Men Art

Amedeo Modigliani, After, Italian (1884 - 1920) - Tete de Femme III, Medium: Cast Stone Sculpture, Size: 22 x 6.5 x 5.5 in. (55.88 x 16.51 x 13.97 cm), Publisher: Austin Productions

On offer is a monumental pointillism painting, a reinterpretation of “A Sunday Afternoon on the Island of La Grande Jatte,” created a century earlier by French painter George Seurat,...

English School, mid 20th century The Showjumper oil on canvas board, unframed 16 x 20 inches private collection, France condition: The painting is in overall sound condition though ...

'Hidden Portraits XXXI', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an ageing...

A remarkable 18th-century nativity painting depicting the adoration of the shepherds as they pay their respects to the newborn Jesus Christ, who lies...

Auguste RODIN (1840–1917) (after) Ugolin in Prison, 1897 Heliogravure retouched with drypoint (Goupil Studio) Unsigned Limited edition of 125 unnumbered copies On vellum, 42.5 x 31 ...

This crowded theater scene shifts focus from performance to spectatorship, drawing inspiration from the cult spectacle of The Rocky Horror Picture Sho...

Impressive early American modernist opera view interior oil painting by Dorothy Van Loan (1904 - 1999). Framed. Oil on canvas. Signed. Image size,...

Dimensions with frame: 40 x 46 x 6 cm Signed "Bisi" in the lower left corner. This exceptional 19th century European landscape painting depicts a dramatic mountainous panorama animated by an elegant traveling party resting along a wooded riverbank. Executed in the Romantic tradition, the composition masterfully balances sweeping alpine peaks, atmospheric sky, and finely detailed foreground figures. In the distance, rugged mountains rise beneath a luminous sky filled with soft clouds, while warm autumnal tones enrich the rolling hills. The foreground reveals a noble entourage—figures on horseback, attendants, and travelers—gathered along a tranquil river. Their period attire and banners suggest a historical or courtly narrative, adding refinement and storytelling to the natural grandeur of the setting. The artist demonstrates remarkable skill in perspective and light, creating depth through layered mountains and delicate atmospheric effects. The foliage is rendered with meticulous detail, and the interplay of shadow and sunlight enhances the romantic mood of the scene. Likely Continental European, this work embodies the ideals of 19th century Romantic landscape painting, where nature’s sublimity meets human presence. The piece would make a distinguished addition to a traditional, classical, or Grand Tour–inspired interior. A refined and decorative work of strong visual impact, combining historical charm, painterly finesse, and timeless appeal. 19th century landscape painting, antique European landscape, Romantic mountain painting, alpine landscape art, Grand Tour painting, historical scene painting, equestrian figures painting, classical European art, antique oil painting, 1800s landscape artwork, Continental school painting...

Large white marble sculpture depicting Venus, from the workshop of John Gibson, Rome, circa 1850. Known as Venus Verticordia or Venus Colored, its history is fascinating. John Gibson (June 19, 1790 - January 27, 1866) was a prominent Welsh neoclassical sculptor. He studied in Rome with Canova and opened his own workshop there, where he worked until his death. Born in Wales and raised in Liverpool, John Gibson had a brilliant career. After completing his apprenticeship at the age of 26, this ambitious Welshman arrived in London as a promising artist. He exhibited several times at the Royal Academy and, within two years, realized the dream of every young sculptor of his time: to study in Rome. The next two years spent with Canova shaped his career and sculptural approach. Gibson also studied with Bertel Thorvaldsen and, at the age of 31, opened his workshop on Via della Fontanella, near Piazza del Popolo. John Gibson's workshop was one of the largest in Rome during his lifetime; it was an essential stop on the circuit of Roman sculptors' workshops, as described in Hawks Le Grice's famous 1840 manual. He employed specialized modelers, sculptors, and trainers and counted among his students several promising artists, such as Harriet Hosmer...

The Monkey is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publishe...

This mural study is part of our exhibition America Coast to Coast: Artists of the 1930s San Pedro Post Office: History of Writing Mural South, Preliminary Mural Maquette right panel...

Eleanor Arnold Clark (American, 1911-1982) The Meeting Oil on canvas Signed lower right 25 x 29 inches 36 x 40 inches, framed Eleanor Arnold Clark was born in Pittsburgh, Pennsylva...

Artist: Basquiat, Jean Michel Title: Piano Lesson Series: Superhero Portfolio Date: 1982-1987/2022 Medium: Screenprint Unframed Dimensions: 40" x 40" Framed Dimensions: 46" x ...

circa 1964: New York DJ Slim Hyatt at work in Shepheard's night club whose decor recreates a famous Cairo bar. Two gold and turquoise sphinxes flank the DJ, who is posed behind two record players and before a glittering sculpture. Hyatt is often credited as the first disco DJ in the US. Initially hired by Oliver Coquelin upon the opening of Le Club, Hyatt quickly became one of the most revered figures in the emerging disco scene. He also DJed at Doubles from 1984 to 1995, and has been called by the painter and bandleader Peter Duchin “the first discotheque artist in New York." Slim and Sphinx, 1964 Slim Aarons Estate Edition Photograph Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. Chromogenic Lambda C-type print on Fuji Crystal Archive Paper Crisp detail, continuous tone and brilliant color Paper weight 210gms Matte Satin Surface Printed Later Collector will get the next number in the edition Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure, a history of glamour that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Complimentary dealer shipping to your framer. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun. Increasingly known for his influence, Aarons's casually glamorous jetset aesthetic can be seen today in fashion, art, and celebrity photography. Recent articles credit his work with inspiring the casually flawless style of top Instagram influencers, full of sunshine and escapism. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Internal: Vintage New York, Vintage glamour, 60's glamour, Vintage DJ...

Medium: original lithograph. This lithograph was printed in 1954 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

This is an etched portrait of a pensive woman wearing a detailed cloth head scarf by George Woolliscroft Rhead (1854-1920). It may be entitled "A Fisher Wife", but this can not be co...

We bought a number of these still lifes from a Russian painter years back, and this one recently turned up in our inventory. Aside from its overall quality, what's wonderful about it...

This large and strong oil painting, called The Power, is part of Alter Ego series and is inspired by Carl Jung’s psychology. Warm yellows and oranges against deep black and blue. A s...

Caesar on his way to Pompeii. 1999, canvas, oil, 40x50 cm

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographi...

Pablo Picasso Grande Tête De Femme Au Chapeau Orné (Woman’s Big Head with Decked Hat), 1964 A.R. 518 is a remarkable and beautiful work. It represents Picasso’s most important relati...

This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley's passing. The series represents the amazing breadth of Marley's...

Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed. Impressions of this work are held in the collections of the Los Angeles County Museum of Art, and Scripps College. ABOUT THIS WORK “The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018 ABOUT THE ARTIST Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.” Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history. Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center. Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement." From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art. Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University. Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Sam...

11 x 14" vintage silver gelatin photograph of Adult film star Cal Culver (AKA Casey Donovan) photographed in 1972 for the cover of 'After Dark' magazine....

Portrait of the Artists Mother *see below by Gladys Marguerite Baker (British, 1889-1959) signed, titled verso oil on canvas, framed framed: 29 x 17 inches canvas: 24 x 12 inches Pr...

"Figures" is an original woodcut artwork realized in 1969 by Mino Maccari (1898-1989). Hand-signed on the lower right in pencil, dated and numbered on the lower left, edition of 48...

Born in Gardner, Massachusetts in 1876, painter, writer and teacher Emma Alice (Polly) Parker Nordell studied at the Rhode Island School of Design under Stacy Tolman and Sydney R. Burleigh, Art Students League under Frank DuMond and Robert Henri, Chase School of Art with William Merritt Chase in New York City and at the Academie de la Grand Chaumiere in Paris under the tutelage of Lucien Simon and Emile Menard...

Original 1918 Gerrit A. Beneker "Sure! We'll Finish the Job" Victory Liberty Loan Poster, archival linen-backed in good condition, ready to frame. Grade B+ An iconic and authentic ...

Portrait of a Gentleman wearing a Ruff Collar Dutch/ French artist, 18th century oil painting on copper, unframed copper board : 6.75 x 5 inches provenance: private collection, UK co...

Gelatin silver print, vintage Studio stamp in red ink, verso 12 x 9.5 inches, sheet Robert Doisneau (1912-1994), along with Henri Cartier-Bresson, was a pioneer of photojournalism, ...

Jim Dine (Born 1935) Harvard Self-Portrait with Glasses in Sepia etching, soft-ground etching, drypoint and photogravure printed in red-brown ink, 1978 Signed in pencil lower left (see photo) Annotated A/P lower center Dated 1978 lower right Inscribd in red pencil beneath the image (see photos) Published by Pace Printed on Richard de Bas Narcissus Edition: 10, plus 4 AP, this one of the A/P Proofed by Mitchell Friedman, Cambridge, printed in New York Photogravure by Deli Sacilotto, New York Dedicated in red pencil: "Happy Birthday, Joel/Nancy & Jimmy, April 1978" Provenance: Gift of the artist and his wife Nancy Joel Grey, Famous actor and artist Reference: D'Oench and Feinberg 25 Jim Dine etching...

An interesting white marble sculpture, carved in classical greek style that present a suggestive and an intense portrait of the greek philosopher Epicurus. Carved in the Italian whi...

The Announcing Angel Lucrina Fetti, née Giustina Fetti (Rome, c. 1590 – Mantua, 1673) attributed to Oil on canvas 75 x 62 cm. - Antique gilded wooden frame 87 x 74 cm. The wo...

"Moko Jumbie (Antigua Dream)" is a one-of-a-kind piece created by Eustace Mamba. This oils on canvas, mounted to gold floating frame painting measures 28"h x 22"w framed and ships wi...

Artist: Jeffrey Mayer Limited Edition: Signed and hand numbered in the margin, archival pigment print on 100% cotton paper with a Baryta finish. Authorized worldwide release of 100 ...

This piece is a photolithograph from the original negative by Laszlo Willinger, originally taken in 1942 and printed at a later date. It depicts German actress, Marlene Dietrich...

6156 Dancing in the south of France SurLes Arbres by Crosse Rapped canvas

An exotic hashira-e shaped work, an homage to the heavy influence Japanese printmaking had on the artist. London: 1880 Etching with drypoint on cream laid Van Gelder Zonen paper wit...

Jacques-Francois Delyen (1684-1761), Court Painter of King Louis XV. A Magnificent Pair of Palatial "French Royal" Allegorical Paintings "Aurora and Diana" "Night and Day" A truly ...

19th Century Portrait of a Germanic Warrior Chief Wearing a Winged Helmet The figure appears to be a romanticized Germanic warrior representation: the dramatic winged helmet, fur cl...

After Giambologna (Italian, 1529-1608) Mercury Standing on the Breath of Zeus Bronze 27.5 x 14.25 x 5.5 inches The sculpture depicts Mercury wearing his winged helmet and sandals and holding a caduceus. Created after one of Giambologna's most celebrated sculptures in the Renaissance, Mercury, was designed as part of a fountain for the Villa Medici in Rome.The head on which Mercury steps symbolizes the figure being “exhaled, purified, unburdened.” When the Giambologna sculpture...

This artwork is offered by ClampArt, located in New York City. “Bruce Sargeant is a mythic figure in the modern art movement. He embodies a world that is in many ways lost to us; he...

A striking Art Deco watercolor created after an original design by René Vincent (1879-1936), this lively golfing scene beautifully captures the wit, movement, and graphic sophisticat...

School Play by Norman Rockwell, (1894 - 1978) Date: 1983 Medium: Poster Edition: 497/2500 Size: 29 in. x 25.5 in. (73.66 cm x 64.77 cm)

Self Portrait of the Artist by Jacob Markiel (Polish 1911-2008) *See notes below oil on canvas laid on board, unframed board: 15 x 12.5 inches inscribed verso provenance: the artists...

Oil on canvas by Amedee de La PATELLIERE, France, 1928. Eclipse with four characters. With frame: 63x54 cm - 24.8x21.25 inches ; without frame: 41x33 cm - 16.15x13 inches. Format 6F....

Measurements Male: Figure: H=35” W=15” D=8” with base H=6’4” weight ca. 600 lbs. Edition of 9 2009 Measurements Female: Figure: H=34” W=14” D=7.5” with base H=6’-3” weigh...

Copy of a Portrait of Pierre Seriziat by Jacques Louis David which was painted in 1795 , David 1748-1825, this picture is a direct copy by an artist by the name of F. Hamilton. There...

William Gropper Unemployment WPA American Scene Realism Mid 20th Century Modern William Gropper (1898 - 1977) "Unemployment" 7 1/2 x 5 1/4 inches Ink on paper, c. 1930s Signed lower...

Bahamas Speed Week 1963 by Slim Aarons Slim Aarons Limited Estate Edition Gordon Butler’s Chevrolet Corvette Sting Ray at the Bahamas Speed Week at th...

The Rolling Stones "Mick Feeding Goat" - Outtake from the famous photo shoot of The Rolling Stones for their Beggars Banquet album at Sarum Chase mansion, Hampstead, London, 1968, si...

Unsigned Ink wash on paper 7.5 x 10 inches (19.1 x 25.4 cm) image This artwork is offered by CLAMP, New York.

Mark Beard [Bruce Sargeant (1898-1938)] Wrestler Standing, n.d. Signed, u.r. Oil on canvas 30 x 24 inches (76.2 x 61 cm) $5,000 + $350 framing

A large, striking, finely drawn 1930s Cubist Modern WPA Era mural study ink drawing of a rural farm scene (Batchelder Farm, Stillwater, MN) by notable Chicago Institute of Design art...

This striking monochromatic underwater fine art portrait captures celebrity Justin Jedlica in a moment of aquatic serenity. The high-contrast black and white treatment emphasizes the...

The English Hunting Party late 20th century signed oil on canvas, framed framed: 21 x 25.5 inches canvas: 16 x 20 inches provenance: private collection, UK condition: very good and s...

Paper Size: 39.5 x 24.5 inches ( 100.33 x 62.23 cm ) Image Size: 31.25 x 24.5 inches ( 79.375 x 62.23 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Sup...

ARTIST: Salvador Dali TITLE: Salom, Herod, and The Head of John The Baptist Original Drawing in "The Secret Life of Salvador Dali" Book MEDIUM: Original Drawing SIGNED: Hand Signe...