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Landscape Prints For Sale
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Landscape Prints

Materials

Laid Paper, Engraving

"Apparition at the Border of Language"

"Apparition at the Border of Language"

By Enrique Chagoya

Located in Lyons, CO

This print presents a fictitious encounter between contemporary colonial forces and Native Americans who are defenders of immigrant refugees and displaced populations. The artist de...

Category

2010s Contemporary Landscape Prints

Materials

Lithograph

60x40  "Webb Deep Field" Telescope Space Photography NASA Archival Print
60x40  "Webb Deep Field" Telescope Space Photography NASA Archival Print

60x40 "Webb Deep Field" Telescope Space Photography NASA Archival Print

Located in Los Angeles, CA

Original museum grade exhibition prints on acid-free archival luster paper. These are the highest quality NASA prints ever produced. Edition of 150. *This print can be hung vertic...

Category

21st Century and Contemporary American Modern Landscape Prints

Materials

Archival Ink, Archival Pigment

Old Village, Modern Lithograph by Millard Sheets
Old Village, Modern Lithograph by Millard Sheets

Old Village, Modern Lithograph by Millard Sheets

By Millard Sheets

Located in Long Island City, NY

Old Village by Millard Owen Sheets, American (1907–1989) Circa 1977 Lithograph on Arches, signed and numbered in pencil Edition of 250, AP Image Size: 19.5 x 21.5 inches Size: 23.5 x...

Category

1970s American Modern Landscape Prints

Materials

Lithograph

Blustery Clouds, Stormy Sky Landscape, Blue Tones, Extra Large Cyanotype, Paper
Blustery Clouds, Stormy Sky Landscape, Blue Tones, Extra Large Cyanotype, Paper

Blustery Clouds, Stormy Sky Landscape, Blue Tones, Extra Large Cyanotype, Paper

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype. "Blustery Clouds" is an cyanotype of the semi-abstract patterns of clouds in the sky after a storm. Details: + Title: Blu...

Category

2010s Realist Landscape Prints

Materials

Paper, Emulsion, Watercolor, Etching, Lithograph

High Meadows
High Meadows

High Meadows

Located in San Francisco, CA

This artwork titled "High Meadows" 1984, is an original reduction woodcut on paper by noted American artist Gordon Louis Mortensen, b.1938. It is hand signed, dated, titled and numbered 24/130 in pencil by the artist. The artwork (image) size is 20 x 33.75 inches, framed size is 27.75 x 41 inches. Custom framed in a wooden gold frame, with off-white fabric matting and dark green fillet. It is in excellent condition, the frame have some very small minor restorations, practically invisible. Please note: the shadows lines at the upper right of the artwork is not a part of it, it is the reflection of the lighting. About the artist: Born near Arnegard, North Dakota on April 27, 1938, Gordon Mortensen...

Category

Late 20th Century American Modern Landscape Prints

Materials

Woodblock

Miami Art Deco Pool, Blue Cyanotype on Paper, Abstract Shapes Water Reflections
Miami Art Deco Pool, Blue Cyanotype on Paper, Abstract Shapes Water Reflections

Miami Art Deco Pool, Blue Cyanotype on Paper, Abstract Shapes Water Reflections

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype. "Miami Art Deco Pool" shows the movements of water over a tiled swimming pool floor. Details: + Title: Miami Art Deco Poo...

Category

2010s Abstract Geometric Landscape Prints

Materials

Emulsion, Watercolor, Photographic Paper, C Print, Lithograph, Other Medium

Pacific Sunset Waves, Contemporary Cyanotype on Paper, Navy Blue, Beach House
Pacific Sunset Waves, Contemporary Cyanotype on Paper, Navy Blue, Beach House

Pacific Sunset Waves, Contemporary Cyanotype on Paper, Navy Blue, Beach House

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype. "Pacific Sunset Waves" is an original cyanotype that abstractly shows the sunset reflections on the sea. Details: + Titl...

Category

2010s Realist Landscape Prints

Materials

Emulsion, Mixed Media, Watercolor, Photographic Paper, Lithograph, Monop...

Dusk at Sedgwick Knoll
Dusk at Sedgwick Knoll

Dusk at Sedgwick Knoll

By James Groleau

Located in Palm Springs, CA

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Mezzotint

Romantic Landscape of Scandinavian Enchanted Forest, Large Lake Print Cyanotype
Romantic Landscape of Scandinavian Enchanted Forest, Large Lake Print Cyanotype

Romantic Landscape of Scandinavian Enchanted Forest, Large Lake Print Cyanotype

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype. Lovely scene of a hidden pond in a Scandinavian forest. Details: + Title: Scandinavian Enchanted Forest + Year: 2026 + ...

Category

2010s Romantic Landscape Prints

Materials

Photographic Film, Emulsion, Watercolor, Monotype, Photogram

"Ivray, chemin de fer" original etching

"Ivray, chemin de fer" original etching

By Charles Heyman

Located in Henderson, NV

Medium: original etching. This impression on laid paper was printed in 1912 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 4 1/4 x 9 1/2 inches (110 x 24...

Category

1910s Landscape Prints

Materials

Etching

Evening Light Aquatint Etching of Mt Shasta, Signed, Edition of 50
Evening Light Aquatint Etching of Mt Shasta, Signed, Edition of 50

Evening Light Aquatint Etching of Mt Shasta, Signed, Edition of 50

By Art Werger

Located in Palm Springs, CA

Spectacular view of Mt Shasta as seen from the Trinity Wilderness in northern California. Soft evening light as the sunset fades leaving mountain ridges highlighted. Medium: aquatin...

Category

2010s Contemporary Landscape Prints

Materials

Etching, Aquatint

SNOWBOUND

SNOWBOUND

By Frances H. Gearhart

Located in Santa Monica, CA

FRANCES H. GEARHART (1869-1958) SNOWBOUND c.1928 Color block print, Signed and titled in pencil. 11 x 6 ½” sheet c. 14 x 9” Laid down on backing board. The usual slight browning a...

Category

1920s American Impressionist Landscape Prints

Materials

Color, Linocut, Woodcut

'I Love New York' 1981-View From my Terrace, Vintage
'I Love New York' 1981-View From my Terrace, Vintage

'I Love New York' 1981-View From my Terrace, Vintage

By David Lingwood

Located in Brooklyn, NY

David Lingwood’s "I Love New York" offers a serene, nostalgic glimpse into the iconic New York City skyline as seen from the artist’s own terrace apartment in the 1970s. Rendered wit...

Category

1980s Contemporary Landscape Prints

Materials

Offset

Three Children on the Ice - Folk Art Screenprint by Guy Billout
Three Children on the Ice - Folk Art Screenprint by Guy Billout

Three Children on the Ice - Folk Art Screenprint by Guy Billout

Located in Long Island City, NY

Three boys stand near a periscope on a boardwalk, one using it to peer out beyond into the vastness of the waterfall before them. The composition is simple and resembles a style that would be used in traditional Japanese ukiyo-e woodblock prints. From the Mother Goose Portfolio, this print is signed and numbered in pencil by the artist. Three Children on the Ice Guy Billout...

Category

1990s Folk Art Landscape Prints

Materials

Screen

Destination Unknown 1979 Signed Limited Edition Lithograph
Destination Unknown 1979 Signed Limited Edition Lithograph

Destination Unknown 1979 Signed Limited Edition Lithograph

By Ernie Barnes

Located in Rochester Hills, MI

Artist: Ernie Barnes Title: Destination Unknown Year: 1979 Print - Lithograph Size: 25" x 19 ½" inches Edition: Pencil signed and numbered 24/300 Unframed ‘Destination Unknow...

Category

1970s American Realist Landscape Prints

Materials

Lithograph

NATURE - Flock of Birds - Facsimile, Ltd /450
NATURE - Flock of Birds - Facsimile, Ltd /450

NATURE - Flock of Birds - Facsimile, Ltd /450

By M.C. Escher

Located in Paris, IDF

M.C. ESCHER (1898-1972) Flock of Birds, 2008 Facsimile after the original woodcut from 1938 Unsigned Numbered / 450 copies (the number you can see can be different) On vellum 45 x 3...

Category

20th Century Modern Landscape Prints

Materials

Color

Original The French Riviera (Cote d'Azur) French Railways vintage travel poster
Original The French Riviera (Cote d'Azur) French Railways vintage travel poster

Original The French Riviera (Cote d'Azur) French Railways vintage travel poster

By Jules Cavailles

Located in Spokane, WA

Original vintage travel advertising poster for the FRENCH RIVIERA FRENCH NATIONAL RAILROADS SNCF (French National Railways) - the French Riviera. (Cote D'Azur, known as the French Riviera) The image features people looking out towards a marina full of sailing boats. Colorful artwork by the French painter Jules Cavailles (1901-1977). Printed by Perceval, Paris in 1953. Mid-Century Modern. Grade A- This is the English version of the poster compared to the design created for Cote d'Azur. The English version is much rarer (both are rare today). The poster gives the impression of a naive painting at this Mediterranean beach and seaport. Step into a world of timeless elegance and sunlit dreams with this exquisite French Riviera Vintage...

Category

1950s American Modern Landscape Prints

Materials

Lithograph

Between Sky and Water - Signed Facsimile, Ltd /450
Between Sky and Water - Signed Facsimile, Ltd /450

Between Sky and Water - Signed Facsimile, Ltd /450

By M.C. Escher

Located in Paris, IDF

M.C. ESCHER (1898-1972) Between Sky and Water, 2008 Facsimile after the original woodcut from 1938 Signed in the plate Numbered / 450 copies (the number you can see can be different...

Category

20th Century Modern Landscape Prints

Materials

Color

Barn Owl Beautiful Quality British Wildlife Artist Limited Edition Signed Print
Barn Owl Beautiful Quality British Wildlife Artist Limited Edition Signed Print

Barn Owl Beautiful Quality British Wildlife Artist Limited Edition Signed Print

By Adrian Rigby

Located in Cirencester, Gloucestershire

"The Barn Owl" limited edition color print, unframed very thick fine quality paper/ card. Adrian Rigby (British, b. 1962) signed in pencil to the lower corner numbered out of 250 pu...

Category

21st Century and Contemporary English School Landscape Prints

Materials

Color

Cowboy TV - large format photograph of iconic western in American landscape
Cowboy TV - large format photograph of iconic western in American landscape

Cowboy TV - large format photograph of iconic western in American landscape

By Frank Schott

Located in San Francisco, CA

large scale original photograph of vintage TV set with iconic western movie in American wild west landscape Cowboy TV by Frank Schott is available in three edition sizes: 48 x 64 inches (122 x 162cm) signed edition of 7 30 x 40 inches (76 x 102cm) signed edition of 25 58 x 77.25 inches (148 x 148cm) signed edition of 7 archival fine art pigment print signed & numbered by artist on certificate label _____________________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Ed Rusha...

Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

Red Sea Sunset, Giclée Print Diptych, Pink and Purple Calm Cave Waters, Serene
Red Sea Sunset, Giclée Print Diptych, Pink and Purple Calm Cave Waters, Serene

Red Sea Sunset, Giclée Print Diptych, Pink and Purple Calm Cave Waters, Serene

By Ryan Rivadeneyra

Located in Barcelona, ES

Cyd Fontaine (Lausanne, 1992) is a contemporary artist renowned for her captivating use of dreamy atmospheric gradients, which has helped her carve a distinctive niche in the world o...

Category

2010s Contemporary Landscape Prints

Materials

Photographic Film, Archival Ink, Photographic Paper, C Print, Digital, G...

Marfa ( Texas ) - large format photograph of dramatic clouds over endless fields
Marfa ( Texas ) - large format photograph of dramatic clouds over endless fields

Marfa ( Texas ) - large format photograph of dramatic clouds over endless fields

By Frank Schott

Located in San Francisco, CA

Marfa ( Texas ) by Frank Schott country road view in West Texas, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd 48 x 72 i...

Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée

YES - large format photograph of conceptual motivational message sign at night
YES - large format photograph of conceptual motivational message sign at night

YES - large format photograph of conceptual motivational message sign at night

By Frank Schott

Located in San Francisco, CA

large scale original photograph from a series of conceptual motivational messages on iconic Americana signs in landscape of the American West YES by Frank Schott 48 x 67 inches (122 x 171cm) signed edition of 7 29 x 40 inches (74 x 102cm) signed edition of 25 archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity _______________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Ed Rusha...

Category

21st Century and Contemporary Conceptual Landscape Prints

Materials

Giclée, Archival Ink, Archival Paper, Photographic Paper, Archival Pigment

Plantes tropicales [Tropical Plants]
Plantes tropicales [Tropical Plants]

Plantes tropicales [Tropical Plants]

Located in Middletown, NY

Paris: Cadart & Luquet, 1865 Etching and engraving on Chine-collé mounted to watermarked Aqua-Fortistes cream laid paper 14 1/2 x 10 5/8 inches (367 x 268 mm), full margins. In very...

Category

Mid-19th Century French School Landscape Prints

Materials

Handmade Paper, Engraving

Sailboats - Lithograph - Printed signature (Mourlot)
Sailboats - Lithograph - Printed signature (Mourlot)

Sailboats - Lithograph - Printed signature (Mourlot)

By Raoul Dufy

Located in Paris, IDF

Raoul DUFY Sailboats Stone lithograph after a painting (Mourlot workshop) Printed signature in the plate On Arches vellum 50 x 65 cm (c. 20 x 26 in) Excellent condition

Category

1960s Modern Landscape Prints

Materials

Lithograph

Vintage Air India Travel Poster "Come India Is Calling" Original 1950s Litho.
Vintage Air India Travel Poster "Come India Is Calling" Original 1950s Litho.

Vintage Air India Travel Poster "Come India Is Calling" Original 1950s Litho.

Located in Spokane, WA

“Come India Is Calling” – Original Air-India Vintage Travel Poster (Linen-Backed) Presenting an original “Come India Is Calling” Air-India vintage travel poster, professionally archi...

Category

1960s New Media Landscape Prints

Materials

Coffee, Offset

YES - large format photograph of conceptual motivational sign at night
YES - large format photograph of conceptual motivational sign at night

YES - large format photograph of conceptual motivational sign at night

By Frank Schott

Located in San Francisco, CA

large scale original photograph from a series of conceptual motivational messages on classic Americana billboard signs in iconic landscape of the American West YES by Frank Schott ...

Category

21st Century and Contemporary Conceptual Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée

Extra Large Cyanotype Seascape of Pacific Ocean Currents, Nautical Blue & White
Extra Large Cyanotype Seascape of Pacific Ocean Currents, Nautical Blue & White

Extra Large Cyanotype Seascape of Pacific Ocean Currents, Nautical Blue & White

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype. "Pacific Ocean Currents (Blue Border)" is a handmade cyanotype print of rough water texture resembling Pacific Ocean swell...

Category

2010s Realist Landscape Prints

Materials

Watercolor, Other Medium, Rag Paper, Lithograph

Surrealist Lovers - Signed Facsimile, Ltd /450
Surrealist Lovers - Signed Facsimile, Ltd /450

Surrealist Lovers - Signed Facsimile, Ltd /450

By M.C. Escher

Located in Paris, IDF

M.C. ESCHER (1898-1972) Surrealist Lovers, 2008 Facsimile after the original woodcut from 1935 Signed in the plate Numbered / 450 copies (the number you can see can be different) On...

Category

20th Century Modern Landscape Prints

Materials

Color

Sonoran Kings by Ed Mell

Sonoran Kings by Ed Mell

By Ed Mell

Located in Phoenix, AZ

"Sonoran Kings" Ed Mell 1942-2024 Stone lithograph 32" x 24" **PRINTS ARE ESTATE SIGNED WITH WITH EMBOSSED LOGO AND SIGNATURE STAMP*** Edition. 200, 2020 Print is sold UNFRAMED TH...

Category

21st Century and Contemporary Landscape Prints

Materials

Lithograph

'Taos Placita' — American Southwest Masterwork, Signed Color Woodcut
'Taos Placita' — American Southwest Masterwork, Signed Color Woodcut

'Taos Placita' — American Southwest Masterwork, Signed Color Woodcut

By Gustave Baumann

Located in Myrtle Beach, SC

Gustave Baumann, 'Taos Placita', color woodcut, 1947, edition 125. Baumann 132. Signed, titled, and numbered '20-125' in pencil; with the artist’s Hand-in-Heart chop. A superb, richly-inked impression, with fresh colors, on fibrous oatmeal wove paper; the full sheet with margins (2 to 3 1/8 inches); slight rippling at the left sheet edge, in excellent condition. Matted to museum standards, unframed. Image size 9 5/8 x 11 1/4 inches (244 x 286 mm); sheet size 13 1/4 x 17 inches (337 x 432 mm). Collections: Harwood Museum of Art, New Mexico Museum of Art, Phoenix Art Museum, Scottsdale Art Museum, Wichita Art Museum. ABOUT THE ARTIST Gustave Baumann (1881-1971) was a renowned printmaker and a leading figure of the American color woodcut revival whose exquisite craftsmanship and vibrant imagery captured the essence of the Southwest. "A brilliant printmaker, Baumann brought to the medium a full mastery of the craft of woodworking that he acquired from his father, a German cabinetmaker. This craftsmanship was coupled with a strong artistic training that resulted in the handsome objects we see in the exhibition today. After discovering New Mexico in 1918, Baumann began to explore in his woodblock prints of this period the light. color, and architectural forms of that landscape. His prints of this period are among the most beautiful and poetic images of the American West." —Lewis I. Sharp, Director, Denver Art Museum Baumann, the son of a craftsman, immigrated to the United States from Germany with his family when he was ten, settling in Chicago. From 1897 to 1904, he studied in the evenings at the Art Institute of Chicago, working in a commercial printmaking shop during the day. In 1905, he returned to Germany to attend the Kunstwerbe Schule in Munich, where he decided on a career in printmaking. He returned to Chicago in 1906 and worked for a few years as a graphic designer of labels. Baumann made his first prints in 1909 and exhibited them at the Art Institute of Chicago the following year. In 1910, he moved to the artists’ colony in Nashville, Indiana, where he explored the creative and commercial possibilities of a career as a printmaker. In 1915, he exhibited his color woodcuts at the Panama-Pacific International Exposition in San Francisco, winning the gold medal. Among Baumann’s ongoing commercial activities was his work for the Packard Motor Car Company from 1914 to 1920 where he produced designs, illustrations, and color woodcuts until 1923. In 1919, Baumann’s printmaking work dominated the important exhibition of American color woodcuts at the Detroit Institute of Arts. Twenty-six of his prints were included, far more than the works of any other artist. A set of his blocks, a preparatory drawing, and seven progressive proofs complemented the exhibition. That same year, Baumann worked in New York and, over the summer, in Provincetown, Massachusetts. His airy images of Cape Cod employed soft, pastel colors and occasionally showed the influence of the white-line woodcut technique. Many of his Chicago artist friends had traveled to the southwest, and Baumann became intrigued by their paintings, souvenirs, and stories of an exotic place named Taos, New Mexico. In the summer of 1918, he spent the summer in Taos sketching and painting before visiting Santa Fe. Paul Walter, the director of the Museum of New Mexico, offered him a studio in the museum's basement. Inspired by the rugged beauty of the Southwest—the vibrant colors and dramatic landscapes of the region became a central theme in his work, influencing his artistic style and subject matter for the remainder of his career. Later in the decade, he traveled to the West Coast and made prints of California landscape. Baumann's prints became synonymous with the Southwest, capturing the spirit of its place in America's identity with a unique sense of authenticity and reverence. His iconic images of desert vistas, pueblo villages, and indigenous cultures served as visual tributes to the region's rich cultural heritage, earning him a dedicated following among collectors and curators alike. A true craftsman and artist, Baumann completed every step of the printmaking process himself, cutting each block, mixing the inks, and printing every impression on the handmade paper he selected. His dedication to true craftsmanship and his commitment to preserving the integrity of his artistic vision earned him widespread acclaim and recognition within the art world. About the vibrant colors he produced, Baumann stated, “A knowledge of color needs to be acquired since they don’t all behave the same way when ground or mixed...careful chemistry goes into the making of colors, with meticulous testing for permanence. While complicated formulae evolve new colors, those derived from Earth and metal bases are still the most reliable.” In the 1930s, Baumann became interested in puppet theater. He designed and carved his own marionettes and established a little traveling company. From 1943 to 1945, the artist carved an altarpiece for the Episcopal Church of the Holy Faith in Santa Fe. In 1952, a retrospective exhibition of his prints was mounted at the New Mexico Museum of Fine Arts. Throughout his prolific career, Baumann executed nearly four hundred color woodcuts. Baumann’s woodcuts...

Category

1940s American Modern Landscape Prints

Materials

Woodcut