm.) Edition of 200 ID: BAR1017-023-200 Hand-signed by a...

Edward Giobbi In a Landscape #1, from Long Point Gallery Portfolio, 1988 Lithograph on paper with deckled edges Hand signed, numbered 22/3...

Maggie Taylor's digital creations are emblematic, afterimages that invite, transport, and are unforgettable. Taylor's images are built, layer by layer and object by object, through a...

John Baker’s “The Greatest Possible Success” is an acrylic painting on canvas with collage 24 x 20 inches in greys, silvers and whites. The dramatic verticality of Gotham’s architect...

Andrés Barajas (Spain, 1941) 'Homenaje a Goya II', ca.1990-1999 engraving on paper 15 x 20.9 in. (38 x 53 cm.) Edition of 225 ID: BAR1017-015-225 Hand-s...

Title: The beloved feeds among the lilies (Field 71-17J; M&L 477), from the portfolio, The song of songs of King Solomon Year: 1971 Medium: Etching printed in colours with gilding on...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Belongs to the series "The Bible". Edition of 275+30 out of commerce copies. N...

Capricho de Goya n°63 is an original héliogravure and pochoir, realized by Salvador Dalí in 1977, hand-signed and numbered n°125/200. Included a wooden frame. In very good condi...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Under the silver glow of the moon, the couple gaze in silence...

This image from the imagination of Mitchell Funk was the cover photograph for Popular Photography Magazine, May 1978, It is signed and numbered on lower right, as well as titled ...

In 1981 Maggie Taylor (b. 1961) began to photograph while she was a student at Yale University majoring in philosophy. She primarily took photographs of suburban landscapes and stran...

Lithograph on vélin paper. Paper Size: 15 x 22 inches, with centerfold, as issued. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 173,...

Alain LE YAOUANC Flying Elements Original lithograph Handsigned in pencil On Arches vellum, 76 x 56 cm (c. 30.4 x 22,4 inch) Excellent condition

Turtle, ca. 1975-80. Gouache on Arches rag paper, Sheet measures 23 x 30 inches. Image measures 22 x 29 inches. Signed lower left. Excellent condition. Unframed.

Peter Paone, American (1936 - ) - The Letter, Year: circa 1963, Medium: Etching on Rives, signed, numbered and titled in pencil, Edition: 13/25, Image Si...

This exquisite lithograph by Joan Miro (1893–1983), titled Hommage a San Lazzaro (Homage to San Lazzaro), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe...