Bronze Clock With Marble Base

The large pendulum on a Sienese marble base with patinated bronze frieze as well as large fully

marble base, a joyful putto rides a flower-laden chariot drawn by two powerfully modeled panthers, their

clock, signed Deniere, Paris. Raised on a base with inset white marble panels, gilded ormolu scrolling

features an ornate clock mounted on a carriage drawn by two deer, all crafted in gilt bronze (ormolu) on a

. Two-toned, gilt bronze cast, finely chased. Rectangular dark green marble base, supported by bun feet

A lovely, solid bronze mantel clock depicting Ariadne and the Panther, after the famous sculpture

Grand ormolu and marble clock set by Raingo Frères and Salmson French, Late 19th Century Clock

French 19th Century Louis XVI Ormolu & Marble Clock Set by Samuel Marti. Samuel Marti et Cie

raised on a stepped base with green Verde Antico marble and bun feet. 8-day duration movement with

A very fine French 19th century Louis XV style gilt bronze and white marble figural mantel clock

mounts decorate this lovely base. Toupee feet support the Clock. The bronze which stands on top is by

mounts decorate this lovely base. Toupee feet support the clock. The bronze which stands on top is by

. Elegantly raised on a sienna marble base, the clock's physical presence is nothing short of a visual

A Louis XVI period mantel (fireplace) clock by Bruel of Paris Constructed in Carrara marble and

French marble clock and garniture set, Louis XVI style. Crystal regulator clock with marble base

Exceptional because it is a beautiful case of Carrara marble with black Fluted columns, with bronze

French Art Nouveau bronze dore grandfather clock with marble & onyx pedestal top and base. *Not

Louis XVI ormolu-mounted black and white marble mantel clock, Paris, 1800. The white enamel dial

The base with bronze bacchus masks.

A very fine 19th century French Louis XVI style Rouge marble and ormolu mantle clock by Raingo

constructed in gilt bronze mounted Italian Carrara marble; the timepiece with stepped elliptical base rising

A good quality French gilded ormolu, bronze and rouge marble mantel clock, in the Louis XVI style

An exceptional and supremely refined large French Louis XVI style Ormolu and White Marble Clock

A Very Fine Gilt-Bronze Clock With A White Marble Base by François Linke. The case signed

scholarly allegory.The Allegory of the PlaqueThe bronze group atop the clock depicts a female

mythology. On Falconet's clock, these were completed in white marble; here, they are opulently finished in

French Style Gravity Driven Industrial Elevator Industrial Clock w Marble Base Here we have a

marble and patinated Bronze clock, signed Imperial. The clock is raised on six Ormolu foliate topie feet

18th century Louis XVI ormolu and marble cercle tournant mantel clock by Lapaute French, Late 18th

A mantel clock in the Louis XV manner. Constructed in white Carrara marble and gilt bronze; the

produced movements for a huge range of French mantel clocks, particularly gilt-bronze and marble examples

Verde marble stepped base with applied ormolu mount and gilded turned feet. The body of the clock acting

two lovers talking across the clock. Marchand has used a fine combination of rouge marble and fire

the form of a pedestal on a wide, shaped base. The clock case is cast in gilt bronze, the quality of

central foliate mount. At the center of the circular stepped black Belgian marble base is the clock face

This resplendent French Empire gilt bronze mantel clock features an extraordinarily detailed scene

rectangular base with gilt bronze mountings, standing on four ormolu legs. The works by Dufaud, Paris

on a black marble base supported by gilded bronze feet. The while enamel dial shows the hours in

to the stepped lower marble base. A bronze bust of homer sits on top of the clock. The dial is

Refined neoclassical clock in gilded bronze and marble base. The body consists of a classical

modifications to the back of the clock dial including the addition of a marble base to accommodate a longer

Cie (French, 1841- ), circa 1870, finely cast gilt bronze and marble mantel clock in the Louis XVI

above a stepped onyx base. The clock workings visible through the open dial. The dial is of gilt-bronze

, mother-of-pearl, and semi-precious stones on a structure of black marble and green onyx. The clock base

under the clock face. The face rests upon an acanthus man mascron mounted to a stepped grey marble base

A French Empire Clock depicting Psyche playing with a butterfly after a marble statue by Canova

marble with a finely cast patinated spelter pheasant sculpture. The cushion-shaped marble clock case

This elegant white marble portico clock with gilt bronze appliques dates to the French Empire

Gilt bronze clock resting on 2 goat feet, decorated with laurel leaves and surmounted by a fire pot

clock face. The piece sits on an elegant red marble base, providing an attractive visual contrast and a

clock are mounted on a substantial and luxurious rectangular base of genuine Portoro marble. This highly

, relying on a gilt bronze base signed Eug Hazart à Paris. This clock model was very appreciated in the

, patinated bronze and white Carrara marble clock by Charpentier & Cie. The clock is raised by six elegant

the form of a pedestal on a wide, shaped base. The clock case is cast in gilt bronze, the quality of

A fine, large and important French Empire clock of Apollo playing his lyre in patinated bronze

Antique French Louis XVI portal clock, Paris, circa 1880 White marble, bronze, and gilt. Two square

Clock garnish and two candlesticks. Bronze, rouge griotte marble. France, 19th century, following