Victorian Art

Wonderful 20th century German landscape with harvesters working on the farmland, bringing in the harvest. Hohenberger was landscape painter from the middle to latter part of the 20...

19th century English Antique Horse racing scene in a landscape with Jockey up. Wonderful and very well painted English Horse Racing scene. Simil...

This lovely British Victorian landscape oil painting is by noted artist William Gosling. Painted circa 1870 it is a river landscape, possibly the Thames. Gosling exhibited several pa...

Well painted late 19th-century German genre painting. Often painted in the Munich area of Germany these highly desirable antique paintings are always of the finest quality. This is...

'Sunset' Continental School, late 19th Century signed lower left corner oil painting on wood panel, unframed painting: 21.5cm x 29.5 cm Painted with fascinating details which one c...

Frank Cassell (British 19th century) signed oil painting on canvas, framed framed: 18.5 x 22 inches canvas: 12 x 16 inches provenance: private collection...

This lovely British Victorian oil painting is by Edward Charles Williams of the Williams Family of artists and related to George Morland. The painting is a figurative landscape entitled the Woodman's family and entails five figures and a dog gathered around a tree that the Woodman is tackling with his axe. The painting is signed and indistinctly dated (only visible with ultra violent light) lower left, the date being 1869. For me, the highlight of the painting is the artistry and attention to detail with which Williams has portrayed the light on the trees above and the exquisite colouring of the leaves. There are even two birds finely depicted in the tree foliage. Signed and indistinctly dated 1869 lower left (only visible under ultraviolet light). Provenance. Berkshire estate. Condition. Oil on canvas, image size is 40 inches by 36 inches and in good condition. Housed in a complementary frame. Framed size is 48 inches by 44 inches and in good condition. Edward Charles Williams (London 10 July 1807 – 25 July 1881) was an English landscape painter during the Victorian Era, and a member of the Williams family of painters. He was the eldest son of the painter Edward Williams (1781–1855) and Ann Hildebrandt (c.1780–1851), and a member of the Williams family of painters, who were related to such famous artists as James Ward RA and George Morland. His father was a well-known landscape artist, who taught him how to paint; otherwise he received no formal instruction. He adopted much of his father's style and technique, and like the other painters of his family, he devoted himself to landscapes, producing rich and tranquil views of Barnes, Cumberland, Kent, Surrey and the Thames. His paintings are now highly sought after. Williams married his first wife Mary Ann Challenger on 11 December 1839 in Westminster. Mary Ann died in 1857 in London, and his only child Alice Williams was born shortly afterwards to Sarah Susannah Horley, who had been Mary Ann's nurse – Edward and Sarah did not marry for another 10 years until 3 October 3, 1868, when they wed at the St. Pancras Old Church in Camden, London. He largely stopped painting after the 1859 death of his second wife, adding value to the small number of paintings that he did produce from 1859 on − Springer in the Bracken, The Lap Dog, The Ploughman's walk home, The Ducks at Tilbury and Primrose at St Mary's (Primrose was the Verger's Cat). Some suggest that he suffered a breakdown after his wife's death, given his choice of subjects in these later years. The location of three of these post-1859 works are unknown, and they are assumed lost during two world wars. He signed some of his work as E Williams, which leads to confusion with his father, who painted in a similar style, and at times he signed as C Williams to purposely avoid such confusion. Because many of the paintings of both father and son are unsigned, it can be difficult to correctly attribute their work. Edward Charles also collaborated on several paintings with William Shayer, where Williams would paint the landscape, and Shayer would add in figures and animals; his Near Wantage, Berkshire is a good example. He died 25 July 1881 at Shepherds Bush in London and is buried with Sarah Horley and their daughter Alice in Hammersmith Old Cemetery, close to other family graves. Edward Charles Williams was born into an artist family that is sometimes referred to as the Barnes School. His father and five surviving brothers were all noted landscape painters during the Victorian era. Three of the sons of Edward Williams changed their last names to protect the identity of their art. Edward Williams (father) Henry John Boddington, George Augustus Williams, Arthur Gilbert, Sidney Richard Percy, Alfred Walter Williams.

Artist/ School: F. E. Jamieson (British 1895-1950), signed to the lower right. Title: Kilchurn Castle, Loch Awe. A beautiful Scottish Highlands sunset warmi...

Sunset English School, mid 19th century oil on artists board, framed framed: 10 x 14 inches board: 8 x 12 inches provenance: private collection, UK condition: very good and sound con...

Artist/ School: French School, early 19th century Title: Cattle being Driven through the town. Medium: oil painting on canvas, unframed Size: canvas: 21 x 25.5 inches Provenanc...

The London Gentleman by Philip Henry Rideout (British, late 19th century/ early 20th century) signed oil on canvas, framed Framed: 17.5 x 14.5 inches Canvas : 12 x 10 inches Provenan...

This charming Dutch Romantic Golden Age picturesque winter landscape oil painting is by Everardus Benedictus Gregorius Pagano Mirani. It was painted in 1848 and is signed and dated lower right. The composition is a lovely bright snow scene of a frozen river and wide track beside it. Figures are skating and playing on the ice while others drag various goods through the snow. Some stunning trees line the path and the whole image is bathed in winter sunlight. A really lovely large picture postcard Dutch winter landscape oil painting which harks back to the Dutch Golden Age and was so popular with the Dutch. The brushwork and detail are superb and this is a lovely example of Mirani's work who was one of the finest Romantic landscape painters of his day. Signed and dated 1848. Provenance. Midlands estate. Condition. Oil on canvas, image size is 44 inches by 35 inches and in good condition. Frame. Housed in a fine gilt gallery frame, framed size is 51 inches by 42 inches and in good condition. Everardus Benedictus Gregorius Pagano Mirani (1810 - 1881). Mirani grew up in the Golden Age of Dutch painting, dominated by the Romantic landscape genre. This movement founded by Barend Cornelis Koekkoek...

Artist: William Curtis (English, 1746-1799) Title: Set of Six Hand-Colored Engravings Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Year: 1796-1829 (First-third seri...

Charles Hunt Jnr British, (1829-1900) A Deal to be Done Oil on canvas, signed Image size: 24.75 inches x 34.75 inches Size including frame: 32.25 inches x 42.25 inches A superb genre painting of two men and a boy with donkeys and other animals in cottage by Charles Hunt. Two men are depicted conversing at a table in rustic surroundings as a boy watches on. Meanwhile, two donkeys and a pig can be seen chewing the leaves of a turnip on the floor nearby as a small dog stares out at the viewer. Through the open door to the far left, we are shown a glimpse of a garden path leading to a gate with trees and a landscape beyond. Charles Hunt was a genre and figure painter born in Kensington, London in 1829. His sons Reuben Hunt...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

Oil on canvas, signed lower right Image size: 33 1/2 x 56 1/2 inches (85 x 143 cm) Original gilt frame Provenance With the artist's son, Millie Dow Stott Esq., until 1912. Artist's Studio Sale, Christies, November 1913. Private Collection Exhibitions London, Royal Academy, 1895, no. 679. Paris, Societe de la Nationale des Beaux-Arts, 1896, no. 1179. Berlin, VII Internationale Kunstausstellung 1897. no. 3533. Manchester, City of Manchester Art Gallery, 1912, no. 339. In the 1890s William Stott exhibited regularly at the Royal Academy, mainly highly decorative works with subjects derived from classical mythology and literature. This painting was Stott's 1895 entry to the Royal Academy and was subsequently exhibited at the Paris Salon of 1896 and then on to the Berlin, VII Internationale Kunstausstellung 1897. Shakespeare was a favourite source for Victorian painters, and the tragic romance of Ophelia, from Hamlet, was an especially popular subject, featuring regularly in the Royal Academy exhibitions. The most popular and iconic image of Ophelia's death was, and is to this day, John Everett Millais's 1851 painting showing the confused and tragic Ophelia floating downstream on her back in a state of mad ecstasy, arms raised in a gesture of inevitable submission. However, although Stott chose not to pastiche this image, it seems highly likely that he was prompted to take up this subject, which had almost become a 'rite of passage' among Victorian painters, by the fact that in 1894 Millais's Ophelia was presented to the National Gallery of British Art by Sir Henry Tate. It appears that Stott was much influenced by John William Waterhouse...

Nebulae. Antique lithograph by W & AK Johnston, famous Scottish cartographers. Central vertical fold as issued. From Thomas Heath's 'The Twentieth Centur...

John Willes Johnson (1793-1863) Boates moored, with tide going out Oil on canvas Signed and dated 1830 lower right Canvas Size - 15 x 15 in Framed Size - 16 x 18 1/2 in John Samuel...

Sheep in the Highlands Frank Clark (British, late 19th/ early 20th century) signed oil painting on canvas board, framed framed: 19.5 x 27 inches painting: 16 x 24 inches condition: v...

A very fine original antique English botanical watercolour painting depicting this beautiful depiction of a flower/ plant. The work came...

Artist/School: 19th Century English School Title: Milking on a riverbank with church beyond Medium: oil on canvas, framed Size: 19 x 23 ...

Artist/ School: by Charles Leslie (British 19th century), signed and dated 1881 Title: The Highland Loch Medium: oil on canvas, unframed Canvas: 19 x 27 inches Provenance: priva...

Tranquil Lochside with Highland Peaks by F. E. Jamieson (British 1895-1950) oil on canvas, unframed canvas: 20 x 30 inches provenance: private collection, UK condition: The painting ...

Harold Clayton British, (1896 - 1979) Still Life of Flowers Oil on canvas, signed Image size: 21.5 inches x 25.5 inches Size including frame: 30.25 inches x 34.25 inches A finely ...

Sunset over the Highlands, 'Allan Waters' by F. E. Jamieson (British 1895-1950) signed, lower corner & titled verso oil painting on canvas laid over board, framed canvas: 16 x 24 inches framed: 19 x 27 inches Fine quality antique oil painting by the much admired and celebrated British artist F. E. Jamieson (1895-1950). The painting captures this idyllic hazy view of the famous and beautiful mountains and river 'Allan Waters' in Scotland. The Allan Water is a river in central Scotland. Rising in the Ochil Hills, it runs through Strathallan to Dunblane and Bridge of Allan...

Well painted late 19th-century German genre painting. Often painted in the Munich area of Germany these highly desirable antique paintings are always of t...

"Allan Water" by F. E. Jamieson (British 1895-1950) signed, lower corner oil painting on canvas, framed canvas: 16 x 24 inches framed: 21 x 29 inches Fine quality antique oil painting by the much admired and celebrated British artist F. E. Jamieson (1895-1950). The painting is signed by Jamieson to the lower corner. The painting captures this beautifully romantic view of the Highlands, titled verso as being 'Allan Water', which is a very fine river in central Scotland famed for its trout and Salmon fishing today. The painting has the bonus of capturing the Bridge of Allan...

Claude Cardon British, (1864-1937) Spring Lambs Oil on canvas, signed Image size: 9.5 inches x 13.5 inches Size including frame: 16.25 inches x 20.25 inches A charming painting of ...

A black pointer in a woodland landscape by John Frederick Herring Senior, circa 1830. Oil on canvas in a giltwood frame. Provenance: Arthur Ackerman and Son Frost and Reed Blains, Bruton Place, London John Frederick Herring, born in London in 1795, was the son of a London merchant of Dutch parentage, who had been born overseas in America. The first eighteen years of Herring's life were spent in London, where his greatest interests were drawing and horses. In 1814, at the age of 18, he moved to Doncaster in the north of England, and by 1815, had married Ann Harris. His sons John Frederick Herring Jr., Charles Herring, and Benjamin Herring...

Artist/ School: Signed by Eric Roberts and inscribed verso Title: titled verso Medium: oil on canvas on board, framed Framed: 22 x 29 inches Painting: 15 x 22 inches Provenance: ...

Charles Jones British, (1836-1892) Highland Cattle by Loch Linnhe Oil on canvas, signed with monogram & dated (18)87, inscribed verso Image size: 23.25 inc...

An exquisite example of Walter Bonner Gash’s mastery, The Music Lesson (c. 1890) captures the quiet elegance and nostalgia that define his work. This beautifully preserved oil painting, measuring 49 1/2 x 33 inches, remains in its original, period gold leaf frame, adding to its historical significance and charm. Gash, a British artist celebrated for his evocative depictions of domestic life, beach scenes, and childhood innocence, developed his distinctive soft luminescence while studying at the Lincoln School of Art and the Académie des Beaux-Arts in Antwerp. His works reflect an international influence, blending technical precision with an intimate, almost dreamlike atmosphere. Exhibited at the Royal Academy three times, Gash gained recognition for pieces such as Studying the New Woman...

Paul-Emile Perboyre French, (1851-1929) The Surrender Oil on canvas, signed & dated 1916 Image size: 20.5 inches x 25 inches Size including frame: 26.25 inches x 30.75 inches Paul-E...

The Highland Loch by Sidney Yates Johnson, dated 1899 signed oil on canvas, unframed Canvas : 12 x 24 inches Provenance: private collection, UK Condition: very good condition Descri...

The Scottish Glen by F. E. Jamieson (1895-1950) signed with the artists pseudonym, W. Richards oil on canvas, framed framed: 27 x 37 inches canvas: 20 x...

'Looking out to Sea' The Cornish Fisherman Signed by David W. Haddon (British, flourished end of the 19th century) Oil on canvas, unframed Canvas: 10...

Outstanding 19th century English warship off the Italian, Mediterranean coast, with village, mountains and hills. A very interesting and somewhat unique oil on slate depicting an English ship at anchor in what looks like an Italian or Mediterranean coastline. The piece has influences from John Thomas Serres...

Artist: Jacob George Strutt (English, 1784-1867) Title: "Near Stoneleigh, Warwickshire" Portfolio: Deliciae Sylvarum or Grand and Romantic Forest Scenery in England and Scotland *Monogram signed by Strutt in the plate (printed signature) lower right Year: 1828 Medium: Original Etching on chine appliqué on heavy wove paper Limited edition: Unknown Printer: Unknown Publisher: Jacob George Strutt, London, UK Sheet size: 14.25" x 21.13" Image size: 10.38" x 13.94" Condition: Minor soiling and discoloration in margins. A few light areas of waterstaining at right and bottom edges in margins. It is otherwise a strong impression in very good condition Very rare Notes: There is an example of this work within the permanent collection of the British Museum, London, UK and the National Gallery of Ireland, Dublin, Ireland. Biography: Jacob George Strutt (4 August 1784 – 1867) was a British portrait and landscape painter and engraver in the manner of John Constable. He was the husband of the writer Elizabeth Strutt, and father of the painter, traveller and archaeologist Arthur John Strutt...

"Steps" by Roy Merrington, British contemporary oil painting on canvas, unframed canvas: 24 x 18 inches This work really transports the viewer to the South of France...where the hill top villages all look a bit like this old back street with its climbing steps lined with old shops...

Henry Robinson Hall. English ( b.1857 - d.1927 ). Highland Cattle In The Margins Of A Scottish Loch. Oil On Canvas. Signed Lower Left. Image size 23.4 inches x 15.4 inches ( 59.5cm x...

Alfred Pollentine British, (1844-1910) The Grand Canal looking towards St Marks Square & the Doge’s Palace, Venice Oil on canvas, signed Image size: 19.25 inches x 29.25 inches Size including frame: 25.25 inches x 35.25 inches A wonderful view of the Grand Canal featuring the Doge’s Palace and St Mark’s Square, Venice by Alfred Pollentine. The scene shows the entrance to the Grand Canal with the Santa Maria Della Salute with its distinctive rotunda and the Dogana to the left. Ahead can be seen the bell tower of St Mark’s with the Doges palace to its right. Alfred William Pollentine was born in St Pancras, London on 26 August 1844, the son of William Pollentine, a carver gilder and picture dealer and Caroline Smith. After the death of his father in 1856, his mother married the artist Adam Barland...

Two delightful watercolours, with wonderful details by the highly collectable Charles Robertson. They depict two different aspects of Victorian life, the first captures two boys fis...

Victorian Hunting Shooting Landscape Scene, Large Oil Painting depicting a Rifleman and his Hunting Dogs, gun cocked to shoot. This is a large Oil Painting on Canvas, it came from ...

"Summer in the Highlands" by F. E. Jamieson (British 1895-1950) signed lower corner oil painting on canvas, unframed canvas: 16 x 24 inches Fine quality antique oil painting by the much admired and celebrated British artist F. E. Jamieson (1895-1950). The painting is signed by Jamieson to the lower corner. F. E. Jamieson (1895-1950) We are extremely fortunate to have been handling the works of the enigmatic British artist, F. E. Jamieson since the year we began art dealing, 1989. Over this time, coupled with our love of the Scottish landscape, we have bought and sold many hundreds of his paintings, in all their various guises and subjects and are considered by many to be a leading authority on the artist and his work. We are also in the early stages of publishing the Catalogue Raisonne for this artist, of which this painting will be featured. Mr. Jamieson was largely a painter of Scottish landscapes and loch scenes...

Still Life of Roses French School, circa 1930's period signed oil on board, unframed board: 10 x 15 inches provenance: private collection, France condition: very good and sound condi...

The Clan Lamond Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of descriptive text.

Artist/ School: Charles Thomas Burt (British, 1823-1902), signed lower corner Title: Haymaking in Surrey Medium: oil on canvas, framed in a fine antique gilt frame. Framed: 36 x ...

Artist/ School: English School, mid 19th century, circle of David Cox (1783-1859) Title: A View of Borrowdale (Lake District, Cumbria). There is a plaque with this title to the fram...

Carl Georg Wallin (Sweden 1893-1978) Carl Wallin was born into a sea faring family in a small fishing village on the Southernmost tip of Swe...

Artist: William Curtis (English, 1746-1799) Title: "Rosa Semperflorens Minima Miss Lawrence's Rose" (Vol. 42, Plate 1762) Portfolio: The Botanical Magazine; or, Flower-Garden Display...

Artist/ School: Kathleen Crow (British, contemporary), signed with monogram Title: The Secret Garden Path Medium: oil on canvas, unframed Canvas : 20...

19th Century English School oil painting on copper, framed framed: 18 x 14 inches board: 13 x 8 inches provenance: from a collection in Derbyshir...

Artist/ School: Frank Murray, Scottish late 19th century Title: A figure returning a crofters cottage besides a river or lake in the Highlands. Medium: watercolour painting, frame...

Artist/ School: British School, late 19th century Title: Sunset over a Highland Loch. Most likely Scottish but possibly Irish. Medium: oil painting ...

Wonderful Antique Victorian Welch landscape, Ruined Castle by the shore side with moored fishing boats Joseph Horlor was born in Bath in 1809 and was a landscape painter of Welsh sc...

'Michel Grove, Seat of Thomas Walker Esq'. Michel Grove was a house in Sussex which Humphrey Repton was commissioned to landscape. Published by Rudo...

John Rogers Herbert RA 1810- 1890 Oil on canvas, dated '1850' lower right on sword strap Image size: 33 ½ x 23 ½ inches Gilt Watts frame This striking painting, depicts David as a y...

Charles William Adderton. English ( b.1866 - d.1944 ). Norwegian Barques At Anchor, Lyme Bay. Watercolor. Signed Lower Left. Image size 10.6 inches x 14.4 inches ( 27cm x 36.5cm ). ...