Landscape Prints

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Teel’s Island, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth....

Jean-Claude PICOT (1933-) French Riviera : Around Marseille, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Coated paper 7...

Dejeuner sur l'Herbe Lithograph, c. 1914 Edition: c. 100 Unsigned as issued by Vollard References And Exhibitions: Commissioned from Cezanne by Ambrose Vollard in the late 1890s Prin...

"Pomme d' Amour" Mid-Century Modern Aquatint embossed Floral "Sept Tomate Original by Anne Walker Mid-Century Modern Aquatint of the Pomme d’amour or ‘Love Apple’ by Anne Walker (Be...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of the sun rising over a snow-laden town and a procession heading towards a castle. Signed in Kanji lower rig...

This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "a. Pisum Minus sine Putamine, b. Pisa Indicum". It is plate 819 in Weinma...

This is an original 19th century duotone lithograph entitled "Great Hall at Karnac, Thebes" by David Roberts, from his Egypt and Nubia volumes of the larg...

Signed lower right, 'Zarou' for Victor Zarou (French, b. 1930), inscribed 'Epreuve d'Artiste' with number and limitation 'XIII/XXV' (13/25), lower left and titled lower center 'Lourm...

Offset print with coater varnish Edition of 271 of 300 71 cm (D) (28 in) Signed, numbered and titled on front Mint. Minor imperfections may appear due to the production process. Sold...

Large Marine Scene Dutch or Flemish, 20th century color print on canvas, framed framed: 27 x 34 inches canvas: 20 x 27.5 inches provenance: private collection, UK condition: very goo...

Lloyd Lozes Goff, American (1918 - 1982) - French Gothic, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 24 x 18 inches, Size: 2...

PRINCES KEPT THE VIEW is an original limited edition lithograph printed using hand drawn lithography techniques on archival Arches printmaking paper, 100% acid free, by the Iowa born artist Jim Buckels. PRINCES KEPT THE VIEW presents a finely detailed fantasy landscape scene depicting a Mediterranean cliff-side villa beside a moonlit lake featuring classic architectural details including terracotta roof tiles, off-white stucco walls, stone balustrade balconies and stone walled terraces. The highly sought-after, limited edition lithograph - PRINCES KEPT THE VIEW was printed in shades of aqua, light blue, green, terracotta, beige, taupe gray, black and white creating a calm, yet mysterious ambience. PRINCES KEPT THE VIEW is a beautifully detailed, picturesque Mediterranean landscape any fantasy traveler would love to explore. Print size - 26.75." x 31.5" Large off square size, impressive handcrafted limited edition lithograph, unframed, excellent condition, hand signed in pencil by Jim Buckels Edition size - 350, plus proofs Year published - 1990 Printer - J K Fine Art Editions Co. NY JIM BUCKELS Artist statement- "On one level, I think of myself as a decorative artisan, or at best a scene painter. I don't mind this distinction, because many of my heroes never achieved much more. It's a modest but honorable aspiration. The artists who have influenced me are quite dissimilar and usually less prominent in the pantheon of art history: Canaletto, the Flemish scene painters, the Hudson River artists...

This exquisite lithograph by Marc Chagall (1887–1985), titled Eve maudite par Dieu (Eve Cursed by God), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, originates from the September 1956 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1956. This emotionally charged composition depicts the moment of divine judgment following the fall of man, capturing both the sorrow and the spiritual gravity of Eve’s curse. Through his luminous lines and expressive symbolism, Chagall transforms this ancient scene into a universal meditation on loss, forgiveness, and the eternal bond between humanity and the divine. The work exemplifies Chagall’s mastery of merging sacred narrative and human emotion, rendered with poetic tenderness and transcendent light. The piece forms part of Chagall’s celebrated series of lithographs and drawings created for Dessins Pour La Bible, a monumental project uniting art, scripture, and mysticism in one of the artist’s most important achievements. Executed as a lithograph on velin du Marais paper, this work measures 14 x 10.5 inches (35.56 x 26.67 cm). Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, renowned for its collaborations with the greatest modern masters of the 20th century. Artwork Details: Artist: Marc Chagall (1887–1985) Title: Eve maudite par Dieu (Eve Cursed by God), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, September 1956 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 10.5 inches (35.56 x 26.67 cm) Inscription: Unsigned and unnumbered as issued Date: 1956 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustrations 117–46. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustrés. P. Cramer ed., 1995, illustration 25. Condition: Well preserved, consistent with age and medium Provenance: From Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Artistique et Litteraire, Vol. VIII, No. 33–34, published by Editions de la revue Verve, Paris, 1956 Notes: Excerpted from the album (translated from French), This double issue of Verve is dedicated to the full reproduction in heliogravure of the one hundred-five plates etched by Marc Chagall, between 1930 and 1955, for the illustration of the Bible. The artist composed especially for the present work, sixteen lithographs in color and twelve in black, as well as the cover and the title page. This volume was completed and printed on September 10, 1956, by the Master Printers Draeger Freres for heliogravure, and by Mourlot Freres for lithography. About the Publication: Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), published as Verve Vol. VIII, No. 33–34 in September 1956, represents one of the crowning achievements of Chagall’s lifelong dialogue with the sacred. Conceived and directed by the visionary publisher Teriade and printed by the master lithographers Mourlot Freres, the issue features thirty-four color lithographs and numerous black-and-white drawings inspired by biblical figures and stories. Chagall’s works for this edition unite text and image in a luminous meditation on divine creation, moral struggle, and spiritual renewal, imbued with his signature dreamlike symbolism and radiant color. Produced in postwar Paris, this landmark publication reaffirmed the enduring union of art and faith, establishing Dessins Pour La Bible as one of the most important illustrated works of the 20th century. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928). Marc Chagall Eve...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Nature morte sur un gueridon (Still Life on a Pedestal Table), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Art, Theories and Achievements, Critical Study), originates from the 1929 edition published by Editions Charles Moreau, Paris, and printed by Atelier Daniel Jacomet, Paris, May 1929. Nature morte sur un gueridon (Still Life on a Pedestal Table) captures Picasso’s mastery of Cubist structure and his revolutionary reimagining of visual perception. The composition deconstructs the still life into interlocking planes of form and color, juxtaposing bottles, glasses, and fruit with rhythmic abstraction. Through his fragmented geometry, Picasso transforms a familiar tabletop scene into a meditation on space and perception, fusing intellect and emotion in perfect equilibrium. The work stands as a testament to Picasso’s collaboration with master printer Daniel Jacomet, whose meticulous pochoir technique preserved the artist’s tonal subtleties and chromatic richness with unparalleled precision. Executed as a lithograph and pochoir on velin paper, this work measures 8.27 x 10.83 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of Atelier Daniel Jacomet, Paris, under the direction of Editions Charles Moreau, Paris. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Nature morte sur un gueridon (Still Life on a Pedestal Table), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Art, Theories and Achievements, Critical Study), 1929 Medium: Lithograph and pochoir on velin paper Dimensions: 8.27 x 10.83 inches (21 x 27.5 cm) Inscription: Signed in the plate and unnumbered as issued Date: May 1929 Publisher: Editions Charles Moreau, Paris Printer: Atelier Daniel Jacomet, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album L'Art Cubiste, Theories et Realisations, Etude Critique, published by Editions Charles Moreau, Paris, and printed by Atelier Daniel Jacomet, Paris, May 1929 Notes: Excerpted from the album (translated from French): This album was composed in Didot Characters and completed to print in May 1929 by Ducros et Colas, Maitres-Imprimeurs in Paris. Boards have been executed by D. Jacomet in an edition of D examples, numbered on the colophons. About the Publication: L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Art, Theories and Achievements, Critical Study), published in 1929 by Editions Charles Moreau, is among the most important critical and artistic documents of the interwar period devoted to the Cubist movement. Conceived as both an analytical study and a visual anthology, the volume brought together theoretical texts and hand-colored plates representing works by the leading figures of Cubism, including Pablo Picasso, Georges Braque, Juan Gris, Fernand Leger, and Albert Gleizes. Each plate was reproduced in lithograph and finished by hand using the pochoir process under the supervision of master printer Daniel Jacomet, ensuring that the vivid tonal subtleties and compositional precision of the originals were preserved. The publication captures the movement’s intellectual ambition and its enduring impact on the evolution of modern art. Printed on fine velin paper in a limited edition, the album reflects the artisanal excellence of French art publishing during the 1920s and remains a landmark in the history of the illustrated art book. Today, it serves as a rare and invaluable testament to Picasso’s pivotal role in defining the visual language of Cubism and to Jacomet’s unmatched skill in the art of color pochoir printing. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. After Pablo Picasso Nature morte sur un gueridon, Picasso L'Art Cubiste, Picasso Atelier...

This exquisite lithograph after Marc Chagall (1887–1985), titled La Tribu de Levi (The Tribe of Levi), from the special issue of the XXe Siecle Review, Chagall in Jerusalem, originat...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Allo! Paris!, 1926. Published by Éditions des ...

Piazza Navona allagata solito farsi nelle Feste di Agosto Etching, 1752 Signed in the plate lower right (see photo) From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761) Volume II, The Main Squares and Obelisks, columns and other ornaments, 1752, Plate No. 26 Della Magnificenze di Roma Antica e Moderna_ (1747-61), a collection of 238 plates that was published in ten volumes. Vasi recorded all types of architecture and organized these images of contemporary Rome by subject, with each volume representing a different category of architecture. This comprehensive project provides one of the most complete views of eighteenth-century Rome Condition: Excellent Image/Plate size: 8 .25 x 12.63 inches Sheet size: 11 x 15 7/8 inches Vasi was Giovanni Battista Piranesi’s teacher. Piranesi (1720-1778) entered Vasi’s studio as an apprentice at age 20 c. 1740. Piranesi left Vasi’s employment after stabbing Vasi over the perception that Vasi was withholding secrets of the etching process. Giuseppe Vasi was an Italian engraver and painter born and trained in Sicily. He received a classical education in his hometown of Corleone and trained as a printmaker in nearby Palermo, perhaps under the tutelage of the etchers Antonino Bova and Francesco Cichè. He moved to Rome in 1736, already an established printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through his patron, the politically and culturally influential Cardinal Troiano Acquaviva d’Aragona, Vasi met other artists working in Rome, such as Sebastiano Conca, Ferdinando Fuga, and Luigi Vanvitelli. He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda...

Jean-Claude PICOT (1933-) French Riviera : The old village of St Tropez, 1982 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Co...

This Holiday wreath adorns the door of a Brooklyn Mansion Frederick Mershimer (American, b. 1958) Moody, mysterious, majestic – these are some of the ways to describe the mezzotint...

Lithograph on vélin paper. Paper Size: 12.5 x 9.625 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné references: Cramer, Patrick, and Joan Miró. Joan Miró,...

Paul Landacre, 'Hill', wood engraving, 1936, edition 60 (only 54 printed); only 2 impressions printed in a second edition of 150. Signed, titled, and numbered '49/60' in pencil. Wien...

Adored by collectors and art lovers around the globe, Alex Katz (b. 1927) is renowned for his elegant and distinctive version of figuration. Katz has been dedicated to art-making si...

Lithograph, stencil on vélin paper. Paper Size: 12.4 x 9.65 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, XXe siècle, Nouvelle série N° 7 (double) J...

This exquisite heliogravure after Pablo Picasso (1881–1973) originates from the rare 1961 album Pablo Picasso, Toros y Toreros (Bulls and Bullfighters). Published by Les Editions Cer...

This artwork titled "La Cote d'Azur" c.1980, is an original colors lithograph on watermarked Arches paper by noted French artist Jean Claude Picot, 1933-2020. It is hand signed and ...

This realistic nautical limited edition print by Michel Brosseau captures a view of a small white dinghy boat tied to a dock. Two ores rest inside the small boat, which is surrounded...

"Sometimes is forever" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper titled "Sometimes is forever" by Jim Crabb (American, b. 1947). This piece resembles a surreal landscape, with various biomorphic objects floating in the sky. Some of them resemble coral, growing vertically. Others look like microscopic organisms, with stringy tails. Titled, numbered, signed, and dated along the bottom edge: Sometimes is forever 16/50 J CRABB...

John McNulty, Irish/American (1949 - ) - Headland II, Year: 1982, Medium: Etching with Aquatint, signed and titled in pencil, Edition: AP, Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)

This exquisite lithograph after Marc Chagall (1887–1985), titled La Mariee (The Bride), from the folio Derriere le miroir, Sur Quatre Murs, No. 36-37-38, originates from the 1951 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1951. The composition captures Chagall’s poetic vision of love and mysticism, blending dreamlike imagery and radiant color into a lyrical meditation on devotion and imagination. Executed as a lithograph on velin paper, this work measures 15 x 11 inches. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of Mourlot Freres, Paris. Artwork Details: Artist: Marc Chagall (1887–1985) Title: La Mariee (The Bride), from the folio Derriere le miroir, Sur Quatre Murs, No. 36-37-38 Medium: Lithograph on velin paper Dimensions: 15 x 11 inches (38.1 x 27.9 cm) Inscription: Unsigned and unnumbered as issued Date: 1951 Publisher: Maeght Editeur, Paris Printer: Mourlot Freres, Paris Condition: Well preserved, consistent with age and medium Provenance: From the folio Derriere le miroir, Sur Quatre Murs, No. 36-37-38, published by Maeght Editeur, Paris; printed by Mourlot Freres, Paris, 1951 About the Publication: Derriere le miroir (Behind the Mirror) was one of the most important art publications of the 20th century, created and published by Maeght Editeur in Paris from 1946 to 1982. Founded by the visionary art dealer and publisher Aime Maeght, the series served as both an exhibition catalogue and a work of art in its own right, uniting original lithographs by leading modern and contemporary artists with critical essays, poetry, and design of the highest quality. Printed by master lithographers such as Mourlot Freres and Arte, Derriere le miroir became synonymous with the artistic vanguard of postwar Europe. Each issue was devoted to a single artist or theme and published to accompany exhibitions at the Galerie Maeght in Paris, featuring works by Pablo Picasso, Henri Matisse, Georges Braque, Joan Miro, Marc Chagall, Alexander Calder, Fernand Leger, and Alberto Giacometti, among others. The publication reflected Maeght's belief that art should be both accessible and elevated—an ideal realized through its luxurious production values, meticulous printing, and collaboration with the greatest creative minds of its time. About the Artist: Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall's art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby's New York for Les Amoureux (1928). Marc Chagall La...

"Untitled No.16" From "The Yosemite Suite" By David Hockney David Hockney, a prominent British artist, is celebrated for his versatile and innovative contributions to 20th-century ...

In this sentimental work from 1939, Benton expresses his admiration for the rural lifestyle of the Midwest. He highlights the connection between man and the land by depicting two fig...

Artist: Red Grooms Title: Sarajevo Year: 1968 Medium: Marker Drawing on Paper, Signed and Dated l.l. Paper Size: 13.5 x 19 inches (34.29 x 48.26 cm) Frame: 17 x 22.5 inches (43.18 x ...

This is an unique one-off Artist Proof, in a rare Extra-Large square format. A special Proof that only 3 have been made with hand gilded Gold Leaf. The outstanding hand-painted qua...

Original "Visitez la France: Bretagne" French Travel Poster by Jean Farcia, 1950s. Archival linen-backed with vibrant lithographic colors, it is ready to be framed. See condition b...

An original mid century modern abstract expressionist monotype print by American artist Toma Yovanovich. Toma Yovanovich (1931-2016) Yovanovich was a painter/printmaker whos...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

Barcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...

IMPORTANT AMERICAN MAP - ONE OF THE FIRST TO SHOW CALIFORNIA as an ISLAND JOHN SPEED (1552-1629) AMERICA - With Those Known Parts In That Unknown Worlde (sic), 1626-(76) (Burden 217 iv/iv) Engraving, uncolored. Engraved by Abraham Goos and published by Thomas Basset and Richard Chiswell - 4th state of 4 in 1676 15 1/8 x 20 1/2” From “A Prospect of the Most Famous Parts of the World”. Generally good condition. A repaired split in lower centerfold. This is the most common version of this important map...

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". Plate size: 3 1/4 x 4 1/4 i...

FRANCES H. GEARHART (1869-1958) DESERT BARRIER c. 1933 Color block print, unsigned 12 x 9 ¼”. Typical original margins on good fibrous japan paper. Many very good impressions by G...

B. J. O. NORDFELDT (1878 - 1955) THE WAVE, MOONRISE, 1906 (Donovan 19) Woodcut printed in colors. Signed and dated faintly in sky upper left. Image 9 ¼ x 11 1/8”, sheet 9 5/8 x 11 ...

Original Aspen Colorado town and mountain scene printed in 1975. Artist: Jim Ford. This poster is archivally linen-backed in excellent condition, Grade A, and ready to frame. No...

Kiyomi Barrier & Seiken Temple Near Okitsu - Japanese Woodcut Print on Rice Paper Woodblock print of boats in a harbor by Utagawa Hiroshige (Japanese, 1797-1858). Originally publish...

This exquisite lithograph by Wassily Kandinsky (1866–1944), titled Comets, from Verve, Revue Artistique et Litteraire, Vol. I, No. 2, originates from t...

This Limited Edition giclee landscape print by Bri Custer features a bright blue, green, and lavender palette, and captures a view of the coast from behind pine trees. It is an editi...

Original 1989 Louis Vuitton Automobile Classiques Poster –Hand Signed, Archival Linen-Backed. This poster was created for the Concours d’Elegance ...

Original vintage poster: Musical Dance Flamenco Spanish Caseres & Arseni Theatrical/Musical Theatrical 1940s. Ballet Teatro. 1941. Artists: AMADEU ASENSI AND RAFAEL CASERES The ...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de André Lhote, 1960. P...

SAJIPPE KRAKA JOUJESH Year: 1998 Medium: Silkscreen Size: 39 x 46 inches (99 x 117 cm) Edition: 150 Price: $4,000 Kenny Scharf was born in 1958, in Hollywood, California. The artis...

Artist: Franz Lenhart. Size: 27.5" x 39". Professional archival linen backed; ready to frame. "La Conca d'Oro dell 'alto Adige" The water flows f...

Lawrence Jossett ( 1910 – 1995 ) was born in Cambridgeshire England. He acquired his knowledge and skill as an engraver of bank notes. His natural talent and his attention to detail ...

FRANCES H. GEARHART (1869-1958) VALLEY RAMPARTS 1933 Color block print, signed and titled in pencil. 10 1/8 x 12 inches. Very large and good impression In generally good condition. ...

XXXIII Fig. I Avanzo del Tempio di Castore e Polluce .View of the Remains of the Peristyle of the House of Nero, Etching, 1756 Signed in the plate (see photo) From: Le Antichità Roma...

Lithograph on English cartridge paper. Inscription: Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: Published by School Prints Ltd., London; Printe...

Linda Plotkin, American (1938 - ) - Two Elms, Year: circa 1965, Medium: Etching on Arches, signed, titled and numbered in pencil, Edition: 6/120, Image Size: 22 x 18 inches, Size...

Landscape is an original etching on creamy paper realized in 1904 by French artist Hippolyte Camille Delpy (1842 - 1910). Signed on the plate on the lower right. The state of prese...

Original Fabre Line “Marseilles — Mediterranean — New York” Poster by J. Tonelli, linen-backed, Grade A- Capture the golden age of ocean travel with this original vintage poster de...

Artist: LeRoy Neiman Title: Nantucket Sailing Medium: Serigraph Year: 1980 Edition: 168/300 Frame Size: 30" x 35" Sheet Size: 25 5/8" x 30 7/8" Image Size: 20" x 24" Signed: Hand sig...

Jean Baptiste Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. His prolific works simultaneously referenced the Neo-Classical tradition a...

Landscape is an original etching realized by Henry Verger-Sarrat in the early 20th Century. Good conditions except for some foxings. Signed in plate. The artwork is depicted throug...