Victorian Art

‘Tippoo - A Ram of the Mysore breed in the East Indies, sent by Dr. Anderson of Madrass to Sir John Sinclair, Bt & presented by him to His Royal Highness...

The Old Mill by the River signed by F. E. Jamieson (British 1895-1950), signed with artists pseudonym oil on canvas, framed framed: 21 x 24.5 inches canvas: 18 x 22 inches provenance...

Artist/ School: Harry Pennell, British 19th century, signed lower corner Title: Tranquil Pastures Medium: signed oil painting on board, framed Size: ...

Two very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey,...

This charming British Victorian landscape oil painting is by noted artist Henry Robinson Hall. Painted circa 1900 the setting is Glen Sannox, Arran in the Scottish Highlands. Glen Sa...

Artist/ School: T. Turner (British, 19th century), signed and dated 1875 verso. Title: The Farmyard. Medium: oil painting on canvas, framed. Size: painting: 17 x 25 inches, fra...

Artist/ School: signed by Douglas Falconer, (British 1913-2004) Title: 'The River Dee' near the Lin.O.Dee Aberdeen Scotland Medium: oil on board, framed an...

The Fisherfolk English School, 19th centurysigned oil on canvas, framed framed: 17 x 23 inches painting: 12 x 18 inches provenance: private collection, England condition: very good ...

Artist/ School: French School, 20th century Title: Riverside Boats Medium: oil on canvas laid on board, unframed Canvas : 25 x 19 inches Provenance: private collection, France ...

Karl Feiertag (c.1874-1944) was an Austrian painter. He studied painting at the Academy of Fine Arts Vienna with Franz Rumpler, Kasimir Pochwalski, and Josef Mathias Trenkwald. He wo...

18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute. Henry Redoute was the brother of the great botanical artist Pierre Joseph Redout...

'Rhinology' Vanity Fair portrait of Dr Robert Spicer, 'a specialist in matters relating to ears, noses and throats'. Accompanied by original descriptive text. 380mm by 260mm (sh...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

Coastal Landscape by Joel B. Owen (British, signed and dated 1927) oil on canvas, framed framed: 18.5 x 26 inches canvas: 16 x 24 inches provenance: private collection, UK condition:...

Title James Lewis Antique English River Thames Sunset Church Landscape Oil Painting Key Details Artist: James Lewis, British, late 19th century, signed Title: Sunset over the River T...

This lovely British Victorian oil painting is by Edward Charles Williams of the Williams Family of artists and related to George Morland. The painting is a figurative landscape entitled the Woodman's family and entails five figures and a dog gathered around a tree that the Woodman is tackling with his axe. The painting is signed and indistinctly dated (only visible with ultra violent light) lower left, the date being 1869. For me, the highlight of the painting is the artistry and attention to detail with which Williams has portrayed the light on the trees above and the exquisite colouring of the leaves. There are even two birds finely depicted in the tree foliage. Signed and indistinctly dated 1869 lower left (only visible under ultraviolet light). Provenance. Berkshire estate. Condition. Oil on canvas, image size is 40 inches by 36 inches and in good condition. Housed in a complementary frame. Framed size is 48 inches by 44 inches and in good condition. Edward Charles Williams (London 10 July 1807 – 25 July 1881) was an English landscape painter during the Victorian Era, and a member of the Williams family of painters. He was the eldest son of the painter Edward Williams (1781–1855) and Ann Hildebrandt (c.1780–1851), and a member of the Williams family of painters, who were related to such famous artists as James Ward RA and George Morland. His father was a well-known landscape artist, who taught him how to paint; otherwise he received no formal instruction. He adopted much of his father's style and technique, and like the other painters of his family, he devoted himself to landscapes, producing rich and tranquil views of Barnes, Cumberland, Kent, Surrey and the Thames. His paintings are now highly sought after. Williams married his first wife Mary Ann Challenger on 11 December 1839 in Westminster. Mary Ann died in 1857 in London, and his only child Alice Williams was born shortly afterwards to Sarah Susannah Horley, who had been Mary Ann's nurse – Edward and Sarah did not marry for another 10 years until 3 October 3, 1868, when they wed at the St. Pancras Old Church in Camden, London. He largely stopped painting after the 1859 death of his second wife, adding value to the small number of paintings that he did produce from 1859 on − Springer in the Bracken, The Lap Dog, The Ploughman's walk home, The Ducks at Tilbury and Primrose at St Mary's (Primrose was the Verger's Cat). Some suggest that he suffered a breakdown after his wife's death, given his choice of subjects in these later years. The location of three of these post-1859 works are unknown, and they are assumed lost during two world wars. He signed some of his work as E Williams, which leads to confusion with his father, who painted in a similar style, and at times he signed as C Williams to purposely avoid such confusion. Because many of the paintings of both father and son are unsigned, it can be difficult to correctly attribute their work. Edward Charles also collaborated on several paintings with William Shayer, where Williams would paint the landscape, and Shayer would add in figures and animals; his Near Wantage, Berkshire is a good example. He died 25 July 1881 at Shepherds Bush in London and is buried with Sarah Horley and their daughter Alice in Hammersmith Old Cemetery, close to other family graves. Edward Charles Williams was born into an artist family that is sometimes referred to as the Barnes School. His father and five surviving brothers were all noted landscape painters during the Victorian era. Three of the sons of Edward Williams changed their last names to protect the identity of their art. Edward Williams (father) Henry John Boddington, George Augustus Williams, Arthur Gilbert, Sidney Richard Percy, Alfred Walter Williams.

Strathtay Perthshire signed by F. E. Jamieson (British 1895-1950) oil on canvas, framed framed: 19.5 x 27 inches canvas: 16 x 24 inches inscribed verso provenance: private collection...

MacDonald of the Isles and Slate (Tartan) Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a she...

Lord Fauntleroy Melanie Sherman 240522-55 Pigment Print Year: 2024 Visible Size: 13 x 13 inches Framed: 20.5 x 20.5 inches Signed: On Label Edition: 7 COA provided *White frame with...

English artist, second half 19th century oil painting on board, framed framed: 20.5 x 27 inches board: 14 x 20 inches provenance: private collection, England condition: overall ver...

Outstanding Late Victorian English river harvest landscape. John Horace Hooper lived in London. Landscape painter. English School. A prolific artist evidenced by the frequent appea...

Title Barry Peckham Scottish Highland River Stream Landscape Oil Painting Framed Key Details Artist: Barry Peckham, British contemporary Title: The Highland Stream Medium: Signed oil...

Artist/ School: French School, 19th century, inscribed verso Title: The Woodland Cottage Medium: oil on canvas laid over board, framed Framed: 19 x 24 inches Painting: 16 x 20.5 i...

'The Century Atlas. Alabama' Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corners. Sheet 40cm by 29.5cm.

'Ashdod', tinted lithograph after David Roberts RA. Signed in stone lower right. Printed title below the image. Roberts travelled throughout Egypt an...

Title 19th Century Italian Naples Mount Vesuvius Seascape Oil Painting Signed Key Details Artist: Italian School, 19th century, indistinctly signed and dated Title: Naples Medium: Si...

Colour woodblock, finished by hand, by Benjamin Fawcett (1808-1893) after Alexander Francis Lydon (1836-1917). From WT Greene's 'Parrots In Captivity'. Alexander Francis Lydon was a...

William Nicholson (1872-1949) Fishing 1897 Original Colour Lithograph Image: 21.0 x 21.0 cm Mount: 39.0 x 36.0 cm William Nicholson was born at Newark in 1872. He left to study in Paris in his late teens for six months at the Academie Julian before returning to England. In 1893 Nicholson married the painter Mabel Pryde and their first son Ben went on to become the famous painter and sculptor. Nicholson concentrated on printmaking with his brother-in-law James Pryde...

"On the Scent" English School, late 20th century oil painting on canvas, unframed painting: 30 x 24 inches Wonderful depiction of these hunting hounds standing in an open landscape...

The Mountain Pass Italian School, 19th century signed initials oil on canvas, framed framed: 13 x 11 inches canvas: 10 x 7.5 inches provenance: private collection, France condition: ...

The River Thames at Eton/ Windsor British artist, late 19th century signed oil on canvas, framed framed: 18.5 x 28.5 inches canvas: 16.5 x 26 inches provenance: private collection, U...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

Fruit Still Life Attributed to Ferdinand Cirel (Welsh 1884 - 1968) signed bottom right oil on board, framed framed: 14 x 15 inches painting: 10 x 12 inches provenance: from a collect...

Chestnuts by the fireside Mark William Langlois ( British, 1848-1924) signed bottom right oil on canvas, framed framed: 26 x 21 inches painting: 21 x 27 inches provenance: private co...

Card Game in the Parlour by ALEXANDER AUSTEN (1859-1924) signed oil on canvas, framed framed: 17 x 15 inches canvas: 12 x 10 inches Provenance: Private collection, Yorkshire, England...

Classical Bird print, after John James Audubon, printed by Harry N. Abrams, Publishers, New York unframed, 17 x 14 inches color print on pap...

'The Century Atlas. South America, North-West Part' Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corners. Sheet 40cm by 29.5cm.

The Harvest English School, late 19th century oil on canvas, framed framed: 28 x 38 inches canvas: 20 x 30 inches provenance: private collection, Suffolk, England condition: very goo...

The Clan of Skene (Tartan) Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a sheet of descripti...

'The Century Atlas. Michigan, Southern Part.' Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corners. Sheet 40cm by 29.5cm.

'Upper Fountain of Siloam', tinted lithograph after David Roberts RA. Signed in stone lower right. Printed title below the image. Roberts travelled t...

'Cappella Sistina in Vaticano. Un giorno di Festa' Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Gr...

The Highland Glen by F. E. Jamieson (British 1895-1950) signed oil painting on canvas, framed framed: 24.5 x 34.5 inches canvas : 20 x 30 inches provenance: private collection, UK co...

Louis Lottier (1815-1892) French 'Merchants gathered on a beach with a town beyond Medium: oil on canvas, unframed. Size of panting 8.5" x 15" inches overall good and satisfactory c...

Title 19th Century English Stable Interior Mother Child Donkey Chickens Oil Painting Key Details Artist: English School, 19th century Title: A Mot...

'Piazza di Monte Cavallo e Palazzo pontificio del Quirinale' Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Grandeur', circa 1870. B...

Edward LADELL Picture Size: 20 x 16" (50 x 40cm) Outside Frame Size: 26 x 22" (65 x 55cm) An exquisite example of Ladell's painting. Signed with his traditional stylistic monogram,...

"The Harbour Mouth" by F. E. Jamieson (British 1895-1950) signed lower corner with the artists pseudonym 'Phil Hips' oil painting on canvas, unframed canvas: 16 x 24 inches Fine quality antique oil painting by the much admired and celebrated British artist F. E. Jamieson (1895-1950). The painting is signed by Jamieson to the lower corner with one of his pseudonym's "Phil Hips". The painting captures this rarer subject for the artist, depicting the mouth of a coastal inlet harbour entrance. F. E. Jamieson (1895-1950) We are extremely fortunate to have been handling the works of the enigmatic British artist, F. E. Jamieson since the year we began art dealing, 1989. Over this time, coupled with our love of the Scottish landscape, we have bought and sold many hundreds of his paintings, in all their various guises and subjects and are considered by many to be a leading authority on the artist and his work. We are also in the early stages of publishing the Catalogue Raisonne for this artist, of which this painting will be featured. Mr. Jamieson was largely a painter of Scottish landscapes and loch scenes. Born in 1895, Jamieson lived on the south coast of England and was contracted to a large department store to supply them with his paintings. He was an ambitious man and keen to sell more works than through just one shop. In order to do this, he started to sign his works with pseudonyms other than his own name, in order that he could sell his work to a wider audience. It worked and it is considered that Jamieson at least 15 different pseudonym names on his paintings. In addition to selling through furniture shops, Jamieson would travel door to door offering his paintings to housewives and private buyers. In our years of researching the artist, we heard one story related to us by an old customer who remembers that Jamieson started selling door...

'Budapest' Colour lithograph. 1901. 305mm by 240mm (sheet). Late 19th century German lithograph plan of Budapest, Hungary. Central horizontal fold.

'The Century Atlas. Michigan, Northern Part' Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corners. Sheet 29.5cm by 40cm.

"The Close of Day" by F. E. Jamieson (British 1895-1950) signed lower corner oil painting on canvas, unframed canvas: 16 x 24 inches Fine quality antique oil painting by the much ...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

Henry Charles Fox. English ( b.1855 - d.1929 ). Driving Sheep. Plaisters Lane, Sutton Poyntz, Weymouth, Dorset 1918. Watercolor On Paper. Signed & Dated 1918. Image size 18.9 i...

'The Century Atlas. Missouri. Northern Part.' Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corners. Sheet 29.5cm by 40cm.

'At Smithfield Market' Tinted lithograph with white highlights by Thomas Sidney Cooper, from 'Thirty-Four Subjects of Cattle', published in 1837 by Thos. McLean, Ackermann and Tilt....

'The Century Atlas. Louisiana' Inset map of 'New Orleans and Vicinity'. Original antique map, 1903. Central fold as issued. Map name and number printed on the reverse corners. Shee...

BENJAMIN WILLIAMS LEADER Benjamin W Leader is one of the most sought after Victorian landscape painters and a must for any collector. With some paintings realising over £100 000 in ...

'Dendrolaugus Goodfellowi Shawmayeri' Tree kangaroo native to New Guinea. From 'On the Genus Dendrolagus' by Lionel Walter Rothschild and Guy Dollman, published in 'Transactions ...

Very fine original antique English botanical watercolour paintings depicting this beautiful depiction of a flower/ plant. The work came to us from a private collection in Surrey, Eng...

Victorian Maritime Oil Painting of HMS Ganges anchored off Falmouth with Sailors alighting and on deck with Sailing Boats. Oil on artists card, laid on board and framed in its orig...