Clock Face

French walnut Louis XV longcase clock from Meslay by Patou-Collin, 18th C. A lovely clean lined design with a single rounded door on the top opening to an elaborate gilt tin face mo...

This captivating piece features a sophisticated interplay of black and white vertical stripes creating fantastic optical rhythm, punctuated by vibrant turquoise accents that frame th...

The clock mechanism and clock face/dial have matching serial numbers of “7225”.

The clock face itself contains both with Roman and Arabic numerals on the dial and a Samuel Marti, 1900 medallion stamp on the back.

The design is dominated by flowing acanthus leaves, floral motifs, and dynamic scrollwork, all executed with a strong sense of movement and depth typical of the Rococo tradition. Th...

Raised slightly on disc-shaped legs, it features a series of figures around the clock face, which is white, with Roman numerals for the hours, Breguet-style hands, and the clockmaker...

Clock is in working condition. The blue clock face bears the name of Alphonse Giroux, important Parisian artisan.

The sleigh is elegantly decorated by scrolled foliate designs flanking the enameled Porcelain clock face with Glass bezel. Above is the winged patinated Bronze cherub holding the rei...

Its form—coffin-shaped and hand-crafted in warm walnut—evokes the sleek minimalism of Mid-Century Modern design, yet remains deeply tactile. The clock face, rendered in brushed alumi...

The central clock face features traditional Arabic numerals and elegant hands, set within a finely worked circular dial.

There is some wear to the face from the hands rubbing against it. The name of the company’s location, Prescot, is etched on the lower half of the clock face.

Above are exceptional draped fabric designed ormolu mounts below the circular white enameled clock face with Roman numbers and pierced hands framed in a beautiful Coeur de Rai ormolu...

The front clock face displays an enameled dial decorated with swaging floral garlands and a beaded Ormolu bezel, while showcasing the Aux Mille Pendules signature.

Height - 24.7cm Approx. Diameter of face - 10.6cm This clock has full English hallmarks on the base and is part marked on the face.

At the center front is a richly decorated enameled dial with swaging floral garlands. The clock face is surrounded by two berried laurel branches at the bottom while at the top are t...

In the background we see a bookshelf with the embedded clock face. The dial is signed: Le Roi et Fils.

Clock face has applied metal Roman numerals. The movement is marked under the chime as being made by Samuel Marti et Cie (French 1870-1890), with Thieble-marked pendulum and period k...

The clock face displays both Roman and Arabic numerals, adding to its historical charm and functionality.

The Baccarat Hypnos pendulette is a sculptural table clock in clear crystal, featuring a large circular disc with a concave center that frames the small round clock face.

The piece features a beautifully cast bronze figure of a wise old scholar draped in flowing robes, seated in thoughtful repose beside the circular clock face. The scholar’s detailed ...

The first blue paint shines trough in places. The clock face has unusually many details and decorations and has been left untouched since it was made.

Featuring a striking bronze chameleon sculpture poised gracefully alongside a timeless clock face, this piece perfectly embodies the bold geometry and naturalistic artistry character...

Large tower clock face and mechanism - probably works (not tested) with roman numeral hours.

The front door opens to reveal its original pendulum. The white enameled clock face above displays Roman numeral hour markings and Arabic minute markings with delicate pierced foliat...

The clock face is crafted from a lighter wood, creating a contrasting effect.

The elegant silhouette is enhanced by a shaped bonnet top with carved crest detail, reflecting the refined curves typical of the French Rococo tradition. The clock face is framed by...

Above is the striking ormolu clock face with a lovely central design and Roman numerals framed within a most decorative entrelacs et les rosaces ormolu band.

Its lower shelves are filled with neatly arranged volumes, while the upper section houses the clock face. Featuring bold black Roman numerals and elegant hands, the timepiece is furt...

The clock's intricate bronze details evoke a sense of timeless sophistication, while the delicate porcelain face adds a touch of vintage charm.

Their delicate forms are beautifully balanced by a central vase, which adds a touch of classical refinement to the composition. The clock face is seamlessly integrated into the desig...

The neck and lid with a spectacular blue and white porcelain finish with gold attributes. The clock face is hand-painted with cherubs and individual hand-painted porcelain numerals.

The clock face is decorated with triumphal motifs and features Roman numerals.

Glass panes are old but not original. The enamel clock face has Roman numerals and a decorative embossed brass surround with Sun King.

The 4' diameter white enamel bowed dial, with black Roman numerals for the hours and Arabic for the five-minute intervals (this type of clock face appears to have gone out of fashion...

Handsome antique clock has Roman numerals and marked minutes with detailed hands on porcelain face.

A striking centrepiece, the figures are cast in bronzed spelter and stand on a beautifully variegated marble adorned with gilt ormolu. The clock face has a pretty painted dial with...

An Assembled Very Fine French 19th Century Louis XV Style Gilt Bronze and White Marble Figural Mantel Clock and Candelabra Garniture Set. The finely chased ormolu clock body, with it...

As vibrantly documented in photos, this specific model features a quintessential '80s New Wave colorway, pairing a bold bubblegum pink strap with a rich teal-green watch head and bez...

The clock face is original and retains its classical numerals and brass details, providing additional authenticity.

The silver clock-face itself is surrounded by intricate floral design, and surmounted by images connoting natural abundance and sacrificial honour.

Date: circa 1890 Origin: French Signature: the clock face signed WM WRAY, the movement stamped 31962, GV and 41 Dimension: clock: 12-1/4 in x 13-1/2 in; Candelabras: 19-1/4 in high.

Loose putties. Paint loss on clock face. Minor gilt loss

The clock face is a functional marvel, featuring a comprehensive display that goes beyond simple timekeeping.

At the center is the striking white enameled clock face with pierced foliate hands, Roman numeral hour markings, and Arabic numeral minute markers with a lovely beaded bezel.

The clock face, framed with intricate ribbons and floral swags, features a convex white enamel dial displaying both Roman and Arabic numerals.

The clock face is distinct from the era, with slender deco style arabic numerals and open form angular hands with dotted minute indicators, underscoring the focus on functionality an...

The sharp contrast between the black disc and the bright white clock face creates a bold yet harmonious aesthetic that stands out without overpowering the environment.

The clock face features Roman numerals set within a decorative surround, complemented by intricate metalwork elements.

Both Roman and Arabic Numerals are inscribed on the clock face, depicting the hours and minutes respectively, while the barometer is illustrated with weather conditions and numbers.

A fine English Georgian Gothic style tall case clock, its bonnet with a swan’s neck broken arch pediment with Battersea enamel oval polychrome urn accents surmounting scrolled fabric...

The square clock face is framed by a substantial rounded teak case, its softly sculpted edges and rich natural grain providing an elegant contrast to the warm metallic interior.

The marble has a rich, golden color, and the bronze is a lustrous dark brown, contrasting with the gilded skirts of the two nude male figures. The center of the clock face features ...

The top hood is styled with a prominent, stepped pagoda or broken-arch pediment that frames an arched dial doors. The white clock face features black Roman numerals and ornate, scrol...

The bottom base was replaced in the early 20th century. The enamel clock face has Roman numerals and a decorative cast bronze surround with rooster.

Paris, around 1820. Table clock composed of a staggered rectangular base made of red veined marble and with gilt bronze elements of clear classicist influence (architectural motif ...

This striking piece showcases a playful contrast between the sculptural base with its sensuous curved profile and the clean circular clock face adorned with colorful geometric symbol...

Norwegian gilt silver and guilloché enamel table clock by David Andersen. This piece showcases a small circular clock face set within a blue enamel, engine-turned triangular case ado...

The door opens to reveal the sensational ormolu clock face with impressive and extremely decorative foliate designs and its original fitted enameled hour and minute plaques with Roma...

The bronze elements, possibly found in trim, decorative motifs, or framing around the clock face, reflect the Art Deco love for clean lines and fine metallic finishes, blending moder...

Inside is the striking ormolu clock face with fine scrolled movements, a hammered design and enameled Roman numerals.