Entertainment Art

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) Jesus College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of Jesus College, Cambridge, engraved by P...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) Christ's College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of Christ's College, Cambridge, engrave...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) Emmanuel College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of Emmanuel College, Cambridge, engrave...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) The Auditoriums & Public Library, Cambridge Engraving 12 x 16 cm An eighteenth-century view of the auditoriums and ...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) Clare College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of Clare College, Cambridge, engraved by P...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) Map of Cambridge Engraving 12 x 16 cm An eighteenth-century view of Cambridge, engraved by Pieter van der Aa after ...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) Queens' College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of Queens' College, Cambridge, engraved ...

Robert Morden (British, circa 1650 – 1703) A map of Cumberland with hand colouring An engraving 14.1/4 x 16.5/8 in. (36.5 x 42.5 cm.)

Artist: Dennis Oppenheim, American (1938 - 2011) Title: Two Ways to Skin a Cat Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 100 Size: 39 in. x 27 in. (99.06 ...

Artist: Dennis Oppenheim, American (1938 - 2011) Title: No Room for Horses Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 100 Size: 39...

Oxford Street From Above By Michael Wallner [2015] limited_edition Brushed aluminium Edition number 25 Image size: H:91 cm x W:61 cm Complete Size of Un...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) St John's College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of St John's, Cambridge, engraved by P...

Gerard Tunney Night Dreamer Original Painting Sold Unframed A ballet figure suggested by a ballet suite of “A midsummer night’s dream” The figure rests d...

Laura Jordan Central Park NYC Limited Edition Print Edition 20 Image Size: H 49cm x W 54cm Sheet Size: H 59.5cm x W 59.5cm x D 0.1cm Sold Unframed Please note that in situ images ar...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Wadham College, Oxford (1675) Engraving 32 x 41 cm Loggan's view of Wadham from the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poste...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." William Kip (active 1598 - 1610) after Christopher Saxton (1540 - 1610). Map o...

To see our other original maps, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want....

To see our other original maps, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want....

To see our other original maps, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want....

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Coronation Arrangements – Map of London (1...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." John Dower (1825 - 1901) Map of Berkshire from an actual survey made in the ye...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Jesus College...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) The University of Oxford Botanic Garden Engraving 12 x 16 cm An eighteenth-century view of one of Oxford's dreamiest spaces: the Botanic Garden, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter. The University of Oxford Botanic Garden was founded in 1621 and is the oldest botanical garden in Great Britain. van der Aa's engraving focuses on its architectural qualities, with four features of the garden highlighted for their beauty, symmetry, and prowess of design. Of particular interest in this etching are the four trompe l'oeil pieces of gently curling paper which frame the gates of the garden. The Danby Gate (bottom left) at the front entrance to the garden is one of the three entrances designed by Nicholas Stone...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Jesus College, Oxford Engraving 12 x 16 cm An eighteenth-century view of Jesus College, engraved by Pieter van der Aa a...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Brasenose College, Oxford Engraving 12 x 16 cm An eighteenth-century view of 'Le Nez de Bronze', or Brasenose, engraved...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) St John's College, Oxford Engraving 12 x 16 cm An eighteenth-century view of St John's, engraved by Pieter van der Aa a...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Wadham College, Oxford Engraving 12 x 16 cm An eighteenth-century view of Wadham, engrave...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Gloucester College, Oxford (now Worcester College) Engraving 12 x 16 cm An eighteenth-century view of Worcester College...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Oriel College, Oxford Engraving 12 x 16 cm An eighteenth-century view of Oriel College, engraved by Pieter van der Aa a...

David Loggan (1634-1692) Engraving of Magdalen College, Oxford Engraving, 1674 32 x 42cm To see our other views of Oxford and Cambridge, scroll down ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

David Loggan (1634-1692) Winchester College Engraving 1675 40x46cm Baptised in Danzig in 1634 Loggan's parents were English and Scottish. Studyin...

Print Sz: 7 1/2"H x 10"W Print Sz: 11"H x 14"W Plate 116 C. Barry RA Archt Bridgewater House is a townhouse located at 14 Cleveland Row in the St James's area of London, England....

Artist Richard Erdoes is as undervalued as he is overlooked. Rarely does an artwork come on that market that combines sharp-witted originality with mind-boggling technical proficiency. In “Mid-Century Expressway,” Erodes painstakingly draws a birds-eye view of a Norman Rockwell-like town buzzing with activity. He paints far away and close up in one image. Each block has its own charming Americana story unfolding. The closer the viewer gets to each scene, the more detail is revealed. In black and white, the artist describes not only the architecture and infrastructure but also human activity - lot's of it. Erodes’s congested town is humming. Overflowing trains, packed busses, zooming cars, stuffed trucks, frenzied pedestrians and even a marching band is depicted with great whit. But do not worry. Progress is coming and all will be well. Superimposed onto this black and white clogged urban scene is a proposed new highway. It's painted in a punchy green and creates an unexpectedly distinct design. The artwork was most likely done for Fortune Magazine or the like. Notice he Esso Gasoline signs...

Signature: Initialed Lower Center "Self-Determination," by Robert Lansing and illustrated by Guernsey Moore for the Saturday Evening Post, April 9, 1921.

Map Sz: 18 3/4"H x 22 5/8"W Frame Sz: 27 1/2"H x 31"W Nuremberg: Homann Heirs, [circa 1740]. Copper-engraved map, with full original colour. A highly fascinating and attractive ma...

Jeffrey Pitt’s intricate paintings evolved out of the artist’s desire to interpret culture based on artistic and ceremonial expression. With a B.A. in Anthropology, Pitt has a great ...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Classic map compiled by: C.W. Owen, Jr 1948 of the 'Territory of the Potomac Hunt' Kennels: Travilah, MD Map Sz: 17"H x 18"W Frame Sz: 22"H x 23"W The Potomac Hunt is one of Maryl...

Embossing (gaufrage) with typographical color printing. Fine impression with good embossing on simili-japon paper, printed to the edges of the sheet (as issued). The combination of techniqes is unusual and may be unique. Ref: Artistes et Theatre d'Avant-Garde Programmes illustres Paris 1890-1900 Aitken p 22 pl 11; Artists and the Avant-Garde Theatre in Paris 1887-1890 Boyer p.44 pl 9. Alexandre Charpentier was French sculptor, medalist, craftsman, and cabinet-maker. He experimented with a wide variety of formats and materials—tin, marble, wood, leather, and terra cotta work, the latter executed by ceramic artisan Emile Müller...

Pintura acrilica en bastidor de madera sobre soporte de tela. Se suministra con los cantos acabados listo para ser colgado. Lleva una capa de barniz para evitar el polvo y la humed...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

Drawing with Staedtler pencil on white cardboard

medium: silver gouache on paper The artist says of the inspiration in her latest work . . . Moving to Washington, DC in 2016 changed me. The unraveling of this country's leadershi...

"Cemented". (Cimentada). Acrylic and mixed media on wood panel, 54x40x4 cm. The pictures of Raquel Fariñas are presented before our eyes with an almos...

Map Sz: 22 1/2"H x 17"W Frame Sz: 26 1/2"H x 20 3/4"W *w/ age toning/ slight creasing/ waving to mounted maps* Provenance: The Susie Hilfiger Collection From "Point of View", the...

US ARMY 2020 Stencil on 1881 military geography atlas maps (military map of the United States - eastern part) 45x57 cms (note that on the borders there ma...

Ink, watercolor, pencil, charcoal pencil on paper available framed Known for her idiosyncratic cartographic explorations of the psyche and mental states, Smith incorporates outer...

Drawn and engraved by Edw. Weller for Dr William Smith's 'Ancient Atlas' plate No. 10 Map Sz: 22 1/2"H x 17 3/8"W Frame Sz: 27 1/8"H x 22"W

Art Sz: 12"H x 24 3/4"W Frame Sz: 13 1/4"H x 25 7/8"W Hand-coloured by the artist The cornerstone of the Aintree Race Course was first laid in 1829, and the first Grand National took place shortly thereafter, in 1836. This map, published nearly 100 years later, shows little has changed in the intervening century, except for the prize purse which now fetches over 1 million pounds. The two mile course boasts 30 fences, individually numbered, the race consists of two laps . Ditches and water features provide additional obstacles and more accurately depict the environment encountered on “the hunt.” This map was drawn by prolific pictorial artist George Annand. Only 2 copies found in the OCLC – at Temple University and Yale. George Annand (June 9, 1890 - September, 1980) was an American graphic artist and cartographer active in New York during the middle part of the 20th century. Annand was born in Croswell, Michigan, the sun of a Scottish immigrant doctor who immigrated to the United States via Canada. He received his early education at a one-room schoolhouse in Croswell before he and his parents relocated to Detroit. It was in Detroit that Annand was first introduced to the arts, enrolling in Art School. Later, as a young man, Annand move to New. York City, where he continued his artistic studies at the Art Students League. In 1920 he married a childhood friend, Elizabeth Sinclair, who had been widowed during World War I. He adopted Elizabeth's two children and she and Annand shortly thereafter became pregnant with a third child. With a family to support and another bun in the oven Annand turned to the booming New York advertising industry, taking work with the National Biscuit...

THIS WORK IS SOLD UNFRAMED Carte de l'Europe by Paulémile Pissarro (1884 - 1972) Graphite on paper 12.9 x 20 cm (5 ¹/₈ x 7 ⁷/₈ inches) Provenance Estate of the Artist Yvonne Pissa...

This is one of many cartoons by Gahan Wilson where the subject morphs into the identity of his work. "Wish Not to Be Disturbed for the Duration of Winter - Playboy Cartoon from 1960...

Fabulous vintage c1938 colour map of Manhattan's historic district drawn by A. Zaidenberg in a bronze metal frame! Art Sz: 37-1/2" x 24-3/4" Frame Sz...

Print of an accomplished artist Jerry Meyer. Framed and signed.

Print of an accomplished artist Jerry Meyer.

Signed in pencil, numbered from the edition of 150. Printed by Alexander Heinrici, New York. Published by ARTContent Editions Limited, Vancouver.

Signed in pencil, numbered from the edition of 150. Printed by Alexander Heinrici, New York. Published by ARTContent Editions Limited, Vancouver.

Hillside Fence, Study 6, Teshikaga, Hokkaido, Japan, 2007 - Michael Kenna Signed, dated and numbered 22/45 on mount Signed, dated, inscribed with title and stamped with photographe...