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Landscape Prints For Sale
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

1780s Old Masters Landscape Prints

Materials

Laid Paper, Engraving

"Apparition at the Border of Language"

"Apparition at the Border of Language"

By Enrique Chagoya

Located in Lyons, CO

This print presents a fictitious encounter between contemporary colonial forces and Native Americans who are defenders of immigrant refugees and displaced populations. The artist de...

Category

2010s Contemporary Landscape Prints

Materials

Lithograph

On Lake Attersee-Edition #22-Plate signed with Dry stamp-Austria Gallery Edition
On Lake Attersee-Edition #22-Plate signed with Dry stamp-Austria Gallery Edition

On Lake Attersee-Edition #22-Plate signed with Dry stamp-Austria Gallery Edition

By Gustav Klimt

Located in London, GB

This is a Limited Austrian Edition, signed on plate, with its dry stemp seal from Official Klimt Villa, published by Austria-Klimt Villa Gallery in 2012 ( seal in the picture); Gicle...

Category

Early 1900s Post-Impressionist Landscape Prints

Materials

Ink, Archival Ink, Archival Paper, Giclée

Marc Chagall, Place de la Concorde, from Views of Paris, 1963
Marc Chagall, Place de la Concorde, from Views of Paris, 1963

Marc Chagall, Place de la Concorde, from Views of Paris, 1963

By Marc Chagall

Located in Southampton, NY

This exquisite lithograph by Marc Chagall (1887–1985), titled Place de la Concorde (Place de la Concorde), from Regards Sur Paris (Views of Paris), originates from the January 22, 19...

Category

1960s Expressionist Landscape Prints

Materials

Lithograph

Barcelona Beach Night Horizon, Nocturnal Seascape Cyanotype on Watercolor Paper
Barcelona Beach Night Horizon, Nocturnal Seascape Cyanotype on Watercolor Paper

Barcelona Beach Night Horizon, Nocturnal Seascape Cyanotype on Watercolor Paper

By Kind of Cyan

Located in Barcelona, ES

This is an exclusive handprinted limited edition cyanotype. Outstanding "Barcelona Beach Night Horizon" shows a nocturnal seascape, taken on the Barcelona beach. Details: + Title: B...

Category

2010s Realist Landscape Prints

Materials

Emulsion, Printer's Ink, Watercolor, Photographic Paper, Color, Photogram

Marc Chagall, The Candelabrum, from The Jerusalem Windows, 1962
Marc Chagall, The Candelabrum, from The Jerusalem Windows, 1962

Marc Chagall, The Candelabrum, from The Jerusalem Windows, 1962

By Marc Chagall

Located in Southampton, NY

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Chandelier (The Candelabrum), from the album Marc Chagall, The Jerusalem Windows, originates from the 1962 edition pu...

Category

1960s Expressionist Landscape Prints

Materials

Lithograph

David Hockney 'Looking Towards Huggate' Pop Art  Vintage
David Hockney 'Looking Towards Huggate' Pop Art  Vintage

David Hockney 'Looking Towards Huggate' Pop Art Vintage

By David Hockney

Located in Brooklyn, NY

This David Hockney poster celebrates the artist’s deep connection to his Yorkshire roots. Printed in Bradford, it features a sweeping view toward Huggate, a village nestled in the ro...

Category

Early 2000s Pop Art Landscape Prints

Materials

Offset

Marc Chagall, The Ceiling of the Paris Opera, 1965 (after)
Marc Chagall, The Ceiling of the Paris Opera, 1965 (after)

Marc Chagall, The Ceiling of the Paris Opera, 1965 (after)

By Marc Chagall

Located in Southampton, NY

This exquisite lithograph after Marc Chagall (1887–1985), titled Le Plafond de l’Opera de Paris (The Ceiling of the Paris Opera), from the album Le plafond de l’Opera de Paris par Ma...

Category

1960s Expressionist Landscape Prints

Materials

Lithograph

Alex Katz - No Kids – Come Into My House (Cover art Hand Signed by Alex Katz)
Alex Katz - No Kids – Come Into My House (Cover art Hand Signed by Alex Katz)

Alex Katz - No Kids – Come Into My House (Cover art Hand Signed by Alex Katz)

Located in New York, NY

No Kids – Come Into My House, 2008 Autographed by Alex Katz in 2013 Vinyl, Album, LP Tomlab – tom 108 lp The artwork depicted on this album cover is “Ives Field I”, an oil on linen ...

Category

Early 2000s Contemporary Landscape Prints

Materials

Offset

The Flight into Egypt
The Flight into Egypt

The Flight into Egypt

By Hans Lautensack

Located in Middletown, NY

Etching on handmade cream laid paper with a deckle edge, and an elaborate and large watermark of a crowned figure with a harp, and letters A S, 11 3/4 x 8 inches (298 x 204 mm); shee...

Category

16th Century Old Masters Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching

Andrew Wyeth, New Leaves, from The Four Seasons (after)
Andrew Wyeth, New Leaves, from The Four Seasons (after)

Andrew Wyeth, New Leaves, from The Four Seasons (after)

By Andrew Wyeth

Located in Southampton, NY

This exquisite lithograph after Andrew Wyeth (1917–2009), titled New Leaves, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Pu...

Category

1960s American Realist Landscape Prints

Materials

Lithograph

Let's Clay - Werner Bronkhorst - Tennis
Let's Clay - Werner Bronkhorst - Tennis

Let's Clay - Werner Bronkhorst - Tennis

Located in London, GB

Werner Bronkhorst Let's Clay, 2026 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks. Hand-stretched over FSC-ce...

Category

2010s Contemporary Landscape Prints

Materials

Giclée

H9-1 Justice - Damien Hirst Cherry Blossoms
H9-1 Justice - Damien Hirst Cherry Blossoms

H9-1 Justice - Damien Hirst Cherry Blossoms

Located in Manchester, GB

Damien Hirst, Justice, Laminated Giclée Print on Aluminium Composite Panel 120.1 × 96 cm (47 3/10 × 37 4/5 in) Limited edition of 1005 Hand-signed and numbered by the artist The Vi...

Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Acrylic, Archival Pigment

Ellsworth Kelly, Untitled, from Derriere le miroir, 1966
Ellsworth Kelly, Untitled, from Derriere le miroir, 1966

Ellsworth Kelly, Untitled, from Derriere le miroir, 1966

By Ellsworth Kelly

Located in Southampton, NY

This exquisite lithograph by Ellsworth Kelly (1923–2015), titled Sans titre (Untitled), from the album Lithographies et eaux-fortes originales, livres illustres originaux, affiches, ...

Category

1960s Minimalist Landscape Prints

Materials

Lithograph

Henri Matisse, The Swimming Pool II, from Last Works of Matisse, 1958 (after)
Henri Matisse, The Swimming Pool II, from Last Works of Matisse, 1958 (after)

Henri Matisse, The Swimming Pool II, from Last Works of Matisse, 1958 (after)

By Henri Matisse

Located in Southampton, NY

This exquisite lithograph after Henri Matisse (1869–1954), titled La Piscine II (The Swimming Pool II), from Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Revue Artistique et Litteraire, Vol. IX, No. 35-36, originates from the July 28, 1958 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This visionary composition reflects Matisse’s late mastery of form and color, translating his celebrated cut-out aesthetic into the lithographic medium with remarkable clarity and vibrancy. Executed as a lithograph on velin du Marais paper, this work measures 14 x 42 inches (35.56 x 106.68 cm), with trifold and stitch perforations as issued. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: La Piscine II (The Swimming Pool II) Medium: Lithograph on velin du Marais paper Dimensions: 14 x 42 inches (35.56 x 106.68 cm), with trifold and stitch perforations as issued Inscription: Unsigned and unnumbered as issued Date: 1958 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 139. Condition: Well preserved, consistent with age and medium Provenance: From Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), Verve: Revue Artistique et Litteraire, Vol. IX, No. 35-36, published by Editions de la revue Verve, Paris, 1958 Notes: Excerpted from the folio (translated from French), This double issue of VERVE is entirely devoted to the last works of Henri Matisse-1950-1954. These works, rendered in color litbography, were made by the artist, in gouache papers, cut with scissors and glued. They are accompanied by drawings executed during the same period or before. Matisse specially composed the cover of this album. Under his direction were drawn, during the year 1954, the first of these lithographic plates. The work was completed on July 28, 1958 by Mourlot Freres for lithography and by Master Printers Draeger Freres for heliogravures and typography. About the Publication: Dernieres Oeuvres de Matisse 1950-1954 (Last Works of Matisse 1950-1954), published as Verve Vol. IX, No. 35-36 on July 28, 1958, represents one of the most important posthumous tributes to Henri Matisse’s final period of artistic production. Conceived and directed by the visionary publisher Teriade, this issue of Verve is entirely dedicated to the works Matisse created between 1950 and 1954, a period defined by his pioneering cut-out technique. Produced in Paris with exceptional technical precision, the publication brings together color lithographs faithfully reproducing Matisse’s gouache cut-outs alongside a selection of drawings executed during the same period or earlier. The lithographs were printed by Mourlot Freres, while Draeger Freres oversaw the heliogravures and typography, ensuring the highest level of craftsmanship. The project was initiated under Matisse’s direct supervision in 1954, with the artist guiding the early stages of translation from original cut paper compositions into lithographic form. As part of the broader legacy of Verve, one of the most influential artistic and literary publications of the twentieth century, this issue stands as a monumental record of Matisse’s final innovations, preserving the essence of his late style and affirming his enduring impact on modern art. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisses influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately 80.8 million USD, achieved in 2018 at Christies New York for Odalisque couchee aux magnolias (1923). Henri Matisse La Piscine...

Category

1950s Fauvist Landscape Prints

Materials

Lithograph

Notre-Dame Cathedral from the Seine
Notre-Dame Cathedral from the Seine

Notre-Dame Cathedral from the Seine

Located in Middletown, NY

Etching with drypoint on cream wove paper, 7 x 8 3/4 inches (177 x 223 mm); sheet 10 1/2 x 11 3/4 inches (267 x 300 mm), full margins. Signed V. E. Chapel and numbered 62/250 in penc...

Category

Early 20th Century French School Landscape Prints

Materials

Drypoint, Etching

La Piscine/The Pool at Le Trayas, 1983 Contemporary Print Diptych
La Piscine/The Pool at Le Trayas, 1983 Contemporary Print Diptych

La Piscine/The Pool at Le Trayas, 1983 Contemporary Print Diptych

Located in Brooklyn, NY

In 1983, artist David Lingwood created this stunning diptych poster, capturing the serene beauty of Le Trayas, a picturesque locale in the south of France. This two-panel composition...

Category

1980s Contemporary Landscape Prints

Materials

Offset

Morning Mist Cyanotype Print, Contemporary Landscape, Ed. 2/5, 24x16"
Morning Mist Cyanotype Print, Contemporary Landscape, Ed. 2/5, 24x16"

Morning Mist Cyanotype Print, Contemporary Landscape, Ed. 2/5, 24x16"

Located in Oakland, CA

These are the foggy woods in the hills of Oakland, across the bay from San Francisco. Shortly after sunrise. The paths are crowded with towering eucalyptus, bay laurel and madrone tr...

Category

2010s Contemporary Landscape Prints

Materials

Paper, Archival Paper, Rag Paper, Photogram

Breed Street Shul, by Frank Romero
Breed Street Shul, by Frank Romero

Breed Street Shul, by Frank Romero

By Frank Romero

Located in Palm Springs, CA

Signed and titled by the artist from the edition of 69. This print feature a small a small Jewish Shul in the Boyle Heights area of Los Angeles where Romero grew up, Romero was fea...

Category

2010s Contemporary Landscape Prints

Materials

Screen

Malabaristas Parapsicológicos Giclée Print, Surrealist, Framed, 2010+
Malabaristas Parapsicológicos Giclée Print, Surrealist, Framed, 2010+

Malabaristas Parapsicológicos Giclée Print, Surrealist, Framed, 2010+

By Pedro Friedeberg

Located in Cuauhtemoc, Ciudad de México

Artist and designer Pedro Friedeberg is known for his surrealist paintings, prints, and sculptural furniture. He was the subject of a 2009 retrospective at the Museo del Palacio de B...

Category

2010s Surrealist Landscape Prints

Materials

Giclée

Irrational Beauty of the Forest Part II. Limited Print on canvas
Irrational Beauty of the Forest Part II. Limited Print on canvas

Irrational Beauty of the Forest Part II. Limited Print on canvas

Located in Zofingen, AG

Limited edition giclée print, created with archival inks on canvas, with hand-applied brush textures that enhance the handcrafted quality of the artwork. - 70x90 cm + 5 cm from eac...

Category

2010s Impressionist Landscape Prints

Materials

Canvas, Oil

'I Love New York' 1981-View From my Terrace, Vintage
'I Love New York' 1981-View From my Terrace, Vintage

'I Love New York' 1981-View From my Terrace, Vintage

Located in Brooklyn, NY

David Lingwood’s "I Love New York" offers a serene, nostalgic glimpse into the iconic New York City skyline as seen from the artist’s own terrace apartment in the 1970s. Rendered wit...

Category

1980s Contemporary Landscape Prints

Materials

Offset

'Riders at Sundown' — Mid-Century Southwest Regionalism
'Riders at Sundown' — Mid-Century Southwest Regionalism

'Riders at Sundown' — Mid-Century Southwest Regionalism

By Gene Kloss

Located in Myrtle Beach, SC

'Riders at Sundown', aquatint and drypoint, edition 75, 1953, Kloss 451. Signed, titled, and annotated 'Artist's Proof' in pencil. A superb, richly-inked, atmospheric impression, in ...

Category

1950s American Modern Landscape Prints

Materials

Drypoint, Aquatint

Andrew Wyeth, Early October, from The Four Seasons (after)
Andrew Wyeth, Early October, from The Four Seasons (after)

Andrew Wyeth, Early October, from The Four Seasons (after)

By Andrew Wyeth

Located in Southampton, NY

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Early October, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth....

Category

1960s American Realist Landscape Prints

Materials

Lithograph

Christo and Jeanne-Claude, Orange Storefront, Project, Ediciones Poligrafa, 1979
Christo and Jeanne-Claude, Orange Storefront, Project, Ediciones Poligrafa, 1979

Christo and Jeanne-Claude, Orange Storefront, Project, Ediciones Poligrafa, 1979

By Christo and Jeanne-Claude

Located in Southampton, NY

This exquisite lithograph by Christo and Jeanne-Claude (1935–2020; 1935–2009), titled Facade de magasin orange, projet (Orange Storefront, Project), from the album Ediciones Poligraf...

Category

1970s Conceptual Landscape Prints

Materials

Lithograph

Joan Miro, Blue II, from Miro 1959–1960, 1961 (after)
Joan Miro, Blue II, from Miro 1959–1960, 1961 (after)

Joan Miro, Blue II, from Miro 1959–1960, 1961 (after)

By Joan Miró

Located in Southampton, NY

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Bleu II (Blue II), from the album Miro 1959–1960 (Miro 1959–1960), originates from the 1961 edition publishe...

Category

1960s Surrealist Landscape Prints

Materials

Lithograph

"Ivray, chemin de fer" original etching

"Ivray, chemin de fer" original etching

By Charles Heyman

Located in Henderson, NV

Medium: original etching. This impression on laid paper was printed in 1912 and published in Paris by the Revue de l'Art ancien et moderne. Plate size: 4 1/4 x 9 1/2 inches (110 x 24...

Category

1910s Landscape Prints

Materials

Etching

Winter Trees — Sōsaku Hanga Japanese Woodblock Print
Winter Trees — Sōsaku Hanga Japanese Woodblock Print

Winter Trees — Sōsaku Hanga Japanese Woodblock Print

Located in Myrtle Beach, SC

Hajime Namiki, 'Tree Scene 159', color woodcut, edition 200, 2022. Signed in pencil and with the artist’s red seal. Titled, numbered '37/200' and dated, in pencil. A very fine impres...

Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Woodcut

Arrest of the Palateros, by Chicano artist Frank Romero
Arrest of the Palateros, by Chicano artist Frank Romero

Arrest of the Palateros, by Chicano artist Frank Romero

By Frank Romero

Located in Palm Springs, CA

Arrest of the Palateros is one of Frank Romero’s most compelling social-commentary images, depicting the arrest of palateros—ice-cream vendors—in Echo Park for operating without perm...

Category

2010s Contemporary Landscape Prints

Materials

Screen

Venice, Pop Art Screenprint by Mori Shizume
Venice, Pop Art Screenprint by Mori Shizume

Venice, Pop Art Screenprint by Mori Shizume

By Mori Shizume

Located in Long Island City, NY

Venice by Mori Shizume, Japanese (1928–2014) Date: 1979 Screenprint, signed and numbered in pencil Edition of 200 Size: 21.5 in. x 30 in. (54.61 cm x 76.2 cm) Image Size: 15.75 x 27 ...

Category

1970s Pop Art Landscape Prints

Materials

Screen

Night Shadows
Night Shadows

Edward HopperNight Shadows, 1921

$48,000Sale Price|20% Off

Night Shadows

By Edward Hopper

Located in Plano, TX

Night Shadows. 1921. Etching. Levin 82. 7 x 8 3/8 (sheet 10 x 13 7 1/16).s Series: Six American Etchings: The New Republic Portfolio, 1924. Edition approximately 500-600. Illustrate...

Category

1920s American Modern Landscape Prints

Materials

Etching

One Off large-Hand-Painted Artist Proof-Summer Night-British Awarded Artist
One Off large-Hand-Painted Artist Proof-Summer Night-British Awarded Artist

One Off large-Hand-Painted Artist Proof-Summer Night-British Awarded Artist

Located in London, GB

This stunning Artist's Proof is an one-off, hand-painted by the artist Shizico , signed at front and on the back label too; the proof is 90% hand painted with original oil paint by S...

Category

2010s Abstract Impressionist Landscape Prints

Materials

Gesso, Archival Ink, Acrylic, Archival Paper, Giclée

Original The French Riviera (Cote d'Azur) French Railways vintage travel poster
Original The French Riviera (Cote d'Azur) French Railways vintage travel poster

Original The French Riviera (Cote d'Azur) French Railways vintage travel poster

By Jules Cavailles

Located in Spokane, WA

Original vintage travel advertising poster for the FRENCH RIVIERA FRENCH NATIONAL RAILROADS SNCF (French National Railways) - the French Riviera. (Cote D'Azur, known as the French Riviera) The image features people looking out towards a marina full of sailing boats. Colorful artwork by the French painter Jules Cavailles (1901-1977). Printed by Perceval, Paris in 1953. Mid-Century Modern. Grade A- This is the English version of the poster compared to the design created for Cote d'Azur. The English version is much rarer (both are rare today). The poster gives the impression of a naive painting at this Mediterranean beach and seaport. Step into a world of timeless elegance and sunlit dreams with this exquisite French Riviera Vintage...

Category

1950s American Modern Landscape Prints

Materials

Lithograph

Destination Unknown 1979 Signed Limited Edition Lithograph
Destination Unknown 1979 Signed Limited Edition Lithograph

Destination Unknown 1979 Signed Limited Edition Lithograph

By Ernie Barnes

Located in Rochester Hills, MI

Artist: Ernie Barnes Title: Destination Unknown Year: 1979 Print - Lithograph Size: 25" x 19 ½" inches Edition: Pencil signed and numbered 24/300 Unframed ‘Destination Unknow...

Category

1970s American Realist Landscape Prints

Materials

Lithograph

Seascape XVI - large format photograph of monochrome water surface and clouds
Seascape XVI - large format photograph of monochrome water surface and clouds

Seascape XVI - large format photograph of monochrome water surface and clouds

By Frank Schott

Located in San Francisco, CA

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Pigment, Giclée, Photographic Paper, Archival Paper, Archival Ink

Keith Haring, Untitled, from Against All Odds, 1990
Keith Haring, Untitled, from Against All Odds, 1990

Keith Haring, Untitled, from Against All Odds, 1990

By Keith Haring

Located in Southampton, NY

This exquisite lithograph by Keith Haring (1958–1990), titled Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), originates from the 1990 edition published by Publishing House Bebert, Rotterdam, in collaboration with Mera Rubell, New York, and Donald Rubell, New York, and printed by Nieuwe Grafische, Rotterdam, Spring, 1990. Untitled embodies Haring’s signature visual vocabulary—dynamic lines, rhythmic energy, and universal symbolism—infused with the social urgency and optimism that defined his generation. Executed as a lithograph on velin acid-free Rivoli paper, this work measures 8.5 x 10.3 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Nieuwe Grafische, Rotterdam, and the bold spirit of Bebert’s late twentieth-century artist collaborations. Artwork Details: Artist: Keith Haring (1958–1990) Title: Untitled, from the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989) Medium: Lithograph on velin acid-free Rivoli paper Dimensions: 8.5 x 10.3 inches (21.59 x 26.16 cm) Inscription: Unsigned and unnumbered as issued Date: 1990 Publisher: Publishing House Bebert, Rotterdam, in collaboration with Mera Rubell, New York, and Donald Rubell, New York Printer: Nieuwe Grafische, Rotterdam Condition: Well preserved, consistent with age and medium Provenance: From the album Against All Odds, 20 drawings - Oct. 3, 1989 (Against All Odds, 20 drawings - Oct. 3, 1989), Bebert, Rotterdam, 1990 Notes: Excerpted from the album, 20 drawings - Oct. 3, 1989 was published with the collaboration of Mera and Donald Rubell by Bebert Publishing House in Spring 1990. The edition consists of MMD hard cover examples, of which D are numbered (I/D - D/D) and signed by the artist. The edition was printed on acid-free Rivoli paper by Nieuwe Grafische in Rotterdam. and bound by Stokkink B.V. in Amsterdam. ©Keith Haring, M.Y.6. 1990. Mera + Don Rubell, NYC 1990. Bebert Publishing House. Westersingel 22-3014 GP, Rotterdam, Holland - 1990. About the Publication: Against All Odds is both an artist’s album and memorial publication comprising twenty lithographs created by Keith Haring on October 3, 1989, just months before his death in February 1990. Conceived in collaboration with Mera and Donald Rubell and published by Bebert Publishing House, Rotterdam, the album encapsulates Haring’s final creative statement. Haring’s accompanying handwritten foreword and brief text meditate on the fragility of human life, ecological collapse, and the artist’s struggle to preserve hope “against all odds.” The drawings—executed in Haring’s immediately recognizable graphic line—depict writhing figures, embryos, skeletons, animals, and cosmic symbols that echo his lifelong concern with birth, death, sexuality, and transcendence. Together, the images and text form a narrative of resistance and endurance amid personal illness and global crisis. The album’s title encapsulates Haring’s sense of perseverance: humanity’s and the planet’s fight for survival despite overwhelming forces of destruction. Published posthumously in spring 1990, Against All Odds stands as a poignant summation of his ethos—celebrating vitality and compassion in the face of mortality and despair. About the Artist: Keith Haring (1958–1990) was an American artist, activist, and cultural innovator whose bold visual language and socially engaged practice redefined contemporary art and the role of the artist in society. Born in Reading, Pennsylvania, and raised in Kutztown, Haring was inspired from an early age by comic art, calligraphy, and graphic design, influences that would later shape his instantly recognizable style of radiant lines, rhythmic movement, and universal symbols. After moving to New York City in 1978 to study at the School of Visual Arts, he immersed himself in the downtown art scene, drawing influence from modernist pioneers such as Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose innovations in form, abstraction, and conceptual art informed his radical approach to public expression. Haring began creating chalk drawings in the New York subway system, transforming urban walls into democratic spaces for creativity and communication. His imagery—radiant babies, barking dogs, flying saucers, and dancing figures—spoke a universal visual language that combined accessibility with profound emotional and political resonance. He became a leading figure in 1980s New York, working alongside Jean-Michel Basquiat, Andy Warhol, and Kenny Scharf to bridge the worlds of street art, pop culture, and fine art. Influenced by Picasso’s expressive energy, Calder’s movement, Miro’s playfulness, and Duchamp’s conceptual wit, Haring developed an art of optimism, immediacy, and activism that addressed issues of love, unity, social justice, and human rights. His work carried urgent commentary on apartheid, AIDS awareness, drug abuse, and inequality, while radiating the joy and vitality of life. In 1986, he opened the Pop Shop, a groundbreaking experiment in making art accessible to all, selling affordable objects featuring his designs without compromising his artistic vision. His monumental public murals, including Crack Is Wack in Harlem and Tuttomondo in Pisa, Italy, continue to stand as symbols of art’s power to educate and inspire collective action. Haring’s dynamic compositions merged the energy of graffiti with the structural clarity of modernism, synthesizing the spiritual abstraction of Kandinsky, the surreal imagination of Dali, and the sensual immediacy of Man Ray. His work influenced generations of artists, including Banksy, Shepard Fairey, KAWS, Takashi Murakami, and RETNA, who continue to echo his fusion of activism and aesthetics. Despite his untimely death from AIDS at age 31, Haring’s impact on art and culture endures globally through the Keith Haring Foundation, which supports children’s programs and HIV/AIDS research. His works are housed in major museums such as the Museum of Modern Art, the Whitney Museum of American Art, the Centre Pompidou, and the Tate Modern, affirming his legacy as a cornerstone of twentieth-century art. The highest auction record for Keith Haring was achieved with Untitled (1982), which sold for $6.5 million USD at Sotheby’s, New York, on May 16, 2017, solidifying his status as one of the most influential, beloved, and enduring artists of the modern era. Keith Haring Untitled Against All Odds 20 drawings Oct 3 1989 Bebert Publishing House Rotterdam 1990 lithograph...

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