Items Similar to Oriel College, Oxford engraving by Pieter van der Aa, after David Loggan
Want more images or videos?
Request additional images or videos from the seller
1 of 3
Pieter Van Der AaOriel College, Oxford engraving by Pieter van der Aa, after David Loggan1727
1727
About the Item
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Oriel College, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Oriel College, engraved by Pieter van der Aa after David Loggan, the noted engraver, draughtsman, and painter.
Pieter van der Aa of Leiden was a Dutch publisher best known for preparing maps and atlases, though he also printed editions of foreign bestsellers and illustrated volumes. He is noted for the many engravings he produced after David Loggan's series of Oxford and Cambridge colleges and costumes. In 1727 Van Der Aa illustrated "Les Delices de la Grande Bretagne & de L'Irelande" by James Beeverell, the book in which this engraving appears.
- Creator:Pieter Van Der Aa (1659 - 1733, Dutch)
- Creation Year:1727
- Dimensions:Height: 4.73 in (12 cm)Width: 6.3 in (16 cm)
- Medium:
- Period:
- Framing:Framing Options Available
- Condition:A good impression.
- Gallery Location:London, GB
- Reference Number:1stDibs: LU795311088032
Pieter Van Der Aa
Pieter van der Aa began his career at Leiden in 1683 as a Latin trade publisher, publishing classical texts about medicine and science. He was a Dutch publisher of maps and atlases active in the late 17th and early 18th centuries. During his long and impressive career, Van der Aa produced thousands of maps, including a vast 28 volume atlas containing no less than 3,000 maps.
About the Seller
4.8
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2014
1stDibs seller since 2017
282 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- John Speede Map The Countye Palatine of Chester with that most ancient citieBy John SpeedLocated in London, GBTo see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...Category
17th Century Realist Landscape Prints
MaterialsEngraving
- John Speede Map The Countye of MonmouthBy John SpeedLocated in London, GBTo see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...Category
17th Century Realist Landscape Prints
MaterialsEngraving
- 1782 View of Windsor Castle by James Fittler RA George Robertson John BoydellBy James FittlerLocated in London, GBTo see our other Architectural Prints and Drawings including other views of Windsor, scroll down to "More from this Seller" and below it click on "See all from this Seller." James Fittler (1758-1835) after George Robertson...Category
Mid-18th Century Realist Landscape Prints
MaterialsEngraving
- Southwark Cathedral engraving c. 1753 for Stow's Survey of LondonLocated in London, GBTo see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...Category
1750s Realist Landscape Prints
MaterialsEngraving
- 1800 'Map of London, Southwark, and parts adjacent' by Darton and HarveyLocated in London, GBDarton and Harvey (publisher) Map of London, Southwark, and parts adjacent (1800) Engraving 42 x 56 cm Original price "1 shilling".Category
Early 1800s Prints and Multiples
MaterialsEngraving, Paper
- David Loggan: Great St Mary's Church Cambridge University engraving 1690By David LogganLocated in London, GBTo see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...Category
1690s Realist Prints and Multiples
MaterialsEngraving
You May Also Like
- The Mill, Amsterdam, 1889By James Abbott McNeill WhistlerLocated in New York, NYJames Whistler (1834-1903), The Mill, 1889, etching and drypoint, signed in pencil with the butterfly on the tab and inscribed “imp”, and inscribed “first state” (twice) and annotated “Wunderlich” and signed again with the butterfly verso. Reference: Kennedy 413, first state (of 5). Glasgow 457, second state (of 6; see discussion below) (cf. Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2011) On laid paper, in very good condition, trimmed just outside of the platemark all around except for the tab by the artist, 6 1/4 x 9 3/8 inches. A very fine impression of this great rarity, printed in black/brown ink with a slight veil of plate tone. provenance: H. Wunderlich & Co., New York Louis B. Dailey, New York (Lugt 4500) sale, Sotheby’s, New York, October 31, 2003, lot 69 literature; Neue Lagerliste 122: James McNeill Whistler – Etchings...Category
1880s Impressionist Landscape Prints
MaterialsDrypoint, Etching
- VenusBy James Abbott McNeill WhistlerLocated in New York, NYJames Whistler (1834-1903), Venus, 1859. Etching and drypoint, printed in black ink on laid paper, an impression in the second (final) state: there was no published edition. 6 x 9 inches (15 x 22.6 cm) sheet 73/8 x 117/8 inches (18.8 x 30.3 cm) Reference: Kennedy 59; Glasgow 60 A very fine impression. A study of Héloïse, ‘Fumette’, asleep in bed, her head pressed into the pillow and the bedclothes covering her lower legs. This is one of three portraits Whistler made of Fumette in 1859: one of the others shows her standing and in the third only her head and shoulders are depicted. Venus is a work in the Realist tradition, and may be compared with Courbet’s nudes of the same period. The artist may also have had in mind Rembrandt’s study of Antiope in his etching Jupiter and Antiope. Venus was never published and there is no record of it being shown until 1898 when it was included in an Exhibition of Etchings, Drypoints and Lithographs by Whistler at H. Wunderlich & Co., New York. To have been overlooked for exhibition until so late in Whistler’s life might suggest that the subject was considered improper. Frederick Wedmore, whose catalogue of Whistler’s etchings...Category
1850s Impressionist Nude Prints
MaterialsDrypoint, Etching
- One Can't Tell Why - Proof from the Disasters of WarBy Francisco GoyaLocated in New York, NYFrancisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...Category
1810s Old Masters Figurative Prints
MaterialsDrypoint, Etching, Aquatint
- Surrealism between two wars, International Anthology of Contemporary EngravingBy Marcel DuchampLocated in London, GBThe complete set of eleven engravings by Jean Arp, Hans Bellmer, Victor Brauner, Paul Delvaux, Marcel Duchamp, Wilhelm Freddie, Wifredo Lam, René Magritte, André Masson, Roberto Matt...Category
1960s Surrealist Figurative Prints
MaterialsEngraving
- Dali 33 Vertical Portrait de Calderon engraving paintingBy Salvador DalíLocated in CORAL GABLES - MIAMI, FLWork of the Spanish artist SALVADOR DALI. Engraving of the series LA VIDA ES SUEÑO. Printed signature and date, as issued Catalog. OFFICIAL CATALOG GRAPHYC WORKS BY ALBERT FIELD Page...Category
Late 20th Century Surrealist Abstract Prints
MaterialsEngraving
- 8-foot "Thank You" monoprint in oil with collage, engraving and embossmentBy Mel BochnerLocated in Boca Raton, FL8-foot "Thank You" monoprint in oil with collage, engraving and embossment on handmade paper by artist Mel Bochner from Two Palms Publishing . Signed and dated in graphite on front l...Category
2010s Contemporary More Prints
MaterialsOil, Handmade Paper, Engraving, Monoprint
