Landscape Prints

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

Mid Century Modern Palm Springs Architecture. White Porsche Cabriolet 911 vintage Car photographed in Palm Desert. Archival Inkjet Print on Cotton Paper. Mid Century Modern Archit...

Berthoud Pass, located in the Rocky Mountains of Colorado, has a rich history associated with winter sports, skiing, exploration, and snowmobiling since the 1930s. An avid outdoors person, the artist John Kato...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 4.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.75 x 5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the vo...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 7 inches Inscription: Unsigned and unnumbered, as issued Notes: From the vol...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 6.5 x 4.75 inches Inscription: Unsigned and unnumbered, as issued Notes: From the ...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

This limited edition seascape print by John Harris captures a highly detailed view of rolling ocean waves crashing near a shoreline under a clear blue sky. It features a mix of cool ...

Lighthouses are unique to decorate with to create a look that is comforting as well as historical. This painting by Michigan artist Leo Kuschel is of the 3...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Steinberg, Derrière le miroir, N° ...

Medium: original etching. Published in Berlin by Bruno Cassirer in 1904 for Kunst und Kunstler. The plate measures 5 1/2 x 7 1/4 inches (140 x 185 mm). Not signed.

Medium: etching and aquatint Edition of 100 Year: 2024 Image Size: 8 x 10 inches Signed, titled and numbered by the artist. Strata from a long past geological period add their patte...

Architectures is a contemporary artwork realized by Franco Gentilini in 1970s. Mixed colored lithograph. Hand signed and numbered on the lower margin. Edition of 39/200.

This Winslow Homer woodcut engraving entitled "The Morning Walk, Young Ladies' School Promenading the Avenue", was published in Harper's Weekly in the...

Savo Radulović, Serbian American (1911 - 1991) - Exodus, Medium: Hand colored Lithograph, signed, titled and numbered in pencil, Edition: 20, Image Size: 9.5 x 14.25 inches, Size...

This exquisite lithograph by Marc Chagall (1887–1985), titled Le Coq Bleu (The Blue Rooster), from the folio Derriere le miroir, No. 107–109, originates from the 1958 edition publish...

Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 9.5 x 25 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: Fr...

A unique monotype by noted Canadian artist and actor Stephen Lack. The image measures 16 x 22 inches on a 22.5 x 27.5 inch sheet. The artwork is signed, dated, titled and numbered ...

Linda Plotkin, American (1938 - ) - Oh What a Lovely Day IV, Year: circa 1965, Medium: Lithograph on Arches, signed, titled and numbered in pencil, Edition: 6/100, Image Size: 18...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

Lithograph on vélin bouffant des Papeteries de Hauteville paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Fernand Léger mes voyages avec un poème d'...

This coastal seascape limited edition print captures a cropped view of rolling ocean waves. Highly detailed and realistic, it balances the deep blues and sea greens of the ocean with...

Contemporary minimalistic black & white linocut print on paper by Polish artist Jolanta Babicz. Edition is limited to 20 copies. Artwork is not framed. Photos with frame are only visualizations. JOLANTA BABICZ (born in 1967) In 2009 she graduated from the Artistic Department of the University of Humanities and Economics in Łódź. The subject of her B.A. thesis was computer graphic...

Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Signed in the plate and u...

Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Édouard Manet, Letters with Aquarelles, 1944. Published by Pantheon Books, New York; rendered and printed by Raymond and...

Jack Hofflander, American (1920 - 2003) - HM Lewis Building, Year: 1979, Medium: Screenprint, signed in pencil, Edition: AP 30, Image Size: 22 x 30 inches, Size: 26 in. x 33 in....

PLAINS OF JUPITER is a hand drawn color lithograph by the British painter Harold Hitchcock printed using hand lithography on archival Arches paper 100% acid free. In the dreamy, roma...

This large 17th century copper plate hand-colored engraved map entitled "Gouvernement D'Orleans et la Generalite divisee en ses Elections Par...

Maurice BRIANCHON The Pond in Winter with Ravens Original lithograph Handsigned in pencil Numbered / 75 On Arches vellum 65 x 50 cm (c. 26 x 20 in) Very good condition, light defe...

Philip Pearlstein (1924-2022) View Over Soho, Lower Manhattan, 1977 Aquatint in colors on wove paper Edition 7/41 Signed, editioned and titled in pencil lower left Printed by the Orl...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Le reveil (The Awakening), from the album Miro 1959–1960 (Miro 1959–1960), originates from the 1961 edition ...

Lithograph hand watercolored, realized by Giuseppe Ruo in 1880s. Good condition.

screenprint printed in color ink on wove paper. New York City subway station interior. Anthony Velonis (1911 – 1997) was an American painter and designer born in New York City who helped introduce the public to silkscreen printing in the early 20th century. While employed under the federal Works Progress Administration, WPA during the Great Depression, Velonis brought the use of silkscreen printing as a fine art form, referred to as the "serigraph," into the mainstream. By his own request, he was not publicly credited for coining the term. He experimented and mastered techniques to print on a wide variety of materials, such as glass, plastics, and metal, thereby expanding the field. In the mid to late 20th century, the silkscreen technique became popular among other artists such as Robert Rauschenberg and Andy Warhol. Velonis was born into a relatively poor background of a Greek immigrant family and grew up in the tenements of New York City. Early on, he took creative inspiration from figures in his life such as his grandfather, an immigrant from the mountains in Greece, who was "an ecclesiastical painter, on Byzantine style." Velonis attended James Monroe High School in The Bronx, where he took on minor artistic roles such as the illustration of his high school yearbook. He eventually received a scholarship to the NYU College of Fine Arts, into which he was both surprised and ecstatic to have been admitted. Around this time he took to painting, watercolor, and sculpture, as well as various other art forms, hoping to find a niche that fit. He attended NYU until 1929, when the Great Depression started in the United States after the stock market crash. Around the year 1932, Velonis became interested in silk screen, together with fellow artist Fritz Brosius, and decided to investigate the practice. Working in his brother's sign shop, Velonis was able to master the silkscreen process. He reminisced in an interview three decades later that doing so was "plenty of fun," and that a lot of technology can be discovered through hard work, more so if it is worked on "little by little." Velonis was hired by Mayor LaGuardia in 1934 to promote the work of New York's city government via posters publicizing city projects. One such project required him to go on a commercial fishing trip to locations including New Bedford and Nantucket for a fortnight, where he primarily took photographs and notes, and made sketches. Afterward, for a period of roughly six months, he was occupied with creating paintings from these records. During this trip, Velonis developed true respect and affinity for the fishermen with whom he traveled, "the relatively uneducated person," in his words. Following this, Velonis began work with the Public Works of Art Project (PWAP), an offshoot of the Civil Works Administration (CWA), where he was assigned to serve the different city departments of New York. After the formation of the federal Works Progress Administration, which hired artists and sponsored projects in the arts, he also worked in theater. Velonis began working for the federal WPA in 1935. He kept this position until 1936 or 1938, at which point he began working in the graphic art division of the Federal Art Project, which he ultimately led. Under various elements of the WPA program, many young artists, writers and actors gained employment that helped them survive during the Depression, as well as contributing works that created an artistic legacy for the country. When interviewed in December 1994 by the Library of Congress about his time in the WPA, Velonis reflected that he had greatly enjoyed that period, saying that he liked the "excitement" and "meeting all the other artists with different points of view." He also said in a later interview that "the contact and the dialogue with all those artists and the work that took place was just invaluable." Among the young artists he hired was Edmond Casarella, who later developed an innovative technique using layered cardboard for woodcuts. Velonis introduced silkscreen printing to the Poster Division of the WPA. As he recalled in a 1965 interview: "I suggested that the Poster division would be a lot more productive and useful if they had an auxiliary screen printing project that worked along with them. And apparently this was very favorably received..." As a member of the Federal Art Project, a subdivision of the WPA, Velonis later approached the Public Use of Arts Committee (PUAC) for help in "propagandizing for art in the parks, in the subways, et cetera." Since the Federal Art Project could not be "self-promoting," an outside organization was required to advertise their art more extensively. During his employment with the Federal Art Project, Velonis created nine silkscreen posters for the federal government. Around 1937-1939 Velonis wrote a pamphlet titled "Technical Problems of the Artist: Technique of the Silkscreen Process," which was distributed to art centers run by the WPA around the country. It was considered very influential in encouraging artists to try this relatively inexpensive technique and stimulated printmaking across the country. In 1939, Velonis founded the Creative Printmakers Group, along with three others, including Hyman Warsager. They printed both their own works and those of other artists in their facility. This was considered the most important silkscreen shop of the period. The next year, Velonis founded the National Serigraph Society. It started out with relatively small commercial projects, such as "rather fancy" Christmas cards that were sold to many of the upscale Fifth Avenue shops...

James Whistler (1834-1903), The Traghetto, etching and drypoint, 1879-80, signed with the butterfly on the tab and inscribed “imp”. Reference: Kennedy 19...

Vue de Mantes is a beautiful artwork realized by Charles Pinet after a painting by Camille Corot in the middle of XIX century. This etching represents a natural landscape with some...

Harvest Moon Hares is a limited edition linocut print depicting a pair of Hares out on the fields under a harvest moon. Wild berries and rose hips are silhouetted in the foreground. Printed in Indigo blue Kate Heiss is available with Wychwood Art online and in our gallery. Kate Heiss is a textile designer and print-maker who has worked with a wide range of fashion brands including Fenchurch, Miss...

This exquisite lithograph after Henri Matisse (1869–1954), titled Crayon (Crayon), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 editi...

A little Bit of London and A little bit of Canary Wharf diptych Overall size cm : H48 x W102 Jayson Lilley A little bit of Canary Wharf Limited Edition City Scape Print Hand pulled Screen Print with Gold Leaf, Finished with Pen and Ink on Archival Museum Board Size: H 24cm x W 51cm x Sold Unframed Edition of 50 (Please note that in situ images are purely an indication of how a piece may look.) Jayson Lilley A little Bit of London Limited Edition City Scape Art...

Medium: Lithograph on vélin paper, hinged on archival backing paper, as issued Year: 1967 Paper Size: 17.32 x 14.17 inches (backing paper size) Inscription: Unsigned and unnumbered, ...

Kozo Inoue (Japanese, 1937-2017) Untitled, 1980 Lithograph Sight: 22 x 31 in. (Each) Framed: 34 x 42 1/2 x 1 in. (Each) Signed and dated 1980 lower right Inscribed lower left Kozo Inoue was a contemporary Japanese printmaker. Born in Osaka, he graduated from the Department of Art History at Keio University in 1960. During life, he worked during the winter months in the Izu Peninsula and Dordogne or Paris in the summer. He is known for his surrealistic silkscreen prints. His prints can be found in the Museum of Modern Art, Paris, Royal Library of Belgium, Modern Museum of Art Osaka and the Spencer Museum of Art, to name just a few. (Bio sourced from Ronin Gallery)

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

This exquisite lithograph and pochoir by Jean Lurcat (1892–1966), titled Le Cancer (The Cancer), from the folio Les Signes du Zodiaque (The Signs of the Zodiac), originates from the ...

Etching on laid and watermarked paper (a double circles visible near the bell tower). 38 th Plate from the series " Views of Rome". Signed on plate on lower-left margin "Piranesi F....

This is a hand-colored engraving of male and female woodpeckers entitled "1. Le Petit Pie varie, 2. Sa Femelle" by Francois Nicolas Martinet, plate 598 from 'Histoire Naturelle des O...

This is a one-off hand painted Limited Edition, 70% of the painting is hand painted with original paint on Giclee print on aluminium panel, with a mat finishing, signed and numbered ...

Signed lower right, 'Cassigneul' for Jean Pierre Cassigneul (French, born 1935) with number and limitation, lower left, '110/150'. Paper dimensions: 18.5 x 22.75 inches. Reference:...

Landscape is an original lithograph realized by Alfonso Avanessian in 1970's Hand-signed on the lower right: Avanessian Artist's proof (as reported on the lower left margin) Good ...

This abstract landscape limited edition print by Elwood Howell features the artist's signature high horizon line. Lush, green abstracted land extends the width of the composition, wi...

Uses and Customs - Ruins of the Temple of Cybele in Sardis is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the uni...

Artist: Peter Max (1937) Title: Space Angels Year: 1999 Edition: 199/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 6.5 x 12 inches Condition: Excellent Inscripti...

Medium: Serigraphy (Silkscreen Printing). These are the original high quality serigraphs produced in partnership with Disney first released at D23. Edition: Varying Edition Sizes ba...

This exquisite lithograph after Moise Kisling (1891–1953), titled Vin du depart (Wine of Departure), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), originates f...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Japanese Houses on the Shore is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japan...

Really a wood engraving rather than a woodcut, Henry R. Diamond's Whaler is majestic. It is signed and titled in pencil.

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

Artist: Gene Davis (1920-1985) Title: Lilac Year: 1980 Medium: Silkscreen on Arches paper Edition: 247/250, plus proofs Size: 22.5 x 28.5 inches Condition: Good Inscription: Signed a...

The Queen's Staircase is an original modern artwork realized in 1836 by the French artist François Alexandre Pernot (1793-1865). Original Lithograph on paper. The sheet is glued on ...

Medium: Lithograph on vélin d'Arches paper Year: 1967 Paper Size: 26 x 20 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Dunoyer de Segonzac...