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Landscape Prints For Sale
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Landscape Prints

Materials

Laid Paper, Engraving

"Apparition at the Border of Language"

"Apparition at the Border of Language"

By Enrique Chagoya

Located in Lyons, CO

This print presents a fictitious encounter between contemporary colonial forces and Native Americans who are defenders of immigrant refugees and displaced populations. The artist de...

Category

2010s Contemporary Landscape Prints

Materials

Lithograph

Marc Chagall, Place de la Concorde, from Views of Paris, 1963
Marc Chagall, Place de la Concorde, from Views of Paris, 1963

Marc Chagall, Place de la Concorde, from Views of Paris, 1963

By Marc Chagall

Located in Southampton, NY

This exquisite lithograph by Marc Chagall (1887–1985), titled Place de la Concorde (Place de la Concorde), from Regards Sur Paris (Views of Paris), originates from the January 22, 19...

Category

1960s Expressionist Landscape Prints

Materials

Lithograph

David Hockney 'Looking Towards Huggate' Pop Art  Vintage
David Hockney 'Looking Towards Huggate' Pop Art  Vintage

David Hockney 'Looking Towards Huggate' Pop Art Vintage

By David Hockney

Located in Brooklyn, NY

This David Hockney poster celebrates the artist’s deep connection to his Yorkshire roots. Printed in Bradford, it features a sweeping view toward Huggate, a village nestled in the ro...

Category

Early 2000s Pop Art Landscape Prints

Materials

Offset

Alex Katz - No Kids – Come Into My House (Cover art Hand Signed by Alex Katz)
Alex Katz - No Kids – Come Into My House (Cover art Hand Signed by Alex Katz)

Alex Katz - No Kids – Come Into My House (Cover art Hand Signed by Alex Katz)

Located in New York, NY

No Kids – Come Into My House, 2008 Autographed by Alex Katz in 2013 Vinyl, Album, LP Tomlab – tom 108 lp The artwork depicted on this album cover is “Ives Field I”, an oil on linen ...

Category

Early 2000s Contemporary Landscape Prints

Materials

Offset

Marc Chagall, The Candelabrum, from The Jerusalem Windows, 1962
Marc Chagall, The Candelabrum, from The Jerusalem Windows, 1962

Marc Chagall, The Candelabrum, from The Jerusalem Windows, 1962

By Marc Chagall

Located in Southampton, NY

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Chandelier (The Candelabrum), from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition pu...

Category

1960s Expressionist Landscape Prints

Materials

Lithograph

Marc Chagall, The Ceiling of the Paris Opera, 1965 (after)
Marc Chagall, The Ceiling of the Paris Opera, 1965 (after)

Marc Chagall, The Ceiling of the Paris Opera, 1965 (after)

By Marc Chagall

Located in Southampton, NY

This exquisite lithograph after Marc Chagall (1887–1985), titled Le Plafond de l’Opera de Paris (The Ceiling of the Paris Opera), from the album Le plafond de l’Opera de Paris par Ma...

Category

1960s Expressionist Landscape Prints

Materials

Lithograph

Christo and Jeanne-Claude, Orange Storefront, Project, Ediciones Poligrafa, 1979
Christo and Jeanne-Claude, Orange Storefront, Project, Ediciones Poligrafa, 1979

Christo and Jeanne-Claude, Orange Storefront, Project, Ediciones Poligrafa, 1979

By Christo and Jeanne-Claude

Located in Southampton, NY

This exquisite lithograph by Christo and Jeanne-Claude (1935–2020; 1935–2009), titled Facade de magasin orange, projet (Orange Storefront, Project), from the album Ediciones Poligraf...

Category

1970s Conceptual Landscape Prints

Materials

Lithograph

Ellsworth Kelly, Untitled, from Derriere le miroir, 1966
Ellsworth Kelly, Untitled, from Derriere le miroir, 1966

Ellsworth Kelly, Untitled, from Derriere le miroir, 1966

By Ellsworth Kelly

Located in Southampton, NY

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Sans titre (Untitled), from the album Lithographies et eaux-fortes originales, livres illustres originaux, affiches, ...

Category

1960s Minimalist Landscape Prints

Materials

Lithograph

H9-1 Justice - Damien Hirst Cherry Blossoms
H9-1 Justice - Damien Hirst Cherry Blossoms

H9-1 Justice - Damien Hirst Cherry Blossoms

Located in Manchester, GB

Damien Hirst, Justice, Laminated Giclée Print on Aluminium Composite Panel 120.1 × 96 cm (47 3/10 × 37 4/5 in) Limited edition of 1005 Hand-signed and numbered by the artist The Vi...

Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Acrylic, Archival Pigment

Morning Mist Cyanotype Print, Contemporary Landscape, Ed. 2/5, 24x16"
Morning Mist Cyanotype Print, Contemporary Landscape, Ed. 2/5, 24x16"

Morning Mist Cyanotype Print, Contemporary Landscape, Ed. 2/5, 24x16"

Located in Oakland, CA

These are the foggy woods in the hills of Oakland, across the bay from San Francisco. Shortly after sunrise. The paths are crowded with towering eucalyptus, bay laurel and madrone tr...

Category

2010s Contemporary Landscape Prints

Materials

Paper, Archival Paper, Rag Paper, Photogram

Let's Clay - Werner Bronkhorst - Tennis
Let's Clay - Werner Bronkhorst - Tennis

Let's Clay - Werner Bronkhorst - Tennis

Located in London, GB

Werner Bronkhorst Let's Clay, 2026 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks. Hand-stretched over FSC-ce...

Category

2010s Contemporary Landscape Prints

Materials

Giclée

'Die Architektur' (Architecture) — Bauhaus Modernism
'Die Architektur' (Architecture) — Bauhaus Modernism

'Die Architektur' (Architecture) — Bauhaus Modernism

By Lyonel Feininger

Located in Myrtle Beach, SC

Lyonel Feininger, 'Die Architektur' (Architecture), also 'Stadtbild' (Cityscape), woodcut, edition proofs only in 1920; 50 in 1921. Prasse W 232. Signed in pencil. A fine, black impression, on off-white Japan, with full margins (1 1/4 to 2 1/8 inches), in excellent condition. Matted to museum standards, unframed. Image size 6 x 8 7/8 inches (152 x 229 mm); sheet size 9 1/2 x 11 7/8 inches (241 x 302 mm). No. 11 of the portfolio 'Zwolf Holzschnitte von Lyonel Feininger', 1921. Provenance: Peter Deitsch collection; exhibited Weimar Museum, 1968. Impressions of this work are in the permanent collection of: Busch-Reisinger Museum (Cambridge, Mass.), Bauhaus-Archiv (Germany), Hamburger Kunsthalie (Germany), Pfaizische Landesgewerbeanstalt (Germany), Kaiser Wilhelm Museum (Germany), Staatliche Graphische Sammlung (Germany), Philadelphia Museum of Art. ABOUT THE ARTIST Lyonel Feininger was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral...

Category

1920s Bauhaus Landscape Prints

Materials

Woodcut

Notre-Dame Cathedral from the Seine
Notre-Dame Cathedral from the Seine

Notre-Dame Cathedral from the Seine

Located in Middletown, NY

Etching with drypoint on cream wove paper, 7 x 8 3/4 inches (177 x 223 mm); sheet 10 1/2 x 11 3/4 inches (267 x 300 mm), full margins. Signed V. E. Chapel and numbered 62/250 in penc...

Category

Early 20th Century French School Landscape Prints

Materials

Drypoint, Etching

Jim Bird, Untitled, from Ediciones Poligrafa, 1979
Jim Bird, Untitled, from Ediciones Poligrafa, 1979

Jim Bird, Untitled, from Ediciones Poligrafa, 1979

By Jim Bird

Located in Southampton, NY

This exquisite lithograph by Jim Bird (1937–2010), titled Untitled (Untitled), from the album Ediciones Poligrafa, Barcelona - Redfern Gallery, London, originates from the 1979 editi...

Category

1970s Op Art Landscape Prints

Materials

Lithograph

Venice, Pop Art Screenprint by Mori Shizume
Venice, Pop Art Screenprint by Mori Shizume

Venice, Pop Art Screenprint by Mori Shizume

By Mori Shizume

Located in Long Island City, NY

Venice by Mori Shizume, Japanese (1928–2014) Date: 1979 Screenprint, signed and numbered in pencil Edition of 200 Size: 21.5 in. x 30 in. (54.61 cm x 76.2 cm) Image Size: 15.75 x 27 ...

Category

1970s Pop Art Landscape Prints

Materials

Screen

Composition (Belknap 354-380; Engberg/Banach 415-441), Three Poems
Composition (Belknap 354-380; Engberg/Banach 415-441), Three Poems

Composition (Belknap 354-380; Engberg/Banach 415-441), Three Poems

By Robert Motherwell

Located in Southampton, NY

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Category

1980s Abstract Expressionist Landscape Prints

Materials

Lithograph

Marc Chagall, Wharf of the Little Tower, from Views of Paris, 1963
Marc Chagall, Wharf of the Little Tower, from Views of Paris, 1963

Marc Chagall, Wharf of the Little Tower, from Views of Paris, 1963

By Marc Chagall

Located in Southampton, NY

This exquisite lithograph by Marc Chagall (1887–1985), titled Quai de la Tournelle (Wharf of the Little Tower), from Regards Sur Paris (Views of Paris), originates from the January 2...

Category

1960s Expressionist Landscape Prints

Materials

Lithograph

Malabaristas Parapsicológicos Giclée Print, Surrealist, Framed, 2010+
Malabaristas Parapsicológicos Giclée Print, Surrealist, Framed, 2010+

Malabaristas Parapsicológicos Giclée Print, Surrealist, Framed, 2010+

By Pedro Friedeberg

Located in Cuauhtemoc, Ciudad de México

Artist and designer Pedro Friedeberg is known for his surrealist paintings, prints, and sculptural furniture. He was the subject of a 2009 retrospective at the Museo del Palacio de B...

Category

2010s Surrealist Landscape Prints

Materials

Giclée

'I Love New York' 1981-View From my Terrace, Vintage
'I Love New York' 1981-View From my Terrace, Vintage

'I Love New York' 1981-View From my Terrace, Vintage

Located in Brooklyn, NY

David Lingwood’s "I Love New York" offers a serene, nostalgic glimpse into the iconic New York City skyline as seen from the artist’s own terrace apartment in the 1970s. Rendered wit...

Category

1980s Contemporary Landscape Prints

Materials

Offset

The Flight into Egypt
The Flight into Egypt

The Flight into Egypt

By Hans Lautensack

Located in Middletown, NY

Etching on handmade cream laid paper with a deckle edge, and an elaborate and large watermark of a crowned figure with a harp, and letters A S, 11 3/4 x 8 inches (298 x 204 mm); shee...

Category

16th Century Old Masters Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

Landsend
Landsend

Landsend

By Jessica Brilli

Located in New York, NY

ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting since her childhood. Working in a style that encompasses American realism and 20th century graphic...

Category

2010s Landscape Prints

Materials

Photographic Paper

"Ivray, chemin de fer" original etching

"Ivray, chemin de fer" original etching

By Charles Heyman

Located in Henderson, NV

Medium: original etching. This impression on laid paper was printed in 1912 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 4 1/4 x 9 1/2 inches (110 x 24...

Category

1910s Landscape Prints

Materials

Etching

Pablo Picasso, Dancer, from The Ballet, 1954
Pablo Picasso, Dancer, from The Ballet, 1954

Pablo Picasso, Dancer, from The Ballet, 1954

By Pablo Picasso

Located in Southampton, NY

This exquisite lithograph by Pablo Picasso (1881–1973), titled Danseuse (Dancer), from the album Le Ballet (The Ballet), originates from the 1954 edition published by Librairie Hache...

Category

1950s Cubist Landscape Prints

Materials

Lithograph

Seascape XVIII - large format photograph of monochrome water surface
Seascape XVIII - large format photograph of monochrome water surface

Seascape XVIII - large format photograph of monochrome water surface

By Frank Schott

Located in San Francisco, CA

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment

Seascape XVI - large format photograph of monochrome water surface and clouds
Seascape XVI - large format photograph of monochrome water surface and clouds

Seascape XVI - large format photograph of monochrome water surface and clouds

By Frank Schott

Located in San Francisco, CA

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Pigment, Giclée, Photographic Paper, Archival Paper, Archival Ink

Lady in the Garden, Impressionist Giclee Print after Claude Monet
Lady in the Garden, Impressionist Giclee Print after Claude Monet

Lady in the Garden, Impressionist Giclee Print after Claude Monet

By Claude Monet

Located in Long Island City, NY

Claude Monet, After, French (1840 - 1926) - Lady in the Garden, Medium: Giclee on canvas, facsimile signed in the plate lower left, Size: 24 x 32 in. (60.96 x 81.28 cm), Frame Size...

Category

Mid-20th Century Impressionist Landscape Prints

Materials

Giclée

Between Sky and Water - Signed Facsimile, Ltd /450
Between Sky and Water - Signed Facsimile, Ltd /450

Between Sky and Water - Signed Facsimile, Ltd /450

By M.C. Escher

Located in Paris, IDF

M.C. ESCHER (1898-1972) Between Sky and Water, 2008 Facsimile after the original woodcut from 1938 Signed in the plate Numbered / 450 copies (the number you can see can be different...

Category

20th Century Modern Landscape Prints

Materials

Color

Irrational Beauty of the Forest Part II. Limited Print on canvas
Irrational Beauty of the Forest Part II. Limited Print on canvas

Irrational Beauty of the Forest Part II. Limited Print on canvas

Located in Zofingen, AG

Limited edition giclée print, created with archival inks on canvas, with hand-applied brush textures that enhance the handcrafted quality of the artwork. - 70x90 cm + 5 cm from eac...

Category

2010s Impressionist Landscape Prints

Materials

Canvas, Oil

'Riders at Sundown' — Mid-Century Southwest Regionalism
'Riders at Sundown' — Mid-Century Southwest Regionalism

'Riders at Sundown' — Mid-Century Southwest Regionalism

By Gene Kloss

Located in Myrtle Beach, SC

'Riders at Sundown', aquatint and drypoint, edition 75, 1953, Kloss 451. Signed, titled, and annotated 'Artist's Proof' in pencil. A superb, richly-inked, atmospheric impression, in ...

Category

1950s American Modern Landscape Prints

Materials

Drypoint, Aquatint

La Piscine/The Pool at Le Trayas, 1983 Contemporary Print Diptych
La Piscine/The Pool at Le Trayas, 1983 Contemporary Print Diptych

La Piscine/The Pool at Le Trayas, 1983 Contemporary Print Diptych

Located in Brooklyn, NY

In 1983, artist David Lingwood created this stunning diptych poster, capturing the serene beauty of Le Trayas, a picturesque locale in the south of France. This two-panel composition...

Category

1980s Contemporary Landscape Prints

Materials

Offset

'Partners' — Mid-Century Modernist Regionalism
'Partners' — Mid-Century Modernist Regionalism

'Partners' — Mid-Century Modernist Regionalism

By Dale Nichols

Located in Myrtle Beach, SC

Dale Nichols, 'Partners', lithograph, edition 250, 1950. Signed in pencil. A fine, richly-inked impression, on cream wove paper; the full sheet with margins (7/8 to 1 5/8 inches); tw...

Category

1950s American Modern Landscape Prints

Materials

Lithograph

One Off large-Hand-Painted Artist Proof-Summer Night-British Awarded Artist
One Off large-Hand-Painted Artist Proof-Summer Night-British Awarded Artist

One Off large-Hand-Painted Artist Proof-Summer Night-British Awarded Artist

Located in London, GB

This stunning Artist's Proof is an one-off, hand-painted by the artist Shizico , signed at front and on the back label too; the proof is 90% hand painted with original oil paint by S...

Category

2010s Abstract Impressionist Landscape Prints

Materials

Gesso, Giclée, Archival Paper, Acrylic, Archival Ink

Night Shadows
Night Shadows

Edward HopperNight Shadows, 1921

$48,000Sale Price|20% Off

Night Shadows

By Edward Hopper

Located in Plano, TX

Night Shadows. 1921. Etching. Levin 82. 7 x 8 3/8 (sheet 10 x 13 7 1/16).s Series: Six American Etchings: The New Republic Portfolio, 1924. Edition approximately 500-600. Illustrate...

Category

1920s American Modern Landscape Prints

Materials

Etching

Edgar Degas, Dancer at the Barre, 1945 (after)
Edgar Degas, Dancer at the Barre, 1945 (after)

Edgar Degas, Dancer at the Barre, 1945 (after)

By Edgar Degas

Located in Southampton, NY

This exquisite lithograph after Edgar Degas (1834–1917), titled Danseur au bar (Dancer at the Barre), originates from the 1945 folio Degas, Ten Ballet Sketches. Published by The Studio Publications, Inc., New York, rendered and printed by Albert Carman, City Island, 1945, this work reflects Degas’s sensitive mastery of line, movement, and the intimate psychological nuances of the ballet studio. Executed as a lithograph and pochoir on velin paper, this work measures 13 x 17 inches (33.02 x 43.18 cm). Signed in the plate and unnumbered as issued. Rendered and printed by Albert Carman, City Island. Artwork Details: Artist: After Edgar Degas (1834–1917) Title: Danseur au bar (Dancer at the Barre), from Degas, Ten Ballet Sketches, 1945 Medium: Lithograph and pochoir on velin paper Dimensions: 13 x 17 inches (33.02 x 43.18 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1945 Publisher: The Studio Publications, Inc., New York Printer: Albert Carman, City Island Condition: Well preserved, consistent with age and medium Provenance: From the 1945 folio Degas, Ten Ballet Sketches, published by The Studio Publications, Inc., New York Notes: Excerpted from the album, Born in Paris in 1834, Edgar Degas lived, and surely loved the life of that city during most of his years. These continued somewhat sadly beyond those of most of his friends— into the debacle of the first World War, during which he died in 1917. Judging by the frequency with which he used them as models, he must have had an especial admiration for the ballet girls who followed a profession that at the time brought none of the glory and prosperity which attend it today. New aspects of the human body, revealed in movement, fascinated him. But his occupation with the simply anatomical side of his subjects never resulted in a cold interpretation. On the contrary there is a warmth and sympathy that pervades all of his work. The drawings here represent the painter in one important phase of his multi-sensitive view of life; and permit an insight which a more ambitious work might not do-into the operation of the creative process, the artist's transformation of reality as it passes through the mesh of his sensibilities. The Edition of this Portfolio is limited to MMMD examples. Rendered by Albert Carman. About the Publication: Degas, Ten Ballet Sketches (1945) is one of the earliest and most significant American postwar fine art portfolios devoted to Edgar Degas’s intimate works on paper. Published by The Studio Publications, Inc., New York, and rendered and printed by Albert Carman at City Island, the album sought to faithfully reproduce a group of Degas’s ballet-related drawings through a combination of lithography and hand-applied pochoir coloring. This hybrid technique allowed the edition to preserve the immediacy, tonal subtlety, and gestural delicacy central to Degas’s draftsmanship. Conceived as a fine art publication rather than a commercial book, the portfolio provided American audiences unprecedented access to Degas’s private, spontaneous studies—images that reveal the artist’s fascination with movement, anatomy, and the psychological atmosphere of the rehearsal studio. The album exemplifies the mid-20th-century revival of pochoir as a means of recreating the texture and coloristic nuance of original works on paper, and it remains an important document of how Degas’s legacy was translated into high-quality printed form for collectors, museums, and connoisseurs. About the Artist: Edgar Degas (1834–1917) was a French painter, draughtsman, printmaker, and sculptor whose groundbreaking fusion of classical draftsmanship, modern experimentation, and psychological depth helped define the trajectory of Western art, positioning him as one of the most influential figures of the nineteenth and early twentieth centuries; renowned for his depictions of ballet dancers, racehorses, theater scenes, cafe life, domestic interiors, milliners, laundresses, and women at their toilette, Degas reimagined observational realism through radical compositional innovation—employing extreme cropping, asymmetrical framing, oblique viewpoints, and dramatic lighting that anticipated photographic and cinematic language long before these technologies shaped visual culture, and although associated with Impressionism, he rejected plein-air spontaneity in favor of studio-based discipline rooted in the linear precision of Jean-Auguste-Dominique Ingres, the expressive chromaticism of Eugene Delacroix, and the modernity of Edouard Manet while also drawing inspiration from Japanese ukiyo-e prints, classical sculpture, and early photography; his independent artistic philosophy resonated with and helped shape the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose explorations of movement, form, dream logic, abstraction, and conceptualism all find antecedents in Degas’s investigations into seriality, temporality, and the fragmented figure, and his pioneering use of pastel, monotype, and wax sculpture fundamentally transformed each medium, influencing artists from Henri Matisse, Francis Bacon, Lucian Freud, and Giacomo Manzu to Paula Rego, contemporary realists, experimental photographers, and choreographers; his works are held in nearly every major museum collection worldwide—including the Musee dOrsay, the Louvre, the Metropolitan Museum of Art, the National Gallery of Art, the Art Institute of Chicago, the Courtauld Institute, and the National Gallery, London—affirming his central place in the history of art, and the highest auction record for Degas was achieved at Sothebys London on February 3, 2015, when Danseuses en Bleu sold for 37,033,000 GBP, cementing his status as one of the most sought-after and enduringly significant artists of the Western canon. Degas pochoir, Degas lithograph...

Category

1940s Impressionist Landscape Prints

Materials

Lithograph

Keith Haring, Untitled, from Against All Odds, 1990
Keith Haring, Untitled, from Against All Odds, 1990

Keith Haring, Untitled, from Against All Odds, 1990

By Keith Haring

Located in Southampton, NY

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), originates from the 1990 edition published by Publishing House Bebert, Rotterdam, in collaboration with Mera Rubell, New York, and Donald Rubell, New York, and printed by Nieuwe Grafische, Rotterdam, Spring, 1990. Untitled embodies Haring’s signature visual vocabulary—dynamic lines, rhythmic energy, and universal symbolism—infused with the social urgency and optimism that defined his generation. Executed as a lithograph on velin acid-free Rivoli paper, this work measures 8.5 x 10.3 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Nieuwe Grafische, Rotterdam, and the bold spirit of Bebert’s late twentieth-century artist collaborations. Artwork Details: Artist: Keith Haring (1958–1990) Title: Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989) Medium: Lithograph on velin acid-free Rivoli paper Dimensions: 8.5 x 10.3 inches (21.59 x 26.16 cm) Inscription: Unsigned and unnumbered as issued Date: 1990 Publisher: Publishing House Bebert, Rotterdam, in collaboration with Mera Rubell, New York, and Donald Rubell, New York Printer: Nieuwe Grafische, Rotterdam Condition: Well preserved, consistent with age and medium Provenance: From the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), Bebert, Rotterdam, 1990 Notes: Excerpted from the album, 20 drawings - Oct. 3, 1989 was published with the collaboration of Mera and Donald Rubell by Bebert Publishing House in Spring 1990. The edition consists of MMD hard cover examples, of which D are numbered (I/D - D/D) and signed by the artist. The edition was printed on acid-free Rivoli paper by Nieuwe Grafische in Rotterdam. and bound by Stokkink B.V. in Amsterdam. ©Keith Haring, M.Y.6. 1990. Mera + Don Rubell, NYC 1990. Bebert Publishing House. Westersingel 22-3014 GP, Rotterdam, Holland - 1990. About the Publication: Against All Odds is both an artist’s album and memorial publication comprising twenty lithographs created by Keith Haring on October 3, 1989, just months before his death in February 1990. Conceived in collaboration with Mera and Donald Rubell and published by Bebert Publishing House, Rotterdam, the album encapsulates Haring’s final creative statement. Haring’s accompanying handwritten foreword and brief text meditate on the fragility of human life, ecological collapse, and the artist’s struggle to preserve hope “against all odds.” The drawings—executed in Haring’s immediately recognizable graphic line—depict writhing figures, embryos, skeletons, animals, and cosmic symbols that echo his lifelong concern with birth, death, sexuality, and transcendence. Together, the images and text form a narrative of resistance and endurance amid personal illness and global crisis. The album’s title encapsulates Haring’s sense of perseverance: humanity’s and the planet’s fight for survival despite overwhelming forces of destruction. Published posthumously in spring 1990, Against All Odds stands as a poignant summation of his ethos—celebrating vitality and compassion in the face of mortality and despair. About the Artist: Keith Haring (1958–1990) was an American artist, activist, and cultural innovator whose bold visual language and socially engaged practice redefined contemporary art and the role of the artist in society. Born in Reading, Pennsylvania, and raised in Kutztown, Haring was inspired from an early age by comic art, calligraphy, and graphic design, influences that would later shape his instantly recognizable style of radiant lines, rhythmic movement, and universal symbols. After moving to New York City in 1978 to study at the School of Visual Arts, he immersed himself in the downtown art scene, drawing influence from modernist pioneers such as Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose innovations in form, abstraction, and conceptual art informed his radical approach to public expression. Haring began creating chalk drawings in the New York subway system, transforming urban walls into democratic spaces for creativity and communication. His imagery—radiant babies, barking dogs, flying saucers, and dancing figures—spoke a universal visual language that combined accessibility with profound emotional and political resonance. He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art. Influenced by Picasso’s expressive energy, Calder’s movement, Miro’s playfulness, and Duchamp’s conceptual wit, Haring developed an art of optimism, immediacy, and activism that addressed issues of love, unity, social justice, and human rights. His work carried urgent commentary on apartheid, AIDS awareness, drug abuse, and inequality, while radiating the joy and vitality of life. In 1986, he opened the Pop Shop, a groundbreaking experiment in making art accessible to all, selling affordable objects featuring his designs without compromising his artistic vision. His monumental public murals, including Crack Is Wack in Harlem and Tuttomondo in Pisa, Italy, continue to stand as symbols of art’s power to educate and inspire collective action. Haring’s dynamic compositions merged the energy of graffiti with the structural clarity of modernism, synthesizing the spiritual abstraction of Kandinsky, the surreal imagination of Dali, and the sensual immediacy of Man Ray. His work influenced generations of artists, including Banksy, Shepard Fairey, KAWS, Takashi Murakami, and RETNA, who continue to echo his fusion of activism and aesthetics. Despite his untimely death from AIDS at age 31, Haring’s impact on art and culture endures globally through the Keith Haring Foundation, which supports children’s programs and HIV/AIDS research. His works are housed in major museums such as the Museum of Modern Art, the Whitney Museum of American Art, the Centre Pompidou, and the Tate Modern, affirming his legacy as a cornerstone of twentieth-century art. The highest auction record for Keith Haring was achieved with Untitled (1982), which sold for $6.5 million USD at Sotheby’s, New York, on May 16, 2017, solidifying his status as one of the most influential, beloved, and enduring artists of the modern era. Keith Haring Untitled Against All Odds 20 drawings Oct 3 1989 Bebert Publishing House Rotterdam 1990 lithograph...

Category

1990s Pop Art Landscape Prints

Materials

Lithograph

"Afternoon Glow" Colorful Serigraph of Lahaina Harbor, Maui
"Afternoon Glow" Colorful Serigraph of Lahaina Harbor, Maui

"Afternoon Glow" Colorful Serigraph of Lahaina Harbor, Maui

By John Cosby

Located in Laguna Beach, CA

This 90 color hand pulled serigraph exhibits all of the subtle brushwork, light, and color that the artist is known for. "Afternoon Glow" is signed by the artist in an edition of 240...

Category

2010s American Impressionist Landscape Prints

Materials

Screen