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Landscape Prints For Sale
Notre Dame de Paris
Located in Middletown, NY
A superb, dark impression of a well known scene by Arms. Etching with aquatint on watermarked handmade F.J. Head & Co. laid paper, 12 3/8 x 13 15/16 inches (315 x 354 mm), full marg...
Category

1920s American Modern Landscape Prints

Materials

Handmade Paper, Laid Paper, Etching, Aquatint

Piazza del Popolo con Obelisco Egizio
Located in Fairlawn, OH
Piazza del Popolo con Obelisco Egizio Etching, 1752 Signed in the plate lower left (see photo) From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761) Volume II, The Main Squares and Obelisks, columns and other ornaments, 1752, Plate No. 21 Della Magnificenze di Roma Antica e Moderna_ (1747-61), a collection of 238 plates that was published in ten volumes. Vasi recorded all types of architecture and organized these images of contemporary Rome by subject, with each volume representing a different category of architecture. This comprehensive project provides one of the most complete views of eighteenth-century Rome Condition: Excellent Image/Plate size: 8.25 x 12.63 inches Sheet size: 11 x 15 7/8 inches Vasi was Giovanni Battista Piranesi’s teacher. Piranesi (1720-1778) entered Vasi’s studio as an apprentice at age 20 c. 1740. Piranesi left Vasi’s employment after stabbing Vasi over the perception that Vasi was withholding secrets of the etching process. Giuseppe Vasi was an Italian engraver and painter born and trained in Sicily. He received a classical education in his hometown of Corleone and trained as a printmaker in nearby Palermo, perhaps under the tutelage of the etchers Antonino Bova and Francesco Cichè. He moved to Rome in 1736, already an established printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through his patron, the politically and culturally influential Cardinal Troiano Acquaviva d’Aragona, Vasi met other artists working in Rome, such as Sebastiano Conca, Ferdinando Fuga, and Luigi Vanvitelli. He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda...
Category

1750s Old Masters Landscape Prints

Materials

Etching

Composition, Heart of Darkness, Sean Scully
Located in Southampton, NY
Etching in colors on vélin de Lana Royal paper. Paper Size: 11.93 x 9.81 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Heart of Darkness, 1992. Publ...
Category

1990s Contemporary Landscape Prints

Materials

Etching

Las Cabanas
Located in New York, NY
Emilio Sanchez (1921-1999) created this color lithograph entitled “LAS CABANAS” in 1996-98. This impression is signed, titled, and inscribed in pencil. Estate stamped on verso. The...
Category

1990s Other Art Style Landscape Prints

Materials

Lithograph

Fantastic Mid-Century Mark Coomer Serigraph of Chicago River & Wrigley Building
Located in Chicago, IL
You need this fantastic Mid-Century serigraph of Chicago's iconic Wrigley Building & Tribune Tower by artist Mark Coomer, in its original off-white panel f...
Category

1950s American Modern Landscape Prints

Materials

Masonite, Screen

La Procession de Noel, Impressionist Giclee Print after Marc Chagall
Located in Long Island City, NY
Marc Chagall, After, Russian (1887 - 1985) - La Procession de Noel, Medium: Giclee, facsimile signed, Edition: 375, Image Size: 11 x 18 inches, Frame Size: 26 x 31 inches, Publ...
Category

Mid-20th Century Impressionist Landscape Prints

Materials

Giclée

Grant Wood Original Pencil Signed Lithograph, 1940 - February
Located in Phoenix, AZ
Original pencil signed Grant Wood lithograph, "February," created 1940. A fine impression and one of the most important of the 19 lithographs created by the painter of "American Goth...
Category

1940s Landscape Prints

Materials

Paper, Lithograph

Wassily Kandinsky, Untitled, from Derriere le Miroir, 1953 (after)
Located in Southampton, NY
This exquisite lithograph after Wassily Kandinsky (1866–1944), titled Sans Titre (Untitled), originates from the 1953 folio Derriere le Miroir, Nos. 60–61, published by Maeght Editeur, Paris, under the direction of Aime Maeght, and printed by Mourlot Freres, Paris. This plate pays homage to the artist’s groundbreaking geometric abstraction and his profound influence on postwar modernism. Through precise form and rhythmic structure, Sans Titre captures the musicality and spiritual dynamism that defined Kandinsky’s mature visual language, balancing intuitive movement with mathematical harmony. Executed on velin paper, this lithograph measures 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued. Signed in the plate and unnumbered, as issued. The edition reflects the exceptional quality and craftsmanship of the Maeght and Mourlot collaborations, honoring Kandinsky’s legacy in fine art printing. Artwork Details: Artist: After Wassily Kandinsky (1866–1944) Title: Sans Titre (Untitled), from Derriere le Miroir, Nos. 60–61, 1953 Medium: Lithograph on velin paper Dimensions: 15 x 22 inches (38.1 x 55.9 cm), with centerfold, as issued Inscription: Signed in the plate and unnumbered, as issued Date: 1953 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1953 folio Derriere le Miroir, Nos. 60–61, published by Maeght Editeur, Paris About the Publication: Derriere le Miroir (translated as "Behind the Mirror") was an iconic French art periodical published from 1946 to 1982 by Maeght Editeur, one of the most influential art publishers of the 20th century. Founded by Aime Maeght in Paris, the publication was conceived as a visual and literary collaboration between leading modern artists, poets, and critics. Each issue functioned as both an exhibition catalogue and a work of art in itself—featuring original lithographs printed directly from the artists' stones or plates, alongside essays, poems, and critical commentary. Over the course of 36 years, Derriere le Miroir produced more than 250 issues and showcased an extraordinary roster of artists including Henri Matisse, Marc Chagall, Joan Miro, Georges Braque, Alexander Calder, Fernand Leger, Pierre Bonnard, Alberto Giacometti, Eduardo Chillida, Ellsworth Kelly, Francis Bacon, Paul Rebeyrolle, Claude Garache, Antoni Tapies, Bram van Velde, Pierre Alechinsky, Pol Bury, Shusaku Arakawa, and Gerard Titus-Carmel. Printed in the ateliers of Mourlot, Arte, and Imprimerie Moderne du Lion, the periodical set new standards for quality in color lithography, combining fine art printing with elegant typography and poetic text. Beyond its visual brilliance, Derriere le Miroir also became a cultural chronicle of postwar European modernism. Each issue coincided with exhibitions held at Galerie Maeght, providing a collectible and widely accessible record of groundbreaking shows. Its integration of image, text, and philosophy created a dialogue between art and literature that elevated the modern art book to new aesthetic heights. Today, Derriere le Miroir remains one of the most sought-after and historically significant art publications, prized by collectors and scholars alike for its craftsmanship, influence, and its role in defining the visual language of 20th-century modernism. The Maeght Foundation in Saint-Paul-de-Vence continues to honor this legacy through exhibitions and archival preservation of the series, affirming Derriere le Miroir's enduring place in the history of modern art and fine art publishing. About the Artist: Wassily Kandinsky (1866–1944) was a Russian-born painter, theorist, and pioneer of abstract art whose revolutionary vision transformed 20th-century modernism. Regarded as one of the first artists to create purely nonobjective paintings, Kandinsky sought to express inner emotion and spirituality through color, rhythm, and form, believing that art could evoke the same universal harmony as music. His groundbreaking theories on abstraction and the “spiritual in art” shaped the foundation of modern aesthetics and influenced generations of artists worldwide. Closely associated with the Bauhaus movement, he developed a dynamic visual language that combined geometry and lyricism, bridging intuition and intellect. Kandinsky’s legacy resonates alongside the innovations of Pablo Picasso, Henri Matisse, Alexander Calder, Georges Braque, Marc Chagall, Alberto Giacometti, Salvador Dali, Joan Miro, Marcel Duchamp, and Man Ray—artists who, like him, redefined the possibilities of modern art. His works are represented in the world’s leading museums, including MoMA, the Guggenheim, the Centre Pompidou, and the Tate, and remain among the most coveted by collectors globally. The highest price ever paid for a Wassily Kandinsky artwork is approximately $45.6 million USD, achieved in 2017 at Christie’s London for Bild mit weissen Linien (Painting with White Lines) (1913). Wassily Kandinsky Sans Titre, Kandinsky Derriere le Miroir, Kandinsky Maeght Editeur Paris, Kandinsky Mourlot Freres, Kandinsky 1953 edition, Kandinsky lithograph...
Category

1950s Modern Landscape Prints

Materials

Lithograph

SLOW TRAIN THROUGH ARKANSAS
Located in Portland, ME
Benton, Thomas Hart (American, 1889-1975 SLOW TRAIN THROUGH ARKANSAS. Fath . Lithograph, 1941. Edition of 250 published by Associated American Artists (A.A.A.). 9 7/8 x 12 inches (im...
Category

1940s Landscape Prints

Materials

Lithograph

Pablo Picasso, 4.5.64. II, from The Taste of Happiness, 1970 (after)
Located in Southampton, NY
This exquisite lithograph after Pablo Picasso (1881–1973), titled 4.5.64. II, from the folio Le Gout du Bonheur, trois carnets d`atelier (The Taste of Happiness, Three Studio Sketchb...
Category

1970s Cubist Landscape Prints

Materials

Lithograph

Seascape XVI - large format photograph of monochrome water surface and clouds
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Paper, Archival Ink, Photographic Paper, Giclée, Archival Pigment

Night Heron Birds: An Original 19th C. Audubon Hand-colored Bird Lithograph
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Yellow Crowned Night Heron, 1. Adult Male Spring Plumage, 2. Young in October", No. 73, Plate 364 from Audubo...
Category

Late 19th Century Naturalistic Landscape Prints

Materials

Lithograph

Five Window Chevy Pickup, by Frank Romero
Located in Palm Springs, CA
Cars are a central theme in a lot of Chicano art, and Frank Romero has made several famous images on the theme. This a unique stencil painting made on handmade paper (from Bhutan). There are 20 prints in the edition, with hand-painting on each. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four, Romero and fellow artists Carlos Almaraz...
Category

2010s Contemporary Landscape Prints

Materials

Stencil, Paint

Marc Chagall, The Horsewoman with the Red Horse, from XXe Siecle, 1957
Located in Southampton, NY
This exquisite lithograph and pochoir by Marc Chagall (1887–1985), titled L'ecuyere au cheval rouge (The Horsewoman with the Red Horse), from the album XXe Siecle, Nouvelle serie No....
Category

1950s Expressionist Landscape Prints

Materials

Lithograph

La Curva Luna - Lithograph by Cynthia Segato - 2000s
Located in Roma, IT
Lithograph made on zinc plate on Sicar paper 310 gr/m2, paper size 50cm x 55cm, work size 38cm x 38cm. Ellent condition, slight signs of use, no defects. Cynthia Segato was born in ...
Category

Early 2000s Contemporary Landscape Prints

Materials

Paper, Lithograph

Mona Lisa II, Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Mona Lisa II Year: 2003 Edition: 500/500, plus proofs Medium: Lithograph on Arches paper Size: 16 x 11 inches Condition: Excellent Inscription: Signed...
Category

Early 2000s Pop Art Landscape Prints

Materials

Lithograph

Original Chile - Chilean travel poster
Located in Spokane, WA
Vintage 1960s Chile Travel Poster – Mid-Century Modern Wall Art Print Showcasing Historic Architecture and a Fountain Scene. Archival linen backed and in Grade A condition, ready to frame. Transport yourself to the scenic beauty of Chile with this authentic 1960s travel poster...
Category

1960s American Modern Landscape Prints

Materials

Offset

Decheance de al Buveuse d'Eau(Downfall of a Lady Teetotaler)
Located in Laguna Beach, CA
“My eyes were made to erase all that is ugly”. -Raoul Dufy Raoul Dufy’s depictions for an instant charmer of a "medical book" illustrates the myriad benefits of wine, while being sp...
Category

1930s Post-Impressionist Landscape Prints

Materials

Lithograph

Original 'Cruise to South America Moore-McCormack Lines' vintage poster
Located in Spokane, WA
Original Cruise to South America, Moore-McCormack (cruise) lines. Artist: Dong Kingman. Archival linen backed in fine condition, ready to frame. Grade A. Bring the allure of...
Category

1950s American Modern Landscape Prints

Materials

Lithograph

Original K.L.M. - Lignes Aeriennes Royales Netherlands vintage travel poster
Located in Spokane, WA
Rare original vintage poster for KLM Royal Dutch Airlines. This version has the Constellation flying in the sky behind an old sailing schooner. Great ...
Category

1950s American Modern Landscape Prints

Materials

Lithograph

Side By Side 6/8 - bright, colourful, political, flag, Canada, USA, giclée print
Located in Bloomfield, ON
Originally created in 1981, this edition was one of the finest in his flag series. This limited series glicée print on paper of Canadian and American flags dancing on solid turquoise...
Category

Early 2000s Contemporary Landscape Prints

Materials

Giclée

Sans titre, Société internationale d'art XXe siècle
Located in Southampton, NY
Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 7 (double) J...
Category

1950s Orphist Landscape Prints

Materials

Lithograph

Surrealist Dream - Colors Lithograph - Signed in the Plate
Located in Paris, IDF
Yves Tanguy (1900-1955) Surrealist dream Lithograph in colors, 1953 Signed and dated in the plate On paper size 47.5 x 42.5 cm (c. 19 x 17 in) Printed in the famous Mourlot workshop...
Category

1950s Surrealist Landscape Prints

Materials

Lithograph

Going Home, Modern Black and White Lithograph by Georges Schreiber
Located in Long Island City, NY
Artist: Georges Schreiber, Belgian/American (1904 - 1977) Title: Going Home Year: circa 1945 Medium: Lithograph, signed and titled in pencil Image Size: 9.25 x 13.25 inches Size: 12 ...
Category

1940s American Realist Landscape Prints

Materials

Lithograph

Marc Chagall, Moses I, from Drawings for the Bible, 1956
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Moise I (Moses I), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Littera...
Category

1950s Expressionist Landscape Prints

Materials

Lithograph

David Hockney PAPER POOLS Lithograph
Located in Lake Worth Beach, FL
Artist/Designer; Manufacturer: David Hockney (British, b. 1937) Marking(s); notes: signed, blind stamp; SP aside from the edition of 1000; 1980 Materials: lithograph on Arches paper ...
Category

1980s Pop Art Landscape Prints

Materials

Screen

Flower Jumper Over Sunrise II, Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Flower Jumper Over Sunrise II Year: 2001 Edition: 497/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 9 x 11 inches Condition: Excell...
Category

Early 2000s Pop Art Landscape Prints

Materials

Lithograph

Sailboats - Lithograph - Printed signature (Mourlot)
Located in Paris, IDF
Raoul DUFY Sailboats Stone lithograph after a painting (Mourlot workshop) Printed signature in the plate On Arches vellum 50 x 65 cm (c. 20 x 26 in) Excellent condition
Category

1960s Modern Landscape Prints

Materials

Lithograph

Mitchell- Mon Paysage/My Countryside 1967, Vintage
Located in Brooklyn, NY
Reproduction of Joan Mitchell’s Mon Paysage (1967), published by Éditions Maeght. This striking piece captures Mitchell’s bold brushwork and emotional resonance, evoking a landscape ...
Category

1990s Contemporary Landscape Prints

Materials

Offset

Edges 9
Located in Toronto, Ontario
Adored by collectors and art lovers around the globe, Alex Katz (b. 1927) is renowned for his elegant and distinctive version of figuration. Katz has been dedicated to art-making si...
Category

1990s Minimalist Landscape Prints

Materials

Etching

Joan Miro, Lithograph II, from Lithographs III, 1977
Located in Southampton, NY
This exquisite lithograph by Joan Miro (1893–1983), titled Lithograph II, from the album Joan Miro Lithographs, Volume III 1964–1969, originates from the 1977 edition published by Ma...
Category

1970s Surrealist Landscape Prints

Materials

Lithograph

"Sun Dance" Vibrant Mid Century Serigraph
By Kenneth W. Auvil
Located in Soquel, CA
Wonderful mid-century abstract serigraph by Kenneth William Auvil (American, b. 1925.) This serigraph features botanical and floral motifs in a bright color palette of yellows and or...
Category

1950s Abstract Landscape Prints

Materials

Ink, Screen, Paper

48x36 "Apollo 8 Earth Rise" Space Photography NASA Fine Art Print Photograph
Located in Los Angeles, CA
Original museum grade exhibition prints on acid-free archival photographic luster paper. These are the highest quality NASA prints ever produced. Edition of 250 Taken aboard Apollo...
Category

21st Century and Contemporary American Modern Landscape Prints

Materials

Archival Ink, Archival Pigment

untitled (Returning Home with Supplies)
By Gustav Hagermann
Located in Fairlawn, OH
untitled (Returning Home with Supplies) Signed in pencil by the artist lower right (see photo) Signed by his printer, Otto Felsing lower left ((see photo) Annotated in pencil: "In kupfer geschnitten von einen Lapplander" Printed by Otto Felsing, one of Germany's master printers of the era One of several engravings Hagemann made based upon actual drawings given to him by Laplanders. Gustav Hagemann was born on February 17, 1891, in Engelnstedt, Salzgitter, Germany. Hagemann attended high school in Wolfenbüttel and studied at the art school, in Kassel, Germany. After graduating as an art teacher, he became a trainee teacher in Torgau in Saxony. He fought in the First World War between 1914-1918. After the war he studied art from 1920...
Category

1930s Outsider Art Landscape Prints

Materials

Drypoint

Unknown
Located in Chesterfield, MI
Nautical abstract expressionist painting that is signed by the artist, but spelling of name is unclear: either Palermo or Palmaro? Signed in bottom right corner. Bottom Left co...
Category

20th Century Abstract Expressionist Landscape Prints

Materials

Lithograph

Unknown
Unknown
$200 Sale Price
20% Off
THE WAVE - MOONRISE
Located in Santa Monica, CA
B. J. O. NORDFELDT (1878 - 1955) THE WAVE, MOONRISE, 1906 (Donovan 19) Woodcut printed in colors. Signed and dated faintly in sky upper left. Image 9 ¼ x 11 1/8”, sheet 9 5/8 x 11 ...
Category

Early 1900s Modern Landscape Prints

Materials

Woodcut

Headland II, American Realist Etching with Aquatint by John McNulty
Located in Long Island City, NY
John McNulty, Irish/American (1949 - ) - Headland II, Year: 1982, Medium: Etching with Aquatint, signed and titled in pencil, Edition: AP, Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)
Category

1980s American Realist Landscape Prints

Materials

Etching, Aquatint

Landscapes of Autumn - Screen Print by Rolandi - 1980s
Located in Roma, IT
Screen print realized by the italian painter Rolandi, in the 1980s. Hand signed in pencil on the lower right margin. Artist's proof (as reported in the lower left margin) Dry stam...
Category

1980s Contemporary Landscape Prints

Materials

Screen

"The Battle of the Golden Spurs" Avante Garde Print
Located in Soquel, CA
"The Battle of the Golden Spurs" Avante Garde Print This print of the massive Bataille des Éperons d’Or, or Battle of the Golden Spurs, is considered one of Jame's Ensor's (Belgian ...
Category

1890s Expressionist Landscape Prints

Materials

Paper, Ink, Etching

"The Slope Near the Bridge" Paul Sample, Mid-Century, American Snowy Landscape
Located in New York, NY
Paul Sample The Slope Near the Bridge, 1950 Signed in pencil lower left Lithograph on wove paper Image 8 15/16 x 12 15/16 inches Sheet 11 5/16 x 15 1/16 inches From the edition of 25...
Category

1950s American Realist Landscape Prints

Materials

Paper, Lithograph

Saturday Night on Planet X, Robert Bennett
Located in Fairfield, CT
Artist: Robert Bennett Title: Saturday Night on Planet X Year: 1979 Medium: Lithograph on Stonehenge paper Size: 22 x 30 inches Edition: 10/100, plus proofs Condition: Good Inscripti...
Category

1970s Abstract Expressionist Landscape Prints

Materials

Lithograph

Aspen Study III - large scale photograph of Indian summer autumnal color palette
Located in San Francisco, CA
Aspen Study III by Frank Schott a series of images capturing the yellow golden Indian summer foliage palette of aspen trees in California's Sierra Nevada...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Paper, Photographic Paper, Archival Pigment, Giclée

A Flowering Cactus Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Cereus Erectus Altissimo Surinamensis (Cereus Cactus Plant)". It is plate...
Category

Mid-18th Century Naturalistic Landscape Prints

Materials

Engraving, Mezzotint

Original SEDUCTION AUTOMATIQUE - early car radio vintage French poster linen
Located in Spokane, WA
Original “Séduction Master Automatique” Vintage Poster – Designed by A. Molusson. Translation: “Radio as if you were at home... with the Séduction ‘master’ automatic car radio.” Arch...
Category

1930s Art Deco Landscape Prints

Materials

Lithograph

SAN GIMINIANO
Located in Portland, ME
Nicholson, Ben. San Gimignano. Lafranca 38. Etching, 1966. Edition of 50, signed in pencil and dated "66," and numbered "1/50." With the chop of the printer Lafranca embiossed lowe...
Category

1960s Landscape Prints

Materials

Etching

Growing Tall, Screenprint by Max Epstein
Located in Long Island City, NY
Growing Tall Max Epstein, Canadian (1932–2002) Date: 1980 Screenprint, signed and numbered in pencil Edition of 295 Image Size: 28 x 18.5 inches Size: 35 in. x 23 in. (88.9 cm x 58.4...
Category

1980s Pop Art Landscape Prints

Materials

Screen

Pablo Picasso, Dancer, from The Ballet, 1954
Located in Southampton, NY
This exquisite lithograph by Pablo Picasso (1881–1973), titled Danseuse (Dancer), from the album Le Ballet (The Ballet), originates from the 1954 edition published by Librairie Hache...
Category

1950s Cubist Landscape Prints

Materials

Lithograph

Landscape - Original Etching by Paulette Humbert - Mid-20th Century
Located in Roma, IT
Landscape is an original etching on paper realized by Paulette Humbert. Hand-signed on the lower right in pencil. Numbered, edition of 8/25 prints. on the lower left in pencil. The...
Category

20th Century Modern Landscape Prints

Materials

Etching

17th century etching Rembrandt landscape house trees field sky cow
Located in Milwaukee, WI
This piece is from a collection of originally designed etchings with drypoints by Rembrandt. It is printed on Ingres D'arches off-white laid paper. The prints are the sixth and final state Posthumous Impression. Printing plates were made in 1650, this collection was printed in 1998. Rembrandt van Rijn was one of the masters of the landscape genre in his prints and drawings. In his etching, "Landscape with a Cow...
Category

17th Century Renaissance Landscape Prints

Materials

Etching

Petit Luberon II (Little Luberon II)
Located in San Francisco, CA
Artist: Marcel Mouly – French (1918 - 2008) Title: Petit Luberon II (Little Luberon II) Year: 2003 Medium: Lithograph Image Size: 27.5 x 19.25 inches Sheet Size: 30.5 x 22.25 inches ...
Category

Early 2000s Impressionist Landscape Prints

Materials

Paper, Lithograph

Original Palm Springs and The Communities of The Coachella Valley vintage poster
Located in Spokane, WA
Original Palm Springs, California, and the communities of the Coachella Valley vintage poster. A fun image map of the Palm Springs area and activities and hotspots to visit. Linen ...
Category

Late 20th Century American Modern Landscape Prints

Materials

Offset

Marc Chagall, Eve Cursed by God, from Drawings for the Bible, 1956
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Eve maudite par Dieu (Eve Cursed by God), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This emotionally charged composition depicts the moment of divine judgment following the fall of man, capturing both the sorrow and the spiritual gravity of Eve’s curse. Through his luminous lines and expressive symbolism, Chagall transforms this ancient scene into a universal meditation on loss, forgiveness, and the eternal bond between humanity and the divine. The work exemplifies Chagall’s mastery of merging sacred narrative and human emotion, rendered with poetic tenderness and transcendent light. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Eve maudite par Dieu (Eve Cursed by God), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Eve...
Category

1950s Expressionist Landscape Prints

Materials

Lithograph

TEAR OF TIME (Melting Clock)Signed Lithograph on Arches Paper, Surrealism
Located in Union City, NJ
TEAR OF TIME (Melting Clock) is a limited edition color lithograph by the Modern master Salvador Dali, after an original Salvador Dali gouache pa...
Category

20th Century Surrealist Landscape Prints

Materials

Lithograph

'L'Étretat', French Post-Impressionist, Paris, Academie Chaumiere, Benezit
Located in Santa Cruz, CA
Signed lower right, 'Georges Lambert' (French, 1919-1998) and inscribed lower left, number and limitation, '26/225'. Georges Lambert first studied in Paris at the Academie de la Gra...
Category

1960s Landscape Prints

Materials

Paper, Lithograph

An angel. Limited edition print Surreal Established Polish artist
Located in Warsaw, PL
Contemporary colorful figurative surrealistic print on paper by Polish artist Rafal Olbinski. This print shows an angel in red dress floating in the sky. The print is signed by the a...
Category

2010s Surrealist Landscape Prints

Materials

Paper, Color

Liberty Head VII, Peter Max
Located in Fairfield, CT
Artist: Peter Max (1937) Title: Liberty Head VII Year: 2003 Edition: 451/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.43 x 2.62 inches Condition: Excellent Insc...
Category

Early 2000s Pop Art Landscape Prints

Materials

Lithograph

Marc Chagall, Daphnis and Chloe, from XXe Siecle, 1960
Located in Southampton, NY
This exquisite lithograph by Marc Chagall (1887–1985), titled Daphnis et Chloe (Daphnis and Chloe), from the album XXe Siecle, Nouvelle serie, XXIIe Annee, No. 14, Juin 1960, originates from the 1960 edition published by Societe Internationale d'Art XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris, and printed by Mourlot Freres, Paris, 1960. Daphnis et Chloe reflects Chagall’s poetic fusion of love, mythology, and dreamlike imagery, inspired by the ancient Greek pastoral romance and reimagined through his luminous color harmonies and floating forms. The work embodies Chagall’s timeless exploration of passion, innocence, and the spiritual beauty of nature, rendered in his signature chromatic radiance and lyricism. Executed as a lithograph on velin paper, this work measures 12.5 x 9.75 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Daphnis et Chloe (Daphnis and Chloe), from the album XXe Siecle, Nouvelle serie, XXIIe Annee, No. 14, Juin 1960 Medium: Lithograph on velin paper Dimensions: 12.5 x 9.75 inches (31.75 x 24.77 cm) Inscription: Unsigned and unnumbered as issued Date: 1960 Publisher: Societe Internationale d'Art XXe Siecle, Paris, under the direction of Gualtieri di San Lazzaro, editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Mourlot, Fernand, and Marc Chagall. Chagall Lithographe, Volume II, 1957–1962. Chagall Lithographe, Sauret, 1963, illustration 227 Condition: Well preserved, consistent with age and medium Provenance: From the album XXe Siecle, Nouvelle serie, XXIIe Annee, No. 14, Juin 1960, published by Societe Internationale d'Art XXe Siecle, Paris; printed by Mourlot Freres, Paris, 1960 About the Publication: Gualtieri di San Lazzaro's XXe Siecle (Twentieth Century) was one of the most influential art journals of the modern era, founded in Paris in 1938 as a platform for the greatest painters, sculptors, and writers of the 20th century. San Lazzaro, a visionary editor, critic, and champion of modernism, believed that art and literature should coexist as expressions of a shared human imagination. Under his direction, XXe Siecle became a cultural bridge between Europe and the wider world, publishing special issues devoted to leading figures such as Picasso, Matisse, Chagall, Braque, Calder, Miro, Kandinsky, and Leger. Each edition combined essays by renowned critics and poets with original lithographs and woodcuts printed by the foremost ateliers of Paris, Milan, and New York, including Mourlot, Curwen, and Amilcare Pizzi, creating a uniquely rich dialogue between text and image. The 1960 issue, XXe Siecle, Nouvelle serie, No. 14, showcased Daphnis et Chloe, one of Chagall’s most celebrated lithographic subjects, coinciding with his work on the monumental suite of lithographs inspired by the same pastoral tale, published by Teriade. Through this publication, San Lazzaro further cemented Chagall’s reputation as the modern poet of color and love, uniting myth, nature, and emotion in visual form. Today, XXe Siecle remains an essential record of 20th-century modernism, celebrated for its seamless integration of fine art, literature, and design. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately 28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Daphnis...
Category

1960s Expressionist Landscape Prints

Materials

Lithograph

Lake Tahoe Panorama, Minimal Blue Tones Cyanotype Print on Watercolor Paper
Located in Barcelona, ES
This is an exclusive handprinted limited edition cyanotype. "Lake Tahoe Panorama" shows a sequence of abstracted ripples of the calm Tahoe waters. Details: + Title: Lake Tahoe Panor...
Category

2010s Minimalist Landscape Prints

Materials

Watercolor, Lithograph, Rag Paper

Veduta dell'esterno della gran Basilica di S. Pietro in Vaticano
Located in Fairlawn, OH
Veduta dell'esterno della gran Basilica di S. Pietro in Vaticano (View of the Exterior of St. Peter's Basilica in the Vatican) Etching, 1748 From the first printing of the "Vedute di Roma" An early impression with strong contrasts Before the price and the addition of numbers in the later states. A view of Michelangelo's done from behind the Piazza, redesigned in 1547 Condition: Excellent Plate size: 15 3/4 x 24 3/4 inches Reference: Robison 5 a/g Hind 5 i/VII Focillon 54.789 Designed principally by Donato Bramante, Michelangelo, Carlo Maderno and Gian Lorenzo Bernini, St. Peter's is the most renowned work of Renaissance architecture and the largest church in the world. While it is neither the mother church of the Catholic Church nor the cathedral of the Diocese of Rome (these equivalent titles being held by the Archbasilica of Saint John Lateran in Rome), St. Peter's is regarded as one of the holiest Catholic shrines...
Category

1740s Old Masters Landscape Prints

Materials

Etching

Faneel H13-11 from Where the Land Meets the Sea on aluminum panel, Hand signed/N
Located in New York, NY
Damien Hirst Faneel, H13-11, from Where the Land Meets the Sea, 2023 Laminated giclée print on aluminium composite panel Signed, titled, dated and numbered 123/192 on the label on th...
Category

2010s Pop Art Landscape Prints

Materials

Metal

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