Forms And Surfaces Door Pull

, one to each side, to hold grooming articles (hand mirror, toothbrush, etc); a closed door cupboard to

An 18th century Bombay form slant front desk that opens to reveal an inlaid central door with

pieces have a Louis XVI inspired form, with the secretary having diamond wire front doors, urn-form

pedestal rent desk of a form and interior that is most often attributed to Gillows & Co, this particular

cabinet with solid brass pulls and escutcheons and the whole resting on bracket feet. The door opens to

shield form escutcheon plate that opens to a tooled leather writing surface that is supported by two pull

, therefore the piece is substantially heavy. The prominent wood grains can be appreciated on the surface in

pulls out to form a 19.5 by 27 inch writing surface.

with a molded cornice surmounting a case with a locking center door with pull out upper compartment

, forming a balanced and architectural composition. Each module integrates a sliding door cabinet and three

pulls in the bat form (symbol of luck). The middle row has two cloud-form hinges alternate with four

their original gilt brass pull hardware, above a pair of cabinet doors. The fall-front writing surface

central cupboard compartment. Inside the secretary, an extending pull-out writing surface lined in black

the design of the other plates. The front door drops to reveal a row of three small drawers with pulls

exterior. The cabinet opens with two drop-down doors that fold fully to a horizontal position, forming a

carved floral lattice patterns, metal drop pulls and locking bars (lacking the closure pin). Double doors

storage with shelving, offering practical concealed space. A pull-out writing surface is integrated along

is a pull-out writing surface covered in leather, which protects the actual flap from signs of wear

early American Federal craftsmanship. The piece combines graceful proportions, warm patinated surfaces

Mahogany in good condition. The secretaire is composed of two upper doors, three shelves, and three large

are accented by satin metal vertical panels on the two doors and a streamlined metal drawer pull

central section of intricately carved doors, and a plinth-like lower section with smooth panels. The most

pulled out for additional work space. The writing surface has a height of 29-½”H and the knee clearance

a bottom storage space with doors. With its simple and elegant form, this is an important piece of

surface. The credenza features a single drawer above a cabinet door, both adorned with intricate ebonized

from every angle. Serpentine iron hinges and horseshoe-form bale pulls provide an authentic finishing

. The top drawer reveals a sliding gilt-tooled leather writing surface with a central panel that can be

the ring pull on the drawer, a charming traditional motif. The two cabinet doors are centered with

, marquetry in field and band form, smooth surfaces, rounded sides. Base with three wide drawers, resting on

paneled doors fitted with large circular brass plates and drop pulls, flanked by matching butterfly hinges

single upper drawer over a lower door, creating a tall, slender column form. The doors are flanked by

patterned surface in dark, mottled tones, contrasted by a brass plinth and sculptural brass door pulls

pull-out writing surface with round knobs activates the opening of the cylinder, revealing an

cabinet doors feature traditional carved fluted diamond panels. The overall form includes a curved bonnet

features paneled tambour doors adorned with gilt bronze mounts, opening to reveal a fitted interior for

with a shaped apron. Brass pulls accent the drawer and door, adding subtle contrast to the painted

lower section that boasts three linenfold panels on the cabinet doors, as well as three pull-out

doors. A particularly notable feature is the pull-out secretary drawer fitted with a tooled green

the two levels, a sliding shelf discreetly pulls out, providing a dedicated bar surface for preparing

serenading an elegant lady framed with garlands.   The bureau interior has its original pull-out writing

single-door cabinet. The writing surface and the fronts of the small drawers are covered with wood in

portion features a fall-front drop-down door that, when opened, reveals a fully mirrored interior with a

doors to the right, fitted with distinctive brushed metal recessed pulls of square form, adding a

with a wide work surface. An interior light on the upper section. The upper section is above two doors

of lightness. Brass hardware punctuates the surface, each circular pull precisely positioned and

— working lock, key present Pilasters either side of the door pull forth, to reveal concealed storage

This low kang chest is crafted from elmwood, featuring a long rectangular form with a floating

alcove! Measures: 48" wide x 24" deep x 84" high, 30" deep when writing surface is pulled out; writing

forms a generous serving surface finished in durable formica, making it an ideal space for preparing

composition. Single upper drawer with iron pull. Paneled cabinet door with interior shelf. Visible pegged

rectangular form with a beautifully balanced arrangement of drawers and doors. Five small drawers line the top

organizational drawers. When open, it is supported by pull-out arms and creates a desk top surface for writing or

top, swing cabinet doors with the center section having a pull out surface (later added holes to back

carved cornice with urn form finials over a carved frieze. Two glazed doors with mullions flank the

writing surface and rosewood lined interior with two drawers and a locked door to a storage compartment

a commanding, gallery-worthy form—standing an impressive 89 inches tall with elegantly arched side

defined by flush panel doors with block pulls, a detail that became a signature of the atelier. Inside