Antique Clock Cases

headed winged lion) and flanked by a pair of reclining sphinx. The clock case etc. is made of black

case, which stands on a wide stepped base, on toupie feet. The clock is crowned by a classical gilt

white Italian marble mantle clock case is decorated with detailed hand painted Sevres porcelain plaques

relief panel of a hunt. The base supports the centrally placed, square-faced clock case, which is inset

plinth raised on ormolu bun feet, and the architectural clock case is densely ornamented in high relief

the Golden Fleece, which is mounted above the clock's case, this magnificent piece is a large Empire

style. The sculptural clock case is composed of terracotta and features a woman leaning on the clock

an arrow. His finger is raised to his lips. His quiver of arrows rests atop the clock case, with a

A good looking Clock. Mfg. in New York by Ansonia clock co. Shows label on back. 8 Day striker

black marble and green malachite, both of which accented with gilt engraving. The clock case is plinth

capital, supporting the malachite top. Between the columns, there is a drum clock case which features an

and slate clock case with elaborate bronze mounts. The architectural case is surmounted by a finely

The clock is signed by the Clockmaker Festeau Le Jeune. The case after a design of François Vion in

people. This chair-shaped clock case is crafted from gilt bronze (ormolu) and decorated with festoons and

on bun feet, above which there are mounted urns and a fountain on the lower part of the clock case

A fine quality Napoleon III mantle clock with a case of gilded, silvered, and patinated bronze. The

A fine example of a French Empire period mantle clock, circa 1830. The rectangular stepped case is

This graceful, joyous antique clock set is a reminder of why the 19th century Parisian clockmaking

case are further charming touches. The circular clock dial sits in the centre of the piece within an

, centred by the 'jewelled' porcelain dial depicting two cherubs. The clock case is surmounted by a

. Crafted from porcelain, the vase-form clock case is mounted with a gilt bronze stem, and a pair of gilt

. At the heart of the ensemble, the clock case is exquisitely adorned with flowing C-scrolls, sweeping

Lenzkirch Mantel Clock Circa 1895-1900 in Walnut Case A Lenzkirch mantel clock, dated circa 1895

Lenzkirch Mantel Clock from the Early 20th Century in Walnut Case Lenzkirch Mantel Clock, dated

the gold and dark brown surface finishes strikingly complimenting one another. The ormolu clock case

and foliage. There is a further gilt mount running all the way around the edge of the clock case, in

large clock case decorated overall with very fine ‘Vernis Martin’ lacquer paint with floral sprays and

the duration of the battery life. Housed in a mahogany dial clock case with turned dial frame and

France and dating to approximately 1880 and done in the period Louis XVI style. The clock case is comosed

Roman numeral enamel dial and ornate hands The architectural clock case is adorned with intricate

, producing furniture mounts, candelabra, and clock cases for the homes of the regime. Dimensions: Height 31

Roman numerals. Next to the chair is an incense burner in the shape of an urn. The clock case below the

Description Swedish Rococo bracket clock in two parts, consisting of the clock case and matching wall bracket

pediment atop the clock case. The face is of white enamel, featuring black Roman numerals and signed

. The clock case is decorated in a beautiful turquoise champlevé enamel, with pink flowers and Japonisme

. The base supports the clock case itself, which is wrought to resemble a lyre: the dial is set into the

clock case represent Sidereal and Terrestial Time, commonly called Astronomy and Geography. In a French

the case is inset with a dial within a gilt bronze bezel and beneath glass. Strikingly, the clock case

Vase. The exquisite geometric design of the clock case is crafted from Portoro marble and white onyx

on a shell. A rudder or oar stands vertically beside her. The clock case and sculptural group are

Rococo-style foliate feet. The clock case is further mounted with gilt bronze putti and garlands. The top

, both surmounted by gilt bronze swan heads. The entire clock case is surmounted by a gilt bronze bust of

the form of a pedestal on a wide, shaped base. The clock case is cast in gilt bronze, the quality of

An antique oval mantel clock by Seth Thomas with crystal case.. Measures - 9.5"h x 7.25"w x 5.75"d

Antique chased Ormolu clock case ornamented with hand pierced all over foliate pattern scrollwork

1867-1900. It is very possible that the luxuriously sculpted ormolu clock case with its musical motif

scrolled branches. The clock case bearing a stamp to the underside "MASSELOTTE" and number 3358, the

putti, maidens, floral elements, acanthus leaves, and lions heads and paw feet. The clock case is

plinth-form clock case, the case inset with a circular silvered dial. The base and case are moulded with

English yew wood tall case clock with narrow proportions.

clock. The clock case has a full carved column on each side of the front door. The case is newly

classical symbols, all wrought from gilt bronze and mounted onto the malachite clock case. The mounts

Bracket clock with astronomical dial and mahogany wood case. Amsterdam, 18th century. Johannes

centrally positioned on the clock case. Around it, the gilt bronze case has been masterfully cast with

) sculpture of an Egyptian woman at its apex. The woman stands on a cuboid clock case and is accompanied, on

fine parquetry shaped case with floral vine marquetry sides and tall cabriole legs. The brass clock

, such as curling acanthus leaves and rocailles. The plinth-like clock case is raised on a flat base