Wheel Art

Richard Avedon was an American fashion and portrait photographer who's work often showed the vulnerability and humanity in celebrities. This poster is signed in marker. Published by ...

In this detailed, hand-drawn and drafted work in ink on paper by Polish artist Wojtek Kowalczyk, a stampede of horses runs down the center of the composition. Markedly though, the ho...

"Guggenheim Museum" by Keystone A night time view of The Guggenheim Museum, New York, circa 1959, designed by Frank Lloyd Wright. Unframed Paper Size: 20" x 24'' (inches) Printed 2...

"It's The Pits" by Ronald Startup 13th September 1953: Mechanics in the pitstop at the Monza Grand Prix in Italy. Original Publication: Picture Post ...

"Drive-In Coffee Shop" by Kurt Hutton April 1951: Cars parked outside Simons Drive-In Coffee Shop in the Hollywood district of Los Angeles, California. Or...

Original drypoint in mint condition printed in greenish black ink on wove paper by well-known New York artist and printmaker Martin Lewis (1881-1962). The print is signed in pencil ...

"William Burroughs" by Evening Standard 9th September 1966: American writer William S Burroughs (1914 - 1997) sitting in a wheelchair. Unframed Paper Size: 20"x 16'' (inches) Prin...

"Bluebird Press Photos" by Central Press 9th January 1935: Cameramen filming British racing driver Malcolm Campbell as he poses with a new Bluebird whic...

"Ascari At Silverstone" by Express 25th August 1949: Italian motor racing driver Alberto Ascari (left) approaching Stowe Corner in a Ferrari during the ...

"Juan Manuel Fangio" by Evening Standard Argentinian racing driver Juan Manuel Fangio in a Ferrari at Silverstone racetrack. Unframed Paper Size: 30" x...

"Dukeries District" by Topical Press Agency A German Opel racer leaving Welbeck Abbey, the seat of the dukes of Portland in Nottinghamshire, during the Prince Henry...

Ernest Fiene Along the Kanahawa River, West Virginia, 1936 Signed lower right Oil on canvas 26 x 36 inches Fiene made a series of paintings, drawings and lithographs which are based on his travels through Pennsylvania and West Virginia during the winter of 1935-36. The industrial areas of Pennsylvania and West Virginia are represented in numerous oils, among which are some of his most well-known. Fiene wrote of the trip, "The increasing snow and atmospheric conditions [in the Kanawha River valley} enhanced this mountainous coal mining country with a majestic beauty." Winter on the River is Fiene's only American Artists Group print and there were only two lithographs produced from the West Virginia trip. The American Artists Group (AAG), under the direction of Carl Zigrosser, who was then working at New York's famed Weyhe Gallery, published ninety-three prints by over fifty artists in 1936 and 1937. Zigrosser's goal was to popularize contemporary American art through original prints offered at the low price of $2.75. The project was also a means to provide income for impoverished artists during the Depression. The prints were featured in many of the leading print exhibitions and publications of the period. The lithograph produced from this image is now in the collection of the Amon Carter Museum, Baltimore Museum of Art, Cleveland Museum of Art, Philadelphia Museum of Art, Pensacola Museum of Art, San Francisco Fine Arts Museum, Syracuse Museum, Yale University Art Museum. Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Delirio Exótico #3 by Paloma Castello From Exotic Delirium series Collage Photographic print on cotton paper 32.6 in. H x 47.2 in. W x 0.1 in. D Edition : 3/5 + 1AP Unframed 2020 C...

Mikael Olson's (US based) "Zip Zoom Zoey" is an original, handmade oil painting that depicts a busy cityscape with people and bicycles filling the street. Born in Denver in 1973, Mi...

Cosmic Spheres, Biblioteca Comunale Imola, Italy 2022 In this photograph, light strikes an an elegant green and wood armillary sphere on a black and gold lathe mount, before a seri...

This is a one of a kind original acrylic and gold leaf still life painting by San Diego artist, Duke Windsor. Its dimensions are 12"x12". It is framed. A certificate of authenticity ...

A view of Tullyree Mill in the Mourne Mountains, Northern Ireland. Inscribed with the location to the lower-left edge. Unsigned. On canvas on stretche...

R.P. Cochran Austin Artist Image Size: 16 x 20 Frame Size: 23 x27 Medium: Oil "Ranch House"

11" x 20" Unframed Limited Edition Serigraph of 295 Hand Signed by Annora Spence

Coffee Espresso Series 2 is an original artwork by Eliza Southwood. It features one cyclist Eliza Southwood cycling prints available for sale with Wychwood art...

Marc Etherington’s works take pop culture, childhood memories and everyday domestic life as their subject matter, rendering them through a darkly humorous and sometimes absurd lens. ...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...

Rescue efforts in Skopje is a black and white vintage photo, realized in 1963. Army units dig through the ruins of collapsed houses in Skopje, capital of Yugoslav Macedonia, in the ...

The crashed cars is a black and white vintage photo, realized in 1956. On their way to an evening party in connection with the Paediatric  Congress in Copenhagen, three doctors coll...

Inspired by history, the beauty of nature, and the play of light, Higgins Bond has created a distinguished career for herself as an illustrator and fine artist. After earning her BFA in Advertising Design from The Memphis College of Art, Bond began her career as an illustrator. She illustrated over 40 books for both children and adults and created three paintings for the Great Kings and Queens of Africa...

Dunham, Gregory (American, born 1946). HAYMARKET III. Drawing, pencil on paper, 1983. Signed and dated, lower left. 29 3/4 x 22 1/4 inches, the full sheet, with deckle on all sides....

Tropicarios #1 From The Tropicarios series by Paloma Castello Digital photography print on chroma luxe. 33" x 21,6" Edition : 3/5 + 1AP Similar to the travel logs of the ancient e...

Tropicarios #2 from Tropicarios series, 2017 by Paloma Castello Digital photography print on chroma luxe. Image size: 33" W x 21,6" H inches Edition : 3/5 + 1AP Similar to the trav...

An image I captured on a summer day in New York. Are you a bike fan who loves bicycles? These make perfect gift ideas for friends and family who can’t get enough bicycle art and m...

Colin Allbrook Winter Dusk, Brugge Original Contemporary Oil Painting Oil Paint on Board Board Size: 31 cm x 41 cm x 0.5 cm Sold framed Winter Dusk, Brugge is an original painting b...

Warm tonal landscape western painting with a cow skull in the immediate foreground and a wagon in the midground. The painting is signed by the artist Lem Pa...

Oil on canvas Su Yu is a Chinese artist born in 1987 who lives & works in Beijing in China. He was an old student of prestigious art teachers as Shi Liang & Chen Danqing at Oil Painting Institute in Beijing. This painting Red and Green Farce is based on the author Bernini's classic sculpture Robbing Parsephone as the creation of the cornerstone. From three-dimensional monochrome sculptures to paintings of figures with urban backgrounds and baroque colors. This distinguishes mechanical painting...

Oil on canvas Tatiana Radsivilko is a Belarussian artist born in 1968 who lives & works in Minsk in Belarus. She is graduated from the Belarusian ...

Coffee Espresso #13 by Eliza Southwood [2022] Coffee Espresso #13 is an original coffee on paper by artist Eliza Southwood. It features one cyclist painted in coffee, combining cycl...

Sailing Diptych by Kate Heiss Consists of Burnham Overy Staithe Sailing To Scolt Head Each individual print is H 30 cm x W 30 cm x D 0.5 cm Minimum wall space required landscape H 30 cm x W 60 cm Minimum wall space required portrait H 60 cm x W 30 cm Oil based inks on somerset velvet paper Please note that insitu images are purely an indication of how a piece may look Kate Heiss is a textile designer and print-maker who has worked with a wide range of fashion brands including Fenchurch, Miss Selfridge and the Japanese fashion designer Michiko Koshino...

Antique American modernist cityscape painting titled "The Junk Collector" by Clarence E. Van Duzer (1920 - 2009). Oil on board, circa 193...

Coffee Espresso #13 by Eliza Southwood [2022] original and hand signed by the artist Coffee on Paper Image size: H:42 cm x W:60 cm Complete Size of Unframed Work: H:42 cm x W:60 cm ...

May 6, 1976 -Friuli earthquake- Gemona is a black and white vintage photo, realized in May 12, 1976. Good conditions and aged. It belongs to a historical and nostalgic album includ...

Artist: Jonathan Singer, American Title: Giant Pink Amazon Waterlily on Black Year: 2014 Medium: Digital Photograph, signed in pencil Image Size: 13 x 10 inches Size: 22.5 x 16 in. (...

Edition of 15 Christopher Colville is an American artist working to push the boundaries of the photographic medium in both experimental and traditional forms. His images are created...

Coffee Espresso #18 By Eliza southwood [2023] Original Coffee on Paper. Coffee Espresso #18 by Eliza Southwood [2023] original Coffee on Paper Image Size: H:42.5 cm x W:60 cm Comple...

Eliza Southwood Silk screen print, Kwaremont of 50 x 70 cm on Colourplan 320 gsm . Cycling print for sale. Size: H:70 cm x W:51 cm. Artist...

Three-dimensional color lithographic construction with moving elements. Hand signed top left by Red Grooms. Hand numbered 24/75 top right. Plexiglass box size: 23.125 x 30.625 x 6...

A unique monotype by noted Canadian artist and actor Stephen Lack. The image measures 16 x 22 inches on a 22.5 x 27.5 inch sheet. The artwork is signed, dated, titled and numbered ...

Abstract view of the female body, shot amongst the cattails in Long Island, NY. Fine art photo mounted on di-bond aluminum. Custom printing/mounting/framing options available upon r...

Michael Atkin. Miss last is startled. Miss Last was heading to the postbox, when suddenly two cyclists tore past her at an alarming speed, they were out pacing themselves in prepara...

4" x 5" Unframed Closed Edition Photograph MAGNUM Photography

Dukeries District - Silver Gelatin Fibre Print (Photo by Topical Press Agency/Getty Images) A German Opel racer leaving Welbeck Abbey, the seat of the dukes of Portland in Nottinghamshire, during the Prince Henry...

Lucille Brown takes control of the Vespa scooter as her husband Louis Armstrong (1898 - 1971) displays his musical appreciation of the ancient Colosseum in Rome. Slim Aarons Jazz S...

K-narf, French (b. 1970) Collage photo artwork (Graffiti Vans) (2011) Tape-o-graph photography Signed lower right, numbered 1/5 16 x 12 7/8 inches K-NARF was born in 1970 in Saint-Etienne, France and now lives in Tokyo. K-NARF invented PHOTOGRAFFITI a contemporary way of making street photography that lead him to develop his singular Tape-o-Graphy technique. It involves the application of adhesive tape strips on developed photographs in order to manually process the photographs giving them a unique surface texture and extraordinary appearance. Open to influences from street art and video, he uses the medium of photography as a toy to create and play. Both conceptual and experimental, definitely non-conventional, his work documents, recycles and collects the visual anachronisms of a world in a perpetual mutation. Through the years, K-narf often got support from key figures of the art world such as Teruo Kurosaki (Idee, Tokyo), Rotraut and Daniel Klein-Moquay (Yves Klein Estate), Joel Meyerowitz (pioneer of contemporary color photography), Jacques Attali (French writer), Olivier Gay (Architect & Art collector) and Yoichi Nakamuta (curator & Art producer). He collaborates on regular basic with...

Coffee Espresso #4 by Eliza Southwood [2022] original Coffee on Paper Image size: H:42 cm x W:59 cm Complete Size of Unframed Work: H:42 cm x W:59 cm x D:0.1cm Sold Unframed Please ...

Erin Rockers City Market Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matte...

Artist: Jon Naar, British (1920 - ) Title: Eddie from Faith of Graffiti Year: 1974 Medium: Serigraph, signed and numbered in pencil Edition: 250 Size: 24.5 x 34 inches Printed by Circle Press, Chicago Published by Documentary Photos NYC Graffiti...

Roadsweeper on the streets of Yangon – Cawston won the BJP Nikon Endframe Award in 2009. His prize was funding for a dream project and he chose to travel the length of the Yangtze ri...

Audrey Hepburn, c11_9 -- Audrey Hepburn on the set of Sabrina. Out take of the photo essay for the December 7, 1953 issue of LIFE. Image size is 10" x 15" (for 11" x 17" paper size)....

An original woodblock print by artist Mizin Shin. This piece is framed in a simple black wood frame presentation. Each print is signed and dated on the verso. Shin has used these ...